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Archive for the ‘Food’ Category

Lucy Ellmann–Things are Against Us (2021)

Posted in Absolutely Fabulous, Agatha Christie, Alfred Hitchcock, E.L. Doctorow, Essays, Femicide, Feminism, Greta Thunberg, Guns, Jane Austen, Laura Ingalls Wilder, Lucy Ellmann, Mary Ellmann, Murder, Pizza, Raymond Chandler, Sex, Sexism, Sherlock Holmes, Violence, Virginia Woolf on March 15, 2023| Leave a Comment »

[READ: March 10, 2021] Things Are Against Us

I loved Ellmann’s book Ducks, Newburyport so much that I had intended to read all of her books.

So I’ve gone back and read some of her previous novels.  Which I found to be…okay.  They were mildly amusing with some very personal diatribes thrown in to put some passion into these otherwise comic novels.

Then I saw that she had a recent collection of essays, which I thought might be really interesting.

I agree about 95% with everything Ellmann says in this book.  And yet I hated this book more than almost anything I’ve read recently.  And I think I’m not going to bother reading the other novels that I haven’t read yet, since the other two weren’t that great anyhow.

Ellmann’s style in these essays is so unpleasant, so superior and self-righteous, so… (and I hate to use this word because of the anti-feminist implications of it but it is definitionally accurate) strident, that I almost didn’t finish most of the essays (I forced my way through to the end of all of them).  Strident, btw: “presenting a point of view, especially a controversial one, in an excessively and unpleasantly forceful way.  I mean, that is this book to a T.”

In the past, strident women have been very important to many movements.  But hen your arguments are so scattershot, it’s hard for your stridency to be a positive force.

“Things Are Against Us”
In this essay Ellmann all caps the word THINGS every time she writes it.  On the first page (which is half a page not including the title), THINGS appears over 30 times.  The tone is kind of amusing–about how things get in our way and cause us trouble: Things slip out of your hand; things trip you, things break.  Then each following paragraph gets more specific.  Clothes tear, socks don’t stay up.  Matches won’t light, water bottles spill. Then she gets into the body.  In her novel Doctors & Nurses she lists 12 pages of bodily ailments.  So there’s not much new here.  And there’s no real point.  It doesn’t end with any grand idea.  It just stops. (more…)

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Lucy Ellmann–Sweet Desserts (1988)

Posted in Art, Food, Huh?, Humiliation, Lucy Ellmann, Sex, Travel, Universities, William Gaddis on March 2, 2023| Leave a Comment »

[READ: January 20, 2023] Sweet Desserts

I absolutely loved Ellmann’s Ducks, Newburyport.  It was unlike anything else I had read up to that point.  I also assumed it was her first book because I hadn’t heard of her before and there wasn’t really any talk of her previous books.

But it turns out that she had written many books before Ducks–and they all seem to be very different in style from Ducks.

This novel, her debut, is so radically different as to be almost from a different author.

This is, as I understand it, a semi-autobiographical story.  Well, the entire bio we get from her on the back of the book is “born in Illinois and moved to England, somewhat unwillingly, at the age of thirteen.”  In the novel, the main character is Suzy Schwarz, an American girl who is moved to England when her mother dies.

The book is short (150 pages) and each chapter is roughly three or four pages.   It opens with Suzy as yet unborn and her older sister Franny as the center of attention.  Suzy was sickly when she was born and Franny rather doted on her–although Franny was always clearly the one in charge.

Every chapter has excerpts from other things quoted in it–often without context.   One chapter about the young girls has a recipe for for cooking eels.

The story jumps back and forth between England and America.  In England, when the women are older, they have sex a lot (Ellmann does not hold back on the explicitness, she loves sex and wants women to have lots of orgasms).

There is a lot about food in the book because Fran develops a weight problem (Ellmann talks a lot about women with weight problems).  Later Suzy buys Colossus magazine (a porn about large women) and admires the personal ads: Huge Sue (84-70-73) Where did she fine Size 73 knickers?. (more…)

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Sally Vedros–Fixer (2020)

Posted in Arranged Marriage, Coffee, Food, LGBTQ, Marriage (Happy), Marriage Trouble, Romance, Sally Vedros, San Francisco, CA, Sex, Sexism, Technology, The Future, Violence on January 26, 2022| Leave a Comment »

SOUNDTRACK: hiatus

[READ: January 26, 2022] Fixer

I saw this book at work and was attracted by the cover (obviously San Francisco) and that it was about a tech startup company (sort of).

The book is set up with each chapter being about one of the five main characters.

Meghan is a single woman whose life has been one of upheaval.  As we meet her, she has just gotten laid off (with about one third of the firm) of a tech company that has had to resize itself.  She’s not even sure why she works in marketing–she has no real sense of self and would love to be an artist.  But she doesn’t dare risk things for that.  She has also just had a very good date with Diego Garcia.

Diego (Digs) is techie guy with great ideas.  He has been working in the tech field for many years and has brought some of his good college friends to work with his at Del Oro, a startup tech firm with one of the hottest apps out right now.

Kari (he is Norwegian) is Diego’s college friend.  They have been close as anything for many years.  Kari (and his father especially) have very high expectations for Kari. Kari is the more business minded side of Diego–he knows about money and how to get it.  He is passionate about very few things.  One is success.  The other is Kari.

Kira (the similar names are cute, rather than cloying, I think) is his girlfriend of many years.  She is possibly more driven than he is.  She is very successful and expects the best from everyone.  She has known Kari and Diego since college.  She likes Diego but gets a little tired of him.  When Diego starts dating Meghan, she finds her unbearably boring.

The last of their college friends is Ravi.  Ravi is gay, but he has not (and could never) come out to his strict Indian parents (who are back in India).  They would love for him to come home, but he has made a life for himself here. He is actually just about to get married to a woman.  She is his best friend (they’ve known each other forever) and she is a lesbian.  She also needs help with her visa to stay in the country. It solves everything.  Even their serious significant others are on board.  Ravi is very close to Kari as well.  His boyfriend is serious and they imagine settling down someday is gay marriage is ever legalized. (more…)

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Terry Pratchett and Bernard Pearson–The Discworld Almanak: The Year of the Prawn (2004) [Discworld spinoff]

Posted in Almanac, Astrology, Bernard Pearson, Cabbages, Collecting, Dip-in Books, Discworld, Farming, Funny (ha ha), History, Holidays, Pin Monthly, Terry Pratchett on January 20, 2022| Leave a Comment »

SOUNDTRACK: hiatus

[READ: January 2022] The Discworld Almanak

I assumed that this book would pair well with Nanny Ogg’s cookbook since in Maskerade, there’s a plot point about the Almanak getting published.  But as happens with this sort of thing, this companion book was published five years later.

There’s really nothing in here that’s relevant to any of the plots of the books, so that’s fine.

This diversion is basically an opportunity to explore the lighter side of Ankh-Morpork and astrology.  It also doubles as a journal for whatever year you may wish to use it in (no days of the week are supplied for the two dozen pages of empty calendar dates.

The book has the look of an old fashioned almanac (as you can see by the cover) with lots of little pieces of text in all manner of places.  There’s also old designs and bordered and even a place where you can punch a hole to hang a string so you can put the book in the privy.

As with Nanny Ogg’s cookbook, there are pinned notes from the publisher to the overseer of the book which add an extra level of humor to the proceedings.

The book also sets out the Discworld calendar year–it’s not quite the same as our as it has 400 days an a thirteenth month that no one talks about.

The book starts with a warning that the turtle is likely to turn upside down this year (fear not). (more…)

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Nathan Rabin–The Weird Accordion to Al: Ridiculously Self-Indulgent, Ill-Advised Vanity Edition: An Entirely Excessive analysis of “Weird Al” Yankovic’s complete discography, UHF, The Compleat Al, The Weird Al Show and More (2020)

Posted in "Weird Al" Yankovic, Batman, Comedy Bang Bang!, Film & TV, Food, Funny (ha ha), Nathan Rabin, Nostalgia, Pee Wee's Playhouse, Reggie Watts, Seinfeld, Smarty Pants, The Compleat Al, The Weird Al Show, UHF on January 3, 2022| Leave a Comment »

SOUNDTRACK: hiatus

[READ: December 20, 2021] Weird Accordion to Al [Vanity Edtion]

This book came to my work and I said, Hey I have this!  And then I said, but my cover is orange.  What gives?

And then I saw that Rabin, inspired by Al’s Ill-Advised Vanity tour expanded this book.  Or actually, since there is very little information about these books, perhaps he wrote them at the same time and released a shorter and longer version.  But why would he do that?

The first 366 pages are the same but, (and here’s the thing that messed with my head) they are not exactly the same.  Now, I didn’t read the same text in both books and compare them (that would be really insane). But I did flip through the book comparing paragraph and chapter breaks.  The text appears to be the same in both books.  BUT, the paragraphs are not!  For reasons that I don’t understand, in book 1 some pages end with paragraph F, but in book 2, with the same exact text, the page now ends with paragraph E.  Like the spacing of a period threw off all of the justification (Users of Word will know what I’m talking about).

So I’m assuming that both books are the same.

And then the new stuff was added to Book 2 (or taken out of Book 1, whatever).

Starting on page 368 we move on to Other Stuff. (more…)

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Nathan Rabin–The Weird Accordion to Al: Every “Weird Al” Yankovic Album Analyzed in Obsessive Detail; with illustrations by Felipe Sobreiro (2020)

Posted in "Weird Al" Yankovic, Beastie Boys, Crosby Stills & Nash, CSN, Don DeLillo, Dr. Demento, Felipe Sobriero, Film & TV, Food, Frank Zappa, Funny (ha ha), George Harrison, Happy Birthday, James Brown, Jeopardy!, Johnny Dangerously, Jurassic Park, Language, Michael Jackson, Mick Jagger, Nathan Rabin, Nostalgia, Pac Man, Pixies, Ramones, Smarty Pants, Sting, The B-52's, The Beatles, The Police, Tonio K., UHF, Video Games, Wendy Carlos on January 2, 2022| Leave a Comment »

SOUNDTRACK: hiatus

[READ: December 20, 2021] Weird Accordion to Al

After writing the “Weird Al” biography, with “Weird Al” himself, Nathan Rabin dug even deeper into his “Weird Al” fandom to write a detailed account of, as the subtitle says, “Every ‘Weird Al’ Yankovic Album Analyzed in Obsessive Detail.”

“Weird Al” wrote the (short) introduction and then Nathan drops the needle on “Weird Al” Yankovic, Al’s 1983 debut album.

Nathan goes into varying degrees of detail on each of the songs.  Nathan was a rabid “Weird Al” fan from when he was a little kid.  And when he talks about how much he loves Al, you can see his deep abiding appreciation for everything Al has done.

Some songs get a paragraph, nut most get a page or so.  He usually talks about how much he likes (or loves) the song (and occasionally dislikes).  There’s nostalgia in the older songs and jokes and observations about contemporary things as well (Rabin’s politics poke through once in a while.  Good thing he’s a smart guy.

Because he did the Al biography with Al, he presumably got a lot of insight into the man and his work.  So although sometimes his insights seem like maybe he’s reading too much into a goofy parody, perhaps he’s on to things.  Maybe Al’s depth is deeper than rhyming Sharona with Bologna.  Which is not in any way to diminish Al’s intelligence.  He’s obviously very smart, especially as his later songs indicate.

Rabin’s tone throughout the book is smart and snarky.  He talks about the songs and the video (if there is one).  He talks about the production quality (or lack thereof) on the first album.  He references Dr. Demento (because the Dr is essential to Al’s career).  He also references Don DeLillo’s White Noise and says things like “Al is in deconstructionist mode.” (more…)

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David Sedaris–“The Way We Are” (New Yorker, February 19 & 26, 2007)

Posted in Coffee, Coronavirus, D.R.A.M., David Sedaris, Drinking, Drugs, Essays, Funny (ha ha), Homophobia, New Yorker, Normandy France, Quarantine, Racism, Regrets, Shelley, Tiny Desk (Home) Concerts, Tiny Desk Concert, Yuck! on June 5, 2021| Leave a Comment »

SOUNDTRACK: SHELLEY [fka D.R.A.M.]-Tiny Desk (Home) Concert #198 (April 26, 2021).

I’m always puzzled by the FKA in a singer’s name.  Is it part of the singer’s name? Is this singer’s official name Shelley FKA D.R.A.M.?  I don’t think so, I think it’s just for us to know who Shelley used to be.

When D.R.A.M. played the Tiny Desk back in 2017, he made a couple of things clear to us: His playfully dynamic personality was primed for the spotlight, and beneath the catchy hooks, there’s a real singer waiting to come out. For his Tiny Desk (home) concert, he does a complete 180. “It’s like a new beginning. Full circle. So this time, call me Shelley.” he says, following the opening track, “Exposure.” Everything is new. Silk pajamas and slippers replace the trench coat and plush beanie, and thanks to lifestyle changes, he’s slimmed down quite a bit and goes by his government name now: Shelley.

I enjoyed D.R.A.M and his vulgar silliness.  But Shelley is one of those singers who intends to hit every note every time he holds a long note.  He whines up and down the octaves constantly and I hate it.  I know that there are listeners who love this as the blurb admires

The shift from lighthearted melodic hip-hop to full-on R&B crooner shouldn’t come as a surprise to anyone who’s seen him perform live. It feels like it’s his way of saying, “Now that I have your attention, allow me to introduce myself.” We still get glimpses of the “Big Baby” here and there — the charm, a little bit of silliness, and the million-dollar grin — but other than that, it’s grown folks business and vocally flawless performance.

For the Shelley Show, he gathers a groovy band in front of a massive bookshelf and runs through selections, including the premiere of “Rich & Famous” from his upcoming self-titled project, due out on April 29, his late mother’s birthday. If D.R.A.M. was the ploy to break into the music industry, then Shelley is the longevity play.

“Exposure” and “The Lay Down” really accentuate his new vocal style.  But I liked the music of “Cooking With Grease.”  The simple drum beat from Keith “KJ” Glover and then the live viola from Yuli (a highlight throughout).  Sensei Bueno follows the melody on guitar and the song grows from there.

Of the four songs, I liked “Rich & Famous” best.  Trey Mitchell plays a grooving bass line, the backing singers Crystal Carr and David Fuller are ah ha-ing.  Sensei Bueno is wah wahing the  guitar and SlimWav is floating the keys around.  Shelley’s voice stayed low and less whiny.  Is he really going to try to make it with the name Shelley?

[READ: May 10, 2021]  “The Way We Are”

Reading this essay in 2021 was a really uncomfortable experience.  David Sedaris is not afraid of saying a risqué thing or three. But it’s amazing how much things seem to have changed in 13 years.

This essay begins in Normandy with David saying that the city shuts off the water without any warning.  Usually it’s a construction project or something.  It usually happens when David gets up around 10:30, which is practically the middle of the day for Hugh and the neighbors.

What they do at 6AM is anyone’s guess, I only know that they’re incredibly self righteous about it, and talk about the dawn as if it’s a personal reward bestowed on account of their great virtue.

The last time the water went off, David had a coffee problem. In order to think straight, he needed caffeine.  In order to make this happen he needed to think straight.  One time he made it with Perrier which sounds plausible but isn’t.  He tried leftover tea which might have worked if the tea weren’t green.  This time he decided to use the water in a vase of wildflowers that Hugh had picked. (more…)

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David Sedaris–“Tasteless: Quantity dining” (New Yorker, September 3, 2007)

Posted in Benin, Cigarettes, Claim Jumper, Coronavirus, David Sedaris, Essays, Food, Funny (ha ha), New Yorker, Quarantine, Shirazee, Sting, Tiny Desk (Home) Concerts, Tiny Desk Concert on April 16, 2021| Leave a Comment »

SOUNDTRACK: STING-Tiny Desk (Home) Concert #183 (March 22, 2021).

Sting starts this Tiny Desk Concert with a duet on “Englishman/African in New York” which is exactly how he started his previous Tiny desk Concert back in 2019.  In fact, since this is a duet, I wondered if I had accidentally cliked on the wrong concert.

But the previous Concert was a duet with shaggy and this one is a duet with Shirazee.

During the pandemic, Beninese pop star Shirazee adapted his own rendition of Sting’s classic “Englishman in New York” into “African in New York.” His version made its way to Sting, who loved it so much that he asked Shirazee to lend his voice to his Tiny Desk (home) concert and record for his new Duets album.

I never loved this song, but I’ve always liked it.  But I really like the way it has taken on a life of its own with these new duets.  And the “African in New York” parts shine a new light on the song and show its universality.

Shot in a lounge in NYC where Sting’s presently recording another album, these two gentlemen share a touching moment between songs, expressing their mutual admiration and discussing the sheer joy about a simple concept – performing in a room together after 12 long months of isolation and virtual collaborations.

Sting comments about how the song has had multiple lives: a Jamaican in New York, a Somalian in New York and now a Benin man.  Shirazee says, “Benin man in New York, I should have said that why didn’t I say that?”  When Shirazee thanks Sting, he replies, I’m always delighted when artists take the template I’ve written and make it better made it different.  Shirazee thanks him again and then says, and now I can’t wait to get a free Sting concert.

Sting jumps into a stunning acoustic performance of “If I Ever Lose My Faith in You,” another one of his many classics. The timbre of his voice conjures a sense of carefree familiarity, reminiscent of times with more levity and peace.

He sounds really good and definitely has fun vamping at the end of the song.

His finale, “Sister Moon,” is a gem from his 1987 solo album, Nothing Like the Sun, that rarely gets performed live.

I don’t know this song, but it sounds really good, just his voice and his resonating guitar.

[READ: March 31, 2021] “Tasteless”

The September 3, 2007 issue of the New Yorker contained several essays by their writers about the subject “Family Dinner.”

This is one of David Sedaris’ really funny essays.  There’s so many great lines.

He starts by saying that he was promised that when he quit smoking his sense of taste would remarkably improve–like putting on a pair of glasses that are your prescription.

But after six months he’s having no luck.  However, he was never an attentive eater.  He’d thank his mom for the fried fish and she’d say it was chicken or even veal.

She might as well have done away with names and identified our meals by color: “Golden brown.” “Red.” “Beige with some pink in it.”

In addition to not tasting things, he says he is a shoveller.  As if he were a prisoner, encircling his plate to fend off the others. (more…)

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Donald Antrim-“A Man in the Kitchen: Parents divorce ad his father’s interest in cooking” (New Yorker, September 3, 2007)

Posted in Alcoholism, Cigarettes, Cooking, Coronavirus, Donald Antrim, Drinking, Essays, Gourmet, Hot Tuna-and-Mayonnaise Casserole, Lardo, Marriage Trouble, New Yorker, Parenting, Quarantine, Tiny Desk (Home) Concerts, Tiny Desk Concert, Xavier Omär on April 15, 2021| Leave a Comment »

SOUNDTRACK-XAVIER OMÄR-Tiny Desk (Home) Concert #181 (March 15, 2021).

Xavier Omär has a fantastic voice–one that I thought was rather unexpected given his appearance.  He’s a pretty big guy and seems like he’d have a deep resonant voice, but his voice is really soft and high.  And powerful.

He’s also had a pretty interesting career.

Omär’s career began in Christian music under the moniker SPZRKT, before he moved into secular R&B and hip-hop. Through his first couple of projects and work with Seattle DJ and producer, Sango, the 27-year-old singer’s heart-on-sleeve approach quickly created a buzz.

He says that the whole band is from San Antonio Texas.

Xavier Omär decided to turn his Tiny Desk home concert into a whole Texas affair. Initially, Omär wanted to recreate the look of the Desk: “I wanted to kind of bring the feeling of Tiny Desk back, so I had booked a library,” he said. Ultimately the library didn’t work out, but Rosella Coffee and Wine in his home base of San Antonio proved to be a great match for his sound–spacious and airy.

“Like I Feel” opens with some grooving bass from Korey Davison and wailing sax from Kevin Davison.  Josh Greene adds some big drums fills and guitarist Billy Ray Blunt Jr. plays some wailing leads.  Xavier trades off lead vocals duties with Talyce Hays whose voice is also terrific.

During “Blind Man” he throws in some rapping–a softer cadence, but to good effect.  There’s some response backing vocals from Jay Wile while Alana Holmes and Hays fill in the backing vocals.   Lyrically the song is kinda lame (sweet, but lame), but there’s some cool musical moments–splashes of four notes and more than a few tempo changes.

For good measure, he plays the song that put him on the map, 2016’s “Blind Man.” This is undoubtedly Xavier Omär’s best live performance on record.

I had no idea that this was his breakthrough song.

He tells a quick story (it’s amusing) about how he wishes he was at the beach.  But even if he can’t get there he can think of the the rhythm of the waves and the “SURF.”  He says he could enjoy the surf because his woman has that “splah” (?).  Its’s a pretty ripping song with, again, surprising tempo changes.  The song has moments that I would say come from Frank Zappa’s oddball melodies.  Ands once again, the drums are massive.

He says “So Much More” is the wedding song of the year.  It features Justin Crawford on keys and is a much more mellow song than the other.  It also allows Xavier to really show off his voice.

The Alamo City resident and his cohorts orchestrated a charismatic and vocally rich show. The set list perfectly depicts the emotional arch of if You Feel. He’s on a clear path to greatness in R&B music.

It was probably a smart move to go secular.

[READ: March 31, 2021] “A Man in the Kitchen”

The September 3, 2007 issue of the New Yorker contained several essays by their writers about the subject “Family Dinner.”

Donald Antrim starts this rather sad memory with an amusing story.

His father learned how to cook when his mother served “hot tuna-and-mayonnaise casserole with potato chops as a decorative garnish.”

This story had become Received History in the family: “Baked mayonnaise! I had to take action!”

Soon cooking had become his father’s second full time job.  He taught literature at the University of Virginia and then he would drive around buying all of the food stuffs for their meals.  He would travel to different markets for different foods and he was an early adopter of the Cuisinart. (more…)

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Chimamanda Ngozi Adichie–“Real Food: Writer’s childhood dislike of garri, a Nigerian staple” (New Yorker, September 3, 2007)

Posted in Black Coffee, Chimamanda Ngozi Adichi, Coronavirus, Egusi, Essays, Food, Garri, New Yorker, Nigeria, Quarantine, South Africa, Tiny Desk (Home) Concerts, Tiny Desk Concert on April 14, 2021| Leave a Comment »

SOUNDTRACK: BLACK COFFEE-Tiny Desk (Home) Concert #180 (March 11, 2021).

Black Coffee is such an excellent name.  And yet the music he creates is nothing like what I was expecting.

Born in Durban and raised in the Eastern Cape in Mthatha, Black Coffee’s subculture of soulful … house music has always been about love. It’s a form of sonic escapism that provides a sanctuary for all beings, regardless of race, age, or gender. Therefore, it’s only fitting that Black Coffee rocks a tee embossed with “I Heart You” across his chest.

Black Coffee stands behind a big mixing board as he generates most of the sounds.  Although next to him is Pansula on the drums.  And Pansula is possibly the real star of this set, with his persistent and powerful rhythms.

Black Coffee, a figurehead of the global South African dance movement, is known for his undeniable DJ sets and AfroHouse anthems that (under normal circumstances) light up dancefloors around the world. He brings that same feeling to his Tiny Desk (home) concert, but with a unique configuration: live instrumentation.

Kicking off the set is “You Rock My World” featuring Soulstar, a classic dance joint from his Africa Rising album whose convergence of pulsating percussion, a calming melody, and the sultry vibes of Soulstar’s voice feels like a spiritual palette cleanser.

It starts with drums and drums and more drums from Pansula.  Black Coffee’s samples provide most of the music with some fleshing out from Nduduzo on the keys.  Then Godfrey Mntambo plays some sultry sax as the lead melody.

The backing singers (Musa Nhlapho, Sandisiwe Sishuba and Bonokuhle Nkala-Mtsweni) start cooing and then lead singer Soulstar sings.

“Flava” is up next with lead vocals from Una Rams and Tellaman.  My favorite part comes at the end of each verse as Black Coffee thumps the bass and Pansula echoes with cymbals.  The gentle keys on this track provide some nice high end amid all the bass.

“Flava” and “Wish You Were Here” come from his new LP, Subconsciously, whose litany of special guests — include Diplo and Pharrell.

“Wish You Were Here” is a bit more mellow and includes a much wider array of samples–guitars, flutes and crashing sounds.  Singer Msaki has an Annie Lennox vibe and sounds really great.  Nduduzo plays a jazzy piano solo as the song nears the end, which adds a fun new component to this house song.

[READ: March 31, 2021] “Real Food”

The September 3, 2007 issue of the New Yorker contained several essays by their writers about the subject “Family Dinner.”

Chimamanda Ngozi Adichie explains that when she was little she hated garri, a food served for lunch every day except Sunday in her house.  Her mother was concerned that she was not eating at all and sat with her to watch her eat the garri.

It was made in various ways, with different ingredients (primarily yams) but was always cooked, stirred or pounded in a mortar until it became a soft mash: “it was jokingly called ‘swallow,’ because one swallowed the morsels without chewing.” (more…)

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