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So what happened here?

June 10, 2022 by Paul Debraski

For nearly fourteen years I was able to keep up this daily blog of books and music.

About a year ago I got a promotion and that changed everything.  I no longer had the time to post everything I wanted to.  Heck, I didn’t even seem to have the time to read all the short stories I wanted to.  Amusingly (or not), just before this new position, I had gotten a print subscription to the New Yorker.  This now means that I (like many others) have a two-foot stack of New Yorker magazines that I haven’t even looked at yet.

For a few weeks I was limiting myself to only the concerts that I went to because that was a little easier to write about.  Although back in the good old days, I used to include photo and links, and I pretty much have neither now. And I’m several shows behind as well.

So I’m still reading books and I think I may try to post some thoughts about them from time to time.  I’d also like to think I have time to write about my concerts, but even those are proving to be challenging.

So let’s consider the blog on hiatus more or less, with occasional posts about things I’ve read or listened to.

The good thing is that I like the new position and wouldn’t change it for the world. I guess I never realized how much down time my old position gave me!

Posted in Paul Debraski | 3 Comments »

Faetooth / Latter / Bosses (Underground Arts, Philadelphia, PA, August 23, 2026) [DID NOT ATTEND]

August 23, 2026 by Paul Debraski

[DID NOT ATTEND: August 23, 2026] Faetooth / Latter / Bosses

I didn’t know Faetooth at all, but I saw that they were opening for Die Spitz in October and headlining this show in August.  I didn’t really think about going to this because I figured I’d see them with Die Spitz.  Then my friend Max said that a bunch of them were going to see the show, so I investigated more.  I couldn’t go, but it got me more excited to check out Faetooth, whom they said were really good.  The band describes themselves as a fairy-dOoM trio from los angeles.  The group is composed of Ari May as guitarist and vocalist, Jenna Garcia as bassist and vocalist, and Rah Kanan on drums and have been around since 2019.

Latter was the middle band and Max said they enjoyed them even more than Faetooth.  I’m listening to their (shirt) album now and it’s really cool.  Slow but intense.  Heavy and intense.  LATTER is a Chicago-based experimental noise rock project formed by Jon Alvarado and Meredith Haines, known for dynamic live performances.  Haine’s vocals are screamed in a way that I really like–clear but raw.

Bosses are also from Chicago.  Originally conceived as a solo project by singer and guitarist Harlee Young, Bosses is now a five-piece featuring erstwhile members of Old Coke and Dead Sun.  Their bio says the group takes influence from grunge, shoegaze and early 2000s alt rock. Layering melodic, ambient leads over distorted rhythms, bosses creates a sound that is heavy, atmospheric, and highly emotional.

Sounds like a great night.

Posted in Bosses, Faetooth, Latter, Philadelphia, PA, Underground Arts | Leave a Comment »

Modest Mouse (Fillmore Philadelphia, Philadelphia, PA, August 19, 2026)

August 20, 2026 by Paul Debraski

[ATTENDED: August 19, 2026] Modest Mouse 

I saw Modest Mouse open for The Flaming Lips last year.  I was right up front and really enjoyed the intensity of the show.  I asked my wife if she’d like to see them since she never had (this would be my 9th time).  The last 3 times I’d seen them were album tours (Lonesome Crowded West and Good News For People Who Love Bad News) and the opening set with the Lips.  So this would be the first time seeing them in a while when they were just doing new stuff.

And it was a LOT of new stuff.  This makes sense as this was a tour for their new album.  They played 8 songs from the album.

But they played a nice mix of newer and older songs.  In between nearly every song there was an older one.  Some were popular (Fly Trapped in a Jar) and some were deep cuts (Broke, from a 1996 EP).  What was fun about these older songs is that the band dropped from a large 7 piece band to a trio, like on those early albums.

I’m always fascinated by the Modest Mouse crowd because the people around me seemed to know the words to all of the older songs.   And I feel like Modest Mouse is pretty abrasive, so I am always surprised at the amount of fans that they have.  But they do have some really catchy songs (radio friendly ones) like Ocean Breathes Salty–this was only the second time I’ve seen them play it!  And it was the first song of the night that my wife recognized.

There was a dude next to me who seemed to know a lit of the new album as well.  Although I think we all recognized Picking Dragons Pockets since its getting a bunch of airplay.

The crowd went nuts when they played Bury Me With It (as they should) and I was super excited when they played 3rd Planet (the opening track from The Moon and Antarctica–a song I cannot believe I’ve never seen them play live before).

One of the songs my wife wanted to hear was Float On (of course).  I warned her that they may not play it (they did play it the last two times I saw them).  Indeed, the previous show started with 4 “hits.”  But Modest Mouse mixes up their setlists quite a bit, and there were few hits to be had tonight. Continue Reading »

Posted in Califone, Modest Mouse, Philadelphia, PA, The Met Philadelphia | Leave a Comment »

Califone (Fillmore Philadelphia, Philadelphia, PA, August 19, 2026) [MODEST MOUSE]

August 19, 2026 by Paul Debraski

[ATTENDED: August 19, 2026] Califone

Modest Mouse has very diverse bands opening for them.  Sometimes they’re so odd that I don’t care if I see them.  Other times, its a band I’ve heard of.  Like tonight. I’d heard of Califone–they’ve been around for years.  But I had no idea what they sounded like (or really anything about them).  

Califone is basically the project of Tim Rutili who was a founder of the band Red Red Meat (I also don’t know anything about them either).

For this show, he had a guitarist and bassist and two drummers (one was more percussion).  It’s possible they shared a member of two with Modest Mouse, but I can’t be sure.  Turns out Tim Rutili was part of Isaac Brock’s Ugly Casanova project.

The first two songs were slow and kind of country like.  Tim was seated and on an acoustic guitar.  The first song was a Red Red Meat cover and was quite short.  Before introducing the second song, someone on the crowd shouted Freebird and Tim was so disgusted he said, Did you just shout Freebird, god, anyone who shouts that just shows they are a dick.  They show that they are a cunt–this is Philadelphia I can say that).  Wow, I was so happy to hear it said out loud (Freebird is not funny anymore) and I’m so curious what happened to that guy from his friends.  I also thought it was a massively bold move for an opening band.  But Tim has been doing this since the 90s so he’s heard it all. Continue Reading »

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Circle Jerks | Repo Man screening (Keswick Theatre, Glenside, PA, August 14, 2026)

August 14, 2026 by Paul Debraski

[ATTENDED: August 14, 2026] Ciʀcle JƎʀᴋs

Circle Jerks are a legendary punk band.  They’ve been around since 1979 with various lineup changes and hiatuses. They more or less finished in 2011, but then started playing again in 2019 and have come to Philly every two years since then.  I thought about seeing them at the TLA in April playing with Gorilla Biscuits.  But we were out of town.

So when this event came up, I was really intrigued.  The band are in the movie Repo Man–playing a lounge version of themselves.  And the current bassist Zander Schloss was a main character in the movie.  And here they were–playing some songs, doing a Q&A about the movie and then showing the movie.  I’ve seen the movie a few times but haven’t watched it in a long time.  So I asked my brother-in-law if he wanted to go and he said YES, but then couldn’t make it.  So I asked my son and he said sure.

I don’t think he knew any Circle Jerks music, but he had heard of them.  And he had never seen the movie.

I waited till the day before the show to buy a ticket because I wanted to be in an area where there weren’t many people. I wound up getting the back row and it was pretty perfect for Keswick–you’re up ice and high and can see over the heads below you.  And the venue is small enough that the back row is only 34 rows back.

The band’s gear was set up and then someone came out singing the Feelin’ 7Up song.  I had totally forgotten that that’s how Zander Schloss’ character in the movie is introduced.  So he is singing the song and a guy in a tuxedo tells him to stop singing, man. Why so tense, guy?

Then the band launched into the song Repo Man and the man in the tux sang the song.   The man was Repo Man director Alex Cox.  He sang the song and left the stage.

Then Keith Morris came out on stage and the band launched into a barrage of songs totaling about 5 minutes. And I liked that security allowed anyone who wanted to to rush the stage (it’s not like any of us old people were going to cause too much trouble).  Although one person did climb in stage and dance around (and then slowly climbed back down off the stage). Continue Reading »

Posted in Black Flag, Circle Jerks, Glenside, PA, Keswick Theatre, Repo Man | Leave a Comment »

Eagles of Death Metal / Mountain Head (Union Transfer, Philadelphia, PA, August 14, 2026) [DID NOT ATTEND]

August 14, 2026 by Paul Debraski

[DID NOT ATTEND: August 14, 2026] Eagles of Death Metal / Mountain Head

I got a kick out of Eagles of Death Metal when they came out.  Death By Sexy is a fun album and I enjoy the tongue in cheek nature of the music.  I thought about going to the show since they are apparently a great live band.

But I Just really don’t like them enough to justify going and I was a little worried about what kind of audience these guys would attract.  I left the night open, in case I decided to grab a last minute ticket.  But then the Circle Jerks announced a show for that night and that was the kibosh on EODM.

Who the hell are Mountain Head?  Well, their bio says

The enigmatic and reclusive Hannah Brothers stumbled upon a mysterious mountain in the heart of the Canadian wilderness, and what they found at the summit changed their lives forever. A shaman performed a ceremony that unlocked new depths of creativity and inspiration in the brothers, leading them to channel the spirits of Johnny Cash, Flavor Flav, and Billy Gibbons. Dressed in black denim and adorned with solid gold grills and long beards, Mountain Head emerged with a sound that blended psych-rock, alt-rock, and elements of electro-pop and jangle pop into a unique and potent sonic concoction.

The description is okay–they’re a little slower than you might expect, but there’s some psych elements, but mostly they play dumb rock like EODM.   A perfect pairing.

Posted in Eagles of Death Metal, Mountain Head, Philadelphia, PA, Underground Arts | Leave a Comment »

The Lemon Twigs / Brute Force (Asbury Lanes, Asbury Park, NJ, August 13, 2026) [DID NOT ATTEND]

August 13, 2026 by Paul Debraski

[DID NOT ATTEND: August 13, 2026] The Lemon Twigs / Brute Force

I really liked The Lemon Twigs’ Do Hollywood album and their follow up EPs showed even more development.  Since then they have put out a few albums, and I have enjoyed them.  Their sound has changed over the years and they are very settled in a kind of 60s pop vibe.  They are excellent at it, but it’s not quite what I loved from them.  I finally got to see them open for Car Seat Headrest and they were great.  I definitely wanted to go to this show and up until the last minute I was considering going.  But since I was going out the following two nights and my son was leaving for Europe in a few days, I figured I’d stay home.

I think my wife would really like them, so maybe next time they come around I’ll drag her along.

I can’t believe that I have never heard of Brute Force–look at this bio:

Stephen Friedland (born September 29, 1940), known as Brute Force, is a singer and songwriter who attended Asbury Park High School,. He wrote and performed with The Tokens in the 1960s and wrote songs for Peggy March, Del Shannon, The Chiffons and The Cyrkle, and others.  Brute Force may be best known for a song that barely saw a release. Written by Friedland and produced by The Tokens, “The King of Fuh” is a story about a monarch in the land of Fuh referred repeatedly to as the “Fuh King”. John Lennon admired the record; so did George Harrison, who acquired the track and overdubbed eleven strings of the London Philharmonic Orchestra, arranged by John Barham. It soon became obvious that neither EMI nor Capitol Records would distribute the single, so Apple Records pressed and distributed 1,000 copies (catalog number Apple 08) in 1969. After the initial Apple pressing (and no radio play), Friedland teamed up with Jeff Cheen and issued the tune on his own Brute Force Records label (b/w “Tapeworm Of Love”, which later received airplay on the Dr. Demento radio show).

He played that song and many other funny songs.

Now I rather wish I had gone.

 

Posted in Asbury Lanes, Asbury Park, NJ, Brute Force, The Lemon Twigs | Leave a Comment »

Dogstar / The Backfires (Union Transfer, Philadelphia, PA, August 12, 2026) [DID NOT ATTEND]

August 12, 2026 by Paul Debraski

[DID NOT ATTEND: August 12, 2026] Dogstar / The Backfires

Three years ago, Dogstar played Underground Arts and I toyed with the idea of going  to this show, probably for the same reason that a lot of other people did.

To see Keanu Reeves!

I can’t decide if I like Keanu ironically or not, but it’s still pretty wild to think that a celebrity of his star power could have been just a few feet from me.

I genuinely had no idea what Dogstar sounded like.   So here’s the blurb from Underground Arts

Here in 2023, Dogstar epitomizes the quintessential Southern California storytelling rock band they’ve always been in their hearts, making deeply resonant music that literally comes from Somewhere Between the Power Lines and Palm Trees – the name of their new album which arrives October 6, 2023 via their own label Dillon Street Records (distributed through ADA). Comprised of guitarist/vocalist Bret Domrose, drummer Robert Mailhouse, and bassist Keanu Reeves, Dogstar was born in 1991 as a band of friends who came together in a garage in Southern California and simply dreamed of playing music together and making a little noise. Now, all these years later, Domrose, Mailhouse, and Reeves took some time at the tail end of a historic lockdown to create this collection of songs that fully encompasses who they are as artists today. The happily reunited rock trio’s official return came in May 2023 – more than 20 years since their last performance together – with their first public performance at the BottleRock Napa Valley music festival with a set that sparked fan and critical praise alike, including the live debut of their lead single “Everything Turns Around,” which was officially released July 19.

So this isn’t Keanu’s band, per se.  He “only” plays bass.  Domrose sings and plays guitar, although they all get writing credit for the songs.  But wow, it was sold out and no doubt super packed with people looking to meet Keanu.

When they came back to Philly, this time they were playing a much bigger venue.   I don’t think it sold out, but good for them.

And in this video of them record shopping in Philly–their influences are perfect!

Again, I like their music–like 90s indie rock–although I don’t like their singer all that much.

The Backfires are a London/NYC band.  They play solid old-school indie rock.  Their previous album was really good.

I could easily have gotten into both of these bands in the 90s if they had gotten radio airplay.

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AJR / Ryley Tate / David Wimbish and the Collection (Live at Wind Creek Steel Stage at PNC Plaza, Bethlehem, PA, August 9, 2026)

August 9, 2026 by Paul Debraski

[ATTENDED: August 9, 2026] AJR / Ryley Tate / David Wimbish and the Collection

Three years ago I saw AJR at this very festival.  I vaguely knew them and thought they would be a really fun show (it was).  But it was also massively popular.  The show it self was fun, but not in any way that I imagined.  I was assuming there’d be a huge production–lots of videos or costumes or something goofy.  But it was exactly the opposite.  Extremely minimalist.  Adam was on bass on my right.  Jack was singing in the middle and Ryan was on my left with his keys and samples.  Behind them was a drummer Chris and a trumpeter Arnetta.  And that was it.  The real action was Jack scampering around the stage and dancing and jumping and being generally wild and fun.

But once was enough.  And I realized I hadn’t heard them in quite some time–not on the radio and no word of a new album (they put a new album out in 2023, but I guess not in time for this show?)  So I didn’t even consider getting a ticket.

And now that  I’ve seen who their opening acts were, I’m even more glad. Continue Reading »

Posted in AJR, Bethlehem, PA, David Wimbsih and the Collection, Musikfest, Ryle Tate | Leave a Comment »

Kevin Devine (Revilla Grooves and Gear, Milltown, NJ, August 8, 2026)

August 8, 2026 by Paul Debraski

[ATTENDED: August 8, 2026] Kevin Devine

I’ve been a fan of Kevin Devine and the Goddamn Band for several years now.  Last December, I went o see him one week after a hip replacement because it was at a brewery fifteen minutes from my house.  Tonight’s show was at a record store in Milltown, NJ.  I had seen Ted Leo there last year and they have a great setup for in-store artists.  And this time, there were seats!

Kevin is a delightful, funny performer.  He jokes with the audience and at his own expense.  He has a great powerful voice, although most of his songs, when solo, are rather soft.

He played an acoustic guitar for the whole set which had several songs from his soon to be released album (next year sometime).

He opened with a song he played last time a new song that may or may not be on the new album.   Then he played one that is definitely on it (they just finished mixing it).  Then, as he said, he’d play some songs from throughout the years and then take Q&A and requests.

It’s not surprising that the set was similar to the solo show at Flounder eight months ago, but he had a few news songs and he took requests which meant a lot of new (to me) stuff.

He basically opened with the same few songs as last time (although we missed the very first few songs, so it was like hearing them for the first time.)

After the newer songs he went really deep for Go Haunt Someone Else (2006) and Yr Damned Ol’ Dad (2005).  After playing a song from Brother’s Blood, he talked about Bad Books and then ran through a quick version of Andy Hull is Garbage.  This is now the second or third time I’ve heard this and it makes me laugh every time.  So Kevin and Andy work together in Bad Books (Andy is in Manchester Orchestra as well) and it’s hard to follow the order, but Kevin says he wrote the “garbage” song but Kevin says that Andy says he wrote it about Kevin first.  So, I gather they each play their own version in their live sets from time to time. Continue Reading »

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The Body / Big | Brave / Carnivorous Bells (PhilaMOCA, Philadelphia, PA, August 7, 2026) [DID NOT ATTEND]

August 7, 2026 by Paul Debraski

[DID NOT ATTEND: June 24, 2026] The Body / Big | Brave / Carnivorous Bells

I saw Big | Brave open for SUNN0))).  I can’t believe it has been almost ten years since that show.  Big | Brave left a huge impact on me and I’ve been following them ever since.  I’ve really wanted to see them again and it just never seems to happen.

I had a ticket for this show long before we decided to go on vacation this week.  We actually arrived home on the night of this show, but there was just no way I could make it work.

I didn’t know The Body even though they made an album with Big | Brave back in 2021.  They are a doom/sludge metal band who have expanded into using other genres as well.  From what I can tell, vocally there is a lot of distorted screaming

Carnivorous Bells are from Philly.  They’re noisy and weird and remind me of noisy weird bands from the 90s.  I don’t think I’d enjoy a 90 minute set from them, but a short opening set was probably a lot of fun.

Here’s a video of them from Ortleib’s

Posted in Big ‡ Brave, Carnivorous Bells, Philadelphia, PA, PhilaMOCA, The Body | Leave a Comment »

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