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Archive for the ‘House of Independents’ Category

[ATTENDED: September 4, 2026] Sincere Engineer

I’m not sure how I first heard of Sincere Engineer, but as soon as I heard them, I loved them.  I love their bouncy pop punk sound, I love the snarky lyrics and I love  Deanna Belos’ voice!  Raspy and angry which still being completely clear and easy to understand.  It’s perfect.  Especially with catchy, kiss off lyrics like

And I should’ve said ………something
But I really said …………nothing
And I should’ve said ……………..something
Before I twist my tongue
And clench my teeth
And let you get away
With saying that to me

They opened with that song and I was super psyched from the get go.

Before that song their entrance music was the theme from Star Trek the Next Generation, which was hilarious and wonderful.

After the new song, they jumped back to Cheap Grills for two songs: Anemia and California King–a simple, catchy bouncy song that is pretty irresistible.

Back to new songs with Settle Up With Your Downfall, a slower more serious song, but the follow up The Perfect Crime was super catchy, only beaten in catchiness by Fireplace, one of the catchiest, snarkiest songs in recent memory.  And everyone sang along, including the eleven year old who was celebrating her birthday at the show.  This girl was cute, standing up front wearing a birthday hat.  She’d probably talked to Deanna before, but Deanna made a big deal out of her and dedicated the next song Corn Dog Sonnet to her.

It was fast and fun, just like Cooler.  And even though my understanding is that this is Deanna’s band, the guys behind her are fantastic Adam Beck on drums, Kyle Geib on guitar, and Nick Arvanitis on bass keep the show smooth and clearly enjoying playing. (more…)

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[ATTENDED: September 4, 2026] Stay Inside

It took Stay Inside a little while longer than I expected to come on stage (since Smug LLC was such a short set.  But they were fantastic from the get go.  They are a four piece from Brooklyn and have been around for about ten years.  Midshow, someone noted that this was their 250th show!

Bon Z exploded with heavy guitars (I liked the way the second guitars rang out after the verse verse making the song even bigger.  There was great bass (from Bryn Nieboer) throughout the show (more prominent than on the record)

I really enjoyed the way their guitarist (Chris Johns) sang the quick but quiet Runnin’ runnin’ runnin’ runnin part and I really liked the cool quiet middle section with more tasty bass fills.

Chris Lawless was a really fun front man, jumping around, occasionally kicking a cymbal and joking with the audience and the band.

So far, the set had been pretty intense.  Monsieur Hawkwind and My Fault slowed things down a bit and it was good to know they can pull of mid-tempo as well as faster songs.

Midway through the set, Bryn told us that this was their drummer’s fourth show.  He was great.  But at some point he hit a funny sample that made everyone groan and Bryn said that this was now his last show.

There was a girl in the audience wearing a birthday hat (she was 11) and Bryn asked if it was her birthday.  Bryn asked her how old she was and she told her then Bryn said next month she was turning 40 which I genuinely can’t tell if that was a joke, but a whole bunch of people booed, which she was aghast a–why are you booing 40?)

The final song was from an earlier EP and that song rocked hard again.   I was really surprised that they only played 7 songs.  It was a tight 30 minute set and they left a great impression.  I wanted to chat with them after the show but the line for Sincere Engineer was pretty long and when I was done, the line for them was just as long and I wanted to get home.  But I’m definitely a fan and looking forward to seeing them again.

Wikipedia has just told me that Bartees Strange, yes, that Bartees Strange was in the band from 2016-2018.  That’s insane.

 

Bon Zs ≅
Runnin’ ‰
A Backyard ≅
Monsieur Hawkwind ‰
My Fault ≅
Wish It Away ‰
Ivy ∇

‰ Lunger (2026)
≅ Ferried Away (2024)
∇ Viewing (2020)

 

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[ATTENDED: September 4, 2026] Smug LLC

I’m not sure what drew my attention to Sincere Engineer, but as soon as I heard them, I was hooked.  I was also really excited that they were playing soon after I’d heard of them.

I hadn’t heard of their first opener, Smug, LLC, who are (is) from Toronto.  I looked up the band and learned that it is actually a guy–Drew Thomas.  I hadn’t heard of him either, but evidently he had been a round for a second or two.  He fronted bands like Single Mothers and The Drew Thomson Foundation and has earned two Juno Award nominations.

I had no idea he was anything other than just a dude who made fun, funny music.   His songs are very dancey with lots of bass and other sound effects.

When his set started, he clicked on a laptop which started the music and a movie projector.  The video screen showed clips of movies and TV shows and clips of Drew walking around and each song had the lyrics on the screen, which was pretty smart. (more…)

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[DID NOT ATTEND: February 26, 2026] Foxy Shazam / Descartes a Kant / Moondough

I found out about this show when Descartes a Kant posted that they were playing in Asbury Park!  I loved their show so much I swore I’d see them any time they came around.

I was surprised they were headlining a fairly large sized venue.  And then I fond out that they were not.

I had not heard of Foxy Shazam, but apparently I should have.  They’ve been around since 2004 and have been putting on wild live shows for twenty years.  Well, that’s not true, they broke up in 2014 and got back together in 2020.

Rock DNA Magazine reviewed the tour dates in Nashville

Saying of Foxy Shazam they carved out a lane that blends glam rock excess, soulful swagger, punk urgency, and theatrical flair. Their live shows have long been the stuff of legend, whispered about in the same breath as the great unhinged performers of rock history.  Eric Nally hit the stage like he had been launched, not introduced. His voice carries an elastic force, swinging from gritty snarl to operatic wail in seconds. There is a bravado there that feels almost classic rock in scale but twisted into something far more unpredictable.

What separates Foxy Shazam from lesser shock merchants is intent. The stunt didn’t feel tacked on. It felt like an extension of their commitment to pushing every moment to its edge. No half measures. Nothing safe.  The set never sagged. No filler. No polite breather. Even quieter passages hummed with tension. You never felt entirely comfortable, and that was the point. This was never background music. This was confrontation in the form of performance.

They also wrote about MoonDough

MoonDough opened the night with a set that felt deceptively loose. There was a warmth to it, groove-heavy and confident without trying too hard to dominate the room. Their singer commanded attention in a way that was more sly than explosive. He let the crowd lean in rather than forcing them back.

So who is Moondough? His bio says Ken Raymundo is a talented Multi-Instrumental, Singer/Song Writer from Southern California, that goes by ‘Moondough’. Possessing a unique range of musical influences, he has created a signature sound that highlights his soulful melodies, smooth guitar progressions, and funky bass lines. Ken takes the essence of a bedroom recording and transforms it into what he calls, ‘Bedroom Soul/Funk/Jazz.’

I opted to stay home from this show even though it sounded like Foxy Shazam was amazing. I had gone out last night and had two more events that weekend.  DAK only played for 30 minutes, so it’s okay that I missed them, but this sounds like a wild and fun show.

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[DID NOT ATTEND: January 30, 2026] THE TRIP: Canaries, The Tubs, Hotline TNT, Wishy, Horse Jumper of Love

This I was pretty interested in this show because I knew two bands and I really want to see Hotline TNT.  But then this show was the same night as Jordan Klepper, who my wife was dying to see live.  He was great and I didn’t mind missing this long night of music.

I’m not sure what the order of the bands was.

I have never seen Horse Jumper of Love.  When they played previous shows I wrote: They play downbeat, rather depressing mope rock.  With occasional flares of noise attached.  I’d hope they’d be more lively in concert.  But I doubt it somehow.  They keep appearing on my radar though, so maybe I would like them.

I saw Wishy open for Momma.  I really enjoyed their set a lot–the two singers with great harmonies and, as I wrote about Sick Sweet, it’s a shoegazey masterpiece that I feel in love with the first time I heard it.  I would happily have seen them again.

Hotline TNT plays what I can only describe as classic shoegaze, which is definitely having a moment again.  Unlike a lot of their contemporaries, they don’t really mess with the classic shoegaze vibe all that much–not adding elements at all.  Their music warms my heart and I’d love to see them live.  This is the sixth time I’ve missed them since 2022.

Canaries are a noisy shoegazeish band from Richmond Virginia.  They’re not dipping into the heavier side of the genre, instead they are making a lot of crashing noises–a fun rowdy kind of shoegaze that I like.

The Tubs are a Welsh indie rock band from Cardiff, formed in 2018. The band was founded by Owen Williams and original guitarist George Nicholls. Along with Max Warren they were previously members of Joanna Gruesome. The current lineup is completed by Dan Lucas and Taylor Stewart.  I am surprised that one of the bands on this line up is Welsh (and maybe it’s not them), but their jangle pop is not too far off from the rest of the show.

This would have been a fun show to go to and a good chance to check out a bunch of bands.

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[ATTENDED: September 22, 2025] Pool Kids

This was my third time seeing Pool Kids.  I really like their mix of punky alt rock and really cool guitar shredding (so much finger tapping).  I saw them headline at a small place in Philly and they blew the roof off (with singer Christine Goodwyne crowd surfing at the end).

Since I last saw them the put out a new album.  And they played 8 (of 11) songs from it.  They opened with a new song and then immediately jumped back to their previous album

The opening riff to That’s Physic Baby is a mastercalss in cool guitar riffage–sounding like an old school metal intro.  Both Goodwyne and second guitarist Andy Anaya shred impressively with lots of fingertapping.  Anaya seems to add a few extra flourishes while Goodwyne gets back to singing.  The end is a dramatic moment where the chorus telling you what I, telling you what I need, is repeated but at the end the song drops off and she screams (and we all scream along) NEED!

Vocalist/guitarist Christine Goodwyne was fun with a powerful voice that held high notes and also screamed with rage.  She and second guitarist played some great harmony solos together too.

A group chat with goddamn 21 people I wish I was joking but I’m not.

They played one song from their debut (the wonderfully named $5 Subtweet) which has a total progressive rock vibe with a fast riff opening and some complicated intertwining moments.

The new album has a lot more going on–synths, quieter moments, even an AutoTune on the first song).  But there’s still plenty of Pool Kids sound–loud vocals and gorgeous guitar work on Last Word.  But they moved back to another of my favorite songs of their “I Hope You’re Right” with the chorus “You wanna start a fight” which is super fun to sing along to.

I also need to mention bassist Nicolette Alvarez who plays some amazingly complicated parts and adds a lot of backing vocals (which I don’t think she did on the previous album).  Drummer Caden Clinton makes a lot of noise on a fairly small drum kit.  He plays interesting rhythms and different parts of the kit to bring a really full (and dare I say kind of proggy component) to the songs.

After playing most of their bigger songs, they played three new songs.  Sorry Not Sorry is a slower song (where Alvarez’ backing vocals really shone).  Easier Said Than Done is also slower (with soft backing vocals from Anaya).  These songs are all a bit more conventional. but they retain a lot of makes Pool Kids interesting.

Then we were encouraged to sing along to the next song because we all knew it.  Conscious Uncoupling is the first song I heard by them and I loved everything about it–the soft to loud vocals, the cool guitar sounds and the big explosive chorus.

For one of the ending songs, Goodwyne put down her guitar and jumped into the crowd.  The guy next to me had been singing along all night and she ran up to him and they sang a line together.  Later from on the stage she called him over to shout a line with her and he was clearly thrilled.  There wasn’t a large crowd–I felt bad for them, although it was a Monday night–and there was even a small “pit” available because I was standing a little back from the people up front (the sound isn’t very good when you’re right on the stage).  She bounced around and then some short person slammed into her really hard.  She bounced off and seemed game for more.  So they bounced off each other a few more times and then she climbed back on stage.

They ended and it was still about 9:45 (I assuming 10PM curfew).  On their other nights they had been adding an encore and when they left the stage they put their guitars down on the stage in the “we’ll be right back” gesture.  But then the house music came on and it seemed like they weren’t coming back.  But the crowd started a “one more song” chant (again, what happened to encore), and after a few minutes, they came back.  Goodwyne apologized to the sound guy saying they weren’t planning on coming back out.  It may be the first genuinely earned encore I’ve ever been a part of.

They played Swallow, a great song with lots of finger tapping guitar–it’s really fun when Goodwyne and Ayana face each other in a little guitar battle.  It was a great and cathartic end to the show and they were done by 10!

The show was great and I was in for a surprise at the end of the show.  As I was heading up the stairs, two young women were walking down and said my name.  I looked up confused until they revealed that they were the daughters of one of my college friends.  I hadn’t seen them in about five or six years and I don’t know how they recognized me (something about knowing I liked this band and they asked their parents what I looked like to see if I was there).

Turns out they are huge fans of the band and drove 3 hours to see them!  They may also drive down to Philly on Thursday to see them again.  It was great to see them and I immediately texted their mom–it had been too long–and we caught up.

 

House of Independents 2025 Ukie Club 2023 Rooftop 2023 (open for PUP)
Tinted Windows € Swallow Swallow ¶
Arm’s Length That’s Physics, Baby That’s Physics, Baby ¶
That’s Physics, Baby Erso ⊗ $5 Subtweet ⊗
$5 Subtweet⊗ $5 Subtweet⊗ Arm’s Length ¶
Which is Worse? € Further ¶ I Hope You’re Right ¶
Last Word € Comes in Waves ¶ Conscious Uncoupling ¶
I Hope You’re Right I Hope You’re Right Talk Too Much ¶
Sorry Not Sorry € Pathetic ¶
Bad Bruise € Arm’s Length
Easier Said Than Done € Conscious Uncoupling
Conscious Uncoupling Talk Too Much
Leona Street € encore
Talk Too Much Borerline ⊗
Exit Plan €
encore
Swallow

€ Easier Said Than Done (2025)
¶ Pool Kids (2022)
⊗ Music to Practice Safe Sex To (2018)

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[ATTENDED: September 22, 2025] Truth Club

I saw Truth Club open for Indigo de Souza last year and I really liked their set a lot.

It was pretty obvious that there was a curfew in place because the bands changed pretty quickly (they were using the same drum set so that helped).  Truth Club came out and opened with a song from their debut album.

Unlike Pony, they played many of the same songs (the don’t have a new album yet, but they do have a bunch of new songs).

I definitely enjoy their second album more than their debut–there’s a lot more dynamics going on.  77x starts slow but in an interesting, lurching way.

And here’s what I loved about them last time and this time.  Singer Travis Harrington plays guitar as well and he plays the basic chord structure.  But in these first few songs, guitarist Yvonne Chazal made some really interesting sounds.  They played lots of high chords and single notes.  They bent the notes and made really interesting textures.  It wasn’t always clear what sounds were coming out, but it made the whole thing feel bigger.

After a couple of songs Yvonne switched instruments with bassist Kam Vann.  If I had to guess I’d say that Kam might be the full time lead guitarist because he was pushing the sounds further than Yvonne did.  He played loud hard chords, but also played some solos and added extra sounds.

And really it’s the song creations from Truth Club that I like so much.  There’s a lot of loud/quiet shifts, but there’s also odd time signatures (for one of the songs Travis counted in to 6).  (more…)

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[ATTENDED: September 22, 2025] Pony

I saw Pony open for Fucked Up about 3 years ago.  I didn’t know them before the show, but I really enjoyed them.  Pop punk energy (like Beach Bunny but a little rougher around the edges).  I was pretty psyched about this lineup.  Three bands I knew and liked.  So I wanted to make sure I arrived early enough for Pony.

The show said 7:30, I strolled in around 7:15 and they were already on!  And apparently had been since 7.  So I only got to see a few songs, but it was enough to know that they still kick butt and I would happily see them again.

Interestingly, their recorded output is far more poppy than their on stage performance.

Pony is from Toronto and is fronted by Sam Bielanski who plays guitar and sings.  She is also a voice actress and voiced Jazz in My Little Pony: Tell Your Tale (hence the band name).  I can’t find a ton of information about the band, but I’m guessing that Matty Morand is an important part of the band.  He played (really cool) guitars at this show.

I don’t know if she played guitar for this set as she wasn’t when I came in and didn’t pick one up.  But her intensity is amazing.  And, she was super nice after the show.

The setlist was almost entirely different from the previous show as they have released two albums since then.  I really would have enjoyed seeing more of this set.

 

2025 [Pool Kids] 2022 [Fucked Up]
Superglue § WebMD ™
Peach ∇ Couch ™
Freezer ¼ Furniture ™
Sucker Punch ∇ Très Jolie ∇
Sick ∇ Sometime Later ™
Middle of Summer § My Room ™
Every Little Crumb ¼ Did It Again ∇
Très Jolie ∇ Chokecherry ™

§ single (2025)
¼ single (2024)
∇ Velveteen (2023)
™ TV Baby (2021)

 

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[ATTENDED: January 26, 2024] Pinkshift /Jhariah / Foxteeth

I was really excited for this show.  It had been postponed from November (when I didn’t have a ticket) to the New Year.

Originally it was supposed to be at House of Independents, but the reason the first show was postponed was because of flooding.  The flooding was so bad that HoI had to close its doors and is now out of business.

So it was moved to Asbury Lanes, which is a great small club.

I arrived with just a few minutes to spare and soon enough Fox Teeth came out. Originally the opening band was Pollyanna, who I really like.  I was bummed that they weren’t going to be playing, but Fox Teeth more than exceeded expectations. (more…)

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[POSTPONED: October 12, 2023] Pinkshift / Jhariah / Pollyanna [moved to January 26, 2024, to Asbury Lanes]

I found out about this show too late.  By the time I realized it was happening I already had plans.  But as it happens, this show was postponed because of flooding.  It’s been rescheduled to January 26, which is pretty great for me, because this show looks amazing.

I have seen Pinkshift three times and they are amazing.  They get better with each show, but I have yet to see them headline.  So I would have really liked to get to this show.

Jhariah plays musical theater.  But on the heavy end, like when My Chemical Romance goes theatrical.  He throws in all kinds of cool and interesting sounds.  This is wacky and fun and he clearly relishes the theatricality.  I would love to see him live.

Pollyanna are from New Jersey and they absolutely rock: Lead singer and guitarist Jill Beckett, drummer Daniel McCool, bassist Brandon Bolton, and guitarist Jack Rose.  They mix

power-pop, loud rock, bubble grunge, and punk influences.  Their name directly derives from the dictionary definition, “to be unreasonably or illogically optimistic” – perfectly describing front-person Jill Beckett’s ‘stuck in 2017’ incredibly optimistic attitude. After meeting in the first grade, Dan and Jill started the band at just 13 years old, eager to create and play music that would reach audiences beyond the confines of Jill’s open garage doors. Brandon made them a trio in early 2019, bringing 90’s femme punk influence to the group. At the start of 2021, Jack completed the bands’ lineup, adding his elemental stabby guitars and love for shoegaze and metal into the mix. After completing almost 5 tours around the east coast and the midwest, Pollyanna has won over a following in the New Jersey music scene along with cities in the tri-state and beyond. They plan on growing as far as possible and leaving a unique mark in the music industry.

Their album Slime is great–snotty and brash with great sounds and Beckett’s excellent vocals.  So, yes, I hope to see them some time.

Sorry about the flooding (it was really terrible), but I’m glad I get to see the show next year.

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