SOUNDTRACK: THE DIVINE COMEDY-Loose Canon: Live in Europe 2016-2017 (2018).
I loved The Divine Comedy at the turn of the century (the fin de siècle, if you will). They were one of my favorite bands.
Since then Neil Hannon (the man behind the band) has released a few albums which I have liked–but none as much as those early records.
This recording is primarily his latter songs, and as such isn’t as exciting to me. (Although setlists from the tour shows that he played a lot of older songs as well, so this disc is mostly a latter period recording).
The first three songs are from the newest album Foreverland: “How Can You Leave Me On My Own,” “Napoleon Complex” and “Catherine the Great.” And among the next few songs are “To the Rescue” and “Funny Peculiar.” So that’s five in all from that album.
The previous album Bang Goes the Knighthood accounts for five more songs “The Complete Banker,” “Bang Goes The Knighthood,” “At The Indie Disco,” “Assume The Perpendicular” and “I Like.”
So that’s ten of seventeen from the two latest albums.
After listening to it a few times I have come to appreciate his newer music even more and to see that it is equally as cleverly crafted. He’s just a different person now with different lyrical and musical ideas. I will certainly give a re-listen to the last decade;s worth of music.
“How Can” is fun a bouncy, “Napoleon” is snarky and witty. “Funny Peculiar” is a duet with guest vocals from Lisa O’Neill. She has a fascinating singing style which is kind of peculiar in its own way.
“The Complete Banker” is wonderfully sarcastic and catchy and “I Like” is so simple and delightful. “Assume the Perpendicular” is an other fun uptempo song, but of this batch its “Indie Disco” that is the real highlight (this includes an excerpt from New Order’s Blue Monday”).
It also sounds like this was a fun souvenir for anyone who saw the tour (he dressed up as Napoleon and others, and apparently “Indie Disco” was really fun live). I have always wanted to see them and hold them high on my list of bands to see. But he hasn’t been to the States in almost ten years, so I don’t have high hopes to experience them live.
The band for The Divine Comedy’s live shows has changed over the years, sometimes large and orchestral or, like this tour, a simpler five-piece. They sound good although they do underplay the orchestral quality of the music.
Going back there’s one from Victory for the Comic Muse “A Lady Of A Certain Age” and one from Absent Friends “Our Mutual Friend.” These two songs are lovely and quite poignant, especially “Lady.” They are a far cry from the raucous songs of old.
The first older song is from 2001’s Regenertaion with a wild and fun rendition of “Bad Ambassador.” His voice doesn;t sound great on this song. I’m not sure if he ever sounded great live, but he certainly underplays some of the bigger moments in the song.
The crowd really gets pumping for Fin de Siècle‘s “Generation Sex” and “National Express.” These two songs are a lot of fun and I imagine mus t be really rousing live. Once again he doesn’t sound great. Not that he has lost his voice but almost like he;s not trying all that hard.
The disc is collected from shows all over Europe, so its interesting if they picked songs where he doesn’t sound that great.
It’s not until the encores that he brings out two really old songs 1994’s “A Drinking Song” and “Tonight We Fly.”
I’m sure they picked this particular version of “A Drinking Song” because he admits to being quite drunk himself. And there’s a funny moment where he gets a hair caught in his throat. “Is it yours?” Indeed, his banter with the audience is a highlight. He is clearly a good showman, and perhaps that makes up for some of the shortcomings of the disc. This song is a good example. His voice is much louder than the instruments and, frankly, he doesn’t sound that great as what is mostly a capella–but the overall presentation is fun.
The ending “Tonight We Fly” is a treat as well. Again, he doesn’t sound perfect, but he sounds like he’s having fun.
I feel like this makes me want to see them a little less–except that it sounds like the performance is great even if his voice isn’t anymore. Regardless, is he ever comes back to the States, I’ll be there for sure.
[READ: January 19, 2018] “The People Who Kept Everything”
I read this novel 7 years ago. But since I’ve been going back through old Harper’s and found this excerpt I thought it would be worth reading (the excerpt) again. And I really enjoyed it, I had forgotten about this scene until the end of the piece.
The narrator says that on the night before he left for college his father gave him a Spanish dueling knife and told him to keep it and never lose it.
When the narrator asks his father where he got it he says he’d better not say–he could tell him he won it in a card game in El Paso or a cathouse in Brownsville.
He kept the knife in a drawer and it moved with him to every location her went–dorm rooms, apartments. Often it was in the kitchen with the cutlery, ignored by everyone except the new girlfriend who wanted to cook something. (more…)
Like this:
Like Loading...
Read Full Post »
SOUNDTRACK: Hiatus.
This is another new single from The Flaming Lips’ new, more mellow album American Head.
SOUNDTRACK: ELISAPIE-Tiny Desk Concert #948 (February 20, 2020).
Elisapie (I have no idea how to pronounce that) is a First Nations singer from Salluit, on the Northern tip of Quebec.
After releasing five new albums in 2017, KGATLW spent 2018 re-releasing their first five releases. These were out of print and hard to find. And now they’re back.
