[ATTENDED: May 29, 2026] Just Mustard
I saw Just Mustard open for Fontaines D.C. back in 2022 and they were amazing. They are a five piece band from Dundalk, Ireland. They make a fantastic noisy mess of shoegaze combined with a wall of noise and singer Katie Ball’s droney vocals.
The band exuded seriousness and they were exceptional musicians. Drummer Shane Maguire played some amazing and unexpected fills and when he hit the snare hard (which wasn’t always) it cracked to attention. I was right under guitarist David Noonan, who made an amazing array of noises. Many sounded like guitars, many more did not. And he was LOUD.
Next to Katie was bassist Rob Clarke who held the whole thing together. He played simple (sometimes two note) melodies that were absolutely essential to the rest of the band. And next to him on the far side of the stage was guitarist Mete Kalyon who played a lot of rhythmic sounds (not so much rhythm guitar as rhythmic sounds–his playing was very percussive. He also generated really cool noises and the music was mixed so that all of the noise came from all over the place.
They opened the show with the noise and really never let up. Endless Deathless has some squealing guitars–a catchy melody played with sharp sounds. The drums were fast, the bass was fast and Katie’s vocals were slow and almost soothing. And that was the pattern for the 75 minute set.
David’s pedals array was dynamic and he used it throughout–I often saw him twisting knobs and tapping buttons–usually while playing the noises.
The fascinating thing is watching Katie–while all of the sounds are looping around the room and she’s not singing, she stands, expressionless, not even tapping to the beat. It’s unsettling. Although when she plays the tambourine (from time to time) her rhythm is perfect.
I loved on Seven the simple rumbling bassline and Katie’s quiet vocals occasionally interrupted by almost machine-like waves of guitar. And then, midway through the song, everything shifted as David pressed his left hand down on the strings near the pickup and played a melodic but percussive clicking, while Mete played more of those machine-like sounds and the whole band just exploded into sound–tension and explosion over and over in one song.
Despite the noise there were many moments that were really quiet–almost shoegazey. This was especially evident when Katie sang in her quiet style over the waves of sound with only a simple bass line keeping the song on track. A song like I am You is even creepier since Katie’s voice is almost childlike/ghostly, softly singing “I am you….”
Although I really enjoyed watching David, I was utterly transfixed by Shane Maguire, who almost refused to play bass/snare/bass/snare. For some songs he played a rhythm on the toms (check out That I Might Not See which only has snare for one section of the song), for others he played all the toms in a row for nearly the whole song. He hit the rim of the drums, he used some of the cymbals. It was so interesting and made the song so vibrant.
I don’t know if I realized David was singing as well last time I saw them (he was on the far side of the stage and not visible to me). I almost didn’t realize he was singing tonight because his microphone was almost literally above my head. But I did hear a voice that wasn’t coming from Katie and looked up and there he was singing lead on a couple of songs. And on Deaf he unleashed some serious throat-shredding screams.
There were a couple of genuinely quieter, more conventional songs, like Dandelion (which people around me were excited to hear). And Pigs opened quietly with a slow three note bass line and percussive sounds from David. Then Shane gave a drum fill and the noise squealed in (briefly) until returning to that slow quiet section. I was amused that Rob had sunglasses on the whole time (and it was plenty dark already, how did he see anything?) The quiet extended middle had Shane playing solely on the rim of the snare drum for a few bars.
Pollyanna was even more fascinating because Rob played a rumble of notes and then generated feedback–and that was the rhythm of the song. It was fun to watch the stoic bassist creating this wall of feedback. They played a couple of songs that I had heard last time, like Seven and I am You. I can’t say I recognized them from four years ago, but there was something about the pulsing echo and two note “melody” of Still that seemed really familiar. And it’s a song like this–with all kinds of noises going on that it’s remarkable you can hear Katie’s tambourine near the end.
Seed seems like the perfect set ender for them. As soon as the song started, Mete put down his guitar and started playing with his pedals. Midway through the song, Rob did the same thing. By the end everyone was just manipulating noises into walls of feedback. A crushing end to an intense set. So glad they came back to Philly.
| 2026 |
2022 |
| Endless Deathless ⇓ |
Seven § |
| Silver ⇓ |
I am You ♥ |
| Out of Heaven ⇓ |
Mirrors ♥ |
| Seven § |
Tainted ϖ |
| I Am You ♥ |
Frank § |
| Deaf ϖ |
Still ♥ |
| Frank § |
Seed ♥ |
| Dandelion ⇓ |
|
| That I Might Not See ⇓ |
possibly played |
| Pigs ϖ |
Curtains ϖ |
| The Steps ⇓ |
|
| Pollyanna ⇓ |
|
| Still ♥ |
|
| We Were Just Here ⇓ |
|
| Seed ♥ |
|
⇓ WE WERE JUST HERE (2025)
♥ Heart Under (2022)
§ single (2019)
ϖ Wednesday (2018)
Read Full Post »
