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Archive for the ‘Milkboy’ Category

[DID NOT ATTEND: April 13, 2024] Jhariah / Pollyanna / Save Face

I saw Jhariah earlier this year open for Pinkshift.  I loved his set so much.  Everything about it was great.  I thought my daughter would love to see him as well, so when they announced a show at Milkboy, I grabbed tickets for both of us (after discovering that she was allowed to be in the over 21 club as long as she stayed with me the whole time).  Then it turned out that she was invited to a birthday party and she chose to go to that instead.  Which, fair enough.

I already had a ticket for Swans for this evening, which I figured I’d blow off to go out with my daughter.  When she opted for her party, I figured I’d go to the Jhariah show–I was more interested in it that she was.  I really enjoyed his set a few months ago and would have loved to see him again, especially headlining.

Milkboy is a great venue but it is a massive pain in the butt to get to.  I also started to think about how young the crowd would be for this show.  Since I had just had surgery, the last thing I needed was to be in a crowd with people slam dancing and shoving.

So I decided to go to the Swans show as I had originally planned–the music would be louder, but much slower.

Pollyanna was supposed to open for Pinkshift along with Jhariah.  But for whatever reason they did not play that show.  But I really grew to like them a lot.  So when they were announced as a last minute third band at this show I was super excited to finally get to see them live.

Save Face is a Jersey-based band who were signed to Epitaph but are now independent (which is pretty fascinating).  I’d never heard of them, but apparently they did a song with Jhariah in September (which is really good), so that certainly explains the touring together business.   They come from the screamo/post hardcore scene, although to me they sound a ton like My Chemical Romance.  Their last Epitaph album features a guest vocal from Thursday’s Geoff Rickly.

 

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[DID NOT ATTEND: February 21, 2024] Tyler Ramsey / Jeremy Lister

Tyler Ramsey was the guitarist for Band of Horses for many years.  I don’t know why he is no longer the guitarist for Band of Horses.

He has released some solo albums, including this new one called New Lost Ages.

Musically the songs are interesting.  His voice is also pretty good.  But it all sounds a lot like Band of Horses, just not as good.  Sorry.

Jeremy Lister is (from what I can see) in high demand.  He doesn’t have anything on bandcamp, but he is a featured guest on lots of songs.  His bio says

he is known for his ability to write and perform across a wide spectrum of genres, from pop to folk to crooner jazz. In November 2021, Lister released his full-length big band holiday album “Happy Holidays, Everyone.”

His voice is interesting and evocative.  He reminds me of a bunch of offbeat singer songwriters like Michael Penn or more theatrical songwriters like Rufus Wainwright.

I wasn’t planning on going to this show because I had other shows later in the week.

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[CANCELLED: December 31, 2023] Speedy Ortiz / Foyer Red / Grocer [CANCELLED]

indexI saw Speedy Ortiz back in September and the show was fantastic.  I already had tickets to see Phish on New Year’s Eve, so it was unlikely that I’d be going to this show.

A few days before  the show, the band announced that they had to cancel because someone in the band had COVID (it’s a few days later and the message is gone, so I can’t quote it here).

So that sucks for them and for everyone who was planning on spending New Year’s Eve there, including the other two bands.

I could have seen both bands back in 2022 at different shows.  Here’s what I wrote then:

Foyer Red has crazy sounds, weirdo words and multiple singers.  And somehow despite all the weirdness (their 2021 album is called Zigzag Wombat), the songs are catchy

Post-Trash says

Foyer Red is a Brooklyn five-piece that makes sweetly sung, charmingly zany art rock. In 2022 they hit the ground running with several great singles — “Pollen City,” “Pickles,” and “Flipper.” In December, the band celebrated signing to Carpark Records by releasing the delightfully spontaneous single, “Etc.”

That first line is enough to make me want to see them. (more…)

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[ATTENDED: December 15, 2023] Karina Rykman 

I‘ve seen Karina Rykman play bass with Marco Benevento three times.   She exudes a joy that is infectious.  And her sound with Marco is outstanding–her fuzz bass is unparalleled.

So I’d wanted to see her solo for a while, even though her solo songs are a bit more discoey than I would have liked. She opened for Guster back in April and she and her band blew me away.  In fact, my wife liked her so much that she was totally on board with seeing her again.

Yes, her singing voice is rather discoey (she must use lots of effects on it to sound so echoey and outer-spacey, but man, when she jams, she gets down and dirty and often quite heavy.  But she also steps back and lets her impressive guitar player Adam November take over.  And her drummer Chris Corsico is pretty awesome too.

She sold out Milkboy (I was supposed to see her there in 2020 and I think it would have been a very different show) which she was pretty thrilled about.  And the crowd was 100% dancing to her groove.

She opened with three songs from her album Joyride (which had not come out in April).  “Joyride” and “All That You Wanted” are softer songs that accentuate her way with melody and hooks–the choruses are dynamite. (more…)

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[ATTENDED: December 15, 2023] Coyote Island

Coyote Island opened for Karina Rykman.  I hadn’t heard of them and when I listened to a song or two I thought they sounded kind of folkie and mellow.  Turns out

Coyote Island is the musical vision of producer/songwriter and multi-instrumentalist, Mike O’Hehir. For many years Mike travelled the country with guitar in hand. With roots in folk music, the sound quickly expanded into a new genre-bending realm of psychedelic indie. With good vibrations, dancey grooves, and tropical psychedelia, Coyote Island offers you a sonic vacation from the doldrums of existence.

Okay, so that’s promo blather but it’s not far off.

When the band started, they played an excellent instrumental jam.  It rocked and was really grooving.  Their second song was kind of lite-reggae.  I don’t like reggae, but I enjoyed this song because it deviated from the formula in little ways.

Their next song was, as the blurb says, kind of tropical psychedelia.  There’s definitely the tropical element in the drums from Ryan Benoit.  And five-string bassist Garrett Roy Jones played a great low-end.

It was lead guitarist Amir Rivera who really blew me away.  I loved the way he casually played some really amazing solos.  He was fast, but also very clean and tasteful.

I don’t have any song titles, although I do know that they played a super fun and hugely surprising cover of “Can’t Get You Out of My Head” by Kylie Minogue–sung by Amir.  Another really fun moment was when Mike broke a guitar string–a low E of all things–and had to get a new guitar.  He climbed off the stage to their gear which was stacked up in the crowd.  While he grabbed and tuned a guitar, Amir led the rest of the band in this rippling fun instrumental.  None of this is to dismiss Mike, whoc joined in about halfway through and added a ton of little details.

Indeed, Mike is a fun and engaging front man.  He’s got a smooth island-inflected singing voice [I was stunned when he said they were from Maine as they sound like the least Maine-sounding band I could imagine].  He had on a fun outfit and was generally smiling and happy.

When the set was over he walked through the crowd and happily talked to anyone.

Without question they would make an excellent opening band in nearly any situation.  I hope to see them again.

 

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[ATTENDED: December 11, 2023] Open Mike Eagle

Open Mike Eagle is probably my favorite rapper.  His wordplay is great.  His topics are great and he seems like a really good guy.

He came out to the little stage, gave a brief introduction and started right in with “Very Much Money.”

My friends are superherosNone of us have very much money thoughThey can fly, run fast, read PortugueseNone of us have very much money thoughThey know judo and yoga, photography, politicsSome of them leap over buildingsWriters, magicians, comedians, astronautsNone of it mattered when niggas was hungry

He told us we could help by buying merch.

Open Mike has a new album out and he played a song from it right away, the excellent “BET’s rap city.”  Mike has his gear–a laptop and some kind of triggering sample device on the table.  Mike’s device was also on a milk crate so he didn’t have to bend over–cheap and effective.

He didn’t do as much live music manipulation as Pink Navel did, although he did do some.  But he did leave his work area and come around front a few times.

Like during “Relatable” one of my favorite songs of his.  I love his delivery on this song and it was cool having him come right to the edge of the stage–I wonder if he had thoughts of coming down into the crowd.

I found Open Mike through his album Brick Body Kids Still Dream, so I was psyched that he played three songs from it.  I absolutely love “(How Could Anybody) Feel at Home” with it’s super catchy chorus.  He delivered the chorus in a really different way, which was fun.  And the gentle refrain of the following song “Legendary Iron Hood'”s “Ain’t nothing gonna stop me now” was great to hear.

Turns out that I now his What Happens When I Try to Relax EP better than just about anything else.  So it was great to hear Relatable and the follow up “Microfiche.”  I absolutely love his vocal style and his delivery–and the rhymes of this song are excellent.

For “79th and Stony Island” he did a fun freestyle.

Then it was time for a few more new songs. “WFLD 32” has a slow cadence and drunken horns over more if his clever lyrics

I started rockin’ simply then expandеd
This execution’s iffy but I planned it
I protect it if it gives me an advantage
Still want to be the greatest MC on the planet
Yeah, ’cause I’m immature
If I can name my own sicknesses then it’s cured
I’m finished at high ninety-percentage pure
COVID makin’ it impossible to finish tour

Then the new titles “a new rap festival called falling loud” and “we should have made otherground a thing” which features the lyric “Bonded over MF DOOM.”

This led to him playing the song “For DOOM” saying that a dream came true when he was able to rap with DOOM.  He followed that up with a song just for him, by playing (and silently rapping along with) the Madvillain song “Raid.”

There were two songs from his darker EP Anime, Trauma and Divorce, like “Death Parade” with the chorus that discusses the cycle of trauma

Should’ve been cool, but dude got screwed up
‘Cause shit got burned up, so he fucked her up
Then she turned big, I got chewed up
That shit fucked me up, so I’ma fuck you up
A kid caught hell, that kid grew up
And messed his kid up, he fucked her shit up
Then she fucked dude up, it all got screwed up
And that fucked me up, so I’ma fuck you up

And “Bucciarati” has a video with the awesome Paul F Tompkins (see below).

He ended the set with another song from Brick, 95 Radios, which features a chorus everyone can easily get into.

He said that normally he would take a little encore break and pretend to leave the stage.  But in Milkboy there’s nowhere to go. So fuck that.  He would stay and do more rap on purpose!

This was my first rap show and I realized it’s kind of weird to watch a guy rap when there’s nothing else to look at.  No band, no one else on stage.  But Mike was captivating.  And when he told us that the next song was a gang initiation, I think we were all ready to join up.  “Maybe Gang (an initiation)” is another great song from the Relax EP.

It has my favorite line

Confident, I keep my password on my license plate

And with the chorus, he rapped it heavier and heavier

We is not a gang, we all look the same as you
But don’t be ashamed, we all make the same snafu
We got different names, we might get the same tattoo
Maybe it’s a gang, maybe it became that too

It turned out that one of the guys near me went to high school with Mike.  Mike knew it and they were nudging each other on all night. It was really fun.

Mike ended the night with one more song, a track from an early EP.  “Ziggy Starfish (anti-anxiety raps)” is one of his faster songs and his flow was outstanding.

The show was short–about an hour. But it was great.   I was delighted to finally have seen him and I’ll certainly see him again if he comes back next year.

SETLIST

  1. Very Much Money (Ice King Dream) ©
  2. BET’s rap city
  3. I’ll Fight You
  4. (How Could Anybody) Feel at Home
  5. Legendary Iron Hood
  6. Relatable (peak OME)
  7. Microfiche
  8. 79th and Stony Island
  9. WFLD 32
  10. a new rap festival called falling loud
  11. we should have made otherground a thing
  12. For DOOM
  13. Raid (Madvillain cover)
  14. Death Parade ψ
  15. Bucciarati ψ
  16. 95 Radios
    encore
  17. Maybe Gang (an initiation)
  18. Ziggy Starfish (anti-anxiety raps) ¥
© Dark Comedy (2014)
¥ A Special Epsiode Of (2015)
∏ Brick Body Kids Still Daydream (2017)
≅ What Happens When I Try to Relax EP (2018)
ψ Anime, Trauma and Divorce (2020)
A Tape Called Component System With the Auto Reverse (2022)
♥ another triumph of ghetto engineering (2023)

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[ATTENDED: December 11, 2023] Pink Navel

I had been to Milkboy once before.  But for some reason I thought I was at a different Milkboy location.  However, this location is the one I was at last time.  It’s a weird space.  The music is upstairs from a bar.  It’s long and narrow, holding about 200 people.

For this show I arrived just on time, driving along a narrow side street assuming there would be no main street parking (I may have been wrong there).

I walked up the stairs and the guys in front of me were taking a long time to get in for some reason, and as I stood there, Pink Navel started.  The crowd was spaced out so it was pretty easy to sneak up to the front and get close enough to watch Pink Navel do his thing.

I hadn’t heard of Pink Navel, but the short version (from Pitchfork) is

Devin Bailey, the rapper, producer, and singer who records as Pink Navel, has an effervescent and nasal voice, an extensive knowledge of animated television, and an immense, somewhat intimidating pool of references and SAT words.

Pink Navel was a funny and engaging: “Anyone fucking with this say oh yeah!” (more…)

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[DID NOT ATTEND: August 31, 2023] Dysrhythmia / Stinking Lizaveta / Countdown from Ten

For reasons I don’t entirely remember, I’ve added Stinking Lizaveta to the list of bands that I’d like to see.

I think what inspired me to check them out is that they are an instrumental band who play complex music.  Indeed, it appears that not a word would be sung this entire evening.

After reading about and then listening to all of these bands, I decided that I would go to this show after all.  So I grabbed a ticket.  And then it turned out that there were so many  things going o this weekend that spending Thursday night jamming to metal math rock just didn’t fit into the plans

Bummer. (more…)

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[DID NOT ATTEND: March 1, 2023] Thick / Jigsaw Youth / Puppy Angst

I’ve been a fan of New York band Thick for a few years (since I head about them on NPR).  I’ve been wanting to see them live for a while.  I had a chance in 2021, but that show was scheduled against something else I wanted to do.

So, here they were coming to Milkboy.  I had been to Milkboy once before–although apparently not the main Milkboy venue I just learned.  I know Milkboy is a pretty small place, so I figured this would be a great way to see this riveting band.

And then, I got really sick yesterday.  I’m assuming it was the norovirus.  And, wow, although I was feeling better by show timem there was no way I felt like doing anything.  So I had to miss Thick yet again.  I hope they come back again or maybe play NJ?

Jigsaw Youth is a punk band from Staten Island.  I listened to a few songs and liked some.  I preferred their newer stuff to their older songs.  I’m sure they would have kicked ass.

Puppy Angst is from Philly and was created by Alyssa Milman (they/them) who I saw play bass with Kississippi (and thought they were great).  Puppy Angst is a moody indie dream pop quartet that Milman formed alongside Eric Naroden (drums), Dan Leinweber (guitar, vocals), and John Heywood (bass).  [These would be the only men in the show, too].

Now that I realize who Puppy Angst is, I’m even more bummed that I couldn’t make this show.

 

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[DID NOT ATTEND: November 17, 2022] I Fight Dragons / MC Lars / Schaffer The Darklord

This show was moved from Milkboy to Silk City pretty close to showtime.  I’ve never been to Silk City, so I don’t know much about it.  Bu I assume it’s pretty small.

I have wanted to see MC Lars for a couple of years now and the shows keep conflicting with something else.

This show had two of the Four-Eyed Horsemen show that I wanted to go to back in 2021.

But I hadn’t heard of I Fight Dragons.  They are an American chiptune-based rock band from Chicago. Their music is a combination of rock with chiptune, featuring electronic sounds made using Nintendo Game Boys and Nintendo Entertainment Systems.

A review from Greeblehaus says

If you have never seen I Fight Dragons live, their sound is chiptune-based, which I think (in some ways) sells them short as musicians, because that sounds like they rely on video games to make their music. Every single one of the guys is incredibly talented musically, and just like any good performer, these self-proclaimed geeks use those clips to make their songs – and performances – more interesting.

I rather wish I had gone, although I think I’d like to see MC Lars as a headliner.  But I Fight Dragons sound pretty cool. (more…)

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