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Archive for the ‘Band of Horses’ Category

[DID NOT ATTEND: April 15, 206] An Evening With Band of Horses

My wife and I saw Band of Horses here about a year and a half ago.  The show was great.  When this show was announced, our friend Jonathan who lives nearby asked if we were going.  But it turned out we were going to The Last Dinner Party already on this night.  So we had gotten tickets for Philly.

We actually know a lot of people who went to this show and the consensus was that the sound was pretty bad.  So I guess we picked the right one (even if we didn’t actually have a choice). The did play two songs tonight that they didn’t for us (NW Apt. and Cigarettes, Wedding Bands) but I still think we got the better show.

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[ATTENDED: April 14, 2026] Band of Horses

This is our fifth time seeing Band of Horses.  It was almost exactly ten years ago that we first saw them headline and it was in this very venue.  It’s funny how much times change because back then I wrote

We love The Fillmore in Philly, it’s a great venue with really good sound (and nice parking).

Ten years later, I really don’t like the Fillmore.  I mean, it’s actually still a really good venue for lots of reasons (including the sound) but the parking is now a nightmare and I always feel like when bands play a bigger venue like this, the crowd tends to suck.

However, this show proved to be really great.  A 20 year anniversary for them and a ten year anniversary for us.  I had wondered why it had been sol long since we’d seen them (yes, we saw them in 2024, but before that it had been almost ten years) and it turns out they didn’t tour much since 2016, so that makes sense (they’ve only had one album since 2016).  But anyway, this was a tour for their fabulous debut album.  And they played it start to finish.

After the first song (The First Song), Ben acknowledged that his voice is a little shot (and this only the 7th night of the tour with a bunch of downtime).  But it wasn’t really shot, there were just a few times when his voice cracked.  It was unclear if he was sick or what. But he mostly sounded great, and apologized for the bum notes–fortunately the crowd was supportive of the whole thing.  I noted that the last time we saw him, he had also lost his voice–maybe he just can’t handle touring?

Having seen them five times, we had seen most of this album at one time or another.  And it is funny to think that the only sons we hadn’t seen live were the less popular ones like Wicked Gil and Monsters.  But there’s something special about hearing the album front to back.  I loved watching Ben play the lap steel to get that cool sliding effect on The First Song.

Ben notoriously cleaned house back in 2017 (depending on whose version of the story you pay attention to) so none of these musicians were around for the release of this album.  When we saw them last time, they played an acoustic set followed by an electric set.

I was fascinated to find out that Our Swords was played entirely on bass guitar!  I mean it sounds like it, but it’s true.  Both Ben and Matt Gentling played bass. Only Creighton Barrett stayed on stage to play drums for this one.  Brett Nash (lead guitar) and the guy in the back who I don’t think was Ryan Monore on keys and guitar and lots of other things, sat out for this song.

Then came the gorgeous The Funeral.  My wife and I joked that normally this song is like a show ender, so it was kind of weird to hear it so early.  But if course, it sounded great.

They had played Part One in the acoustic set last time with just Ben and Brett.  It was full band for this one, although not much heavier.

It’s funny how excited I get to hear songs that I have literally heard every time I see a band.  But The Great Salt Lake is so good and it’s always cool to see them play the interesting sounds like the slides at he beginning of the guitar riff.  Somehow I hadn’t realized that Weed Party was called Weed Party until the last time we saw them when they ended the acoustic set with this and jammed it out for along time.  It was definitely more fun in the loose acoustic jam, but I loved hearing it as a more rocking band too.

The two songs before the end I’d never seen before.  In fact, I feel like I didn’t even recognize them–although I must have if I’ve gotten through to the final song.  The oddly titled “I Go to the Barn Because I Like The” is a slow acoustic number and “Monsters” is even slower with a banjo

The rest of the band left and Ben sang the gorgeous St. Augustine solo.  He grimaced beforehand and said this would be rough, but a deal’s a deal.  He definitely scratched a few notes but overall he sounded quite good and as they headed into the fifteen minute break and we all hoped he would have some honey tea to coat his throat.

They seemed to be playing 12 songs in the second set and while the songs are mostly the same, the order has been getting mixed up and it seems like one song gets swapped out and another back in.  In this case, we missed Cigarettes, Wedding Bands (a personal fave) but we did get Ode to LRC, which other places didn’t).

We were happy to move our location to get away from the one really tall guy who was in the way.  We moved and had a much better view but wound up behind my pet peeve–the woman who holds one arm up randomly.  Ugh.  But she wasn’t terrible.  The guy who moved in front of my wife and then kept slowly stepping backwards was far worse.  Is Band of Horses a bro band? Maybe.  There were lots of whoops and hollers which seemed odd, especially during the quieter songs, but hey, people are going to do what they want, right?

But first thy started with a terrific version of Is There a Ghost–the song which exploded after the opening quieter moments. That explosion of sound is always a great moment.  They followed it was Casual Party, a major favorite in our house.  That was the only song the played from that album, which was a bit of a bummer because we really wanted to hear In a Drawer, but maybe we’re the only ones who love that song.

They wound up playing six songs from their second album, Cease to Begin, and there was nothing wrong with that!  I could easily see them doing a 20th anniversary tour of Cease since it’s easily as good as the debut.  It was really fun to dance along to Islands on the Coast, and then to swoon and soar to the gorgeous No One’s Gonna Love You.   And then to chill out once again to the groove of Detlef Schrempf.

I tend to think that BoH put out two great albums in a row, but they actually put out three.  Because Infinite Arms is, if not as great as the first two, certainly close.  Factory is a great opening track and I was pretty happy to hear it and when they played Laredo it was, as always, magnificent.

They had released a new album in 2022, and it was totally off my radar.  I knew of only one song that was played on the radio, the fun and bouncy “Crutch” which I always assume is called Crush.  It was another fun and bouncy song.  Back to Infinte Arms for Dilly.  And if I could have requested one change it would have been for that albums NW Apartment over Dilly, which is a pleasant song but nowhere near as catchy.

The crowd around us was kind of weird–into the show but something felt off.  It wasn’t too bad, and the music sounded too good to complain.  Especially when they played so many great songs.

They even played a new song–I don’t really think of them as making new music when they are touring an old album, but I’m glad the creativity is still there.

Let’s hope the new music is as good as Ode to LRC and The General Specific, two of my favorite songs and a great way to end the show.

I was really glad we got tickets to this show.  It was a lot of fun.  I would have probably picked the show the following night in Montclair if we weren’t busy already.  I actually know four people who went to that show (which never happens) and two of them said it was the loudest show they’d ever been to.  I don’t know if they don’t go to many rock shows or if there was something wrong with the sound system, but that strikes me as very odd and rather unlikely.  But then I’m sure they’ve never been to Sunn0))).

 

 

The Fillmore, 2026 Wellmont Theatre 2024 The Fillmore, 2016
Everything All the Time ACOUSTIC SET Dull Times/The Moon ‰
The First Song ⇔ [3] St. Augustine ⇔ [2] The Great Salt Lake ⇔ [3]
Wicked Gil ⇔ Part One ⇔ Casual Party ‰
Our Swords ⇔ [2] No One’s Gonna Love You ⊗ [4] Islands on the Coast ⊗ [2]
The Funeral ⇔ [5] Barrel House ‰ Solemn Oath ‰
Part One ⇔ [2] Dilly ∞ Laredo ∞ [3]
The Great Salt Lake ⇔ [5] Laredo ∞ [4] St. Augustine
Weed Party ⇔ [4] In Need of Repair ♦ No One’s Gonna Love You ⊗ [3]
I Go to the Barn Because I Like The ⇔ Detlef Schrempf ⊗ Our Swords ⇔
Monsters ⇔ Factory ∞ [2] Throw My Mess ‰
St. Augustine ⇔ [3] Weed Party ⇔ [3] Older ∞
SET TWO ELECTRIC SET In a Drawer ‰
Is There a Ghost ⊗ [5] Cigarettes, Wedding Bands ⊗ [3] The First Song ⇔ [2]
Casual Party ‰ [3] Casual Party ‰ [2] Hag ‰
Islands on the Coast ⊗ [3] Warning Signs ♦ NW Apt. ∞ [2]
No One’s Gonna Love You ⊗ [5] Is There a Ghost ⊗ [4] The Funeral ⇔ [3]
Detlef Schrempf ⊗ [2] The Great Salt Lake ⇔ [4] encore
Factory ∞ [3] Hag ‰ [2] Is There a Ghost ⊗ [3]
Crutch ♦ [2] Crutch ♦ Weed Party ⇔ [2]
Dilly ∞ [2] Ode to LRC ⊗ [3] The General Specific ⊗ [2]
Laredo ∞ [5] The Funeral ⇔ [4]
new song The General Specific ⊗ [3]
Ode to LRC ⊗ [4]
The General Specific ⊗ [4]

 

opening for Neil Young 2015 opening for Beck 2014
The First Song ⇔ For Annabelle ∞
Compliments ∞ Laredo ∞
Laredo ∞ [2] Powderfinger [Neil Young cover]
The Great Salt Lake ⇔ [2] Factory ∞
Is There a Ghost ⊗ [2] Cigarettes, Wedding Bands ⊗
No One’s Gonna Love You ⊗ [2] Ode to LRC ⊗
Cigarettes, Wedding Bands ⊗ [2] NW Apt. ∞
Ode to LRC ⊗ [2] The General Specific ⊗
The Funeral ⇔ [2] No One’s Gonna Love You ⊗
Weed Party ⇔
Is There a Ghost ⊗
Islands on the Coast ⊗
The Great Salt Lake ⇔
The Funeral ⇔


♦ Things Are Great (2022)
‰ Why Are You OK (2016)
≅ Mirage Rock (2012)
∞ Infinite Arms (2010)
⊗ Cease to Begin (2007)
⇔ Everything All the Time (2006)
t, ironically, I would totally see them again.

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[DID NOT ATTEND: February 22, 2026] Tyler Ramsey & Carl Broehmel / Maggie Halfman

I grabbed tickets for my wife and I to see this show despite it being on a Sunday night.  It was a fun hance to see Carl Broehmel up close and personal (after having seen him twice with My Morning Jacket) and to see Tyler Ramsey who left Band of Horses a while back but who was very important to the early BoH sound.   They put out a really lovely acoustic album together.  I wasn’t sure if we’d be standing for this mellow show (probably), but I knew it would be a delightful show and it wouldn’t run too long.

And then we had a blizzard.  A full scale “no driving allowed” kind of emergency.  As soon as the snow was announced, we knew we weren’t going to go, but when it turned into such a big deal, we assumed the show would be cancelled.  BUT IT WASN’T!

I guess Carl, Tyler and Maggie were already in Philly, so the show went on.  I can’t decide what’s worse–to cancel and reschedule or to actually go ahead on a night when a lot of people probably won’t show up.

I’m a little bummed to have missed it,but I would never go out on a night like that.

Maggie Halfman is a folk singer from Kentucky.  She has a nice voice and sings pretty melodies.  A perfect opening act.

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[ATTENDED: February 8, 2024] An Evening With Band of Horses

My wife and I saw Band of Horses three times in three years.  But we hadn’t seen them in eight years!  I couldn’t believe it had been so long because the previous show (the first headlining show we’d seen) was so good, so impactful, that we think of it as one of the best shows we’ve seen.

This show promised to be even better because it was going to be an evening with the band–no opening act!

The first set was acoustic.

Ben Bridwell came out and sang St. Augustine solo.  It was lovely.  He had lost his voice about a week ago and I wasn’t sure how good he would sound, but he sounded perfect.

He then invited out Brett Nash to play guitar with him and sing “Part One.”  The harmonies were wonderful.

Then the rest of the band came out.  Creighton Barrett played a small drum kit, Ryan Monroe sat at a grand piano and Matt Gentling played upright bass.

Here the harmonies became outstanding.

Visually the set was charming with each guy in his own little area.  Each one had a lamp and there were candle all over the stage.

Despite the set being acoustic, it wasn’t specifically quiet or mellow.  Indeed, some of the songs were jaunty and rocking but in a fun folk rock way.  (more…)

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[CANCELLED: May 15, 2020] Restorations / Hurry / thank you thank you

indexI feel like this Restorations show was kind of dropped out of nowhere recently.  It’s not part of any kind of tour because they were going to play Europe and then just this one Philly Date (hometown date).

I saw them open for Band of Horses four years ago, and they were great.  Like with many opening bands, I thought it would be great to see them headline (especially in a small place like Johnny Brenda’s).  This show happened to be on the same night as Diet Cig who I really really wanted to to see, so I wasn’t going to be able to go, but I hope they reschedule another home town dhow soon.

Hurry is a band from Philadelphia, originally the solo project Matt Scottoline.  They are described as 90’s rock revivalists and all of their influences are bands I like.  Some of their songs online are a little slower than I expected, but they do have some uptempo ones as well.

I can’t find out anything about thank you thank you except that they are based in Philadelphia, they have one song on band camp (a piano ballad) and that the email address for the band is to Tyler Bussey.

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SOUNDTRACK: DRY THE RIVER-“Bible Belt” (Field Recordings, March 27, 2012).

The Field Recordings project was such a neat idea.  Kind of like the Tiny Desk, but not.  Many of them were planned ahead of time and some of t hem seem surreptitious.  It’s a wonder they didn’t do more or aren’t still doing them.

Since the whole NPR crew goes to SXSW, it just seems like these little songs would be easy to score.  I realize that they now do the South by Lullaby, but this is different (sort of).

This Field Recording [Dry The River: An Oasis Of Calm Amid The Feedback] is from a band I don’t know.  They were playing at SXSW and NPR got them to play on the secluded patio of Joe’s Crab Shack’s  overlooking the Colorado River (which is one thing that makes this cooler than a Tiny Desk).

“Bible Belt” is a gentle acoustic song with delightful harmonies–not unlike Fleet Foxes or Band of Horses.  Dry the River includes a violin which adds a slightly different quality.  But like those other bands, the song looks to soar:

Dry the River typically writes music with big, cathartic climaxes in mind: Songs on the band’s first full-length album, Shallow Bed, tend to start with miniaturized melodies that eventually burst into thunderous rock anthems.

You can feel like this song wants to be bigger, but they handle a quieter version nicely.

On this particular morning, Dry the River arrived in a more intimate formation, swapping electric guitars for acoustics and its full drum set for a single snare. While this performance of the gorgeous “Bible Belt” eases back on the loudness of the original, the band by no means lacks power. The result is a hushed, stirring performance that highlights the band’s many strengths.

My favorite part is the moment the band grows really quiet and you can hear some birds singing.  I’m very curious to hear just how big the original gets.

[READ: November 8, 2018] “Cattle Praise Song”

This is a story about genocide and cows.  The genocide is unavoidable but not explicit; the cows are the focus.

Starting in Rwanda, a seven-year old boy, Karekezi, watches his father with their herd of cows.  The cows are everything to them.  Karekezi even has a cow of his own: Intamati–all of the cows are named.  Every morning they look after the cows carefully–removing ticks or other insects, carefully inspecting them, calling them by their name and petting them–even worrying about a cow that takes too long to pee:

He’d hold her tail high and boldly lean forward–never mind that if the cow finally decided to urinate she might shower him.  Nobody dared to laugh.  Anyway, isn’t cow urine, amagana, considered to be a potent remedy?

The first few pages discuss the caring for and nurturing of these cows–the hand feeding, the fires to keep away flies; the special water only for the cows to drink.  And then the milking–a family event in which the best milkers milked and the others carried the bowls of milk like a priest with a chalice.  The young children drank hungrily from the fresh warm milk. (more…)

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SOUNDTRACK: BAND OF HORSES-Live at Newport Folk Festival (July 25, 2014).

 I was checking out some of the Newport Folk Festival archives at NPR and found this show from 2014.  This was Band of Horses’ first time at Newport and they sound great and have fun with the set up, by slowly building to a full band.

They start “quietly” with Ben Bridwell singing “St. Augustine” solo on acoustic guitar.

For “Part One,” the bring out Ryan Monroe and Tyler Ramsey to sing along.  You can hear a heckler shout “you need more beard.”

Then they bring out Bill Reynolds to play upright bass on “Weed Party.”  This song sound so very different from the album version–it’s a much more country, don home version, rather than the soaring record.  There’s even a middle break with room for a bass “solo.”

Finally, out comes Creighton Barrett behind the drums for “Everything’s Gonna Be Undone,” their then newest song and the only one from their 2012 album that they play.

The rest of the set is primarily from the first two albums, and the songs sound great.  Ben’s voice is in good form and the band is tight.  “Great Alt Lake” rocks and “Is There a Ghost” even gives Ben the opportunity to shout 1,2,3,4 mid song as they bust out the rocking section.  Ben even screams in the intro to “Laredo.”

Things slow down for “No One’s Gonna Love You.”  When he plays that opening chord everyone cheers, but he says, “that’s the wrong thing, though. that’s not right.” and then he gets himself sorted (with a pitch pipe?) and they play a gorgeous version of it.  The rest of the set sounds equally good, including a rousing “The Funeral.”

They end the set with a cover of a classic blues song “Am I a Good Man?”  Each band member gets a little solo and they even act out some soul with a “Newport are you ready? “One time!” [pow] “two times!” [pow pow] “half a time [tss].

It’s a great show and a precursor of future great shows that I’ve seen from them.

  • “St. Augustine” *
  • “Part One” *
  • “Weed Party” *
  • “Everything’s Gonna Be Undone” ****
  • “The Great Salt Lake” *
  • “Is There A Ghost” **
  • “Laredo” ***
  • “No One’s Gonna Love You” **
  • “Islands On The Coast” **
  • “The General Specific” **
  • “Ode To LRC” **
  • “The Funeral” *
  • “Am I A Good Man?” [cover]

[READ: August 17, 2017] “The Itch”

The story begins that after his divorce, the narrator felt an odd physical and mental numbness although over time he began to talk more to people.

But the most persistent thing is the itch.  Sometimes the left wrist.  Although at home in the evening, it was the upper arms.  Thighs and shins at night.  He began to think of it as “sense data from the exterior.”  Although he didn’t really believe that,.

The only person he has told about the itch is his friend and co-worker, Joel.  Joel told him that he should contextualize the itch–look for a famous statesman with the same problem or perhaps something biblical.  He capitalized The Itch.

He had been seeing a woman whose name was Ana.  He liked that it was spelled that way but when he asked if there was a reason for it–family tradition, a European novel?  She disappointed him and said no.  Just a name spelled a certain way.   He hadn’t told her about The Itch.   (more…)

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[ATTENDED: September 24, 2016] Band of Horses

2016-09-24-22-06-57This is our third time seeing Band of Horses in three years.  Sarah and I loved their first three albums a lot, so in 2004 when XPNFest announced they were opening for Beck, we knew it was an amazing pairing.  They were great and we decided we needed to see them as the headliners.  The following year, they came back although this time opening for Neil Young.  We were going to see Neil anyway, so it was even better that BoH was opening.  But that set was shorter than the first!  We needed the full experience.

One year later, the busiest weekend we’ve had in a long time, and BoH was squeezed right into the middle of it.

We love The Fillmore in Philly, it’s a great venue with really good sound (and nice parking).  So it was a great place to hear the soaring vocals of Ben Bridwell.and the rest of the band.

The show was an outstanding mix of songs from four of their albums (turns out that their previous album Mirage Rock has been largely dismissed by the band and they don’t play much from it anymore).  And that’s fine because the four albums are awesome. (more…)

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[ATTENDED: September 24, 2016] Restorations

2016-09-24-20-25-47Restorations opened for Band of Horses.  They’re from Philadelphia, but I didn’t know them at all.  At the end of the set the singer said that they used to practice around the corner from the venue and that it was a real trip playing here.  So that was fun.

Before the show, I looked them up and saw them described as alternative, punk and post-hardcore. I was expecting a really heavy rocking band.  But somehow, when they opened for Band of Horses, they sounded a lot more like…Band of Horses.  I’ve been listening to their stuff on the site and I’d say there’s something about the guitars of “Misprint” that reminded me of BoH.

On their studio albums, lead singer Jon Loudon has a gravelly voice, but it didn’t quite sound that way live for some reason.  And the music had the soaring quality of Band of Horses’ more rocking songs.

And it was great.  They were definitely heavier than BoH, but the overall vibe worked perfectly.

The drummer in particular played some great rhythms and really bashed the hell out of the kit.  But the whole band played well off each other.  There were quite a few guitars, occasional keys and a small horn section.

Loudon said that the trumpeter and trombonist who were on stage were playing live with them for the first time.  They added a nice touch but were not mic’d so it wasn’t always easy to hear them.  But when they came through it was good.

I don’t know any of their songs, so I can’t give a setlist, but According to some recent shows, the songs they’ve been playing are:  New Old, The Plan, Separate Songs, West River, Misprint, D, A, Let’s Blow Up the Sun, The Future, Tiny Prayers and Documents.  Confirmation of lyrics shows I have a 20 second clip of “Tiny Prayers” here.

I’ve been listening to their stuff on their tumblr site (it tickles me that their albums are called Restorations, LP2 and LP3) and it’s really good.

They were a great complement to Band of Horses (Ben Bridwell also raved about them when he came on stage) and I’m excited to hear more from them.2016-09-24-20-17-01

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aug24SOUNDTRACK: IVAN & ALYOSHA-Tiny Desk concert #109 (February 7, 2011).

ivanIvan & Alyosha are a five piece (no one is named Ivan or Aloysha) consisting of Tim Wilson (lead vocals) Ryan Carbary (guitars) Pete Wilson, (Tim’s brother), Tim Kim (acoustic and electric guitars) and drummer Cole Mauro).  They play bouncy folk (I assume that their non-Tiny Desk sound is bigger than two acoustic guitars and a tambourine).

“Beautiful Lie” is the first song.  The lead singer has a gentle falsetto and the other guys add nice harmonies (especially during the oooooooohs).

As they introduce “Easy to Love” Wilson says they recorded it at 2AM in their last half hour at the studio.  And it wound up being the song people like most.  It’s easy to like, with a fun clap-along and a simple electric guitar solo.  Again, I assume the actual song is bigger than this.

“I Was Born To Love Her” is a good jam (their words).  It completes that folks sound with two guitars and lovely harmonies.  They’d be a great opener for Band of Horses.  I’d see that tour.

Incidentally, the band name comes from Fyodor Dostoevsky’s The Brothers Karamazov.

[READ: February 3, 2016] “These Short, Dark Days”

I was planning on saving this story to put it sequentially with the other New Yorker stories that I’ll be posting in the weeks to come.  But this story is set on February 3, so why not post it on that short, dark day, since it is that day, anyhow.

This story begins with a suicide.  A man sees his wife out the door, then covers the windows and door gaps, pulls the gas hose off the stove and brings it with him into the bedroom (who knew the hose would be that long).

The next section of the story jumps to much later as we see a nun, Sister St. Savior, walking down the street.  She is tired and aching from begging all day. But she smells the smell of an extinguished fire and she knows in her heart that she must go there and help.  I love that when she arrives, everyone defers to her.  One of the men even acts as if he has sent for her, when clearly she came of her own design. (more…)

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