Feeds:
Posts
Comments

Archive for the ‘Humiliation’ Category

Lucy Ellmann–Doctors & Nurses (2006)

Posted in Funny (ha ha), Funny (strange), Huh?, Humiliation, Lucy Ellmann, Murder, Sex, Yuck! on March 5, 2023| Leave a Comment »

[READ: January 20, 2023] Doctors & Nurses 

When I requested Sweet Desserts, I also requested Doctors & Nurses. I didn’t know the order of her books, I just picked the two that were the first ones on the list.

Doctors & Nurses is similar to Sweet Desserts in that it is short (although it is actually 50 pages longer) and has short chapters.  But otherwise it is very different.  Desserts was a fairly serious book about two sisters (and a lot of sex).  This book is a farcial romp (with a lot of sex).

Comments online said the cover looked like a chick lit book, but it looks to me more like a cartoon from Playboy from the 1970s.

And it kind of reads like that too.

While Sweet Desserts bounced back and forth between past and present and the focus shifted between the main character and her sister, this story focuses pretty squarely on Jen, a fat nurse who is misanthropic and really seems to hate everyone.

There is one notable and peculiar thing about this book that is never addressed nor explained.  Every pages has SEVERAL words that are written in all capital LETTERS for, and I’m not trying to be obtuse about this, no reason that I can READILY determine.  I admit that I didn’t put a lot of TIME into trying to figure it out, BUT it is very peculiar.

The book opens with a scene of a rock and a gorge and the rock perpetually invading the gorge’s precious space.  It’s remarkably graphic sexually, as far as a rock and a gorge can have sex that is.

But that has nothing to do with the rest of the story (until the every end) which is about a nurse named Jen.  Jen is angry most of the time (the list of thing she hates is extensive).  And the tone is set pretty early. (more…)

Read Full Post »

Lucy Ellmann–Sweet Desserts (1988)

Posted in Art, Food, Huh?, Humiliation, Lucy Ellmann, Sex, Travel, Universities, William Gaddis on March 2, 2023| Leave a Comment »

[READ: January 20, 2023] Sweet Desserts

I absolutely loved Ellmann’s Ducks, Newburyport.  It was unlike anything else I had read up to that point.  I also assumed it was her first book because I hadn’t heard of her before and there wasn’t really any talk of her previous books.

But it turns out that she had written many books before Ducks–and they all seem to be very different in style from Ducks.

This novel, her debut, is so radically different as to be almost from a different author.

This is, as I understand it, a semi-autobiographical story.  Well, the entire bio we get from her on the back of the book is “born in Illinois and moved to England, somewhat unwillingly, at the age of thirteen.”  In the novel, the main character is Suzy Schwarz, an American girl who is moved to England when her mother dies.

The book is short (150 pages) and each chapter is roughly three or four pages.   It opens with Suzy as yet unborn and her older sister Franny as the center of attention.  Suzy was sickly when she was born and Franny rather doted on her–although Franny was always clearly the one in charge.

Every chapter has excerpts from other things quoted in it–often without context.   One chapter about the young girls has a recipe for for cooking eels.

The story jumps back and forth between England and America.  In England, when the women are older, they have sex a lot (Ellmann does not hold back on the explicitness, she loves sex and wants women to have lots of orgasms).

There is a lot about food in the book because Fran develops a weight problem (Ellmann talks a lot about women with weight problems).  Later Suzy buys Colossus magazine (a porn about large women) and admires the personal ads: Huge Sue (84-70-73) Where did she fine Size 73 knickers?. (more…)

Read Full Post »

Brian Asman–Jailbroke (2020) / “The Universal Language” (2020)

Posted in Brian Asman, Death, Elon Musk, Funny (ha ha), Horror, Huh?, Humiliation, Outer Space, Robots, Short Books, Surreal, The Future, Violence, Yuck! on March 24, 2022| Leave a Comment »

SOUNDTRACK: hiatus

[READ: March 2022] Jailbroke

This was the third of three books by Asman that I received at work.  It was also the least enjoyable of the three.

The story is a simple one.  Set in the future when humans are not the greatest species on the planet (they go by Terrans now), a spaceship that is run primarily by AI is ferrying humans around.  Using Asimov’s first principal, the AI, who are now vastly smarter and more useful than thehumans, cannot harm the humans.  Their existence is predicated on the fact that are have to help the humans.

Until, that is, one of them is accidentally fed biofuel that has a human part in it.  This jailbreaks their programming and allows them to kill humans indiscriminately.

Since this is a spaceship (a bottle episode), there’s not a lot that can happen.

In Nunchuck City, Asman delighted in violence.  In this story, he delights in gore.  Like the way he describes in loving detail how the space drill works on someone’s skull. (more…)

Read Full Post »

Brian Asman–Nunchuck City (2021) / Lucas Magnum “Curse of the Ninja” (2021)

Posted in Brian Asman, Funny (ha ha), Horror, Huh?, Humiliation, Lucas Magnum, Ninjas, Short Books, Supernatural, Surreal on March 22, 2022| Leave a Comment »

SOUNDTRACK: hiatus

[READ: March 2022] Nunchuck City

I rather enjoyed Brian Asman’s book Man, Fuck This House.  And since I had copies of two of his other books at my desk, I thought I’d give them a try too.

Nunchuck City is a very different books from House.  It is an over-the-top comedy/ninja story.  It doesn’t exactly travel in cliché as much as it explodes the clichés and goes past them into hilarious territory.

As long as you know what you’re getting with the book, it’s a really fun and funny (and fast) read.

Plus, Asman has a ton of fun with local businesses as well.

The story is set in Turbo City.  Skip Baxter, the Most Dangerous Man in Turbo City (even if the city won’t see fit to let him register his fists as Deadly Weapons) is about to get his ass kicked.  This is no surprise.  Baxter learned everything he knew about Karate from watching a three day binger marathon of kung-fu movies, declaring himself a sensei and opening a gym.  He got his ass kicked by eight-year olds.  But you can imagine his pride at realizing that he taught those kids to kick his ass.

But this time he is about to get his ass kicked by an actual Ninja, Kundarai Saru.  Saru intends to kick the ass of everyone in Turbo City until he can take on the mayor.  There is a law in Turbo City that anyone who can defeat the Mayor in battle will become Mayor.   And once Saru is Mayor of Turbo City, nothing can stop the rest of his plans.

Then we meet Nunchuck Nick.  He was trained to be a ninja.  But he found that he preferred cooking.  So after an incident he’d prefer to forget, he moved to Turbo City with the intent of selling the best Fondue in the world.  He parked his food truck right in front of The Crepes of Wrath, a popular creperie in which the waiters were mean stand up comedians who would personally insult you while you ate.  (more…)

Read Full Post »

Brian Asman–Man, Fuck This House (2021)

Posted in Brian Asman, Horror, Huh?, Humiliation, Marriage Trouble, Short Books, Supernatural, Surreal on March 21, 2022| Leave a Comment »

SOUNDTRACK: hiatus

[READ: March 2022] Man, Fuck This House

Okay, so this book has the best title.

I didn’t expect a lot from it, but I thought I’d give it a read. not really knowing exactly what to expect with a title like that.

So the novel is a horror story.  And it isn’t all that funny (it’s not supposed to be).  The simple summation is that a house becomes possessive of the person who is taking care of it.  The house wants to make that person happy and is content to get rid of everyone else.

So a family has moved to this house on a cul de sac in New Mexico.

There are two children.  And older daughter and a younger son.  I was a little bummed at the outset to learn that the son consumed his twin in the womb, because it seemed so ripe for cliche, but Asman did some interesting things with that idea.  The daughter is an aloof teenager.

The husband is kind of a goof and not really all that present.

Really, the story is about the wife and mom, Sabrina. (more…)

Read Full Post »

Dubravka Ugrešić–In the Jaws of Life (1981-1989) [translation 1992]

Posted in André Gide, Anti-war, Celia Hawkesworth, Daniil Kharms, Dubravka Ugrešić, Feminism, Funny (ha ha), Funny (strange), Huh?, Humiliation, Jealousy, Leo Tolstoy, Meta, Michael Henry Heim, Sex, Sexism, Surreal, Translation, Yugoslavia on March 20, 2022| Leave a Comment »

SOUNDTRACK: hiatus

[READ: March 16, 2022] In the Jaws of Life

The version pictured here is not the one I read–there’s no pictures of it online!  My copy was translated by Celia Hawkesworth and Michael Henry Heim.

This book is a collection of short stories from throughout Ugrešić’s career.

The book has three (or 8) stories in it.  I discovered Ugrešić through The 2021 Short Story Advent Calendar (story #2).  “Lend Me Your Character” was weird and cool and was probably my favorite story in the collection (it’s here as well).

When I read a little about Ugrešić, I found that she was born in Croatia, but left the region when the war in Yugolslavia broke out, saying she was post-national and refusing to acknowledge her Croatian heritage.  She currently resides in Amsterdam.

Her stories are wonderful mash ups of fairy tales, feminist theory, “traditional women’s writing” and a lot of sexuality.

“Steffie Speck in the Jaws of Life (a patchwork novel)” (1981) [trans C.H.]
This story has so much going on that it’s easy to overlook that it’s a fairly straightforward story, just with a lot of filigree tacked on.  The story opens with a “Key to the Various Symbols” and includes things like — dotted lines with scissors (cut the text along the line as desired); slashes (pleats: make large thematic stitches on either side of the author’s seam); four equals signs (make a metatextual knot and draw in as desired).  And so on.  And the contents is actually listed as “The Paper Pattern” which lays out each section according to a sewing pattern.  Each section heading is given a parenthetical comment (tacking, padding, hemming, interfacing).

When you start the story you see that the symbols are indeed throughout the story, although honestly after a few pages I gave up trying to figure out what they might mean.

The story starts with the narrator saying that her friends told her to write “a women’s story.”  The author looks at several lonely hearts letters in the paper and picks the fifth one as the basis.  Steffie, aged 25, is a typist by profession.  She’s lonely and sad and lives with her aunt. (more…)

Read Full Post »

Simon Rich–New Teeth: Stories (2021)

Posted in Alexandra Sauser-Monnig, Amelia Meath, Babe Ruth, Babies, Baseball, Corporate skewering, Death, Fantasy, Fears, Funny (ha ha), Humiliation, Josh Gad, Megafaun, Molly Sarlé, Monsters, Morality, Mountain Man, New Yorker, Pirates, Short Story, Simon Rich, Sylvan Esso, Technology, Wye Oak, Yuck! on August 12, 2021| Leave a Comment »

SOUNDTRACK: FLOCK OF DIMES-Tiny Desk Concert #246 (August 10, 2021).

Flock of Dimes is a fun band name.  It’s the solo project of Wye Oak’s Jenn Wasner (I thought Wye Oak was a solo project as well–no, it’s a duo).  [Gee, why wasn’t Andy Stack invited to this sing along?]

For this Home Concert, the solo project turns huge with nine people sitting around having a big ol’ sing along (I’ll assume they are all vaccinated and that this was filmed before Delta took off).

The setup is pretty simple: three guitars (I love that the guys on the couch are lefty (Michael Libramento, baritone guitar) and righty (Alan Good Parker, tenor guitar) so it looks appealingly symmetrical). some percussion and a lot of voices (the men on the right of the screen seems somewhat less invested).

The friends who are singing along include the three singers from Mountain Man: Amelia Randall Meath, Molly Sarlé and Alexandra Sauser-Monnig.  Meath is also in Sylvan Esso and her bandmate Nick Sanborn is also present (he’s one of the less invested men).  The set is filmed at Sylvan Esso’s new studio in Durham, N.C., called Betty’s.

“Two” is a bouncy number with lots of percussion.  I like the way the backing singers join in from time to time, but not constantly–it introduces new voices throughout.

One of the invested men is percussionist Matthew McCaughan from Bon Iver–he’s got a full complement of instruments at hand.  Joe Westerland (from Megafaun) is the other percussionist, he’s just a bit more subtle in his actions, but you can see him gently tapping through “Two.”

“Price of Blue” is a little slower but it has a wonderful melody.  The harmonies really standout on this song.

I don’t know the originals of these songs, but I have to assume the blurb is correct

These acoustic performances actually shed new light, thanks to radiant and radically different arrangements, while fully capturing the warmth we look for from Tiny Desk concerts.

Whatever the case, the backing vocals are tremendous.  You can really hear Molly Sarlé’s gorgeous harmony vocals.

“Awake For The Sunrise” feels like an old fashioned fire side sing along.  I’ve enjoyed Wye Oak’s music but I don’t know it very well.  I rather like Wassner’s delivery here–but i feel like these songs might not be as good without these harmonies!

[READ: August 12, 2021] New Teeth

I’m guessing that Simon Rich had a baby.

This collection of stories is loaded with stories about little kids.  And that’s all right because he has a very funny take on being a parent.

The other stories tackle the corporate environment and are full of fish-out-of-water stories.

“Learning the Ropes” is about being a new parent.  But it is written from the point of view of two pirates. And hilarity ensues.

What’s odd to me is that in his first books, his stories were really short, but I feel like lately his stories have gotten much longer–sometimes too long.  This one in particular kind of dragged at times, because it’s pretty much a one-note joke: what? pirates raising a little girl?!  One pirate is a concerned parent which means he wants them both to care about the child.  It’s got a few very funny moments, and of course, when the pirates who speak in pirate style (“The only man I trust is me first mate”) say things like “Arr… it be called ‘limit testing.’ She be acting out because she be craving discipline,” well, that’s classic Simon Rich right there. (more…)

Read Full Post »

Patrick Freyne–Ok, Let’s Do Your Stupid Idea (2020)

Posted in Babies, Essays, Funny (ha ha), George Saunders, Hospitals, Humiliation, Irish Writer, Military, National Prayer Breakfast, Parachutes, Parenting, The Irish Times on July 27, 2021| Leave a Comment »

SOUNDTRACK: NATIONAL PRAYER BREAKFAST

[READ: Summer 2021] Ok, Let’s Do Your Stupid Idea

I saw this book at work and loved the title.  I actually assumed it was a novel.  I’d never heard of Patrick Freyne and had no idea who he was.  In fact, by the time I’d read the first few essays I still had no idea who he was.  And that didn’t really matter all that much.

I suppose if you know him as a features journalist for The Irish Times, you would have some preconceived notions of what to expect.  But I tend to like “memoirs” by unknown-to-me people better than those by celebrities.  This is even addressed in the Preface.  His best friend says

“If I was going to read a book about someone’s life, it would be someone like Julius Caesar or Napoleon or some famous general”
…
“You know  there’s a whole genre of work that’s basically memoir writing,” I say.  “People who aren’t particularly famous witting about their lives.”
“Really?  Are you sure?”

That made me a little nervous abut going in but I figured if he put that in, it would probably all be pretty funny. (more…)

Read Full Post »

David Sedaris–“The Perfect Fit: Shopping in Tokyo” (New Yorker, March 28, 2016)

Posted in David Sedaris, Dry Cleaning, Essays, Funny (ha ha), Huh?, Humiliation, Kawaii, New Yorker, Regrets, Shopping, Tiny Desk (Home) Concerts, Tokyo, Japan on July 15, 2021| Leave a Comment »

SOUNDTRACK:  DRY CLEANING-“Her Hippo,”  and “Leafy” (album versions) (2020).

After listening to the Dry Cleaning Tiny Desk (Home) Concert, I wanted to hear the recorded versions since the blurb talked about how different they sounded.

Indeed, these versions sound very different from the Tiny Desk Concert.  Well, actually it’s the guitars sound very different because guitarist Tom Dowse is playing electric rather than acoustic.  But it changes the whole tone of the songs.

On the record, “Her Hippo” opens with quiet but sharp electric guitars that echo as the riff circles around. Lewis Maynard’s bass sounds the same, but Nick Buxton’s drums push this song into more of a rock territory (he played keys and electronic percussion in the Tint Desk)..

Florence Shaw’s vocal delivery is similar but perhaps a but more empathic while being heard over the more rocking band.  The middle part features just the rumbling bass and Dowse’s sharp (but simple) guitar solo.

“Unsmart Lady” opens with roaring, echoing wild guitars and thumping drums.  When he starts playing the main (weird) guitar chords they make more “sense” on the electric guitar, but they are still noisy and abrasive.  Dowse wrenches all kinds of screeching feedback and squeals out of his guitar.  The Tiny Desk version sounded really good, but this version is fantastic.

At the Tiny Desk “Leafy” was all delicate synth, but on the record, Dowse plays a kind of lead solo throughout the song–melodic and pretty while keeping the bass company.

I’m glad I listened to the recorded versions of these.  But I’m also glad I listened to the Tiny Desk (Home) Concert first, because hearing the structure of the songs was a great way to be unprepared for the distortion of the recorded versions.  I’m looking forward to hearing the rest of the record–and seeing them live.

[READ: May 10, 2021]  “The Perfect Fit”

This is a hilarious essay about shopping in Tokyo.  It’s especially funny to imagine David and his sisters running around the city buying all manner of strange clothes.  Because if there’s one thing we know about the Sedaris family, it’s that they love odd items.

They stayed in Ebisu so they could shop at their favorite place Kapitol.  He talks about all of the delightfully odd clothes they sell there.  The store is still open, here’s a fun piece.

The store’s motto seems to be “why not?”  They make clothes that refuse to flatter you.   A shirt whose arm holes are not made like a capital T but like a lower case t. A jacket that poofs out at the small of your back where for no reason there’s a pocket.  He bought three hats that he wore stacked. (more…)

Read Full Post »

Amos Oz–“Heirs” (New Yorker, January 22, 2007)

Posted in Amos Oz, Coronavirus, Haim Watzman, Huh?, Humiliation, Liz Phair, New Yorker, Old Age, Parenting, Quarantine, Short Story, Tiny Desk (Home) Concerts, Tiny Desk Concert, Translation on July 10, 2021| Leave a Comment »

SOUNDTRACK: LIZ PHAIR-Tiny Desk Concert #227 (June 23, 2021).

I loved Liz Phair’s first two or three albums.  Then I got a little bored by her.  And then she went really aggressively commercial (to not so great effect).  This new single “Spanish Doors” sounds a lot like old school Phair but retains some pop sensibility in the super catchy bridge.

Liz Phair’s music was always meant to fill arenas. After a clever sleight-of-hand at the top of this Tiny Desk (home) performance, where it briefly seems we’ve returned to in-person sets behind Bob Boilen’s desk, Phair and her backing band do their best to recreate the kind of set you’d see in a much larger space; everyone plugs-in, turns it up and rocks with an impressive light show.

Phair plays three tracks from Soberish, her first new album in more than a decade.

She starts with “Spanish Doors,” a heartbreaking but hooky portrait of a marriage nearing its end.

It rocks a bit harder here with three guitars (Phair, Connor Sullivan), with lead solos from Cody Perrin.  Liz seems surprisingly nervous here–or maybe her patter is rusty.

She follows with a song against loneliness called “In There.”

It’s a mellow song with snapping drums (Neal Daniels) and rumbling bass (Ben Sturley).  It’s almost sounds like Liz Phair of old but is missing something.

followed by “The Game,” a meditation on the mind games that sabotage troubled relationships.

Liz switches to acoustic guitar for this one–and her guitar sounds wonderful.  There’s some terrific harmonies on this corner which really does sound like old school Liz.

Phair still finds joy and a playful sense of humor in her earliest work, closing her Tiny Desk with a generous version of “Never Said,” from Exile.

I loved Exile in Guyville and listened to it all the time.  It’s great to hear “Never Said” live like this.  When she played a few years ago, I didn’t feel the need to go, but if she played more of these older song (and the newer ones), I’m sure it would be an enjoyable show.

[READ: July 9, 2021] “Heirs”

This was an unusual story in which reality is never fully explained.

A man, Aryeh Zelnik, is resting on a hammock on his porch.  A second man pulls up in a car and heads to the porch.

The story goes into remarkably great detail about the man with his car–how he looks, what he does, even how he smells (not great).

We also learn a lot about the man on the porch.  His wife has left him and now lives in America (the story is set in Israel).  He has moved back in with his mother and is more or less waiting for her to die so that house can revert to him.

The man who arrives in the car, though, begins talking about legal issues.  At first he is very circumspect about what he really wants.

Would it be more comfortable for you if we were to chat awhile longer about [the loveliness of the land here]? Or will you allow me to go straight, without any circumlocution, to our little agenda?

Aryeh Zelnik is suspicious if not downright annoyed by this man who claims to have official business but who keeps avoiding details and calling him Zelkin. (more…)

Read Full Post »

Older Posts »