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Archive for the ‘The Flaming Lips’ Category

[POSTPONED: May 17, 2020] clipping. / Cartel Madras

indexS. and I saw clipping. open for The Flaming Lips.  It was an unlikely pairing to be sure.  clipping. are a noisy glitch hop band fronted by Daveed Diggs.  Their songs are noisy and violent and more than a little unpleasant.

I won’t say that I enjoyed their set, but I was thoroughly engaged by it.  I’d be very curious to see what they are like as a headliner–more noisy, more abrasive even less pleasant, but a total experience, I’m sure.

clipping.’s new album “absorbs the hyper-violent horror tropes of the Murder Dog era, but re-imagines them in a new light.”  I have to assume the live show for this album is very intense.

Cartel Madras is a Canadian hip hop duo from Calgary, Alberta, consisting of sisters Priya “Contra” Ramesh and Bhagya “Eboshi” Ramesh.  Both sisters emigrated from Chennai, India and identify as queer women of colour.  They classify their music as “Goonda Rap”, a play on a term used in South Asian circles to describe a “thug.”

Their music has an original sound underneath it and I’ll be they are dynamic live.

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SOUNDTRACK: SHARON VAN ETTEN–“Do You Realize??” (2019).

Here’s yet another cover of a great song by an artist I like a lot.

Sharon Van Etten covered the Flaming Lips’ song for the final episode of the Amazon Series Gortimer Gibbon’s Life On Normal Street.  This show is quite outstanding.  It’s a kid’s show but it has a lot of really great ideas.  T. watched most of it although I think maybe she stopped before the end.

Sharon’s take on the song was

When I was asked to cover a Flaming Lips song for Gortimer Gibbons, I was really nervous. But when I watched the scene and heard from the people involved in the music, they really wanted to hear my interpretation of both the scene and the song.  The show is sweet and smart and family oriented—and that is really important to me.

I can’t exactly imagine how this song, which is simultaneously uplifting and depressing, fits into this show.   I imagine it’s a sad scene, but again I haven’t seen it.

The original of this grows bigger and bigger as the verses continue.  There’s backing vocals, swelling strings/keyboards and a really epic feel.

Sharon’s version pulls all of that back.

It opens with keyboards, but they are quiet and soft, almost like a harmonium or accordion.  As she sings she strums along on the acoustic guitar.  She sings the song mostly faithfully to the original, although she does occasionally alter the melody line a bit.  Just before the chorus, a quiet drum beat enters but that’s really it for changes in the song.

It’s really understated and lovely.  And although I prefer the original because it’s just so darn good, this is a beautiful cover which brings new elements to the song.

[READ: September 25, 2019] Glitch

Scholastic Graphix is pretty consistently one of my favorite publishers for really good children’s graphic novels.  The stories are for kids, for sure, but they are gripping and entertaining for adults as well.

Glitch has a great look and an even better story.

We open with two girls, Izzy and Eric, drooling over a new video game: Dungeon City.  Izzy’s copy of the game is arriving this weekend which means VIDEO GAME SLEEPOVER!  Better yet, Izzy’s parents are not at home, so it will be snacks and games and pizza all night long.

When Izzy gets home, her game is waiting for her.  And while she knows she should wait for the weekend, it couldn’t hurt to see what it looks like.  The graphics are amazing and within seconds, she is sucked into the TV and into the game.  Literally.  After orienting herself, she is greeted by a robot (which is, strangely, missing an eye).  The robot offers to rescue her and Izzy rightly points out that she doesn’t need rescuing.  However, she will accept guidance from the robot who is named Rae.  But when Rae asks to hold Izzy’s hand, Izzy refuses that as well. (more…)

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SOUNDTRACK: THE FLAMING LIPS-“Halloween on the Barbary Coast” (1992).

A lot of the music I listen to is weird and probably creepy to other people, but I don’t necessarily think of songs as appropriate for Halloween or not.  So for this year’s Ghost Box stories, I consulted an “expert”: The Esquire list of Halloween songs you’ll play all year long.  The list has 45 songs–most of which I do not like.  So I picked 11 of them to post about.

Clearly this Esquire list is not meant to be scary or Halloween-appropriate songs.  Many of them might have a Halloween-type word in the title or chorus, but since they are songs you might want to listen to all year, the’re not really holiday specific.

There are songs that have Halloween in the title, like this one.  Although this song really has nothing whatsoever to do with Halloween.  Nor is it scary in any way.  It’s just weird trippy, pre-radio-friendly Flaming Lips.

Wayne Coyne’s voice is high and the main guitar riff is fluid and kind of catchy.  After a minute, the song shifts to a kind of acoustic stomping song.

The lyric does include the line “boy you still got shit for brains/it’s Halloween on the coast again.”  Of course it also references a Christmas tree, so I guess it could be a Christmas song too?

There’s a vaguely Middle Eastern feel to the middle portion of the song, but mostly it’s just a fun, shambolic Lips song.

[READ: October 24, 2019] “Sredni Vashtar”

Just in time for Halloween, from the people who brought me The Short Story Advent Calendar and The Ghost Box. and Ghost Box II. comes Ghost Box III.

This is once again a nifty little box (with a magnetic opening and a ribbon) which contains 11 stories for Halloween.  It is lovingly described thusly:

Oh god, it’s right behind me, isn’t it? There’s no use trying to run from Ghost Box III, the terrifying conclusion to our series of limited-edition horror box sets edited and introduced by Patton Oswalt.

There is no explicit “order” to these books; however, I’m going to read in the order they were stacked.

This has been quite possibly my favorite story in any of the Ghost Boxes.

Saki is the pen name of British author Hector Hugh Munro.  I could not get over that this story was written in 1912, as it was timeless and darkly amusing. (more…)

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SOUNDTRACK: THE FLAMING LIPS AND HEADY FWENDS-“Tasered and Maced” (2012).

2012 saw the release of this very strange collaborative album.  Whether The  Flaming Lips had entered the mainstream or if people who’d always liked them were now big stars or maybe they all just liked doing acid.  Whatever the case, The Lips worked with a vast array of famous (and less famous) people for this bizarre album.  Here it is 8 years later. Time to check in.

The final song of the album features Chris Martin from Coldplay on the vinyl release.  But it’s something else entirely on digital releases.  This is the digital song.

This song is a slow echoing piano-based song that opens with some very familiar lyrics:

Imagine there’s no Heaven, it’s easy if you try

Despite the lyrics, the melody is nothing like “Imagine”  In fact he changes it to his own very Lips-ian idea:

No hell below us, you don’t go anywhere when you die
(I don’t want you to die and I don’t want me to die)

A new melody is added between verses.

Then after the second verse Chris Martin from Coldplay starts singing.  his voice is distant and echoed

And after all we’re only roses when we die, oh, I don’t want to say goodbye
After all we’re only roses in the sky, oh, I don’t want to say goodbye

He sings for all of twenty seconds before Wayne comes back.

I rather wish Chris martin was more prominent , but it is an amusing cameo.

This is such a better album-ender than “Maced and Tasered,”  I can’t imagine why they replaced it (I’ll assume it has something to do with Coldplay lawyers).

[READ: August 20, 2019] “Thyroid Diary”

I have a soft spot for Lydia Davis.  I like her sense of humor and how she works with the mundanity of existence.

But sometimes her stories are too much diary entry and not enough story.  This one is called a diary, but the New Yorker claims it is fiction.  So which is it?  It’s a mildly interesting diary entry (but not focused enough).  However, it’s not very interesting as fiction at all.

I did enjoy the first part.  They are going to a party at their dentists’s house.  The dentist’s his just earned enough credits at the local college to have graduated.  She has been taking tutorials with the narrator’s husband. (more…)

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SOUNDTRACK: THE FLAMING LIPS AND HEADY FWENDS-“Tasered and Maced” (2012).

2012 saw the release of this very strange collaborative album.  Whether The  Flaming Lips had entered the mainstream or if people who’d always liked them were now big stars or maybe they all just liked doing acid.  Whatever the case, The Lips worked with a vast array of famous (and less famous) people for this bizarre album.  Here it is 8 years later. Time to check in.

The final song of the album features Chris Martin from Coldplay on the vinyl release.  But it’s something else entirely on digital releases.  This is the digital song.

This starts as a buzzy feedback wall of noise.  Then comes a simple synth riff over which Aaron Behrens tells a story about cops busting into a party and macing everyone.

He was drunk and decided to fight the cop.  The cop turned around and maced him in the face.  So he ran.

He says Friends will stop chasing you after a while, but copes don’t stop.  They caught him and tasered him.  Hence maced and tasered.

Musically thus piece is interesting to listen to, but the story doesn’t really hold up to repeated listens.

[READ: August 20, 2019] “No Life”

This story concerns parents looking to adopt.  But it is handled in a unique (to me) way.

As the story opens we meet Edward and Alison.  Once happily married (having sex everywhere) they were soon desperate to get pregnant (sex became a chore).  Now they have given up on getting pregnant. But neither one will ever refuse sex (even if they don’t want to have it) because it means they have given up.

So they are looking to adopt.

I’ve never heard of a setup like this, but maybe it happens all the time:

Prospective adoptive parents are invited to a picnic where all of the potential adopted children are playing.  The adults are told to act natural and speak to the children casually.  Never say things like would you like to come home with us and try to keep things as upbeat as possible. (more…)

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SOUNDTRACK: THE FLAMING LIPS AND HEADY FWENDS-“Girl, You’re So Weird” (2012).

2012 saw the release of this very strange collaborative album.  Whether The Flaming Lips had entered the mainstream or if people who’d always liked them were now big stars or maybe they all just liked doing acid.  Whatever the case, The Lips worked with a vast array of famous (and less famous) people for this bizarre album.  Here it is 8 years later. Time to check in.

This song is around 3 and a half minutes.  It starts out crashingly loud with a catchy synth melody that will later be used for the vocal line.  Then it quiets down to a sneaky/spooky synth melody.  The vocals fit into the spooky sound in as it seems like Wayne is singing in a kind of strangled way.  It’s possible that the lyrics weren’t made up on the spot.  But who knows:

Girl, you’re so weird, your pain and your fear
Has paralyzed your mind, I wish you’d get high
You’re so tight, you’re always thinking right
Tonight, when it’s late, you should smile, masturbate
So, girl, you and me can watch each other pee
With holographic shirts we’ll shine under blacklights
Lights, lights, lights, lights, lights, lights

The guest on this is New Fumes.  I don’t know anything about him except that he has played with the Lips in the past.  This song feels like filler except that the sounds between verses are really cool.

It also feels pretty much like the end of a record.  But there’s one more song to come

[READ: August 20, 2019] “The Story of Mats Israelson”

This story was enjoyable but sad.  I had read the first six or so pages and then had to put it down for the night.  I was looking forward to finishing it because the first few pages were so good.  But the last couple pages really emphasized a sadness I did not expect.

The story is written as if it is from a long time ago.  In this small Swedish village, people earned their spots–in church pews, or where to keep their horses.  If you took that spot you were shunned.

This village is full of gossip. The gossip is my favorite part of the story. (more…)

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SOUNDTRACK: THE FLAMING LIPS AND HEADY FWENDS-“The First Time Ever I Saw Your Face” (2012).

2012 saw the release of this very strange collaborative album.  Whether The Flaming Lips had entered the mainstream or if people who’d always liked them were now big stars or maybe they all just liked doing acid.  Whatever the case, The Lips worked with a vast array of famous (and less famous) people for this bizarre album.  Here it is 8 years later. Time to check in.

This is, indeed a cover of Roberta Flack’s song.

It’s not often that a cover is so willfully defiant of the original without actually trying to mess with it.

This is a ponderous, ten-minute version of the song, punctuated by loud, echoing drumbeats keeping a slow pace.  The music is essentially distorted electronic chord changes on the beats and occasional twinkling keyboard notes throughout.

The song is sung in the audio equivalent of soft-focus by Erykah Badu.

It is a hard song to parse. Badu’s voice sounds great.  The contrast to the original music is stark and yet it is sonically more interesting than the treacly original.  On the other hand, it is long and, if the mood is wrong, slow and boring.

It’s a song I thought I would likely skip were I listening to the whole disc, and yet listening to it right now, the 10 minutes went by like nothing.  So maybe it is pretty great after all.

[READ: June 15, 2019] “Interesting Women”

Interesting women–are we ever going to be free of them?

So starts this story of an interesting woman.

She is concerned because all new acquaintances

seem to be gorgeous lesbians or bisexuals whose intoxicating charm fed straight into hot wet tumbles between rented sheets.

The narrator is on holiday with her daughter, Basia, in Thailand.  Their hotel is swimming with interesting women.

The narrator and Basia are kayaking when an interesting woman approaches them.  She is in her fifties, looking good without pushing it.  The woman asks how hard it is and then says that kayaking is on her list of things to do that scare her,  The woman’s name is Silver, well, its one of her real names. (more…)

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download - 2020-05-20T121917.708SOUNDTRACK: THE FLAMING LIPS AND HEADY FWENDS-“Is David Bowie Dying” (2012).

2012 saw the release of this very strange collaborative album.  Whether The Flaming Lips had entered the mainstream or if people who’d always liked them were now big stars or maybe they all just liked doing acid.  Whatever the case, The Lips worked with a vast array of famous (and less famous) people for this bizarre album.  Here it is 8 years later. Time to check in.

This six minute track starts with scraping and electronic sounds and a two note guitar melody that rise sand falls. Neon Indian, an electronic chillwave band, is the guest on this song

Around 2 minutes the music turns optimistic and soaring and then it  mellows out with trippy sounds. The lyrics change to

At the mountain, you scream
Now the fountain reveals
As you do want and make you whole
Goodbye, goodbye

The mellowness lasts for about a minute then the angular guitars returns.  This second half feels less harsh and more trippy, although the wild effects are still in place.  This sequence runs through to the end as they repeat

Take your legs and run
Into the death-rays of the sun

[READ: August 1, 2019] Strangers in Paradise XXV #10

This limited series ends with this issue.

Katchoo is the voice over as she worries about the five years the earth has left to exist–she will have this hanging over her head as she returns home.

Francine reports that her mother is doing fine–she has the will to be alive to watch her grandchildren grow up.  This, of course, makes Katchoo even sadder.

Back home, the girls are up in the air vent wondering why Aunt Libby is crying.  But she’s not.  It turns out that there is a heavily tattooed man with a gun telling her that he plans to kidnap the two little girls because the dykes who live there have a lot of money and he intends to get the ransom for them. (more…)

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download - 2020-05-20T121901.285SOUNDTRACK: THE FLAMING LIPS AND HEADY FWENDS-“Do It!” (2012).

2012 saw the release of this very strange collaborative album.  Whether The Flaming Lips had entered the mainstream or if people who’d always liked them were now big stars or maybe they all just liked doing acid.  Whatever the case, The Lips worked with a vast array of famous (and less famous) people for this bizarre album.  Here it is 8 years later. Time to check in.

This three-minute interlude is mostly thumping drums and percussive noises with a repeated sample of someone (I assume Yoko Ono) saying “Do It!”

There’ a grooving bass line.  With all of the attention paid to Wayne Coyne and Steven Drozd, it’s easy to overlook how good a bassist Michael Ivins (and has been with Wayne from the beginning).  I assume that’s him playing on this song.

The samples are tinkered with as the bass propels the song forward.  It’s a nifty little transition piece.

[READ: August 1, 2019] Strangers in Paradise XXV #9

The cover image of this issue has nothing whatever to do with the contents.  That is true for many of the issues, but it’s disturbing for this one because it suggest something is going to happen but it’s actually something similar but ultimately very different.

In New England, Katchoo doesn’t want to believe that the woman walking across the snow is Lilith.  She doesn’t want to believe any of this.

They go inside and there’s a cookie jar.  Zoe goes to take one but Lilith says that they are for the raccoon who likes to sneak in at night and pillage my kitchen.
Zoe: “You have a raccoon?”
Lilith: “Not anymore.”

They look at the scroll  Rachel reads it “This is how he did it and this is how you undo it”  Then she looks at Lilith and snarls, “Why did you write this?”

Zoe asks He who?  Jet say they’re talking about God an how to blow us all kingdom come. (more…)

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SOUNDTRACK: THE FLAMING LIPS AND HEADY FWENDS-“I’m working at NASA on Acid” (2012).

2012 saw the release of this very strange collaborative album.  Whether The Flaming Lips had entered the mainstream or if people who’d always liked them were now big stars or maybe they all just liked doing acid.  Whatever the case, The Lips worked with a vast array of famous (and less famous) people for this bizarre album.  Here it is 8 years later. Time to check in.

This song starts out with NASA voices and beeps.   The beeps turn into a rhythm and after a cool echoing guitar the song takes on almost a spaghetti western feel.  even with the bowed cello

The song features Lightning Bolt, a noise rock duo, and I assume they join in the fun in the middle of the song.

After three minutes, a pretty guitar melody leads to a sped up voice saying 1, 2,3, 4 as it soars into the next chaotic and wild section.  The riff speeds up, the drums and distortion increase and the song feels like an epic take off into outer space.

It runs for about two minutes and then slows down.  Way down.  After a backwards countdown 4,3,2,1, the song resumes as a gentle folk song kind of like “Space Oddity.”  It’s pretty cool.

[READ: August 1, 2019] Strangers in Paradise XXV #8

Katchoo is flying to Boston.  The voice over has a nice moment where we see just how much she loves Francine.

She lands and heads to Jet’s garage.  She tells Jet that she has something to give her.

They get into Katchoo’s car which is surrounded by ravens.  They seem to be following her.  I love Terry Moore’s art throughout this series.  He does realistic portrayals of women perfectly (even if sometimes I can’t tell some of the women apart).  I love the way he draws Jet so distinctively as well.  But those ravens, um, not so much.

Jet has no idea what the container is and when Katchoo explains the contents she thinks Katchoo is joking. Why did Stephanie send her to Jet if Jet doesn’t know what it is? (more…)

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