Feeds:
Posts
Comments

Archive for the ‘Union Transfer’ Category

[DID NOT ATTEND: September 14, 2026] The Rasmus / Saint Agnes / Death Valley Dreams

I had not heard of The Rasmus before this show was announced.  Indeed, the only reason I paid any attention to this listing is because my friend’s son plays bass in Death Valley Dreams.  He has been playing in bands for years and I have never had a chance to see him.  I did consider going to this show, but it just wouldn’t work out for me.

People seemed kind of excited about this show.  But as I thought, I didn’t know The Rasmus.  But in fact, I do!  They are a Finnish band that had a song in Eurovision in 2022.  Their latest album, Weirdo, had SIX singles released.  Which makes them more successful, or at least more prolific than Maneskin.  They play a kind of rock with pop sensibilities and goth vibes.  They also have some high-energy, feel-good moments.  They’re pretty enjoyable (if lyrically bland), and I’ll bet they’re even more fun live .

Saint Agnes is an English industrial rock band formed by singer, songwriter, and multi-instrumentalist Kitty A. Austen and guitarist Jon James Tufnell in 2014.  They play simple, catchy industrial songs.  They look pretty theatrical and seem like they’d be fun live, too.

So I’ve not heard much by Death Valley Dreams–they went media silent before releasing new stuff.  But I love how their website describes them: “It’s as if The Cars got David Bowie to sing and played something that could have been on The Lost Boys soundtrack.” The sound is familiar yet fresh and unique.  They are from Wilkes-Barre/Scranton, Pennsylvania… “an area that was actually voted the least happy place to live in the continental United States…a place where writing music and being creative are the only real ways to stay sane.”  I’m led to understand that the singer is a great frontman.

Bummed I couldn’t make this show, now that I know I could have added to my Eurovision bands!

 

Read Full Post »

[DID NOT ATTEND: September 7, 2026] Peter Hook & the Light

In 2022, Peter Hook & the Light played Union Transfer and I couldn’t go.  He came back again in 2024 and I grabbed a ticket and had a great time.  They were playing Substance from New Order and Substance from Joy Division, which was pretty damned awesome.

My only complaint (and I don’t deserve it since I knew what was coming) is that I like a lot of newer New Order too.  But that wasn’t on the menu, so nevermind.

So it turns out that this tour was for the Get Ready album, a newer album that I thought I liked–the cover was easily memorable to me.  And yet when I put it on, I didn’t really remember it.  Turns out I really liked Republic, and the ones after that, not so much (turns out he played the Republic album back in 2019).

Initially I had penciled this show in for my wife and I to go, because I assumed we’d really like it.  I never got tickets because it didn’t look like it was going to sell out.  It was also the night before she was going back to work, so when I found out the show was mostly an album she didn’t know, I didn’t even bother getting tickets.

It also turns out I was wiped out from the show the night before, and I would have been miserable had I gone.  Maybe in two years we’ll try again.

Although listening to Get Ready now, it is a good album.

Read Full Post »

[DID NOT ATTEND: September 7, 2026] Peter Hook & the Light

In 2022, Peter Hook & the Light played Union Transfer and I couldn’t go.  He came back again in 2024 and I grabbed a ticket and had a great time.  They were playing Substance from New Order and Substance from Joy Division, which was pretty damned awesome.

My only complaint (and I don’t deserve it since I knew what was coming) is that I like a lot of newer New Order too.  But that wasn’t on the menu, so nevermind.

So it turns out that this tour was for the Get Ready album, a newer album that I thought I liked–the cover was easily memorable to me.  And yet when I put it on, I didn’t really remember it.  Turns out I really liked Republic, and the ones after that, not so much (turns out he played the Republic album back in 2019).

Initially I had penciled this show in for my wife and I to go, because I assumed we’d really like it.  I never got tickets because it didn’t look like it was going to sell out.  It was also the night before she was going back to work, so when I found out the show was mostly an album she didn’t know, I didn’t even bother getting tickets.

It also turns out I was wiped out from the show the night before, and I would have been miserable had I gone.  Maybe in two years we’ll try again.

Although listening to Get Ready now, it is a good album.

Read Full Post »

[DID NOT ATTEND: August 31, 2026] Arlo Parks / Baird

Back in 2024, I blew off seeing Arlo Parks because I wasn’t feeling that well. I noted that I had failed to see her several times now and that maybe I should just give up.  But every time that Arlo releases a new song, I just love it.  So this time, I promised myself that I would go to see her.

And then we had to bring my daughter to college and there was literally no way to make it back in time.  Obviously the trip to college was so much more important and quite a lot of fun), but sometimes timing sucks.

I was able t sell my ticket, so that’s cool.  Maybe, indeed, I won’t be able to see her live after all

I think this means I’m not going to be seeing Arlo live.

I hadn’t heard of Baird but he evidently her producer and co-creator.  He has assisted with much of her music.  His own music is kind of lo-fi dancey.  I was unimpressed by the opening of Dogpile, but I like the way it built into something else while retaining the same elements throughout.

Last time, I chose not to go because Arlo played for only an hour.  This time it was 90 minutes.  I did get to see her (sort of) at all things go.  But maybe in a couple years I’ll finally geta proper show.  We’ll see.

Read Full Post »

[DID NOT ATTEND: August 29, 2026] Citizen / Hotline TNT / Anxious / Rocket

What’s a person to do when there’s a four-band bill and you like 2 of the bands but neither is headlining?

I’m always intrigued when I’ve never heard of a band who is headlining a tour.  Particularly if there are other bands on the bill that I know and like.  So how have I never heard of Citizen?  They’ve been around since 2009 and have come through Philly several times. Their 2023 album Calling the Dogs is considered essential listening.  Their bio says

With the ability to excel in both quiet ballads and distorted rock anthems, Citizen (which recently expanded to a full quintet with the addition of former touring members drummer Ben Russin and guitarist Mason Mercer) has an incredible knack for channeling raw emotion and energy into singalong songs.

A brief listen confirms the singalong part for sure.  I like them, they’re quite fun, although they’re not especially memorable. This probably would have been a worthwhile night to check out, although we were leaving for Minnesota the following day so that was unlikely.

Hotline TNT plays what I can only describe as classic shoegaze, which is definitely having a moment again.  Unlike a lot of their contemporaries, they don’t really mess with the classic shoegaze vibe all that much–not adding elements at all.  Their music warms my heart and I’d love to see them live.  This is the seventh time I’ve missed them since 2022.

Anxious are an emo band from Connecticut,  They play some lighter stuff, but seem to have a heavier punk edge as well.  They have old school punk singing from time to time–sometimes in background behind some much gentler singing.  But it’s mostly poppy punk stuff.   Pretty fun/

I Saw Rocket open for Ride and then saw them ona headline tour at Warehouse on Watts.  They are great.  I’m surprised they were so low on this bill.  This Rocket (there are several bands named Rocket) is from LA and holy cow, they scratched just about every musical itch I had.  Soft female vocals, shoegaze to heavy crunchy guitars.  It was all there.  I loved every second of their set.

Read Full Post »

[ATTENDED: July 28, 2026] Tomahawk

I’ve seen Mike Patton with two bands: Dead Cross and Mr. Bungle. I enjoy anything he does and am always happy to see what he comes up with (Although I didn;t like the Avett Brothers/Patton country sound all that much).  St this point, there’s realistically only two other bands I’d like to see him front live, Fantômas (which I doubt will happen) and Faith No More (which could happen).  I’d also like to see Mr. Bungle again, since the show I saw was their debut album only, but whatever.  Tomahawk is a Patton-fronted project that I was into for a bit and then it just felt like there were too many Patton related bands to keep track of at the time (Lovage, Peeping Tom, Fantômas, Faith No More, Mr. Bungle) so I stopped following them.  Which is a shame because their music is quite diverse (I mean, all Patton music is diverse, often within the same song, but…oh forget it).

So anyhow, Tomahawk put out an album in during the pandemic but hadn’t toured it.  Then, a few months ago, they announced this tour with the Melvins: a huge waste of your time and money (hilarious).

Even though I wasn’t a huge fan, I knew I had to see them.  In addition to Patton, the band featured Duane Denison (Jesus Lizard, Firewater) on guitar John Stanier (Helmet, Battles) on drums and Trevor Dunn (Mr. Bungle, tons of other things) on bass.  A great lineup.

The lights came up and the stage was fairly sparse. Drums in the back (with Stanier’s outrageously tall cymbals), a table of some sort out front for Patton and amps on either side. Because of the table, I couldn’t see Trevor Dunn very much (he hung back) until he came up to sing backing vocals.  But I had a great view of Denison and it was amazing watching him play.  He’s not flashy at all, but he does al kinds of interesting things to generate interesting sounds.

In fact, the whole show was not flashy at all.  There were no fancy lights or projections (just the band’s logo on a curtain in the back).  In fact, half way through the set I realized that the setlist was taped to Patton’s table.

They opened with the first song on their first album.  Rather appropriate, I think. The squeaking sound of some kind of effect opened the set as Patton whispered the lyrics to Flashback and the crowd went berserk.  The song took off and the mosh pit started.  Tomahawk is a hard band to mosh to, because their songs go at varying tempos and intensity.  But people managed it.

Tomahawk never toured that 2021 album, so they finally had a chance to play it live.  I suppose old school fans wanted to hear their earlier stuff (although, I mean this album is 5 years old, it’s not exactly new), but I really enjoyed this new stuff.   And the played 9 of the ten songs from it.

SHHH! has lots of vocal parts and I really enjoyed at the end of the song when Patton whispers the title.  It seemed like he was trying to get everyone to stop yelling things (which they did during the quiet parts), but I realized it was part of the song.  Predators and Scavengers has a cool riff and simple chugging guitar parts.  It was fun being in front of Duane Denison for this one.  I loved turning my head from Patton to see what he was doing and he was inevitably calmly playing some cool thing or other.

I had listened to the setlist before the show since I didn’t really know the songs that well (if at all) and one of my favorites was Business Casual.  It was really fun watching Mike and Trevor scream the lyrics and then whisper “bad cholesterol, business casual.”  Dension made interesting quiet guitar sounds while Dunn’s bass rumbled along.  I liked that Doomsday Fatigue had quiet moments–because Patton’s (and the whole band’s) range is tremendous and it’s fun to see them really show off what they can do. (more…)

Read Full Post »

[ATTENDED: July 27, 2026] Melvins

Despite everything in the world indicating that I should be a Melvins fan, for whatever reason, I just never followed them.

And I’d never wanted to see them live.  Then in 2023, they did a coheadlining tour with Boris (which I wasn’t going to miss).  During that show, Dale Crover had an injury so Coady Willis played drums.   But this time, Dale was back and BOTH drummers were up on stage.

Recent bassist (they have had many bassists) Steven Shane McDonald (who was one of the main dudes in Redd Kross, a band I have never gotten into) was on bass and is a lot of fun.  Despite Melvins being a heavy punk band, McDonald acts like a massive hippie.  He has long hair, was wearing a jump suit with eyes all over it and is very chill (except when he’s screaming).   He also plays his bass in a great way–lots of reverb and pedals and often playing high on the neck creating a sound that doesn’t seem to fit what I think of the Melvins’ sound, but which worked really well.

And then there is Buzz Osbourne (King Buzzo).  Last time he was on the far side of the stage, but this time i Was right in front of him.  Like last time he was wearing a caftan with a giant eyeball on it and of course, his legendary hair.  I didn’t realize he was a “good” guitar player.  I assumed the band played sludgy slow songs with just a few chords.  I kind of assumed that they didn’t care about the music.  But that’s wrong.  Buzz played solos and clearly does give a shit.

Last time, it took a couple of songs to win me over, but tonight I was fully into it.  As were most of the audience (I deliberately arrived earl than I normally would because I knew people weren’t going to blow off the opening band).  Indeed, after fifteen minutes a mosh pit started (not bad for an opening band).

As I said I always assumed Melvins songs were slow and sludgy, but most of the earlier songs in the set were pretty fast tempo.

I’m going to admit, though, that the most fun part of the show was the two drummers.  I’ve seen a few bands with two drummers and it’s always neat.  You kind of think they can’t possibly stay in sync, but come one, they are drummers of course they can.  What was really fun about this pair was that Dale is right handed and Coady is left handed so they mirrored each other.  Mostly they played the same thing but from time to time, one of them would add extra fills or wood blocks or something.  I loved at the end of the first song the both held their sticks over the heads in a X shape while they prepped to start song 2. (more…)

Read Full Post »

[DID NOT ATTEND: July 24, 2026] Wunderhorse / Been Stellar

Wunderhorse is a band whose name sounds like a lot of other bands that I like (or at least hat I know).  I know WXPN liked them, although when I played the song tha they had been playing a lot, I didn’t recognize it.  And I didn’t really like it.  I have nothing against the band but nothing about the songs grabbed me at all.

So, yea, I wasn’t going to see them.

I have enjoyed the band name Been Stellar for a little while now.  I’m not even sure if I knew their music, but their name gave me a chuckle.  They have opened for two bands that I was interested in seeing, but I didn’t go to either show.  Last time, when they opened for Fontaines D.C. I said I listened to a few clips and didn’t really get much of a feeling from them–fuzzy alt rock.  They’re kind of a buzz band, but I’d need to hear more.  When I first listened to them in 2023, though I really liked them.  I guess tastes change.

Read Full Post »

[DID NOT ATTEND: July 26, 2026] Finn Wolfhard / Sleeper’s Bell

Just how many of the cast from Stranger Things are also musicians?  Well, just about all of them, it seems.

And so here comes Finn Wolfhard.  He played The Foundry a couple of years back and here he’s at Union Transfer.  I have no idea how well the show sold, and I didn’t have any intention of going, but I’m fascinated by the whole thing.

I checked out his solo stuff and its kind of fun–I imagine he’s a great frontman.  But I didn’t care enough to look into it any further.   But in fairness, his sound is good–a Pavement-adjacent sonic palette with hints of other genres poking in.  And his songs are really short.

Okay, so this review from Get Alternative says

The show was nearly sold out and super packed, a line around the block snaked down the street, to get inside the venue.  Finn Wolfhard, a Canadian actor/musician … is 23. He released his second solo album on July 10th.  He had a full band backing him up and their scrappy indie rock was fun and energetic. The lighting was excellent, mostly blue with bits of yellow shining through, and candelabras spread throughout the stage as a backdrop. This was a memorable show and an exciting night of music.

The review also mentions Sleeper’s Bell, who I didn’t know.

Opening up the show was Sleeper’s Bell, a band from Chicago who are in their mid twenties. They play indie folk and are fronted by vocalist Blaine Teppema and guitarist Evan Green, and played with a drummer and bassist as well for this tour. They seemed grateful for the opportunity to open for Finn and played a few songs from their latest album ‘Clover’ from 2025, as well as a smattering of new and unreleased songs. They had a quieter vibe to them and Blaine’s pretty voice shone through the instrumentation. A highlight of the set was the song ‘Corner’ a single from 2024. They finished up the set by playing ‘Hey Blue’ the final track from Clover.

They are definitely too quiet for me.

(more…)

Read Full Post »

[DID NOT ATTEND: July 18 & 19, 2026] Rx Bandits / Catbite

Two years ago Rx Bandits played a show at Asbury Lanes and the following night at Union Transfer.  I was not familiar with Rx Bandits when they announced this show.  Indeed the only reason I was interested in at all was because Zeta was announced as the opener.

So I went to the Asbury Lanes show and really enjoyed them a lot.  I liked the music and I found the band members charming and entertaining.  There were people at the show ho were major diehard fans, and I felt a bit like poser, but I enjoyed myself.

I did seriously consider going to these shows, too.  The Asbury Lanes one didn’t work because I had been to two shows in a row before this one.  But I did think I might make the Union Transfer show (it would have been interesting to see them on a much bigger stage).  But as tends to happen, things got hectic and I wound up never buying a ticket.  So I stayed home.

Maybe in three years they’ll tour the Mandala album as well.

I saw Catbite open for Fishbone in April and really enjoyed their old school ska.  The venue I saw them in was really small and it would have been fun to see that in a larger, hometown venue.  But they’re not going anywhere and I’m sure I’ll be able to see them again.

Read Full Post »

Older Posts »