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For nearly fourteen years I was able to keep up this daily blog of books and music.

About a year ago I got a promotion and that changed everything.  I no longer had the time to post everything I wanted to.  Heck, I didn’t even seem to have the time to read all the short stories I wanted to.  Amusingly (or not), just before this new position, I had gotten a print subscription to the New Yorker.  This now means that I (like many others) have a two-foot stack of New Yorker magazines that I haven’t even looked at yet.

For a few weeks I was limiting myself to only the concerts that I went to because that was a little easier to write about.  Although back in the good old days, I used to include photo and links, and I pretty much have neither now. And I’m several shows behind as well.

So I’m still reading books and I think I may try to post some thoughts about them from time to time.  I’d also like to think I have time to write about my concerts, but even those are proving to be challenging.

So let’s consider the blog on hiatus more or less, with occasional posts about things I’ve read or listened to.

The good thing is that I like the new position and wouldn’t change it for the world. I guess I never realized how much down time my old position gave me!

[DID NOT ATTEND: October 11, 2026] Isiliel / Eternal Hoshi with Arrow and Liza

I had wanted to go to this show since I missed the PhilaMOCA one.  And when I realized it was at 1:30 PM I was sure it would be a really fun thing to do on a Saturday afternoon. And I gather that Eternal HOSHI played her music so she wasn’t singing to a backing track, which would have made this more fun.

But wow, I was wrecked after four nights in a row and we had a lot of stuff to do around the house so it just wouldn’t have worked out.  The show was only 90 minutes but with the drive, we were looking at about 4 hours total, and that was just too much time on a gorgeous Saturday.

So, sadly, I’ll have to wait until the next time Isiliel comes back.

I saw Isiliel twice in a few months back in 2023/2024.  It was weird and fun.

So, who is Isiliel?  She is Himari Tsukishiro who is the main singer in the Japanese band Necronomidol.  As her site puts it

Isiliel is a solo dance/vocal project by Himari Tsukishiro (NECRONOMIDOL).
Mixing genres as diverse as folk, blackgaze and city pop via a worldwide team of veteran songwriters such as King Dude and NARASAKI of COALTAR OF THE DEEPERS, through Isiliel Himari will express hitherto unexplored depths of pathos and beauty on stage.

She basically sang to her music that was played over the speakers.  As I said, it was fun but weird. Continue Reading »

[DID NOT ATTEND: October 16, 2026] Pinhead Gunpowder / Night Shop / Hammered Hulls

There’s not much that could get me to go back to the First Unitarian Church.  There’s nothing wrong with the venue per se, and they have AMAZING bands playing there.  But my one experience was marred by so many logistical nightmares that I don’t even consider it when bands play there (it’s a me thing).

But when this show was announced,  I did consider it, and then it sold out in a second.  Why?  Because Pinhead Gunpowder has Billie Joe Armstrong on the band.  And when would you ever be able to see Billie Joe up close like that?  I don’t even know what they sound like.

“Pinhead Gunpowder started writing songs in 1990 and made our first 7-inch the following spring. Nearly every year since, we’ve met up to play. Some years we recorded-five albums and eleven EPs-and some years we played shows. But since 2010, we’ve been playing just for ourselves, something bands forget to do. A new record and tour was only a matter of time, but between the members’ other bands projects, and families, that was hard to find. When we finally did, we were all surprised. We think it’s our best yet-our catchiest, most collaborative, and most poignant.”
– Aaron Cometbus

The rest of the band is full of members who have been in other bands as well (although I only recognized one).  They play simple, catchy poppunk songs, as you might expect.

I hadn’t heard of the other two bands

Night Shop is from Los Angeles.

Led by Justin Sullivan, Night Shop delivers captivating music that combines elements of folk and indie rock. With heartfelt lyrics and soulful melodies, Night Shop creates a unique sound that resonates with listeners, drawing inspiration from various genres and artists such as Dougie Poole, Holiday Ghosts, and Bonny Doon [I haven’t hear do of any of them].

The songs I listened to were simple and catchy.

Hammered Hulls  is a kind of supergroup who have only one album out.

The band sees Alec McKaye (younger brother of Ian) playing with experimental/jazz guitarist Mark Cisneros and Mary Timony, yes that Mary Timony, on bass.  The album also features Chris Wilson, who I just saw with Ted Leo, on drums.  I’m not sure if he’ll eb with them as I think he’s touring with Ted.  But maybe that tour is over.  There’s a kind of Fugazi vibe to the album.  Kind of 80s punk but with some experimental things going on too.  They might be the most interesting band on the bill, actually.

[ATTENDED: October 15, 2026] Lauren Ash

I have enjoyed Lauren Ash as an actress for a pretty long time–since I first saw her on Super Fun Night, and then of course on Superstore.  I had no idea she had put music out.  Indeed, I found out that Lauren Ash put out a record when I saw this show listed at Kung Fu Necktie.  So I had to look her up.  And she has an album out.  And I really liked it–90’s era pop punk, funny lyrics and catchy as anything.

I thought it would be interesting to see her, but I had a ticket to see The Dillinger Escape Plan that evening–quite a different sound.

The more I looked into the DEP show, the less I was interested in seeing the first two bands (no offense to them, I just didn’t think I could handle a full on heavy night), so I decided to do something wacky.  The Lauren Ash show started at 7.  What if I went to the Lauren Ash show at Kung Fu Necktie, and when she was done, I could drive to Underground Arts and see just DEP.  I had tried a similar plan a few times before with varying results.  But I assumed that Lauren’s show would be fairly short and that all would work out.

Here’s some deets on Lauren’s music career

She exploded onto the music scene in 2023 with her pop punk single “Now I Know” (which debuted at #1 on the Canadian iTunes rock chart and #5 on Billboard’s Alternative Download Chart). Her debut album “Call Me When You Get This” released in September 2025 featuring her single “Whiplash” which was nominated for a “Hollywood Independent Music Award” for best rock/pop song. She performed her single “Sad This Christmas” on “The Kelly Clarkson Show” and spoke about her music on “Jimmy Kimmel Live”.

I read some reviews of her UK shows and they were all positive, so I was in.

After The Droogettes set, her stage was set up wit a TV and a telephone.  When 9PM came around, the phone rang.  After several rings, Lauren’s voice said, can someone answer that please?  A woman answered it and Lauren thanked her and then asked if that person would start the TV.  Which she did.  And what played was a series of well wishes and teases from just about everyone from The Superstore cast as well as other folks (Cobie Smulders).  It was really funny and set a great tone for how the show might go.

Lauren’s band (a guitarist and drummer) came out on stage and then Lauren ran out to the stage.  She was psyched to be there and psyched to be playing music.  She brought an incredible energy.

The biggest surprise for me both on record and live is how high her voice is.  She has a pretty deep authoritative voice on her shows, but she was up an octave for these songs.  Of course I had to wonder if her higher voice had anything to do with her weight loss–I wouldn’t think so, but what do I know.

She started with Dumpster Fire and was clearly having a blast–jumping around stage and emoting the lyrics.  I enjoyed it a lot that she was snarky in her delivery when necessary–it added a lot to the presentation.  I know the album pretty well, so I was surprised when she played some songs I didn’t know.  Like The One Who Got Away (a 2024 single) and Now I Know (a 2023 single).

Lauren played guitar for a couple of songs and talked about how excited she was to be in a band. Continue Reading »

[ATTENDED: October 15, 2026] The Droogettes

I found out that Lauren Ash put out a record when I saw this show listed at Kung Fu Necktie.  I had no idea she put out any music.  So I had to look her up.  And she has an album out.  And I really liked it–90’s era pop punk, funny lyrics and catchy as anything.

I had not heard of the opening band, The Droogettes who have clearly named themselves after A Clockwork Orange (their logo confirms).  Imagine my surprise to read that

Philadelphia’s The Droogettes have been making noise since 2013. Equal parts street punk grit and pop hook glory, their “Sugar Oi!” sound sits somewhere between Cock Sparrer’s working-class anthems and Blondie’s downtown cool – melodic, hook-driven, and built for singing along. After a six-year hiatus, the all-female five-piece is back, louder and sharper than ever.

The band came out on stage and clearly had a large fan base in the audience.  They are a five piece and while I didn’t really love their recorded sound, live, they were fantastic.  They played short punk songs–three chords, lots of backing vocal chanting and very little nonsense.  As Creepoid Records says: they inject the Punk and Oi! movement with an all-female alternative to a scene that is mostly male dominated.

They were great!  (New) lead singer Ami Friend (who is the singer for Lips of Kohl) has taken over vocals and she is great–intense, funny and full of energy.  I actually prefer her vocals to the original (sorry).

They played fun, fast punky songs.  Some had solos, but most didn’t and most had fun chanted choruses or just Hey Hey/ Oh Oh parts that were a lot of fun to sing along. Continue Reading »

[DID NOT ATTEND: October 12, 2026] Show Me the Body / Lip Critic / Combust

Despite my enjoyment of noisy. abrasive bands, I am turned off by certain band names. Show Me the Body is one I don’t care for–I just assume with a band name like that your songs are all about murder.  But I don’t know anything about their music.

Turns out they are a post hardcore band whose music includes a banjo.  They play a kind of murky, punk-industrial vibe, mixes brimming with thorny and clangorous textures.  And the banjo is often distorted and wild.  And with lyrics like “Radical love compels me to fight” they clearly aren’t singing about committing murder anyhow.  It’s kind of interesting although I didn’t love it.

I was mostly interested in this show for Lip Critic. I saw Lip Critic last year and the blew me away.  I’d never want to listen to their records, but live, they were incredible.  Noisy and chaotic with two drummers and a guy who plays keys/samples/something.  And a singer who commands the room.  I definitely want to see them again, but not as the middle band between two others I didn’t know.

Combust is a pretty much straight up old school hardcore band (nice not to see the “post” before hardcore).  I’m glad to know there are still new hardcore bands coming up.

 

[DID NOT ATTEND: October 2, 2026] Balthvs / Free Whenever

This We saw Balthvs open for My Morning Jacket two nights in a row and they were dynamite both nights.  I was super excited when they announced this show only to find out that I had tickets to two other shows on the same night.  I might have even chosen this one over one of the others but Ardmore is a hassle to get to and I really wanted to go to the third show anyhow.

Treblezine says of them, that they are a

surf-rock fusion trio from Bogotá, Colombia, which blends dub with Middle Eastern melodies layered over cumbia. Balthvs, which consists of Balthazar Aguirre on guitar, Johanna Mercuriana on bass, and Santiago Lizcano on drums, has an inviting musical presence and a deftly blurring range of influences that makes them shine a bit differently than another, more prominent power trio blazing up genre amalgams for what used to be just the blazed, but have now taken on multiple identities of chill.

They were really great live.

I hadn’t heard of Free Whenever who are a Brooklyn-based psychedelic groove band (bassist Trevor LaVecchia, guitarist Neil Gulieria and drummer Brendan Steuart).  I’ve listened to a few songs and they really hit a sweet spot for me.  Their bio says

Free Whenever’s unique blend of vintage psychedlia, dub reggae, eastern modality, and African rhythmic tradition leaveslisteners fully immersed in a synesthetic sound experience.  Their self-proclaimed “psychedelic groove music” identity is built on intertwining, conversational bass and guitar melodies over a backbone of Afro-Latin percussion and punchy, hip hop-inspired drums.  Live, Free Whenever runs rawer and more psychedelic than the records: the songs are launch points, and the improvisation builds rather than repeats. 

This sounds like a really great show and I am bummed to have missed it, for sure.  But they’re both young bands and will, I assume, be back again.

[ATTENDED: October 14, 2026] Gully Boys / Pollyanna / Raising Arizona

I saw Gully Boys four years ago when they opened for Dazey and the Scouts.  I have wanted to see them again because their set was amazing.  I don’t know why it’s been so long since I had a real chance to see them again.  I had already bought a ticket for Gilla Band tonight, but here was Gully Boys and Pollyanna, who I’ve wanted to see for ages too.

Turns out Gully Boys have only played Philly a couple of times, and only once since I saw them (opening for someone else).

Gully Boys even sent me a postcard (in the mail!) for this show.  I was super psyched to go to this show.  And then I thought about it a little more.  Because the postcard said everyone was encouraged to dress like a clown.  And I was not going to do that.  I’m sure there would have been no hard feelings had I shown up without a costume on, but I didn’t want to deal with that.  Plus, the show was not as close as I thought–Rutherford seems close but actually isn’t.  I’d never been to the Williams Center, and I do love new venues, but the timing of the show was just awkward.  The final nail for this show was that my friend was going to the Gilla Band show and I thought it would be fun to hang out with him.

So, I blew them off. Choices are hard.

This is my 7th time missing Pollyanna.  They are am intense, political punk band who write catchy songs and are pretty cool.  I sure hope to ssee them at least once.

Raising Arizona are from New Jersey–“a female-fronted alternative rock band that blends powerful vocals with grunge-tinted, hard rock sounds and style.”  They are surprisingly not pop punky for this bill, with more of an old school radio-friendly metal vibe, including soaring guitar solos.

 

 

 

[ATTENDED: October 13, 2026] Sugar 

Sugar hasn’t toured in some 30 years.  For some reason I thought I had seen them back the first time, but I’d actually seen Bob Mould doing a solo tour (with a band) and they played Sugar songs.

I’ve seen Bob several times, both by himself and with a band, but I was really excited to see Sugar and, while it wasn’t THAT different from when he plays a solo show (with a band) it was all Sugar and there were several songs sung by David Barbe, the legend from Athens.  And Malcolm Travis (I had no idea his history) was on drums.

There was a MASSIVE banner that read SUGAR behind them and, aside from lighting changes, there wasn’t much more spectacle.  Because this (as with most things Bob does) was all about the music.

After an opening tape of The Beatles’ She Said She Said (which I joked was played at the loudest volume I’ve ever heard The Beatles played) the band came out.  Malcolm sat at the drums, David grabbed his bass and Bob headed to the guitar.  For the whole show, nobody changed instruments, they just played 23 songs in 90 minutes and left us exhausted and elated.

Bob was his usual antsy self, stomping around the stage like a boxer warming up. He was dripping sweat by the end of the first song.  They opened with the first three songs from Copper Blue.  I have seen Bob and I’ve seen him play a few Sugar songs in recent years, but as soon as David sang the backing vocals on The Act We Act, it was a real Sugar show.

I deliberately didn’t listen to any of the albums before the show for fear that I’d be upset if they didn’t play the song I wanted to hear and I was pretty thrilled by how much all of this music that I’d listened to so much came back to me.

Hearing the opening bass line of A Good Idea (a very Pixies like song) was wonderful and watching Bob play that rising guitar note was just as cool .  We all sang along to “that’s a good idea, she said she said.”  There was an older woman in front of my wife.  She was short with long gray hair and for the first couple of songs, she was completely consumed by the music–raising her arm (something I particularly hate) and dancing and moving and backing into my wife–she took up way too much space.  She settled down after the opening salvo of songs, but it was fascinating.  We were annoyed by her, but also appreciative of how into it she was.

I loved hearing Changes, and probably would have happily had them play the entire album straight through (but they had to save a few songs for the end).  They  sprinkled songs from File Under: Easy Listening throughout the set.  So up next came the David Barbe sung Company Man.  I didn’t recognize it at first–David’s mic seemed a little quiet and/or he was singing a little too quietly.  His backing vocals (which were usually higher) sounded great.  But he was a little muffled on lead.   I hadn’t thought of Company Man in a long time and it was cool to hear it–Bob’s screams at the end gave it even more punch. Continue Reading »

[ATTENDED: September 24, 2026] PISS

I wasn’t too impressed when I heard the opening band was called PISS, (some names just rub me wrong), but I listened to their song “blocking a scene you can’t remember” and holy cow it is one of the most intense songs I’ve heard in a long time.  The way it is constructed combined with the way the noise builds and builds.  Wow.  And the lyrics.  Jesus.

So who are they?  And how are they signed to SUB POP already?

PISS is a noisy, genre-bending four-piece band from Vancouver, B.C. Combining punk, poetry, sound collage, performance art, and visual art, the band creates a multidisciplinary body of work that blurs the line between personal and political.

Powered by thoughtful musicianship, energetic live performances, and a crystal-clear artistic mission, PISS writes punk music that aims to transcend the limitations of a well-established genre. Their work draws inspiration from a range of unexpected influences: literary giants, philosophers, filmmakers, painters, psychoanalysts, activists, children, members of a German anarcho-feminist militant group, and conversations with audience members. These voices represent varying ideological beliefs about gender-based violence and enable PISS to create art that depicts challenging and controversial issues such as sexual violence and enculturated gender norms without reduction, romanticization, polemics, or dogmatism.

This is radical feminism bathed in noise.

The band came out on stage and while the rest of the band was getting their gear ready, lead singer/screamer taylor zantingh stood front and center, stretching.  She stretched her arms, her back and some intense leg stretches (with knee pads).  I knew this was going to be an intense performance.

The band crashed to life, gavin moya feedbacking the bass, tyler paterson standing in front of the amp generating guitar sounds and garreth roberts smashing the drums.  After a 30 second intro of loud noise, taylor said “hi everybody.”  She was polite and a bit quiet.

Before the set began, she gave us a trigger warning, that these songs are about sexual assault.  And also to let us know that if a mosh pit forms and you don’t want to be in it, to raise your hand and people will make sure you get out of the way safely.  She also said it was going to be very loud, so put in earplugs. Continue Reading »

[ATTENDED: October 13, 2026] J. Robbins

I could have seen J. Robbins open for Bob Mould last year.  But I wound up not going to that show.  I have one Jawbox album but I didn’t really remember all that much about it.  So I wasn’t that excited for this solo show.  In the past he has played with backing musicians, but for this show it was just him and his acoustic guitar.

And it was fantastic.

He was great right from the start.  He asked who was there the night before (“Me too!”).  He played a slightly different set for us than for night 1 saying that having the two nights together meant that he could play songs he didn’t usually get to play.

He started playing and the sound of his guitar was great–loud but clear.  And his voice was also clear–powerful and unflinching.  And the words were wonderful.  Not just the topic, but the way with words.  I loved the lyric Shield from me the words I struggle to find.

He played one Jawbox song (I didn’t know it but the crowd went nuts for it).

The first five songs were in an interesting open tuning.  Interesting enough that a nerdy guy behind me asked what tuning he was using (it was a very quiet room for him).  He demurred and just said an unusual one.

He switched tuning for the next few songs.  The first was a Burning Airlines song.  That’s a band I’d never heard of and (obviously) didn’t know he was in.  After one more song he introduced a song saying it was his favorite song in the world by a weirdo Baltimore band that he loved called Lungfish.  I’d never heard of them either.

The final two songs were just as good as the rest.  I see he typically opens with Anodyne.  And after Abandoned Mansion, he thanked us and left.

A solid 30 minutes of great acoustic guitar playing.  He was compelling and his voice sounded fantastic.  I’m now going back to see what else I’ve missed by him.

  1. (Unknown)
    (“nothing behind. Shield from me the words I struggle to find”)
  2. Exquisite Corpse ♣
  3. Winter Sun §
  4. Soldier On ⊗
  5. Static (Jawbox song)
  6. Outside the Aviary (Burning Airlines song)
  7. Old Soul ♣
  8. Love Is Love (Lungfish cover)
  9. Anodyne ⊗
  10. Abandoned Mansions ⊗


♣ Basilisk (2024)
⊗ Un-becoming (2019)
§ single (2019)