[DID NOT ATTEND: April 5, 2023] Deerhoof / Hello Mary / Scarlet
Deerhoof is one of the weirder indie bands out there. Their songs have no real sense of standard structure or melody. They jump from notion to notion, seemingly on a whim.
I haven’t listened to them a lot, although I always like to know they’re still making weird music.
They’re the kind of band that would be really interesting to see live. One reviewer on Soundkick puts it much better than I could
There sound is also so fascinating because they love playing around with polar opposite musical elements, testing how they clash and complement each other. Singer Satomi Matsuzaki’s voice has a characteristic sweet and child like innocence to it; however it is often bizarrely paired with abrasive (sometimes borderline frighting) musical accompaniments. Deerhoof is also a band that has a rich understanding of pop music; however they will take it into their own territory: perverting it, capitalizing on its charm, and most importantly using it as a way to mess with the listeners anticipations.
Deerhoof is one of the most unique bands around and it is a wonderful experience to see them perform live. Their music is simply incomparable. In a way it is a mystery how they get such interesting sounds when using very conventional instrumentation. When I saw them live for their “Breakup Song” tour they performed their entire set using only a guitar, bass, drum set and microphone. I was mesmerized throughout the performance. It was one of the few shows I have attended in which I was absolutely absorbed in the music. They switched from songs like “Apple Bomb” which was a more contemplative track featuring fantastically odd chord changes to newer songs like “There’s That Grin”. “There’s that Grin” has to be the catchiest Deerhoof track written. I couldn’t believe how perfect they performed it live either. This is a song that features extensive use of synthesizers and yet it sounded just as good performed on the guitar and bass. Their drummer Greg Saunier also has one of the greatest improvisational styles I have seen in a long time.
I wasn’t really intending to go to this show until I saw that Hello Mary was opening.
The New York trio’s self-titled full-length debut, out March 3, is a blast of distorted chords, sunny harmonies, and all-consuming angst that will renew your faith in the hopelessly dated and/or timelessly classic sounds of alternative rock. Hello Mary is an instant contender for 2023’s most bracing entrance to the stage, sharp and self-assured. Oh yeah, and the band’s two founders — singer-guitarist Helena Straight and bass player Mikaela Oppenheimer, both 18 — just graduated from high school this summer.
I have since listened to the album and I love it. I sure hope they tour soon, maybe as a headliner.
Scarlet is a terrible name for a band. While looking this band up, I found at least three possibilities because there are at least three bands with this name. One is a hair metal band, the other is a grunge goth band and then there’s this one, which I assume is the right one (there’s no way to tell really).
The band that I think this is–they make the most sense–is the band from Brooklyn (this one) who I rather like. There’s droning guitars and feedback–grunge guitars and soft vocals (a la 90s indie rock). Probabaly because I just saw Versus, tis band reminds me of them somewhat in style. It’s pretty great. I hope this is the Scarlet that was at this show.
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I saw Voivod play back in 2019.
