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Archive for the ‘Asbury Park, NJ’ Category

[DID NOT ATTEND: August 16, 2026] Wax Jaw / Teenage Halloween / Have a Good Season

I honestly can’t keep track of the number of times I haven’t seen Wax Jaw.  For a time they were the new band that I “discovered” and wanted to support really badly.  And I kept missing them.  I have finally seen them twice.

This show was the night before my son was leaving for his study abroad.  So, no matter how much I like Wonderbar and Wax Jaw, there was just no way.

At least Wax Jaw is playing Philly Music Fest in October and I SHOULD be able to make that one.

This show was announced fairly recently but I already had tickets to see Guster AND there was a second show I really wanted to see this night, Porridge Radio.  So this show was never going to happen for me.

I saw Teenage Halloween open for THICK a while back and thought they were great.   The Asbury Park band plays short blasts of catchy emo songs–lots of punk feelings (their bio says)

At the heart of vocalist and guitarist Luk Henderiks’ lyrics is an urgent longing for community. Despite their often strikingly personal vulnerability, these songs reach out to the wider world, striving to hold themselves and those around them accountable for their actions and to make space for those that need to be heard.

and occasionally fantastic guitar solos (Eli Frank is a total shredder, but doesn’t overuse that skill).  Luk seemed to sing more of the songs, but Tricia Marshall (bass) sang about four or five of the seventeen (!) they played.  I would absolutely see them again.

Have a Good Season is a trio from Eatontown, NJ.  They are a gentle alt rock band (with rocking moments) that incorporates intricate guitar parts and catchy vocal melodies.  They are the kind of band that I would love hearing one or two songs in a mix, but who I might not listen to an entire album.  But I dig their overall vibe.

This would have been a delightful show.

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[DID NOT ATTEND: August 13, 2026] The Lemon Twigs / Brute Force

I really liked The Lemon Twigs’ Do Hollywood album and their follow up EPs showed even more development.  Since then they have put out a few albums, and I have enjoyed them.  Their sound has changed over the years and they are very settled in a kind of 60s pop vibe.  They are excellent at it, but it’s not quite what I loved from them.  I finally got to see them open for Car Seat Headrest and they were great.  I definitely wanted to go to this show and up until the last minute I was considering going.  But since I was going out the following two nights and my son was leaving for Europe in a few days, I figured I’d stay home.

I think my wife would really like them, so maybe next time they come around I’ll drag her along.

I can’t believe that I have never heard of Brute Force–look at this bio:

Stephen Friedland (born September 29, 1940), known as Brute Force, is a singer and songwriter who attended Asbury Park High School,. He wrote and performed with The Tokens in the 1960s and wrote songs for Peggy March, Del Shannon, The Chiffons and The Cyrkle, and others.  Brute Force may be best known for a song that barely saw a release. Written by Friedland and produced by The Tokens, “The King of Fuh” is a story about a monarch in the land of Fuh referred repeatedly to as the “Fuh King”. John Lennon admired the record; so did George Harrison, who acquired the track and overdubbed eleven strings of the London Philharmonic Orchestra, arranged by John Barham. It soon became obvious that neither EMI nor Capitol Records would distribute the single, so Apple Records pressed and distributed 1,000 copies (catalog number Apple 08) in 1969. After the initial Apple pressing (and no radio play), Friedland teamed up with Jeff Cheen and issued the tune on his own Brute Force Records label (b/w “Tapeworm Of Love”, which later received airplay on the Dr. Demento radio show).

He played that song and many other funny songs.

Now I rather wish I had gone.

 

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[DID NOT ATTEND: July 30, 2026] Pollyanna / Little Hag / father’s daughter

Two years ago, Pollyanna played a show at this very venue.  But our vacation wound up being this week.  So no Pollyanna, yet again.  This was actually the 6th time that I’d failed to see them. I was planning on going out the following night and then we were off to vacation, so it felt like a bad idea to head out to Asbury Park on a July night.

Fortunately, they are playing a show in October.  I hope I still like them by then.

Little Hag is a from Asbury Park.  They opened for Blvck Hippie back in May and I wished that I havd been abe to get to that show for all of the bands, but especially Little Hag.  They formed in 2016 in the suburbs of central Jersey by Avery Mandeville, guitarist Matt “Fern” Fernicola and drummer Owen Flanagan; joined in recent years by bassist Mitchell Warren-Devlin and keyboardist/vocalist Cara Introcaso.   Narc Magazine says “fans of opinionated, unflinchingly explicit, female-led punk rock should jump straight into this one.”  Musically they’re a bit softer than one might expect with more synth than feedback.  But the lyrics to Show Me Your Head alone make them worth checking out

Remind rich men that they’re ugly
Remind rich men that they will always be ugly
Remind rich men that we hate them
Remind rich men that we can and will kiss them

Mark, show me your head
Elon, show me your head
Jeff, show me your head
I want to put a hole in it
Donald, show me your head
JD, show me your head
Ben, show me your head
I want to put a hole in it

father’s daughter lists themselves as “your dad’s new favorite band.”  I can’t find much out about them, but they are from New Jersey and have two songs out.  Kind of a shoegazey/heavy vibe with restrained vocals that I really like.  I hope they play around the area, I’d like to check them out.

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[DID NOT ATTEND: July 18 & 19, 2026] Rx Bandits / Catbite

Two years ago Rx Bandits played a show at Asbury Lanes and the following night at Union Transfer.  I was not familiar with Rx Bandits when they announced this show.  Indeed the only reason I was interested in at all was because Zeta was announced as the opener.

So I went to the Asbury Lanes show and really enjoyed them a lot.  I liked the music and I found the band members charming and entertaining.  There were people at the show ho were major diehard fans, and I felt a bit like poser, but I enjoyed myself.

I did seriously consider going to these shows, too.  The Asbury Lanes one didn’t work because I had been to two shows in a row before this one.  But I did think I might make the Union Transfer show (it would have been interesting to see them on a much bigger stage).  But as tends to happen, things got hectic and I wound up never buying a ticket.  So I stayed home.

Maybe in three years they’ll tour the Mandala album as well.

I saw Catbite open for Fishbone in April and really enjoyed their old school ska.  The venue I saw them in was really small and it would have been fun to see that in a larger, hometown venue.  But they’re not going anywhere and I’m sure I’ll be able to see them again.

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[ATTENDED: June 21, 2026] The Sadies

I was vaguely aware of The Sadies. I was mostly aware of them because their singer Dallas Good died suddenly and the entire Canadian music scene was upset about it.  I assumed The Sadies were done, but, as Dallas’ brother and the band’s new singer and guitarist said, this show and every show that we play for the rest of our lives is dedicated to my younger brother.

That’s pretty devastating.  But it was clear that The Sadies put everything into their shows.

So The Sadies’ songs fall into two categories–a kind of country & western (as opposed to country) song with a heavy dose of surf rock sprinkled all over the song.  And hugely enjoyable instrumentals that showcase Travis Good’s fantastic guitar playing.

What that means is that most of their songs sound basically the same.  And yet, they played for almost 50 minutes and I not only was I never bored, I enjoyed every minute of it.

Which is pretty impressive given that they are a three-piece with a simple drum kit (played expertly by Mike Belitsky) and an upright bass (played by Sean Dean).  An upright bass doesn’t lend for a lot of fast improv.

So most of the embellishments came from Travis.  Dallas’ voice was a bit softer, while Travis’ has a darker edge to it, which makes some of these dark songs sound even darker. In a song like Oak Ridges his voice also goes deeper. (more…)

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[ATTENDED: June 21, 2026] Kurt Vile & The Violators

My wife has become a huge fan of Kurt Vile in the last few years, so any chance to see him, we’ll take.  She had never been to The Stone Pony before and as a Jersey native, she really ought to have been there at least once.  This was my third time there and I really haven’t enjoyed the vibe at any of the shows.

And tonight’s was weird too.  The Stone Pony is a weird venue–it’s very wide and very shallow.  It may also slope down away from the stage (It probably doesn’t but it feels that way).  After checking out the beach for a few minutes we headed inside and saw that it was pretty crowded.  We found our spot and then realized the guys in front of us were really drunk.  They moved soon after Kurt started (and eventually the one guy fell over and the had to be removed).  But then a very tall woman who was near us suddenly wound up in front of us.  Which sucked.

After a few songs behind her, I had to move a few feet over to be able to see.  Halfway through when the drunk guy fell over and had to leave I was able to get back to my wife and we enjoyed the show together.

So this tour was for his new album Philadelphia’s Been Good To Me.  And yet he opened with two songs not on the album.  All subsequent show, he jumped right to the new album.  So I’m not sure why we got Jesus Fever (which no one else did, but no complaints, it’s a great song) and Hey, Like A Child was earlier in the seton this tour.

I was pretty fascinated to see just how many people knew the words to all of his songs.  He was pretty excited to play The Stone Pony (his first time) so maybe he gave us an extra song or two.

And then it was on to the new album.  Red Room Dub is a delightful instrumental (is this is first instrumental, I don’t know), but he put words to it (no idea what they were though).  Zoom 97 is slow, chill song with the fun line “jump n my whip (yeah!)”  His backing band is always so solid–they never show off, they just keep things going as they need to.  (more…)

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[DID NOT ATTEND: June 6, 2026] Geordie Greep

Geordie Greep was one of the vocalists in Black Midi (who are no more and I’m really glad I got to see them when they came to the States).  He’s a fascinating dude with a fascinating voice.  When I saw that he was doing a solo tour, last year, I was really intrigued, but the shows sold out before I found out about them.

There was a show announced at Ardmore Music Hall back in February and I grabbed a ticket and then couldn’t go.  But I knew he was also playing at Asbury Lanes, so I grabbed a ticket for this show.

And, as seems to happen in my house, a miscommunication meant that I was unable to get to this one as well.  I assume at this point that I’ll never see him because surely he’s going back home by now.

 

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[DID NOT ATTEND: February 26, 2026] Foxy Shazam / Descartes a Kant / Moondough

I found out about this show when Descartes a Kant posted that they were playing in Asbury Park!  I loved their show so much I swore I’d see them any time they came around.

I was surprised they were headlining a fairly large sized venue.  And then I fond out that they were not.

I had not heard of Foxy Shazam, but apparently I should have.  They’ve been around since 2004 and have been putting on wild live shows for twenty years.  Well, that’s not true, they broke up in 2014 and got back together in 2020.

Rock DNA Magazine reviewed the tour dates in Nashville

Saying of Foxy Shazam they carved out a lane that blends glam rock excess, soulful swagger, punk urgency, and theatrical flair. Their live shows have long been the stuff of legend, whispered about in the same breath as the great unhinged performers of rock history.  Eric Nally hit the stage like he had been launched, not introduced. His voice carries an elastic force, swinging from gritty snarl to operatic wail in seconds. There is a bravado there that feels almost classic rock in scale but twisted into something far more unpredictable.

What separates Foxy Shazam from lesser shock merchants is intent. The stunt didn’t feel tacked on. It felt like an extension of their commitment to pushing every moment to its edge. No half measures. Nothing safe.  The set never sagged. No filler. No polite breather. Even quieter passages hummed with tension. You never felt entirely comfortable, and that was the point. This was never background music. This was confrontation in the form of performance.

They also wrote about MoonDough

MoonDough opened the night with a set that felt deceptively loose. There was a warmth to it, groove-heavy and confident without trying too hard to dominate the room. Their singer commanded attention in a way that was more sly than explosive. He let the crowd lean in rather than forcing them back.

So who is Moondough? His bio says Ken Raymundo is a talented Multi-Instrumental, Singer/Song Writer from Southern California, that goes by ‘Moondough’Possessing a unique range of musical influences, he has created a signature sound that highlights his soulful melodies, smooth guitar progressions, and funky bass lines. Ken takes the essence of a bedroom recording and transforms it into what he calls, ‘Bedroom Soul/Funk/Jazz.’

I opted to stay home from this show even though it sounded like Foxy Shazam was amazing. I had gone out last night and had two more events that weekend.  DAK only played for 30 minutes, so it’s okay that I missed them, but this sounds like a wild and fun show.

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[DID NOT ATTEND: January 30, 2026] THE TRIP: Canaries, The Tubs, Hotline TNT, Wishy, Horse Jumper of Love

This I was pretty interested in this show because I knew two bands and I really want to see Hotline TNT.  But then this show was the same night as Jordan Klepper, who my wife was dying to see live.  He was great and I didn’t mind missing this long night of music.

I’m not sure what the order of the bands was.

I have never seen Horse Jumper of Love.  When they played previous shows I wrote: They play downbeat, rather depressing mope rock.  With occasional flares of noise attached.  I’d hope they’d be more lively in concert.  But I doubt it somehow.  They keep appearing on my radar though, so maybe I would like them.

I saw Wishy open for Momma.  I really enjoyed their set a lot–the two singers with great harmonies and, as I wrote about Sick Sweet, it’s a shoegazey masterpiece that I feel in love with the first time I heard it.  I would happily have seen them again.

Hotline TNT plays what I can only describe as classic shoegaze, which is definitely having a moment again.  Unlike a lot of their contemporaries, they don’t really mess with the classic shoegaze vibe all that much–not adding elements at all.  Their music warms my heart and I’d love to see them live.  This is the sixth time I’ve missed them since 2022.

Canaries are a noisy shoegazeish band from Richmond Virginia.  They’re not dipping into the heavier side of the genre, instead they are making a lot of crashing noises–a fun rowdy kind of shoegaze that I like.

The Tubs are a Welsh indie rock band from Cardiff, formed in 2018. The band was founded by Owen Williams and original guitarist George Nicholls. Along with Max Warren they were previously members of Joanna Gruesome. The current lineup is completed by Dan Lucas and Taylor Stewart.  I am surprised that one of the bands on this line up is Welsh (and maybe it’s not them), but their jangle pop is not too far off from the rest of the show.

This would have been a fun show to go to and a good chance to check out a bunch of bands.

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[DID NOT ATTEND: November 22, 2025] Momma / Narrow Head

I saw Momma back in May and really enjoyed their set a lot.  They play the kind of music that I just love–female fronted alt/grungy stuff.  When they announced this show in Asbury I was really sure I wanted to go.  I mean, they were great when I saw them last time and I think they only get better each time.

Plus, I suspect that their next album will show them growing their sound more.  I imagine they’ll be expanding their sound some. So the next time they tour, it will be for a new album and they won’t play these songs as much.  But sometimes things come up and seeing a band you just saw six months ago isn’t as important.

This was, apparently a double headline show with Narrow Head whom I’ve never heard of.  Turns out they did a split single with Momma.  They are from Dallas and sound a lot like Helmet or Biohazard or some heavy band like that.  They seem like a really odd match for Momma, but it was probably an interesting show.

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