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Archive for the ‘My Morning Jacket’ Category

[DID NOT ATTEND: October 28, 2023] My Morning Jacket / Madi Diaz

I saw My Morning Jacket twice in 2015.  I’ve been wanting to see them again ever since but things always seemed to come up when they were nearby.

They played the Mann Center in 2021 but I didn’t feel like going there (that was probably a mistake).

When they announced this tour, I was psyched.  Two nights!  Then I saw that it was the same weekend as parents’ weekend at my son’s school.  Oof.

So we couldn’t go Saturday night as that was the big night of the weekend.  But Friday night looked like it was geared more toward alumni, so we were given permission to go the Friday show and to blow off this show. (more…)

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[ATTENDED: October 27, 2023] My Morning Jacket

When I told my son that we were going to see My Morning Jacket he said, “you’ve seen them a lot.”  And I kind of think that too.  But this was only our third time seeing them and the last two times were in 2015.

This tour was sort of announced as a twenty year anniversary tour of their album It Still Moves.  They were playing the album–but not at all locations.

And not at our location.  MMJ were playing two nights at the Met.  Ideally we would have gone to both.  But both nights were scheduled for the weekend of my son’s college Homecoming weekend, so we didn’t think we’d go to either.  But he was cool with us not visiting him on Friday so I grabbed tickets for this show.

Of course, seeing the setlists from both nights, I would have preferred the second night, but only slightly and only because they played a song that I really wanted to hear (“Wordless Chorus”) and that my wife really wanted to hear (“One Big Holiday”).

However, both nights were a fascinating mix of fan favorites and deep cuts.  So on our night I got to hear a couple other favorite songs, too.  So no complaints about our night at all.   Well, actually a couple of complaints about the losers who shared the box with us and who talked a lot through the show and who almost got into a fight at one point.  VIP indeed. (more…)

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[ATTENDED: October 27, 2023] Madi Diaz

Madi Diaz was on my list of artists to see live.  Although I couldn’t remember why exactly.  She’s opened for a few shows that I hadn’t gotten the chance to see yet, so I was excited to see her for this one.

This show turned out to be kind of weird for us for a number of reasons.  The first was that we arrived stupidly early.  For various reasons we left earlier than anticipated and there was no traffic on a Friday night (what?) so we had so much time to kill.  We thought about going for food, but we changed out minds.  And it’s good we did because on the way to The Met we noticed that there was a VIP entrance for box seats.

I happened to buy box seats for this show because they were cheaper than the resale GA tickets.  I also assumed that all MMJ tickets would be very expensive, although I later saw that there were some pretty cheap tickets left.  But I hate the back area of the Met, so I was happy to get these box seats.  So it turned out that the box seats are super swank.  You have a private (for about 14 boxes each with about 12 seats in them) bar and bathroom.  Dang.  As well as lots of room and, in our case, high chairs that allowed us to see over the people in front of our box (how psyched were we that the people in the front row didn’t stand, and we could sit for the whole show–normally not my thing, but I was pretty tired).

We could also move our chairs around which was nice.  Not as nice is that the people in our box were obnoxious.   I don’t know what t heir deal was but they talked and talked and talked.  I realize that it didn’t upset Madi Diaz at all, but it sucked to have her songs ruined by idiots talking.

Diaz came out on stage and for whatever reason she looked REALLY tall to me.  I never really got past what had to have been a trick of the light.  She played a song solo with acoustic guitar (“Man in Me”) and she had a lovely voice.

And then she brought out a drummer.  I didn’t catch his name and I can’t find it online, but holy cow did the addition of drums make these songs intense and magnificent.

Diaz switched between loud guitars and acoustic ones and the drums punctuated them perfectly.  Her voice was familiar (I wanted to say Phoebe Bridgers at her more powerful, but I’m not quite sure that’s right) and she had a great range.  On a couple of songs she raged and hit some great high notes.

I felt a little distanced from the show being in this weird box seat, so I’m not sure i fully appreciated Diaz’ set.  But she’s a powerhouse with some intense lyrics.

  1. Man in Me
  2. Woman in My Heart
  3. Everything Almost
  4. New Person, Old Place
  5. Do It Now
  6. Obsessive Thoughts
  7. Don’t Do Me Good
  8. Get to Know Me
  9. Think of Me
  10. Same Risk

 

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[DID NOT ATTEND: July 31-August 2, 2020] Newport Folk Festival

We went to Newport Folk Festival in 2019.  We’ve had a kind of understanding that we would try to go again.  So this year, when tickets were announced I jumped online and managed to score four of them!

Then it turned out that the weekend would be  massive conflict.

So, after seeing just who would be there, we felt that the whole fest was kind of a big shrug.  And it would be no loss to sell the tickets back.  Fortunately, Newport has a great system where you just put the tickets back in the pool and who ever is next gets them. (more…)

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SOUNDTRACK: MARCO BENEVENTO-Me Not Me (2009).

This album (Benevento’s second) with the confusing title is actually a (mostly) covers album.  Marco takes some familiar (to me) and some unfamiliar (to me) songs and turns them into instrumental versions using piano (and more), bass (from Reed Mathis) and drums.

The first song is My Morning Jacket’s “Golden.”  The melody is instantly recognizable and bouncy and fun.  Matt Chamberlain provides drums, which are skittery and complicated but never loud. Until the end when the songs starts to float away with trippy synths and some wild drumming.

“Now They’re Writing Music” is an original piece that switches between synth and piano and features Chamberlain and Andrew Barr on drums.

“Seems So Long Ago, Nancy” is a Leonard Cohen song.  It’s produced as if it’s on an old scratchy record with echoing bass and drums over the scratchy piano.  Barr is on drums.

“Mephisto” is an original, a slow jazzy number with a hummable melody and Chamberlain on drums.

“Twin Killers” is a Deerhoof song.  Appropriately, it has some riotous drums (from Barr who is on the next two songs as well).  It’s longer than the original because it features a cacophonies middle section that is just insane.  But Benevento’s faithful reproduction of the melody line makes this really catchy.

“Call Home” is a pretty lullaby.  It’s an original with soft keys and a baby cooing.

“Heartbeats” is the Jose Gonzales/The Knife song.  The main low riff sounds like its on the bass and then Marco plays the familiar lead melody with all kinds of fuzz thrown over the song.

“Sing It Again” is a mellow song from Beck off of Mutations.  I don’t really know it that well but this version is very pretty and simple.

A highlight of the album is this really fun version of Led Zeppelin’s “Friends.”  It’s immediately recognizable and yet different somehow.  Its full of raucous paying from all three especially when Benevento ads the sinister synths near the end.  Chamberlain plays up a storm on the drums.

The final song is George Harrison’s “Run of the Mill.”  I don’t know the original, but this is a jazzy song with lot of piano runs from Marco and some restrained drumming from Chamberlain.

This is a pretty solid introduction to Benevento’s music, although his albums definitely get better once he starts writing his own songs with words.

[READ: March 14, 2021] “Surrounded by Sleep”

Ajay was ten years old.  His family lived in Queens (having moved from India two years earlier).  He and his older brother, Amam, were in Virginia visiting his aunt and uncle.  One morning Aman was swimming in the pool.  He dove in and hit his head on the cement bottom.  He was on the bottom of the pool for several minutes before anyone noticed.

His parents were not terribly religious, but as Amar lay in a coma in the hospital, his mother began to pray regularly.  She also prostrated herself and fasted.

At first Ajay thought “her attempts to sway God were not so different from Ajay’s performing somersaults to amuse his aunt.”  Then Ajay knelt before the altar and drew in the carpet an Om, a crucifix, a Star of David and the Superman logo.

When his mother saw him praying, she asked what he prayed for.  He told her for a 100 on his math test. His mother said “What if God said you can have he math grade but then Aman will have to be sick a little while longer? …   When I was sick as a girl, your Uncle walked seven times around the temple and asked God to let him fail his exams just as long as I got better.”

Ajay replied, quite rightly, “If I failed the math test and told you that story you’d slap me and ask what one has to do with the other.” (more…)

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[ATTENDED: October 8, 2019] Illiterate Light

I had heard of Illiterate Light from NPR, but didn’t really know them.  They played at Newport Folk Festival but were early on Saturday and we arrived after them.

Traffic getting to this show was terrible and I was annoyed that we’d miss Illiterate Light (or part of their set anyhow).  S. said she didn’t mind missing the opening act as long as we made it for The Head and the Heart.

We walked in just as Illiterate Light took the stage and we got seated around the middle of the first song.  And I couldn’t get over how loud they were (particularly opening for a not-especially-loud band like The Head and the Heart).  They had big rocking guitar and crashing drums.

Then I looked up and realized that there were only two of them on stage. (more…)

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SOUNDTRACK: THE FLAMING LIPS AND HEADY FWENDS-“Children of the Moon” (2012).

2012 saw the release of this very strange collaborative album.  Whether The Flaming Lips had entered the mainstream or if people who’d always liked them were now big stars or maybe they all just liked doing acid.  Whatever the case, The Lips worked with a vast array of famous (and less famous) people for this bizarre album.  Here it is 8 years later. Time to check in.

Lately, Jim James has been going in a more mellow direction after the pretty heavy psychedelia of Circuital in 2011.  But this song stays in that heavy psychedelic vein with a big distorted guitar riff and distorted vocals from James (and Coyne, I assume).

It’s that weird mix of creepy and catchy that the Lips do so well.  You can clearly hear James on the lead vocals, but who knows who is contributing vocals to the rest (the oh oh ohs).  The guitar solo is all distorted and reversed–a noisy explosion of sound.

This song is barely four minutes and it’s followed by another noisy short one before the album segues back into quieter terrain.

[READ: August 1, 2019] Strangers in Paradise XXV #6

Katchoo was given coordinates to meet Stephanie.  The coordinates put her way off the grid in Colombia.  As she waits, a guy on a moped drives up and a monkey hops off and delivers a package (that’s pretty adorable, honestly).

Katchoo can only assume things are bad since Stephanie didn’t show.  She can’t imagine what is in the satchel (she hopes it’s not Francine’s head).

But no, it is a tube and in the tube is an ancient piece of papyrus–Cleopatra’s mathematical ideas. (more…)

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[ATTENDED: July 27 & 28, 2019] Newport Folk Festival

Back in 1998, I won a radio contest (not through luck, I knew the name of a song and couldn’t believe no one else did!) and scored a ticket to the Newport Folk Festival.  It was in a lull back then and also, I believe there was only one stage (it’s hard to remember).  Now it is at full power, selling out before artists are even announced.

S. and I have talked about going and finally this year I saw when tickets were announced and I bought 4 tickets for us.  I knew that our son wouldn’t want to go, but I decided to make a long vacation out of it–a couple days in Rhode Island and then about a week in Maine.  He couldn’t say no to going to that.

I didn’t get Friday tickets because three days seemed excessive.  Plus, you never know who is going to appear until long after you buy the tickets. and that actually worked out pretty well.   Turned out, there wasn’t anyone I really wanted to see.

So we rolled in for Saturday.  I was told that if you wanted to get the poster you had to get their very early.  We arrived at 12:30 and they were long sold out.  Oh well. (more…)

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SOUNDTRACK: YIM YAMES-Tribute To (2009).

I really like My Morning Jacket, but I find that Jim James’ solo work is a little too slow for me.  This album is a collection of six coves of George Harrison songs.  I’m not a particularly big fan of George Harrison’s solo work, so really this just doesn’t work for me all that way.

This record is incredibly languid.  Although after several listens I finally found a way in and have begun to enjoy the melodies.  Also, reading this quote makes me like the album more

James recorded the album in December 2001 on a relative’s eight-track reel-to-reel tape recorder, just days after Harrison’s passing. Of the recording, James told Billboard magazine that “I felt like I was in the weirdest head space when I did that EP … I felt really confused a lot of the time. I wanted to just do it and let it come out even if I messed stuff up. It’s definitely not the tightest or most professional recording you’re ever going to hear in your life but I like that. I think it lends it a more childish atmosphere.”

“Long, Long, Long” has a nice melody in the chorus.  While “Behind the Locked Door” has a nice melody in the verse.

“Love to You” introduces a banjo, which adds a nice texture to the EP.  “If Not for You” is the most uptempo song on the record and is quite lovely.

The first time I listened through this album the only song I knew was “My Sweet Lord,” which was never a particular favorite.  Although I like the way Yames multitracks himself.

“Ballad of Sir Frankie Crisp” has piano in it and it is also fairly upbeat, although boy does it go one for a long time.
the final song is “All Things Must Pass.”  This track is also quite pretty but also slow and long.

The whole EP definitely sets a mood, and if you are in the mood for pretty, slow acoustic songs, this is the place to be.

[READ: June 4, 2019] “Hereafter, Faraway”

The June 10th issue of the New Yorker features five essays by authors whom I have enjoyed.  They were gathered under the headline “Another Country.”

This essay is about the author’s mother’s death and the author’s subsequent return to Vietnam.

Her mother believed that another world awaited her and was not concerned.  The author imagines this other world was was like those found in Hirokazu Kore-eda’s film After Life.  In the film the newly dead pass through a halfway house run by angels.  The travelers must pick one even from their life that the angels will make into a movie, starring the travelers themselves. Heaven is this short film played on an endless loop. (more…)

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[ATTENDED: December 7, 2018] Strand of Oaks

In 2016, Timothy Showalter played his second Strand of Oaks Winter Classic at Boot and Saddle.  I had a really great time.  Then I saw him and his full band later the next year at a bigger venue.  I more or less felt that I didn’t need to go to the winter classic again this year.  But thinking of how much fun it was (and the fact that Carl Broemel was opening) was a huge incentive.  Now I’ve been to one night of his second and fourth Winter Classics.

Showalter came up on stage and Broemel came with him.   Showalter is such a warm and gregarious person and you can see that he is genuinely happy to be there.  He was smiling pretty much for the whole show.

Although I like Strand of Oaks newer album Hard Love, I really like the previous album Heal.  So it was pretty awesome that he played the majority of songs from Heal. In fact. the first three songs were from that album

For a few songs Broemel played lead guitar while Showalter played rhythm and sang.  And the two guitarists took the opportunity to do some great jamming together.  Broemel also played pedal steel (which was really cool) for a couple of songs. (more…)

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