Feeds:
Posts
Comments

Archive for the ‘Union Transfer’ Category

[DID NOT ATTEND: April 11, 2026] Sunn O)))

I saw Sunn 0))) in 2017.

It was a pretty intense and amazing experience.  I didn’t think I would need to see them again, but when this tour was announced, I figured that roughly ten years was enough time between shows.

Sadly, t was scheduled for the same night that I had a ticket to see The Belair Lip Bombs.  Since this was their first time coming to the States and it was at the terrific PhilaMOCA, I decided to give Sunn O))) a miss.  However, I did consider that I might be able to sneak into the end of their set and catch maybe ten or fifteen minutes since my show was two bands with a small catalog of music.

My friend Jae went to the Sunn O))) show and I told him to text me when it ended.

I wasn’t sure how I would ask to get in to see the last few minutes of the show–if they’d make me pay or what.  But it was all moot.  Sunn O))) had no opener, and their set ended roughly at the same time as mine did.  He also laughed that they played the audio of banter from a Venom show.  Hilarious.

Jae said the show was great and I hope they come back again in a couple of years.

Here’s the clip that Sunn played (hilarious)

Read Full Post »

[DID NOT ATTEND: April 4, 2026] Nothing / Full Body 2 / Cryogeyser / Violent Magic Orchestra

I don’t fall for a lot of hype about things.  But when Union Transfer hypes an upcoming show, I often check out the band.  They especially like to hype Philly bands (which makes sense) and I feel like I had been very lax on my Philly music knowledge.  Nothing is a band that I probably should have known but didn’t.  And it turns out I’ve had a few opportunities to see them.  They opened for Boris on the one tour  that I missed and they hosted or helmed Slide Away Philadelphia, which was an all day shoegaze event.  I would have loved every band but a whole day would have been too much.

At the time I wrote

They’ve been around for almost fifteen years. Everything I’ve listened to from them has been quite good.  They tend to veer into the more creepy and less heavy side of shoegaze.

Full Body 2 (odd name that) is also from Philly.  They sound a lot more like My Bloody Valentine than other contemporary shoegaze bands–the vocals are really buried and there’s some interesting synth sounds.

IndexYear0001.com explains the name

Full Body 2 are a band from Philadelphia, Pennsylvania made up of Cassidy Rose Hammond, Dylan Vaisey, & Jack Chaffer.

Full Body 2 is a sequel to the band Full Body, which included Hammond and Vaisey. Full Body 2 have a dense, shoegaze sound which they combine with aspects of electronic genres like breakcore and digi-core as well as rendered futuristic aesthetics.

Opener Cryogeyser says this about themselves on their bandcamp: “Three piece from Los Angeles. Cute.”

Flood Magazine writes that

 Distortion and reverb are their friends, but none of their music feels consumed or overwhelmed by such effects. A mix of dreampop, shoegaze, and grunge, the LA-based trio balance their stone-heavy rhythmic section of bassist Hunter Martinez and drummer McCoy Kirgo with the swirling melodies and heaven-reaching vocals of singer-guitarist Shawn Marom.

Their music is quite stark and spare, though for all the reverb.  There’s also a sense of 50s girl group about them.  I’d be curious to see how that translates live.

I hadn’t heard of Violent Magic Orchestra who are from Japan.

The Wire says this “Osaka based six piece fuses black metal aesthetics with the endorphin rush of peak time hard trance and gabber”

And the blurb on their bandcamp pages says

After touring the globe showcasing their A/V moshpit-inducing live show, they are revealing their new musical creations to an unsuspecting public. Never Sleep are proud to present a landmark moment in the Japanese hardcore new rave scene.
The blinding lights of DEATH RAVE point to an untraveled journey, a sci-fi fusion of black metal, gabber, cyberpunk, performance art and techno.

I have no idea how they wound up on this shoegaze bill and their live show sounds pretty amazing.  They are more glitchy/noisy than the other bands, but I would love to see what their love show is like.

We were in Minnesota for this show.  I hadn’t been all that excited about this show because I’d forgotten what Nothing sounded like, but as soon as I listened to them again I remembered how much I liked them and how much this whole evening would have been awesome.

Read Full Post »

[DID NOT ATTEND: April 1, 2026] Thursday / Chris Conly

I have seen Thursday twice.  Both times they opened for My Chemical Romance.  The first time was in the Prudential Center.  The second time was in Giants Stadium.  Both times the sound wasn’t great and while i knew them a little better the second time, I felt like I couldn’t really appreciate them at all.

So while I don’t know their music well, and don’t know the album Full City Devolution any more than any of their other albums, I thought it would be a great opportunity to actually see the band properly.

But then my daughter was going to Minnesota and so I missed all for the shows this week.  Luckily I was able to resell this show, so no loss for me.  And maybe Thursday will headline again soon–I mean they sold out this time, so they know there’s interest.

Chris Conly is a Brooklyn musician,  I listened to two of his songs and hated them both.  He reminds me of George Thoroughgood, and the last thing we need is another George Thoroughgood.

Read Full Post »

[DID NOT ATTEND: March 27, April 5 & April 16, 2026] Tigers Jaw / Hot Flash Heat Wave / Creeks (solo)

About five years ago, I had seen Tigers Jaw two times in about a year.  I enjoyed both shows quite a lot but haven’t felt compelled to see them again for whatever reason.  Looking back I definitely enjoyed both shows,  But I guess there are just bands that I like better.

Checking out their tour dates, I am fascinated by the fact that, if I had wanted to, I could have seen them three times spaced apart far enough that it wouldn’t have been like seeing them three nights in a row.  They started in NY, then played Allentown.  They went up the coast to Maine and CT and then New York City and a week after Allentown they popped into Garwood.  Then they went down the east coast to Florida and back and played their second to last date in Philly.  Three area shows in 20 days!

Hot Flash Heat Wave are a  California based power pop band with a pleasant mix of post-punk and smooth emo.  The review from Troy, NY says

the group had a new-wave rock vibe to them, reminding me of a lighter-hearted version of The Smiths. The energy got heavier later on, with one of the vocalists jumping into the tight crowd in a way that was akin to a hardcore performance.

They have a retro synthy vibe and are definitely fun.  I see their older stuff is more guitar based.  So who knows what this set was like

WXPN says Hot Flash Heat Wave’s music contains surf rock staples, new wave vocal patterns, and a touch of grunge on top of them being seriously unserious on stage. Arguably, they’ve created a new subgenre of hyper pop perfect for the Tigers Jaw millennials that like to dance.

Creeks is the solo project of Jon Simmons from Balance & Composure (who are broken up, I guess).  Creeks is a band, but he was solo for these shows.

Turns out Grist Mil stepped up to fill the first slot, last minute in Allentown.  I hadn’t heard of them, but this review from Hashtag says

Grist Mil has created the perfect chill record to soundtrack the start of summer. Waves of haze and distortion move across guitars, crossing paths with bright synthesizers and emotionally packed lyrics. Fresh off shows supporting Balance and Composure and Oso Oso, fans of both bands will find appeal in the music of Grist Mil, also striking similarities to indie-electronic acts like M83, and blips of shoegaze and more pop-forward elements. The EP is written in concept, following through the main character’s tumultuous journey.

I listened to a couple songs–catchy but lo fi.  Nice.

The Crossroads show was an album release show for Tigers Jaw.

If I had thought about it more I might have tried to get to one of these shows, but at the very least Union Trasnfer sold out, so they didn’t miss me.

Read Full Post »

[DID NOT ATTEND: March 24, 2026] Gogol Bordello

I saw Gogol Bordello at Union Transfer almost exactly ten years ago.  I re-read my post about it and I said that I had a ton of fun, but my memory of it was that it was chaotic and crazy.  I haven’t really wanted to see them again even though I have a lot of respect for the band and I know that they live shows are amazing.

It was kind of a busy concert week so I didn’t even think about going.  It sounds like this show was all about their brand new album which I hadn’t listened to.  But I really should try to see them again one of these tours.

Puzzled Panther are from New York City.  Their debut EP was produced by Eugene Hütz.  The band is Led by Gen Z rockers Victoria Espinoza and Kay Bontempo, and often play as a duo (not sure if they were a fuller band for this tour).  Their bio says they are

generating a new wave of infectious blissed-out psychedelic mix of Madchester with the danceable frantic attack of New York post-punk

I don’t really hear that–they seem more of a simple punk sound.  It doesn’t really grab me, but maybe they’re more fun live.

Boris and the Joy is Boris Pelekh guitarist from Gogol Bordello who has a side project of indie-folk-electro-pop band Boris and the Joy.

Boris, the Ukrainian/Russian singer, composer and guitar player has toured the world as the guitarist of gypsy-punk band Gogol Bordello for a decade and fronting his own unit Hey Guy. His life’s journey and the philosophy of joy are the fibers of the emotionally colorful Boris & the Joy.

It’s pretty mellow–a stark change but probably a nice warm up.

Read Full Post »

[DID NOT ATTEND: March 19, 2026] Sweet Pill / Heart to Gold / Spaced

I missed Sweet Pill when they surprise opened for Pool Kids at the Ukie Club and since then I’ve been trying to catch them. I missed them two years ago when they played Union Transfer (that show is up on YouTube–see below).  Then they opened for Zeta at the Ukie club–a show I really wanted to go to but couldn’t make.

So this was an album release show for their new record and I was pretty psyched to go.  And then my son came home from college and I had a bunch of other commitments to take care of so I couldn’t make it either.

The funny thing is that my friend’s daughter whom I ran into at a Pool Kids show a few months ago loves Sweet Pill and she was at the show–it would have been crazy to run into her again.

Sweet Pill actually reminds me a lot of Pool Kids–similar impressive guitar work (finger tapping!) and great strong female vocals.  I really want to see them before they get too huge.

It turns out that Sweet Pill cancelled the rest of the tour a few days later for personal reasons.  I hope everything’s okay with them.  And I also hope that when they reschedule the tour, they throw in an other Philly show so I can see them.

Heart to Gold is from Minnesota and they play a similar kind of upbeat sounding punk with big guitars.  I guess they’re calling it high energy emo punk.  Whatever it’s called, I dig it

Spaced is a hardcore band from Buffalo.  They are certainly heavier than the other two bands and probably got the crowd really revved up.  Short songs, loud vocals.  Fun stuff.

I’m definitely bummed to have missed this show.

 

 

Read Full Post »

[ATTENDED: November 28, 2016] Mike Gordon

When Mike Gordon announced a short March tour and one of the stops was Union Transfer, I immediately grabbed a ticket.  I have very warm memories of the last time I saw him.  I assumed it was like six years ago so I was really surprised to discover it was actually TEN.  I was also surprised to see that he had played UT in 2018 and I wondered why I didn’t go (I had tickets to Nada Surf that night).  But it has been 8 years since Mike has been here.

The 2016 lineup was guitarist Scott Murawski, percussionist Craig Myers, drummer John Kimock and keyboardist Robert Walter.

This years lineup was similar but different: guitarist Bob Wagner, guitarist Xavier Lynn, drummer John Kimock and keyboardist Robert Walter.

Like last time, Mike and friends played for almost 3 hours (a brief intermission in the middle).  And like last time, Mike didn’t do a lot of soloing–he’s not a show offy bassist, although he does play some great stuff–he always has a great groove and I enjoy when he messes with his pedal effects to create a variety of sounds.

There was a line to get in, but it moved quickly and when I got in the merch line was really short.  My wife had bought me a poster tube since I like posters so much and I actually brought it with me this time.  But while I stood there (and I could see into the hall) nothing was happening.  Then I saw that the card reader wasn’t working and these two guys were trying to fix it.  With a few minutes before the showtime, I quit the line and went in.  I had a great spot right in front of Mike.  Although the people around me were pretty odd.

One guy had a stuffed doll with him and he kept holding it up trying to take a picture of it with the band (which I get but holy cow he did it like 30 times).  After he moved away, the spot was constantly being filled by other people who really had no regard for personal space (which might just be a Phish thing). (more…)

Read Full Post »

[DID NOT ATTEND: March 1, 2026] Peaches / Model/Actriz

I was really surprised when I saw that Peaches announced a show at Union Transfer.  Although I see she did play there in 2022.

I don’t know very much about Peaches.  I know enough to know that she is sex positive and very very explicit.  I did think that this would be a fun show to experience once (like Gwar, but with very different fluids) but I already had tickets to see comedian Ed Gamble who I was really excited to see live.

Maybe if Peaches comes back in four more years I’ll try to see her.  I’ve seen some clips from the show online and it looks pretty wild.

I saw Model/Actriz four years ago and really want to see them again.  In fact, I found out about this show first because they were announced as the opening act.  I think they were pretty much brand new when I saw them and I’m glad that they’ve been getting more popular.  I do hope to see them again and it looks like they tour a lot more often than Peaches, so I’ll assume they’ll be back soon.

Read Full Post »

[POSTPONED: February 1, 2026] Dry Cleaning / YHWH Nailgun [moved to May 6, 2026]

Back in 2022, a family emergency prevented me from going to this show.  I was interested in Dry Cleaning who at the time were a kind of trendy British band.  They are of the spoken deadpan vocal/wild guitar noise variety.   I thought they’d be fun to see live once.

They announced a new tour in February of 2026 and then announced it would be postponed

Dry Cleaning have rescheduled their imminent tour of North America, cutting a handful of dates and postponing the rest until May. The band cited “the increasingly hostile economic forces that govern touring” in a statement that you can read below.

We have had to take the difficult decision to move our Jan/Feb ‘26 US tour to May. This is due to a number of factors, not least of which the increasingly hostile economic forces that govern touring in the present day. Thankfully we have managed to reschedule the majority of the original shows and all tickets will remain valid, if that suits you, and refunds available if it does not. Regrettably, we have been unable to make this work for all dates due to the shortened routing. Refunds will be available from your place of purchase and we will do everything in our power to play for you as soon as we can.

The new date actually works out better for me and I’m looking forward to the show.

YHWH Nailgun (pronounced Yahweh Nailgun) is an American experimental rock band formed in 2020, known for their abrasive sound that blends elements of punk, noise, and electronic music. The quartet consists of vocalist Zack Borzone, drummer Sam Pickard, guitarist Saguiv Rosenstock, and synthesist Jack Tobias.  They are indeed noisy and abrasive.  I’m curious to see them do this live and I hope they are still the opening band in May.

Read Full Post »

[ATTENDED: January 28, 2026] Halima

I’ve known about Sudan Archives since her first album came out.  I wanted to see her in 2020, but her show sold out.  Then it was just before the COVID shutdown and her show wasn’t cancelled but hardly anyone went so I could have gone (but I didn’t know that and probably wouldn’t have gone anyway).  I had a ticket to see her a couple years ago but didn’t make it.  But then I finally saw her at All Things Go in 2023,so I was excited to get to see her again at her own show.

I had not heard of Halima, but she seemed to have some buzz around her.  She came out looking fierce in a half jacket with huge shoulders.  She had beads in her hair, marched out to the mic all by herself and started her backing music.

It was really impressive that she stood there with just the mic and her backing music playing as she sang her genre-unspecific music.  I really enjoyed the spare backing sounds of her songs.  omoge was a series of soft notes as she sang gently over them.    Her second song (which I never found the name of) was a bit more bouncy with some deep bass notes.

I really liked the sounds of cocoa body–a kind of percussive melody accompanied by deep bass notes.  Most of her songs were pretty short, but this one did have a middle instrumental section where Halima showed off her great dance moves.

Halima is British but she lives in Brooklyn.  I loved hearing her talk–there’s something really cool sounding about the way British singers say Phillleeee.  (more…)

Read Full Post »

Older Posts »