Feeds:
Posts
Comments

Archive for the ‘Religion’ Category

R. Crumb–The Book of Genesis [excerpt] (New Yorker, June 8 & 15, 2009)

Posted in Bible, Gods, Minnesota, New Yorker, R. Crumb, Religion, Supernatural, The Replacements, Tom Waits on June 15, 2009| 2 Comments »

cover_newyorker_190SOUNDTRACK: THE REPLACEMENTS-Tim (1985).

timMany people consider this to be the best Replacements album.  It features one of their best songs “Bastards of Young” (which has one of the best anti-videos ever created (available here)).

For me, I think the second side (how quaint) is stronger than the first.  And, it’s not quite as diverse stylistically as Let It Be.  I think there’s something to do with the production that makes it a bit more polished-sounding.  And yet, despite all of this seeming Tim-bashing, it is still a fantastic record.

“Kiss Me on the Bus,” continues Westerberg’s streak of catchy poppy indie rock.  “Left of the Dial” is an awesome tribute to college radio stations.  And “Little Mascara” is another great, simple rocker.

Tim also contains a few ballads, “Here Comes a Regular” is another great TomWaitsian bar song. And “Waitress in the Sky” is a sweetly depressing song.

All signs indicate that The Replacements matured on this record (which makes this one seem less teenagery than Let It Be).  And after recording this, they kicked out Bob Stinson, founding member and brother of the bassist,  for being too drunk and reckless for the band (for THIS band!).  In fact, their next album will be even more “mature” (but I like that one more).

But Tim stands as one of the 80’s classic indie rock albums.

[READ: June 8, 2009] “The Book of Genesis”

As a general rule, I don’t like R. Crumb’s drawing style.  He’s a little too rough, a little too crass for my tastes.  This is no to say that I don’t appreciate his iconic images and the fact that his style is so recognizable. I just don’t happen truckinto like it all that much.  (Although I think his original characters are all pretty cool–the Keep On Truckin’ guy, of course).

Having said this, I appreciated his somewhat toned-down style in this excerpt.  Crumb decided to do a faithful, respectful illustration of the Bible (or at least the Book of Genesis).  And so he did.  The illustrations are really striking and, as is crumb’s way, he doesn’t hold back. (more…)

Read Full Post »

McSweeney’s #31

Posted in Anachronisms, Barzum, Biji, Bill Cotter, Books about writers, Charlie Chaplin, Consuetudinary, Corporate skewering, David Thomson, Death, Digression, Douglas Coupland, Duan Chengshi, Dystopia, End of the World, Ernest Hemingway, Fantasy, Funny (ha ha), Funny (strange), George Barr McCutcheon, Graustarkian Romance, History, James Hannaham, Jessica Anthony, John Brandon, John Cusack, Joy Williams, Legendary Saga, Mary Miller, McSweeney's, Meta, Miguel de Unamuno, Minnesota, Nicolas Chorier, Nivola, Oddities, Orson Welles, Pantoum, Plato, Poetry, Religion, Say Anything, Senryū, Sex, Shelley Jackson, Short Story, Sight & Sound, Smarty Pants, Socratic Dialogue, Supernatural, Susan Sontag, The Replacements, Threats, Violence, Virginia Woolf, Virginity (Loss of), War, Whore Dialogue, Will Sheff on June 12, 2009| 2 Comments »

31SOUNDTRACK: THE REPLACEMENTS-Hootenanny (1983).

hootThis is the second full length from The Replacements.  For a band that just released two punk albums (one’s an EP), naming your new one Hootenanny is pretty ballsy.  As is the fact that the first track sounds like, well, a hootenanny (even if it is making fun of hootenannies.)

However, the rest of the album doesn’t sound like hootenannies at all.  In fact, the rest of the album is all over the place.  I don’t want to read into album covers too much, but the design has all 16 titles in separate boxes in different colors.  It suggests a little bit of stylistic diversity inside.

Just see for yourself:  “Run It” is a one minute blast of some of the punkiest stuff they’ve done. (It’s about running a red light).  Meanwhile, “Color Me Impressed” marks the second great alt-rock anthem (after “Go”) that Westerberg has put on record.  “Willpower” is a sort of spooky ambient meandering piece that, at over 4 minutes is their longest piece yet.  “Take Me to The Hospital” is a punky/sloppy guitar song.  “Mr Whirly” is sort of an update of the Beatles’ “Oh Darlin.'”  “Within Your Reach” is technically the longest Replacements song to date.  It starts with a cool flangy guitar sound that swirls around a fairly mellow vocal track (this song was featured in the end of Say Anything.  John Cusack cranks the song up past the red line).  “Buck Hill” is an (almost) instrumental.  “Lovelines” is a spoken word reading of personals ads over a bluesy backing track.  “You Lose” is the first song that sounds like another one…a sort of hardcore song.  “Hayday” is a fast rocker like their first album.  And it ends with “Treatment Bound” a sloppy acoustic number that sounds like it was recorded in a tin can.

As you can see, this album is all over the place, and almost every song sounds like they may not make it through to the end.  Yet, despite all of the genres represented, the band sounds cohesive.  The disc just sounds like a band playing all the kinds of music that they like, and the fact that there are a couple of really lasting songs on the disc makes it sound like more than just a bar band.

I feel as though not too many people even know of this disc (it was the last one I bought by them, as I couldn’t find it for the longest time).  But in reading reviews, I see that people seem to really love this disc.  I enjoyed it, and, like other ‘Mats discs, it’s certainly fun, but I don’t listen to it all that often.

[READ: June 9, 2009] McSweeney’s #31

The latest issue of McSweeney’s has a totally new concept (for this journal, anyhow):  They resurrect old, defunct writing styles and ask contemporary writers to try their hands at them. I had heard of only two of these defunct styles, so it was interesting to see how many forms of writing there were that had, more or less, disappeared.

Physically, the issue looks like a high school yearbook.  It’s that same shape, with the gilded cover and the name of the (school) on the spine.

Attached to the inside back cover is McSweeney’s Summertime Sampler. As far as I know this is the first time they have included a sampler of multiple upcoming works.  There are three books sampled in the booklet: Bill Cotter’s Fever Chart; Jessica Anthony’s The Convalescent & James Hannaham’s God Says No. I enjoyed all three of the pieces.  Fever Chart has stayed with me the most so far.  I can still feel how cold that apartment was.  The Convalescent begin a little slow, but I was hooked by the end of the excerpt. And God Says No has me very uncomfortable; I’m looking forward to finishing that one.

As for #31 itself:

The Fugitive Genres Recaptured (or Old Forms Unearthed) include: pantoums, biji, whore dialogues, Graustarkian romances, nivolas, senryū, Socratic dialogues, consuetudinaries, and legendary sagas.  Each genre has an excerpt of an original writing in that style.  Following the sample is the modern take on it.  And, in the margins are notes in red giving context for what the author is doing.  I assume these notes are written by the author of the piece, but it doesn’t say.

I’m going to give a brief synopsis of the genre, but I’m not going to critique either the old piece or whether the new piece fits into the genre exactly (suffice it to say that they all do their job very well). (more…)

Read Full Post »

Kurt Vonnegut–Cat’s Cradle (1963)

Posted in Books about writers, Concept Albums, Consumerism, Corporate skewering, Death, End of the World, Funny (ha ha), Funny (strange), Gods, Kurt Vonnegut, Lavender Diamond, My Brightest Diamond, My Morning Jacket, Natural Disasters, Political Humor, Religion, Robyn Hitchcock, Sci-fi, Smarty Pants, Technology, The Decemberists on June 2, 2009| 1 Comment »

catsSOUNDTRACK: THE DECEMBERISTS-The Hazards of Love (2009).

hazardsI first played this disc a few times without really listening to it, just to get a feel for it.  And I was surprised by how heavy it sounded.  The harshest moments of the disc really stood out to me, and I was quite surprised, as I think of the Decemberists as more folky than this.

But when I finally sat down and listened, I was pleasantly surprised at how much I liked the disc overall.  I have yet to understand the complete storyline (the lyrics are printed in a near impossible to read size and color, so I’ve had to rely on what I could pick out.)

The disc is a concept album.  It tells the story of  Margaret who falls for a shape shifting creature of the forest and, I think, their offspring as well.  There’s a jealous forest queen involved, and, of course, the Rake–although I’m not exactly sure how he fits in–but more on him in a moment.

In addition to some “celebrity” guest vocalists (Robyn Hitchcock and Jim James of My Morning Jacket sing backing vocals), for the first time on a Decemberists disc, Colin Meloy doesn’t sing all of the lead vocals.  The two women characters’ parts are sung by two singers I don’t know: Becky Stark (of the band Lavender Diamond) and Shara Worden (of My Brightest Diamond).  And when the queen (Shara Worden) sings, she’s pretty angry. She creates one of the harshest sounds I can think of by the Decemberists.

Interestingly, that song, “The Wanting Comes in Waves/Repaid” also contains one of the most beautiful passages that the Decemberists have done.  “The Wanting Comes in Waves” part of the song has an uplifting chorus, a wonderful melody and a beautiful sing-along.  Meanwhile, the “Repaid” part has some harsh, angular guitars and when the Queen repeats “repaid!” for the third time, the hair will stand up on your arms.  (Of course, the song then repeats the beautiful part once again…phew…and it is reprised at the end of the disc, because how could you NOT include that passage again?).

This record also features the catchiest song about infanticide that I know of.  “The Rake’s Song” rocks, and yet as you’re singing along to the simple but catchy chorus of “Alright, Alright, Alright,” you realize that the Rake has just killed all of his three children so that he can have a life as a free bachelor again.  (Revenge does come at the end).

And that revenge comes in one of the 4 versions of the title song.  What starts as a simple folky ditty (in Part 1) “singing, oh ho, the hazards of love,” morphs (in Part 2)  into a rocking track, then (in Part 3) a track with a children’s choir (my least favorite track on the disc–it works with the story, but I don’t care for the kids voices, really) and (finally) a haunting epilogue.

This is The Decemberists’ most striking album to date.  It is a bold attempt to alienate just about everyone, and yet I believe they have pulled off something just shy of a masterpiece.  The harshness of some of the songs still makes me a little uneasy (at least when listening with the kiddies), but the rewards are ample, and they really do fit perfectly with the plot.

I never expected the Decemberists to venture into prog rock territory but since they embraced it fully, they really pulled it off.  I do still need to get in and read the lyrics though, just to get all the details straight.  (They are legibly printed here).

[READ: June 1, 2009] Cat’s Cradle

This is the first “well-known” Vonnegut book I’ve read (not counting Slaughterhouse Five, which I’m going to re-read soon for the first time in fifteen or so years).  I’d heard of this book but never knew what it was about.  And, boy, trying to summarize is pretty tough.

Why?

Because Vonnegut invents an entire new religion and a fictional island on which to practice it.  And his characterization of the whole thing is so complete, that it is utterly believable.  And that’s only half the book.

So, let’s try this: John, the narrator decides to write a personal biography of Felix Hoenikker, the Father of the atomic bomb. Okay, so we know we are on somewhat fictional ground, and yet it is sort of based in reality.  Fine. (more…)

Read Full Post »

Periodical: Harper’s

Posted in 19th Century, Abba, Consumerism, Corporate skewering, David Foster Wallace, Essays, Free Speech, Funny (ha ha), Funny (strange), Harper's, Lewis Lapham, Military, Natural Disasters, Phish, Political Humor, Religion, Smarty Pants, War, WMDs on May 30, 2009| Leave a Comment »

harpers 1993I first heard about this magazine from my friend Ailish’s then-boyfriend, Dave (this was sometime in 1993, I would guess).  Dave fancied himself an artiste: he typed his novel on a portable Underwood, loved Henry Miller and read Harper‘s.   I liked him, but was always confused by his pretensions since he didn’t really fit the bill.  But regardless, when we visited, I always read his Harper’s. I very quickly got hooked on it and have been subscribing ever since.

Harper’s is another one of those magazines that I don’t immediately get excited about receiving because there’s always the possibility that there will be five really long articles that I want to read in it.  And who has the time for all of that? Perversely, I am secretly delighted when there is only one story that I want to read in that month’s issue. But I know that if I’m going to read something in it, it will be good.

Clearly the high point of the magazine is Harper’s Index.  The index is a list of various statistics.  The gimmick, if you will is that everything is written in such a way that the answer can be given in a numerical value.  for example: “Amount the ABBA tribute band Bjorn Again says it was paid to play a concert for Vladimir Putin in January (2009): $27,500; Estimated street value of drugs seized last March at three Phish reunion shows in Hampton, Virginia: $1,200,000.” (more…)

Read Full Post »

Shalom Auslander–Beware of God (2005)

Posted in Belle and Sebastian, David Sedaris, Funny (ha ha), Gods, Humiliation, Marriage Trouble, Nazis, Neurotics, Peanuts, Red Dwarf, Religion, Shalom Auslander, Short Books, Short Story, Simon Rich, Smarty Pants, Supernatural, The Velvet Underground, Thin Lizzy, Threats, Woody Allen on May 26, 2009| Leave a Comment »

bogSOUNDTRACK: BELLE AND SEBASTIAN-BBC Sessions & Live in Belfast 2001 (2008).

bsbbcVirtually every review of the BBC Sessions says the same thing: these tracks barely differ from the original recordings.  And, for better or worse, that is very true.  In fact, even the trumpets and other instruments sound so perfect, you tend to forget it’s a live recording.  Clearly this sends a positive message about their live playing.  But if that’s the case, why would you buy this?

Well, clearly Belle & Sebastian devotees will buy it even if there’s only marginal differences.  But really the selling point is the last 4 songs, all of which are brand new (at least to me). It’s also amazing to me how on the first batch of live songs from 1996, the band sounds so delicate it’s as if they would fall apart just by looking at them.  The opening songs are soft, and Stuart’s voice is barely a whisper.  And yet through all of that the choruses are still catchy, and the songs are amazing.

But really the main hook for this set is the Live in Belfast disc.  It comes from 2001, and is a surprisingly rollicking set.  I saw B&S several years ago at a small club in Manhattan. It turns out to be one of my worst concert experiences.  Not because of the band, but because it was so overcrowded (B&S were the “IT” band at the time) that I had to keep moving back to stop getting crushed.  I eventually spent time in the lobby trying in vain to hear the set.

So this is the next best thing for me.

The set is an interesting mix of covers (and surprising ones at that–“The Boys Are Back in Town!”) and B&S rarities (with a couple of popular songs like “The Boy with the Arab Strap” and “Legal Man” thrown in as well).  There’s also a fun rendition of The Velvet Underground’s “I’m Waiting for the Man” by a fan named Barry who requested the song and then came up on stage to sing it.  The band is loose, a little shambolic and apparently having a lot of fun.

It’s a remarkable collection of tracks for any fan of the band and certainly overcomes the similarities of tracks on the first disc.

[READ: May 24, 2009] Beware of God

I read this book exclusively because of my authority as a librarian. I received an email saying that the person who had put this book on hold no longer wanted it (her book club was last week and she had to buy the book…that’s a book club I want to be in, actually).  When I took it off the hold shelf, I saw who it was by, and since I have wanted to read his stuff (and this book was fairly small) I thought I’d take it home with me.  When we canceled the hold, I learned that someone else had a hold on it, so technically I couldn’t take it.  However, I broke a rule. Since it was Saturday and Memorial Day weekend this book wouldn’t be shipped out to the net person on line until Tuesday morning!  Surely I could read this in time with no one the wiser.  Well, imagine my surprise to have read it by Sunday night…it could have gone back even if it wasn’t a long weekend!  Huzzah!

I hope that doesn’t get me fired. (more…)

Read Full Post »

Salman Rushdie–“In the South” (New Yorker, May 18, 2009)

Posted in Death, Marriage Trouble, Natural Disasters, New Yorker, Old Age, Pixies, Religion, Salman Rushdie, Short Story, WNYE 91.5--Radio, New York on May 23, 2009| Leave a Comment »

518SOUNDTRACK:  Radio New York, WNYE, 91.5FM.

91.5Radio New York is a fascinatingly diverse radio station.  I have probably scanned right by it on many occasions because at the time I scanned onto it, the show was something that I had no interest in.  And yet, several hours before or after, I would have found a great resource for good music.

Their website features a cool interactive page that describe the amazing diversity in their daily lineup from Alternative rock to Cypriot Shows, BBC World Service and Haitian Perspective, even the Voice of Bosnia.  I admit I’m unlikely to listen to many of  these programs, but it’s nice that they’re there.

The morning music, however (from 6AM-Noon) is often exactly what I like.   Especially John in the Morning, whose description: “From the Pixies to Pela, M.I.A. to Massive Attack, JITM breaks new music, embraces old music and ties it all together” sounds exactly like what I’d do if I were  a DJ.

[READ: May 21, 2009] “In the South”

This short story finds Salman Rushdie contemplating death on a personal level and a grand scale.  The story concerns two old men: Junior and Senior (who is 17 days older than Junior).  The men are not related, but they grew up in the same town.  Both men also have the same first name (which they will reveal only as starting with the letter V), and nothing else in common.  (more…)

Read Full Post »

Periodical: The Washington Spectator

Posted in Free Speech, History, LGBTQ, Political Humor, Politicians, Prison, Religion, Sex, The Washington Spectator, Threats, TSA, Utne Reader, Violence, War, WMDs on May 20, 2009| 4 Comments »

Unsurprisngly there are no online images of this periodical which is all text and no pictures.

Unsurprisingly, there are no online images of this periodical which is all text and no pictures.

I don’t even recall where I first heard of The Washington Spectator, or when I even started my subscription (although it is going on at least ten years now). No one else seems to have heard of it, so maybe it’s printed just for me.

The Washington Spectator comes out every two weeks. It is a 4 page (that’s right, four page– it doesn’t even have a staple) newsletter that covers national politics. For the most part, every issue covers one topic.   Usually that topic is, if not ignored, then certainly under-reported in the mainstream press. And each issue is more or less an extended article about that topic.

The most recent issue’s main topic, for instance, is “Republicans Shocked, Shocked, by Partisan Behavior of Democrats.” And yes, this publication is pretty exclusively pro-Democrat.  It’s not even issues-related as much as it is party-related (unless that’s just because the last eight years basically just chronicled the offenses of the Bush White House and the Republican majority). (more…)

Read Full Post »

Philip Roth–The Plot Against America (2004)

Posted in Dystopia, Free Speech, Nazis, Pearl Jam, Religion, Set in New Jersey!, South, Threats, Violence, War on May 5, 2009| Leave a Comment »

plotSOUNDTRACK:  PEARL JAM-Live on Two Legs (1998).

2legsThis is the first official Pearl Jam live release.  It is compiled from a number of different concerts, yet it flows pretty seamlessly. It highlights how much faster many of the songs became during their live shows.  This increased their power almost uniformly.

This disc also works as, not really a greatest hits, because there are plenty of hits left off the set list [most of Ten, notably] but maybe a greatest hits of all the non-Ten songs.

A track listing would be the most sensible way to cover what’s on here, since  it is uniformly solid and enjoyable.  And I don’t have too much to say about each track.

Corduroy-Vitalogy
Given to Fly-Yield
Hail Hail-No Code
Daughter-Vs
Elderly Woman-Vs
MFC-Yield
Go-Vs
Red Mosquito-No Code
Even Flow-Ten
Off He Goes-No Code
Nothingman-Vitalogy
Do the Evolution-Yield
Betterman-Vitalogy
Black-Ten
Fuckin’ Up–This song bears a mention as it is a cover.  This is their first recorded cover of a Neil Young song.  Later, this song and “Rockin’ in the Free World” became staples of their live shows.  On here, they play a gorgeously sloppy rendition of this track.  It perfectly encapsulates the record: raw energetic and more than a little vulgar.  Perfect.

The set list also belies the fact that No Code isn’t as popular of a disc as the others.  There are three tracks from each of their records (except Ten which has two).  And the No Code tracks sound as good as the rest.

This is a good representation of Pearl Jam around this time, and it’s a good place to investigate their live sound (until you’re willing to take the plunge into the 72 self released live discs).

[READ: 2004 or 2005] The Plot Against America

DIGRESSION: I read this book a few years ago, and I didn’t remember the details all that well.  However, the overall story had a pretty big impact on me–especially in that it made me want to read more Philip Roth.  So, I’m going to include it here.  Some of my summary comes from other sources, but I do include my own recollections too.

I’ve never read Philip Roth before reading this novel.  Despite all of his famous works, he’s always slipped under my radar.  But the urgency and political nature of this book made me want to read it right away.

What was so interesting to me about the novel was that, even though it is a fictionalized account of things that didn’t actually happen, I didn’t know a lot of the history behind the story.  And so I actually wound up learning a bit of American history from this novel. (more…)

Read Full Post »

Periodical: Esquire

Posted in Authors, Barry Sonnenfeld, Books about music, Books about writers, Chuck Klosterman, Dudes, Esquire, Film & TV, Food, Funny (ha ha), Funny (strange), Military, Music, Politicians, Religion, Sex, Short Story, Technology, Video Games, Violence on April 18, 2009| Leave a Comment »

esquireI don’t recall why I started getting Esquire. I think it was because I got some kind of discount magazine subscription card. And since Sarah gets lots of women’s magazines, I thought I’d try a men’s one.

I’ve been quite delighted with it since I subscribed. And one thing that I like about it is that I don’t feel compelled to read everything in it. I enjoy the letters, although my favorite part of the letters page is the “Context-free highlight from a letter we won’t be running” which always contains a random sentence or two from a letter. This sentence is always weird and it’s awesome to imagine what the rest of the letter contained. An example: “Our prime minister is pretty harmless, but he licks his lips a lot when he speaks.”

As the Man at His Best section starts, I enjoy “The Vocabulary” which defines the words they will introducing in the section. And of course this section has The Rules, a randomly selected number assigned to a rule that should be followed. Example: “Rule No. 815: Of the clocks in the house, the coffeemaker is the least likley to be accurate.”

This section also contains the usual line-up of media reviews: books, music, film and TV. These are all short and sometimes I agree and sometimes I don’t, and that’s fine. Usually the books and movies they like are too “butch” for my taste, and that’s a general note about the magazine that I’ll get to shortly.  But the music section tends to introduce me to stuff I don’t already know.

There’s also stuff about food and drink, and I always want to try the food advice, because it’s mostly about foods I try to make, but I never save the pages so I always forget the clever suggestions. (more…)

Read Full Post »

Robert Coover-“White-Bread Jesus” (Harper’s, December 2008)

Posted in Black Sabbath, Demons, Eric Clapton, Harper's, Jethro Tull, John Lennon, Marianne Faithfull, Marriage Trouble, Religion, Robert Coover, Short Story, Taj Mahal, The Beatles, The Dirty Mac, The Kids Are Alright, The Rolling Stones, Tony Iommi, Unreliable narrator, Wikipedia on April 2, 2009| 1 Comment »

harpersdecSOUNDTRACK:  ROLLING STONES-Rock and Roll Circus [DVD] (1968).

stonesProbably the most interesting thing about this DVD was seeing Tony Iommi, future guitarist for Black Sabbath playing guitar for Jethro Tull!  Let me repeat: the guy who played “Iron Man” was playing on a song with a flute solo!

Okay, with that out of the way, I’ll talk about the DVD.

The idea behind this event was to promote music in a new way, and the idea of a circus makes sense, so why not.  Wikipedia gives a pretty lengthy explanation of the whole thing, so I won’t bother with all of the details.

Anyhow, I had heard about this DVD in context of The Who.  I had read that The Who totally blew away the Stones at this event (apparently Mick Jagger agreed, which is why this was not available until 1996). Much of the Who’s performance is available in The Kids Are Alright movie.

But now with this DVD available, we get to see all of the acts in the circus:

Jethro Tull-“Song for Jeffrey.” Evidently they mimed their performance, but it’s still Tony Iommi.

The Who-“A Quick One While He’s Away.” Just amazing.  Fantastic rollicking, amazing.  It’s a crazy song, and it’s so full of energy.  Yes, they blow everyone else off the stage.

Taj Mahal, a band I’m not familiar with, plays “Ain’t That a Lot of Love.”

Marianne Faithfull sings a surprisingly quiet rendition of “Something Better.”  Her trademark voice hasn’t quite developed yet.

The Dirty Mac, who are John Lennon (vocals & rhythm guitar), Keith Richards (bass),  Eric Clapton (lead guitar) & Mitch Mitchell (drums).  They perform the Beatles song “Yer Blues” and then a jam called “Whole Lotta Yoko” which features Yoko Ono doing what she does best…caterwauling for what seems like much longer than 4 and a half minutes).

Then the Rolling Stones come out.  The story is that they had been up playing for hours, and their set was finally recorded at 5AM.  Whether or not that’s true, the set is really lackluster.  I’m not a huge Stones fan, but I do love many of their songs.  In fact, “You Can’t Always Get What You Want” and “Sympathy for the Devil” are two of my all time favorite songs.  Sadly, the versions on this DVD are totally substandard, especially compared to the originals.  Even “Jumpin’ Jack Flash,” a song that I don’t particularly love but which has a great opening riff sounds tired.  I don’t know if it’s the amps, the sound board, or if they’re just really tired, but the set just doesn’t have it.

So, yeah, there’s not much to see with this disc.  You do get Brian Jones jamming with the Stones.  And of course, “A Quick One” is great.  It’s also cool to see Tony Iommi, but since he’s not actually playing, it’s not that exciting.  And, in fairness, Mick Jagger is a very good host, and he keeps his spirits and excitement level up pretty high throughout the show, especially when goofing around with John Lennon and the fans.

As a curiosity, this DVD was okay…I actually enjoyed the talking bits in between songs rather than the songs themselves.

[READ: March 25, 2009] “White-Bread Jesus”

It has taken me a very long time to read this story.  I had been putting it off because it was kind of long.  Then I started it and put it aside, and then finally I read most of it but didn’t have a chance to finish it.  I found it again today under a pile of magazines and decided it was time to finish it up.  None of that reflects on the story, though, honestly.

I was very intrigued by the story right from the get-go.  In it, a preacher (Reverend Wesley Edwards) who is losing his faith, and really his mind, has something of a breakdown in church.  He begins a dialogue with Jesus in which Jesus admits that the Bible is nonsense, and that he, Wesley, is really a prophet. (more…)

Read Full Post »

« Newer Posts - Older Posts »