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Archive for the ‘Underground Arts’ Category

[POSTPONED: October 2, 2020] Ty Segall and the Freedom Band [moved to August 19, 2021]

indexTy Segall is one of the more prolific artists out today.  He’s in about a dozen bands, and he releases a solo album (or two or three) a year.  He plays a garagey rock that has lots of energy and fuzz.

I can’t say I like all of music mostly because I haven’t even heard most of it. But everything that I have heard I’ve enjoyed.  And every live videos I’ve seen of him makes me think that his live show is not to be missed.

I was hoping to see him playing with his band Fuzz also this year, but that was postponed as well.  It’s interesting that Fuzz was going to play at the tiny Underground Arts while Ty and his Freedom Band were going to play at the much larger Union Transfer.

I hope both shows go on as planned–it would be a fun comparison.

tysegall

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[POSTPONED: June 27, 2020] Fuzz [moved to February 13, 2021]

indexTy Segall is one of the more prolific musicians out there.  He has released 12 official albums in ten years and that doesn’t include the countless self-released material he has put out.  He is also in a bunch of other bands.  Fuzz is one of them.

I can’t believe that there wasn’t a band named Fuzz before Ty Segall and Charles Moothart came up with the band.

Segall makes all kinds of music, but the music of Fuzz is pretty easy to categorize–fuzzy, heavy, fast rock with a debt to early Black Sabbath.  Segall is on drums for this project.

They have only released two albums since 2013, with Fuzz II coming out five years ago.  But it was a big album with a 13 minute jam at the end.

I’ve often thought about seeing Ty Segall–he seems like a bonkers performer–but it never worked out.  He can’t be quite as crazy behind the drums, but this sounds like a great show.

 

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[POSTPONED: June 25, 2020] Swans / Anna Von Hausswolff [moved to February 18, 2021]

indexI have liked Swans since I discovered them as a DJ on my college radio station (Children of God was and is like nothing I’ve ever heard). I loved their bombast.

But I have always been a little nervous about seeing them live (they seemed scary and intimidating).

The last time they toured was supposed to be their final tour ever (I think). I considered going but it never happened.

Then they announced they were playing Underground Arts–small and easy to get to, I assume that they will literally blow the roof off the joint.  My friend Phil is the drummer with them (and has been for a decade or more) so it would be fun to see him play.

I was looking forward to this one and was surprised it was cancelled so early (early April for a June show) especially since they weren’t starting their American leg until June 5.  But I guess it was easier to cancel the whole tour (Europe starting April 25) and start over again next year.

Anna von Hauswoff is a fascinating performer, playing a kind of gothic pop.  She works a lot with a pipe organ (for real).  I’m sure there would be no pip organ in his tour (duh), so maybe it wold be samples?  I’ve been intrigued about her for a few years and I am looking forward to seeing her open when the tour comes back to town.

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[POSTPONED: May 17, 2020] clipping. / Cartel Madras

indexS. and I saw clipping. open for The Flaming Lips.  It was an unlikely pairing to be sure.  clipping. are a noisy glitch hop band fronted by Daveed Diggs.  Their songs are noisy and violent and more than a little unpleasant.

I won’t say that I enjoyed their set, but I was thoroughly engaged by it.  I’d be very curious to see what they are like as a headliner–more noisy, more abrasive even less pleasant, but a total experience, I’m sure.

clipping.’s new album “absorbs the hyper-violent horror tropes of the Murder Dog era, but re-imagines them in a new light.”  I have to assume the live show for this album is very intense.

Cartel Madras is a Canadian hip hop duo from Calgary, Alberta, consisting of sisters Priya “Contra” Ramesh and Bhagya “Eboshi” Ramesh.  Both sisters emigrated from Chennai, India and identify as queer women of colour.  They classify their music as “Goonda Rap”, a play on a term used in South Asian circles to describe a “thug.”

Their music has an original sound underneath it and I’ll be they are dynamic live.

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[POSTPONED: May 16, 2020] The Lemon Twigs

indexI feel like this show was announced about five days before it was cancelled.  I hadn’t heard about it and I was certainly interested in seeing them.

I really liked The Lemon Twigs’ Do Hollywood album and their follow up EPs showed even more development.

They are about to release a new album (although that was also delayed because of the Coronavirus).

Their glam rock sound is really great and I imagine that they would be a ton of fun live.  I hoe the new album is good and that they come back around soon.

 

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[POSTPONED: May 9, 2020] Fu Manchu / Speedealer [moved to March 18, 2021]

indexFu Manchu is one of the great stoner rock bands.  They have been around for thirty years with a similar fuzzy, grungey sound.  I missed them the first time around but because more keenly aware of them when their 2018 album Clone of the Universe featured not only an 18 minute song, but also a guitar solo from Alex Lifeson of Rush.

Their early stuff is really catchy and I wish I had known about them for longer.  They seem like they’d be a really fun live band.

Speedealer was originally called REO Speedealer, which I love.  They were told to cease and desist from REO Speedwagon (imagine that).  They play a kind of aggressive garage metal.  They have a punk edge and the lead singer has a growly punk voice that is clear enough amid the roughage.

I feel like they don’t quite pair with Fu Manchu (they seem a bit too aggressive) and would pair better with Monster Magnet.

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[POSTPONED: May 3, 2020] Acid Mothers Temple / ST 37 [moved to March 8, 2021]

indexI have seen Japanese psych rockers Acid Mothers Temple twice and each show was a whirlwind of fun and insanity.

I promised myself I would see them any time they came to town.  So I was very excited to see them again.

Acid Mothers Temple pretty much tour all the time and they come our way every year or so, but because their tours are planned out ages in advance , it means that their rescheduled date isn’t until next year!  Bu that’s okay, I’ll still be there.

ST 37 is from Texas.  Their bandcamp blurb:

Quite simply, we rule. And we have been ruling for over 30 years. So there.

They play a noisy experimental kind of rock and have nine people listed in their “past members” category.  Wikipedia gives these two quotes about them: mind-altering space-punk whose live shows are drowning in a haze of guitar and reverb that can drift through cosmically shifting layers of aggressive punk riffs, fuzzed noise, and scalding jams.

Sounds fun.

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[POSTPONED: April 30, 2020] Dan Deacon / Ed Schrader’s Music Beat

index

I have wanted to see Dan Deacon live ever since I saw his mind-blowing Tiny Desk Concert.

Deacon is an electronic musician and a bit of a wild card.  His shows are full of audience participation and are a lot of fun.  There’s improv and looping and a whole lot of jumping around.

He hasn’t played Philly since 2015 (apparently, when he opened for Miley Cyrus and her Dead Petz). Well, he did a show at the Philadelphia Museum of Art (!) back in 2018, which was apparently wonderful, but which I wasn’t prepared to go to.

I was super excited to see that he was playing at Underground Arts and I grabbed tickets immediately. UA would have been an ideal venue to see him in, with the low ceiling and wide audience area.  I do hope this tour gets rescheduled soon.

When show were first starting to get cancelled in March, I held out hope that a show at the end of April might still go on.  But shows all around him started getting postponed.  He held out longer than most artists before postponing.

Technically Deacon’s music isn’t really my scene.  I do like him quite a lot, but I don’t particularly like other music like it.

So Ed Schrader’s Music Beat is a duo and Dan Deacon produced their latest album.  I listened to a couple of songs but didn’t really like it all that much.

I’ll bet they are fun live, especially if Deacon is guiding them.

Do come back soon, Dan!

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[POSTPONED: April 22, 2020] Juana Molina

indexJuana Molina is a wonderfully bizarre performer.

Molina is from Argentina and she plays a  blend of folk, electronica, and experimental pop (which I find to be more than a little out of the mainstream), playing with some great noises and percussion.

She recently released a more or less punk EP, Forfun, which she was the foundation of this tour.

This show was only cancelled a couple of days ago–they really held out until the last minute for this one.

This show was scheduled for the same night as the Real Estate/Palm show, so I was torn about which show to go to.  I really want to see Palm again, but I feel like Juana Molina would be a much more interesting and rare treat.

I do hope she reschedules.

Apparently it is common knowledge that her career began with her initial success coming as a massively popular comedic actress on the show “Juana y Sus Hermanas” in the early-1990s.  She walked away during the height of its popularity to pursue music.  The music was not well received at home, but she was embraced here in the States.

 

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[POSTPONED: April 16, 2020] Margaret Glaspy / Kate Davis

indexI loved Glaspy’s album Emotions and Math and I really wanted to see her perform it live.  Turned out she had played in Philly a couple of months before I first heard the album.

So I figured she’d be back soon.  Now here it is four years and a new album later and she’s finally coming back around.

However, this show conflicted with Kishi Bashi, so I was going to miss out on it anyhow.

Kate Davis is a former jazz prodigy who has suing jazz standards and played Carnegie hall.  Now she has gone indie rock.  She has a really nice voice and her songs seem to start quite and conclude with a grunge-lite flourish.

 

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