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So what happened here?

June 10, 2022 by Paul Debraski

For nearly fourteen years I was able to keep up this daily blog of books and music.

About a year ago I got a promotion and that changed everything.  I no longer had the time to post everything I wanted to.  Heck, I didn’t even seem to have the time to read all the short stories I wanted to.  Amusingly (or not), just before this new position, I had gotten a print subscription to the New Yorker.  This now means that I (like many others) have a two-foot stack of New Yorker magazines that I haven’t even looked at yet.

For a few weeks I was limiting myself to only the concerts that I went to because that was a little easier to write about.  Although back in the good old days, I used to include photo and links, and I pretty much have neither now. And I’m several shows behind as well.

So I’m still reading books and I think I may try to post some thoughts about them from time to time.  I’d also like to think I have time to write about my concerts, but even those are proving to be challenging.

So let’s consider the blog on hiatus more or less, with occasional posts about things I’ve read or listened to.

The good thing is that I like the new position and wouldn’t change it for the world. I guess I never realized how much down time my old position gave me!

Posted in Paul Debraski | 3 Comments »

Dan Deacon (Underground Arts, Philadelphia, PA, February 6, 2026)

February 7, 2026 by Paul Debraski

[ATTENDED: February 6, 2026] Dan Deacon 

I saw Dan Deacon three years ago and it was one of the most fun and uplifting shows I’d ever been to.  I knew I’d see him again and I planned to drag my wife along with me.  I knew that she wouldn’t really like the music, but I thought she’d really enjoy the experience.

After the last show I wrote

I would absolutely see him again, even if I need to wait another six years.

So it was almost 4 but it did take a while.

On the way to the show I told her that all of the things that I usually get mad at during a show don’t apply here.  People can talk, they can push, then can block my view.  It really doesn’t matter.  And, wherever we start it won’t be the same place when we’re done.

She seemed thankful for this primer and knew that this was going to be a very different show.

I had genuinely hoped that Dan would come out right after Moon Bounce was done (who starts a show at 9PM these days?).  Especially since Moon Bounce’s set was 30 minutes.  But he waited until 10.  Unlike last time, he had a live drummer, which was totally unexpected but a lot of fun.

He also took advantage of the venue’s video screen.  I thought he might project trippy images, but he explained that he had been meaning to make something but he didn’t.  So instead, he played a Phish show from Saratoga Springs.  It was so funny to see the guys from Phis playing behind him.  But he was thankful to them for putting out entire shows (2 hours) for free on line with no ads.

And then he started his music.  And it was loud.  I had intended to bring earplugs like always, but with the parking problem (and trying to find a reasonable spot) I forgot.  Dan’s music is repetitive and dancey.  He also sings and usually modulates his voice so that it’s insanely high pitched.  Which is bizarre but somehow even more fun. Continue Reading »

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Moon Bounce (Underground Arts, Philadelphia, PA, February 6, 2026) [DAN DEACON]

February 6, 2026 by Paul Debraski

[ATTENDED: February 6, 2026] Moon Bounce

Moon Bounce is an electronic musician.  He said he was originally from Philly then he moved to L.A. (don’t ever do it)and now he’s back in Philly.  He said he got his start because Dan Deacon turned him on to electronic music.

His set was thirty minutes and I enjoyed watching him.

He had all of his music on his laptop and he used various gear to pitch shift and modify the songs.  It was fun watching someone manipulate sounds in real time.  It was also fun seeing how well he knew his music (which duh, I know, but he would wave his hands in the air to the beats that were coming or angle his face when things slowed down).

His songs were catchy and he did sing (which I wasn’t expecting after the first few minutes of instrumentals).

It’s hard to really describe electronic music if you don’t know it that well.  There were beats and sounds.  He chose some cool sounds to go with the beats. At one point he looped an a capella sample from a rap album (which I can’t remember the name of).  The loop was one word repeated pretty quickly.  Then he slowed it down to match the beat of the next song.  “This is called a transition, it’s got to match 89 BPM, ok here we go.” Continue Reading »

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Rhys Nicholson (Helium Comedy Club, Philadelphia, PA, February 2, 2026)

February 3, 2026 by Paul Debraski

[ATTENDED: February 2, 2026] Rhys Nicholson

I have made a list of all of comedians from Taskmaster who I would like to see live.  It’s not everyone of course (some of them don’t do stand up and some I don’t think I would enjoy).  And then we started watching Taskmaster Australia and Taskmaster New Zealand, and I’ve added a dozen or so more to that list.

Rhys Nicholson was one of the funnier people on Taskmaster Australia and I was really excited when I saw that they were playing in Philly (apparently not their first time playing here).

Rhys set the tone well asking who had heard of them (much applause) and who had not (more than usual).  They assumed that the people who hadn’t heard of them were straight boyfriends/husbands.  And sadly there were no jokes for those people–they’ve had enough.

And then, geez, it was like 90 minutes of nonstop hilariousness. Continue Reading »

Posted in Hannah Trav, Helium Comedy Club, Jim Gillespie, Philadelphia, PA, Rhys Nicholson, Taskmaster, Taskmaster Australia | Leave a Comment »

Jim Gillespie / Hannah Trav (Helium Comedy Club, Philadelphia, PA, February 2, 2026) [RHYS NICHOLSON]

February 2, 2026 by Paul Debraski

[ATTENDED: February 2, 2026] Jim Gillespie / Hannah Trav

Despite all of the comedians we have seen, we’ve never been to a comedy club.  Technically when we went to City Winery, we had to buy food, but that’s not a comedy club.  Helium, on the other hand, is.  And it was our first experience with a two-drink minimum.  Helium changes it somewhat and has a two item minimum–so food or drinks (and I guess food is actually more expensive?).  So we did indeed by (watered down) drinks–even my ginger beer was watered down.  And we got some apps.  A surprisingly expensive night out for relatively cheap tickets.

So I assumed we’d see Rhys Nicholson and be home by like ten.  But instead, there was a host and an opener.  And I guess this is standard practice.

The host does a short set, then introduces the warm up and then comes back to introduce the headliner.

Our host was Jim Gillespie who implied that he is fairly new to Philly. He was very funny.  I enjoyed his jokes quite a lot and I was intrigued to see that he looked at his phone a bunch–notes, I assume.  I assume he is somewhat new to stand up because the jokes were great but the transitions weren’t very smooth.  But that’s what fine tuning is all about.  As I said the jokes were great and I laughed a lot.

Jim is a big guy and he made some good and (to me) original jokes about being big.  The first was about going thrifting and why are there no large clothes at thrift stores–he knows that fat old people are dying all the time–where are their clothes?  I also enjoyed the jokes about how he doesn’t want to die and become a fat ghost.  Who only haunts the kitchen. Continue Reading »

Posted in Hannah Trav, Helium Comedy Club, Jim Gillespie, Philadelphia, PA, Rhys Nicholson, Taskmaster, Taskmaster Australia | Leave a Comment »

Jordan Klepper: Suffering Fools (McCarter Theatre, Princeton, NJ, January 30, 2026)

January 31, 2026 by Paul Debraski

[ATTENDED: January 30, 2026] Jordan Klepper

My wife and I used to watch the Daily Show all the time.  Once ***** got elected we stopped because it was just too painful to deal with the reality.  But we do still watch clips online.  My wife really likes Jordan Klepper.  I knew of him, but didn’t really know him that well.

When this show was announced at McCarter, and she expressed interest in going, well, it was already sold out.  So that sucked.  But then they added a second show the same night so I grabbed us tickets.

Obviously, I would prefer to go to the 7PM show and be home by 9, but it was kind of novel to be able to leave the house at 8:30 for a show.  It was also novel, but not in a good way that it was 9 degrees out when we left.  But Jordan was hilarious and it was a solid 85 minutes of humor.

There was a screen behind him projecting a painting of a random spot in California.  It was beautiful but something looked off.  Later on he revealed that the mountains in the background were the Swiss Alps.  But people at the time didn’t know much about the West Coast and the flocked to see the painting.

But so yes, he told us a little about himself–that he has been on The Daily Show for years and as part of his remit, he has been to over 4,000 T**** rallies.  Jesus wept.

And over the years he has gotten to know some of the regulars.  Because of course there are regulars.  He used a very funny metaphor about them as well.  He talked about once on The Daily Show having to interview a famous pug.  He didn’t say how the interview was actually going to … proceed … because it was derailed when the pug got an erection.  And he talked about how it looked like red lipstick.  And the he posted a picture of all of the MAGAs wearing their red hats.

Not subtle, kind of stupid (as he admitted) but very funny.

And then he revealed that yes, this comedy show was “a fucking powerpoint.”

He talked about several men who he has talked with over the years.  There is Brick Suit Guy (he owns 5 bespoke suits that look like a brick wall).  He has been to hundreds of rallies and has been on stage several times.

There was a guy who looked like Santa Claus but with his teeth sharpened into fangs. Continue Reading »

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Kat Radley (McCarter Theatre, Princeton, NJ, January 30, 2026) [JORDAN KLEPPER]

January 30, 2026 by Paul Debraski

[ATTENDED: January 30, 2026] Kat Radley

My wife and I used to watch the Daily Show all the time.  Once ***** got elected we stopped because it was just too painful to deal with the reality.  But we do still watch clips online.  My wife really likes Jordan Klepper.  I knew of him, but didn’t really know him that well.

When this show was announced at McCarter, and she expressed interest in going, well, it was already sold out.  So that sucked.  But then they added a second show the same night so I grabbed us tickets.

Obviously, I would prefer to go to the 7PM show and be home by 9, but it was kind of novel to be able to leave the house at 8:30 for a show.  It was also novel, but not in a good way that it was 9 degrees out when we left.

I tried to imagine what it was like being a comedian doing the same show twice in one day, but I guess that’s fairly common and if your show is sold and well written, it’s no different than being a teacher or someone else who repeats themselves all day.

Because the first show was at 7, they sent us a reminder not to arrive before 8:30 to avoid cross traffic.  I assumed that meant the show was an hour or so and there would be no opener.

But imagine my surprise when the voice over (Jordan) said no video taping and you can take pictures, but don’t be a dick about it.  Here’s your warm up act, Kat Radley. Continue Reading »

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Halima (Union Transfer, Philadelphia, PA, January 28, 2026) [SUDAN ARCHIVES]

January 28, 2026 by Paul Debraski

[ATTENDED: January 28, 2026] Halima

I’ve known about Sudan Archives since her first album came out.  I wanted to see her in 2020, but her show sold out.  Then it was just before the COVID shutdown and her show wasn’t cancelled but hardly anyone went so I could have gone (but I didn’t know that and probably wouldn’t have gone anyway).  I had a ticket to see her a couple years ago but didn’t make it.  But then I finally saw her at All Things Go in 2023,so I was excited to get to see her again at her own show.

I had not heard of Halima, but she seemed to have some buzz around her.  She came out looking fierce in a half jacket with huge shoulders.  She had beads in her hair, marched out to the mic all by herself and started her backing music.

It was really impressive that she stood there with just the mic and her backing music playing as she sang her genre-unspecific music.  I really enjoyed the spare backing sounds of her songs.  omoge was a series of soft notes as she sang gently over them.    Her second song (which I never found the name of) was a bit more bouncy with some deep bass notes.

I really liked the sounds of cocoa body–a kind of percussive melody accompanied by deep bass notes.  Most of her songs were pretty short, but this one did have a middle instrumental section where Halima showed off her great dance moves.

Halima is British but she lives in Brooklyn.  I loved hearing her talk–there’s something really cool sounding about the way British singers say Phillleeee.  Continue Reading »

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Agriculture (Underground Arts, Philadelphia, PA, January 24, 2026)

January 26, 2026 by Paul Debraski

[ATTENDED: January 24, 2026] Agriculture

I saw Agriculture open for Boris just two months ago.  I enjoyed their set so much that I knew I’d see them again and two months was not too short of a time to wait.

Agriculture calls their music ecstatic black metal and that description, while slightly vague, is really spot on.  There is screaming and growling, speed and heaviness but also a lot of brightness and beauty.

They put out a new album last year and most of their Boris set was from that album.  The headline set added two more songs form that record and a few more older tracks.

First out was guitarist Richard Chowenhill who started playing one note really really fast.  I was standing right in front of him and I was really blown away by how fast he was picking the string.   The rest of the band came out and started Flea, which features bassist Leah Levinson reciting lyrics while guitarist Dan Meyer who still has a big beard screamed gutturally.  The fact the the song shifts gears midway through to a pleasant, uplifting voice while Leah sings gently only make the screams that she does shortly all the more crazy.

I loved watching drummer Kern Haug.  He has exceptional sideburns and he plays so fast and yet with such precision.  I’m surprised for the second time that he wore a button down shirt,  But I was less surprised to see him trying to stretch out his back mid set because holy cow what a workout.

But it was really amazing being in front of Chowenhill as he played these amazing solos. Whether he shredded furiously or was doing fascinating finger tapping while sliding up and down the neck, the speed and accuracy were mind blowing.

It was pretty bizarre about half way through the show a guy pushed his way up front and started “singing” along to Leah’s screamed vocals. He clearly knew the words and he did try to sound screamy but it was almost like have a translator next to me.  I let him get in front so he’s stop shouting in my ear. Continue Reading »

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Knoll (Underground Arts, Philadelphia, PA, January 24, 2026) [AGRICULTURE]

January 25, 2026 by Paul Debraski

[ATTENDED: January 24, 2026] Knoll

I hadn’t heard of Knoll until my physical therapist said he knew them.  He said they put on an incredible show.  And since I already knew that Agriculture was incredible, I was doubly psyched.

So Knoll set up their gear.  They had an old-looking end table (I would guess like 100 years old, with all kinds of filigree–but probably not worth anything) and interesting gear on it. The table also had a little light on it.  And then I realized that there were four floor lamps around the stage.

And these lights were the only things that lit the stage!  And, most interesting of all, each band member had a step on plug (like we use for our Christmas lights) and turned their individual light on and off throughout the show.

All five members of the band were dressed in all black–button down shirts and black pants.  And the lead singer, James Eubanks, has his head shaved, (possibly his eyebrows), his fingernails shaped into points.  He looks like Nosferatu.

Before the show, he busied himself by making sure all of the lamps were plugged in.  And as soon as they were ready.

BOOM.

I was in front of guitarist Cameron Giarraputo.  He was like a machine with the speed and technical expertise he brought to these incredibly fast songs.  It was a wall of noise.  And then Eubanks stepped up front and an unholy demon jumped out of his mouth.

He growled, he shrieked, he made sounds that I didn’t think a human could make and… apparently… there were words associated with these sounds. Continue Reading »

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Nina Ryser (Underground Arts, Philadelphia, PA, January 24, 2026) [AGRICULTURE]

January 24, 2026 by Paul Debraski

[ATTENDED: January 24, 2026] Nina Ryser

Nina Ryser is a member of Palberta (I love that name) whom I saw live a while back.  I saw Nina solo back in 2022.  She was opening for Tropical Fuck Storm.  And tonight she was opening for Agriculture.  That’s two really heavy bands who chose her to open.  She is something of a Philly DIY institution, but she plays offbeat synth songs that are not at all like the headliners.

Most of the songs were built around a beat and a simple chord pattern.  There was a droney component to it and Nina’s vocals were kind of deadpan.  With her was Luke Knapp, on bass and other synthy sounds.

There were some good bass lines and fun synth sounds.  Nina tends to re-state her lyrics a bunch and the songs quickly become familiar (I’m not even sure if there are verses and choruses). Continue Reading »

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