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[POSTPONED: May 17, 2020] clipping. / Cartel Madras

indexS. and I saw clipping. open for The Flaming Lips.  It was an unlikely pairing to be sure.  clipping. are a noisy glitch hop band fronted by Daveed Diggs.  Their songs are noisy and violent and more than a little unpleasant.

I won’t say that I enjoyed their set, but I was thoroughly engaged by it.  I’d be very curious to see what they are like as a headliner–more noisy, more abrasive even less pleasant, but a total experience, I’m sure.

clipping.’s new album “absorbs the hyper-violent horror tropes of the Murder Dog era, but re-imagines them in a new light.”  I have to assume the live show for this album is very intense.

Cartel Madras is a Canadian hip hop duo from Calgary, Alberta, consisting of sisters Priya “Contra” Ramesh and Bhagya “Eboshi” Ramesh.  Both sisters emigrated from Chennai, India and identify as queer women of colour.  They classify their music as “Goonda Rap”, a play on a term used in South Asian circles to describe a “thug.”

Their music has an original sound underneath it and I’ll be they are dynamic live.

SOUNDTRACK: ASHLEY McBRYDE-Tiny Desk (Home) Concert #21 (May 14, 2020).

Ashley McBryde is the latest country singer who I enjoyed very much until she started singing.

Ashley is charming and funny.  She tells us that she and her band mates self-quarantined and then washed their hands in front of each other for 20 seconds.  And she is so happy they did because she had taken it for granted hearing other people sing with her.

She even drew her own little Tiny Desk sign (she googled it) because she was supposed to be behind the Desk but was denied.

We were scheduled to host a Tiny Desk performance by Arkansas-born country singer Ashley McBryde on March 31. Obviously, we had to postpone McBryde’s visit.

McBryde sang four songs (which I assume is one more than she would have gotten at an actual Tiny Desk).  All four songs are country songs.  Which means they are catchy and have (mostly) interesting lyrics, but that Arkansas twang is just too much for me.

The first song,

“Hang In There Girl” which opens both the album and this set — is a perfect song for this moment, not that there’s ever a wrong time to hear someone sing, “Trust me when I say, you’re doing fine.”

Matt Helmkamp plays a solo, so I guess it is nice to have three guitars.  Chris Harris sings nice backing vocals.

Before the next song she says that they are playing live and she even made a setlist.  But that she misspelled “One Night Standards” as “Standars”  NPR called it “one of our Best Songs Of 2019.”

For “Velvet Red” Harris switches to mandolin and has to tune all eight strings–“it was in tune when he bought it” and they play the bluegrass- (and wine-) inspired love story featuring “basically all of the rule-breaking.”

McBryde is sporting a “Wash Hands Please” T-shirt, and encourages everyone to follow CDC guidelines before ending the set with “Sparrow.”

She’s very funny and I’d enjoy watching her banter between songs.  If she is going to have a proper Tiny Desk soon, what songs will she play if she played all of these already?

[READ: May 16, 2020] Five Years #4

This book’s voice over is by Kachoo.  In addition to getting everyone up to speed about the Phi bomb, she has been sitting on the beach for hours.

Francine doesn’t like it.  She knows what a visit from Tambi means (I haven’t seen Francine this angry in a while–I didn’t like it).

Francine is distracted so the girls get to take advantage of it: “can we have ice cream [for breakfast]?” “Mm Hmm.”  The scenes with the girls are the only levity in this dark issue. Continue Reading »

[POSTPONED: May 16, 2020] Karina Rykman / Heaven Man

indexI know Karina Rykman as the bassist for the Marco Benevento band.  She is without doubt the happiest musician I have ever seen.  She is also so much fun to watch and just exudes how much she loves what she does.  Her bass playing is fantastic as well–such a great sound.

I really don’t know much about her solo music.  She has two songs out and they are kind of electronic (and neither one is all that exciting).  There’s no jamming bass work or anything.  But who knows what she’d do live.

If it was a choice between her and The Lemon Twigs (playing the same night), at first it would have been her, but I think The Lemon Twigs would have won out.

Heaven Man is a Philadelphia based trio who plays a kind of psychedelic garage rock. I’ve listened to a few songs and rather like them musically (I’m not sold on their singer though).

I have to wonder if this was her choice for opening act, if she was going to play similar music.

[POSTPONED: May 16, 2020] The Lemon Twigs [moved to May 13, 2022]

indexI feel like this show was announced about five days before it was cancelled.  I hadn’t heard about it and I was certainly interested in seeing them.

I really liked The Lemon Twigs’ Do Hollywood album and their follow up EPs showed even more development.

They are about to release a new album (although that was also delayed because of the Coronavirus).

Their glam rock sound is really great and I imagine that they would be a ton of fun live.  I hoe the new album is good and that they come back around soon.

 

[POSTPONED: May 16, 2020] City and Colour / Katie Pruitt [moved to October 7]

indexCity and Colour is Dallas Green, the clean singer from Canadian band Alexisonfire.  I liked them a lot (especially his parts).  I’ve also enjoyed some of his solo stuff, which tends to be more folkie.

I’ve often thought it would be interesting to see him live.  He seems like a decent guy and I imagine is shows would be enjoyable.  But I have to say that i am shocked that he could headline Franklin Music Hall.  It just seems way too big for him.  Do more people in the States know who he is than I realize?

I’d guess he’d be more of a Boot & Saddle-sized performer.  So, good for him.  I wouldn’t want to see him in such a large place, but maybe someday he’ll come somewhere smaller.

Katie Pruitt is a folk/country singer from Nashville.  She has a wonderful song called “Loving Her’ that she released for National Pride Day (with a great video).  She veers a little too much into the country twang for my tastes, but if she can get country music to embrace the LGBTQ community, then, I’m all for her.

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SOUNDTRACK: FRANCES QUINLAN-Tiny Desk Concert #974 (May 13, 2020).

I Wanted to like Hop Along, but there was something about them that I didn’t.  I think it came down to Quinlan’s voice which I almost like but I think ultimately don’t.

That’s true here too, although I like it better on these quieter songs than the bopping of Hop Along.

Quinlan is a Tiny Desk veteran, having played here in 2015 with her indie-rock band, Hop Along. You could argue she has even more Tiny Desk experience than that; as Quinlan pointed out during her set, a can of Hop Along-branded beer has been sitting on the Tiny Desk shelves through numerous previous concerts, including Lizzo’s.

This time around, she performed songs from her debut solo album, Likewise. She was accompanied by two musicians who played on Likewise: her Hop Along bandmate Joe Reinhart, on bass and guitar, and Molly Germer on violin.

There’s something weird in the first song”Your Reply.”  From time to time a note rings flat or out of tune.  I can’t decide if it’s intentional or not.  And the middle of the song sounds like bassist Joe Reinhart is just messing up all over the place.  Although he does add a nice solo at the end.  I do like the melody at the introduction of the chorus though.

She tells a joke about Presidents Day that I don’t get.  I don’e even know if it can be classified as a joke.

The second song, “Detroit Lake” has a note that sounds wrong but which I is intentional–it’s part of the opening guitar melody.  This song is primarily just Frances and Molly Greene adding interesting violin textures.  Mid way through, Reinhart starts adding nice bass harmonic notes.

She tells us a fun fact that George Washington did not have wooden teeth–they were made of animals and other people’s teeth.  How about that.

“Lean” opens with a pretty guitar melody and Quinlan’s whispered vocals.  Reinhart switches to acoustic guitar to flesh out her sound nicely.  This is my favorite song of the set as it feels the most complete.

[READ: May 15, 2019] Five Years #3

The voice over for this issue is by Tambi.  She is going to Washington D.C. to meet Ivy Raven and Julie Martin, two characters from the Echo series.  Julie Martin is the living Phi bomb.

Ivy reveals that there’s an alloy in the bomb that affects those around Julie.  It messes with their DNA. If you’re a threat to her, it destroys you.  If you’re not, well, Ivy looks younger and radiant.

Turns out the Cleopatra papyrus (from SiP XXV) has gotten out and seven countries are developing their own phi weapons programs. Continue Reading »

[POSTPONED: May 15, 2020] Sheer Mag / Young Guv [moved to August 20 & 21]

indexI saw Sheer Mag a couple of years ago and found their set to be fun and energetic.  I haven’t gotten any of their music because they refuse to put anything out as a CD.

Their sound is so strangely old school rock that it’s hard for me to believe they are a new band made up of young musicians.

I didn’t think I’d need to see them again, but it’s always fun to see bands at Boot & Saddle, especially with a home town crowd.  They have rescheduled for two dates in the fall and fortunately my ticket will be applied to the night I am free.

Young Guv is Ben Cook, the guitarist for Fucked Up.  I had no idea what kind of music Young Guv made, but what I imagined turned out to be nothing like what it actually is.

Young Guv’s music is poppy and light in an indie rock sorta way. It’s really catchy, too.  I’m looking forward to seeing him again.

[CANCELLED: May 15, 2020] Restorations / Hurry / thank you thank you

indexI feel like this Restorations show was kind of dropped out of nowhere recently.  It’s not part of any kind of tour because they were going to play Europe and then just this one Philly Date (hometown date).

I saw them open for Band of Horses four years ago, and they were great.  Like with many opening bands, I thought it would be great to see them headline (especially in a small place like Johnny Brenda’s).  This show happened to be on the same night as Diet Cig who I really really wanted to to see, so I wasn’t going to be able to go, but I hope they reschedule another home town dhow soon.

Hurry is a band from Philadelphia, originally the solo project Matt Scottoline.  They are described as 90’s rock revivalists and all of their influences are bands I like.  Some of their songs online are a little slower than I expected, but they do have some uptempo ones as well.

I can’t find out anything about thank you thank you except that they are based in Philadelphia, they have one song on band camp (a piano ballad) and that the email address for the band is to Tyler Bussey.

[POSTPONED: May 15, 2020] Andy Shauf / Faye Webster [moved to December 18, 2020]

indexAndy Shauf is a Canadian singer songwriter.  He sings quiet, introspective songs.  He was playing at Union Transfer at the beginning of Mat and then in New Jersey in the middle of May.

I was introduced to his music from a Tiny Desk Concert in which he never really moves.  He has very long hair which also never moves.  His songs are really very pretty and well constructed.

It’s his voice that I find utterly fascinating.  He enunciates in such an unusual way.  The way he emphasizes certain vowels defies his Saskatchewan upbringing.  He sings not unlike Margaret Glaspy and other newer sings who stress their vowels in an unusual to me way.

I really enjoyed his Tiny Desk and I enjoyed reading about the album The Party which sounds like the worst party ever.

Since then he has cut all of his hair and looks totally different–I wasn’t even sure it was the same guy.

Faye Webster is a singer from Georgia who actually has a similar singing style to Andy, which is fascinating.  She sings low key torchy ballads and would be a perfect opening act for him.  I’m going to have to listen to a bit more from her.

He’s the kind of musician that I would think about going to but probably wouldn’t, and then I’d wish I had.  Well, now I have two more chances.

His initial itinerary fascinated me:

Boston, Brooklyn, Philly, D.C., North Carolina, Atlanta, New Orleans, Alabama, Indiana, Pittsburgh, New Jersey, upstate New York.

The rescheduled shows keep the same basic set up except that now Philly is the day before NJ–I wonder what changed that plan.

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SOUNDTRACK: AUGUSTIN HADELICH-Tiny Desk Concert #973 (May 11, 2020).

This tiny desk is another duet for piano and violin.  This pairing of instruments is always lovely.  This particular pairing is quite beautiful.

Grammy-winning fiddler Augustin Hadelich [brought] his beautiful Guarneri del Gesù, built around 1744.  The violin, once owned by the famed virtuoso Henryk Szeryng, has been called one of the finest concert violins in the world.

Hadelich has been called one of the finest concert violinists in the world. Born in Italy to German parents, he studied at Juilliard in New York. His sweep of the top awards at the International Violin Competition of Indianapolis in 2006 launched his career.

Hadelich plays a piece by contemporary composers and two older pieces.

With his discerning pianist Kuang-Hao, Hadelich put the 276-year-old del Gesù through its paces in the propulsive “40% Swing” from John Adams’ Road Movies.

This piece is fast and propulsive (“it’s all about the joys of driving on a fast highway”) with lots of super fast bowing and lots of bouncy, sometimes discordant chords from the piano.  It’s five minutes long but it seems exhausting.

He made the instrument croon sweetly in Dvořák’s “Humoresque,” a chestnut of old world charm, especially in violinist Fritz Kreisler’s beloved arrangement.

This piece is like a sweet dance.  You can just see people dresses up and dancing around a ballroom to this song.

A burst of energy returned to round out the set with the bustling “Burlesca,” by Czech composer Josef Suk, a favorite pupil of Dvořák who later became his son-in-law.

This piece has the same stately feeling of the Dvořák piece  although it feels less formal, especially with some of the very fast runs that both the piano and the violin perform.

[READ: May 14, 2020] Five Years #2

Issue #2 is very different from Issue #1.

It is narrated by a dead woman.  Although this woman died when she was ten years old, forty-five minutes later she was back.  The doctors said it was a miracle. That’s because they can’t see Malus.

We see a woman named Rachel approaching a man and then speaking in Russian.  She wants names.  When the man resists, a young girl named Zoe does something horrifying with a pair of pruning shears. Continue Reading »