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[ATTENDED: October 13, 2026] Sugar 

Sugar hasn’t toured in some 30 years.  For some reason I thought I had seen them back the first time, but I’d actually seen Bob Mould doing a solo tour (with a band) and they played Sugar songs.

I’ve seen Bob several times, both by himself and with a band, but I was really excited to see Sugar and, while it wasn’t THAT different from when he plays a solo show (with a band) it was all Sugar and there were several songs sung by David Barbe, the legend from Athens.  And Malcolm Travis (I had no idea his history) was on drums.

There was a MASSIVE banner that read SUGAR behind them and, aside from lighting changes, there wasn’t much more spectacle.  Because this (as with most things Bob does) was all about the music.

After an opening tape of The Beatles’ She Said She Said (which I joked was played at the loudest volume I’ve ever heard The Beatles played) the band came out.  Malcolm sat at the drums, David grabbed his bass and Bob headed to the guitar.  For the whole show, nobody changed instruments, they just played 23 songs in 90 minutes and left us exhausted and elated.

Bob was his usual antsy self, stomping around the stage like a boxer warming up. He was dripping sweat by the end of the first song.  They opened with the first three songs from Copper Blue.  I have seen Bob and I’ve seen him play a few Sugar songs in recent years, but as soon as David sang the backing vocals on The Act We Act, it was a real Sugar show.

I deliberately didn’t listen to any of the albums before the show for fear that I’d be upset if they didn’t play the song I wanted to hear and I was pretty thrilled by how much all of this music that I’d listened to so much came back to me.

Hearing the opening bass line of A Good Idea (a very Pixies like song) was wonderful and watching Bob play that rising guitar note was just as cool .  We all sang along to “that’s a good idea, she said she said.”  There was an older woman in front of my wife.  She was short with long gray hair and for the first couple of songs, she was completely consumed by the music–raising her arm (something I particularly hate) and dancing and moving and backing into my wife–she took up way too much space.  She settled down after the opening salvo of songs, but it was fascinating.  We were annoyed by her, but also appreciative of how into it she was.

I loved hearing Changes, and probably would have happily had them play the entire album straight through (but they had to save a few songs for the end).  They  sprinkled songs from File Under: Easy Listening throughout the set.  So up next came the David Barbe sung Company Man.  I didn’t recognize it at first–David’s mic seemed a little quiet and/or he was singing a little too quietly.  His backing vocals (which were usually higher) sounded great.  But he was a little muffled on lead.   I hadn’t thought of Company Man in a long time and it was cool to hear it–Bob’s screams at the end gave it even more punch. (more…)

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[ATTENDED: October 13, 2026] J. Robbins

I could have seen J. Robbins open for Bob Mould last year.  But I wound up not going to that show.  I have one Jawbox album but I didn’t really remember all that much about it.  So I wasn’t that excited for this solo show.  In the past he has played with backing musicians, but for this show it was just him and his acoustic guitar.

And it was fantastic.

He was great right from the start.  He asked who was there the night before (“Me too!”).  He played a slightly different set for us than for night 1 saying that having the two nights together meant that he could play songs he didn’t usually get to play.

He started playing and the sound of his guitar was great–loud but clear.  And his voice was also clear–powerful and unflinching.  And the words were wonderful.  Not just the topic, but the way with words.  I loved the lyric Shield from me the words I struggle to find.

He played one Jawbox song (I didn’t know it but the crowd went nuts for it).

The first five songs were in an interesting open tuning.  Interesting enough that a nerdy guy behind me asked what tuning he was using (it was a very quiet room for him).  He demurred and just said an unusual one.

He switched tuning for the next few songs.  The first was a Burning Airlines song.  That’s a band I’d never heard of and (obviously) didn’t know he was in.  After one more song he introduced a song saying it was his favorite song in the world by a weirdo Baltimore band that he loved called Lungfish.  I’d never heard of them either.

The final two songs were just as good as the rest.  I see he typically opens with Anodyne.  And after Abandoned Mansion, he thanked us and left.

A solid 30 minutes of great acoustic guitar playing.  He was compelling and his voice sounded fantastic.  I’m now going back to see what else I’ve missed by him.

  1. (Unknown)
    (“nothing behind. Shield from me the words I struggle to find”)
  2. Exquisite Corpse ♣
  3. Winter Sun §
  4. Soldier On ⊗
  5. Static (Jawbox song)
  6. Outside the Aviary (Burning Airlines song)
  7. Old Soul ♣
  8. Love Is Love (Lungfish cover)
  9. Anodyne ⊗
  10. Abandoned Mansions ⊗


♣ Basilisk (2024)
⊗ Un-becoming (2019)
§ single (2019)

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[DID NOT ATTEND: October 12, 2026] Sugar / J. Robbins

Sugar hasn’t toured in some 30 years.  For some reason I thought I had seen them back the first time, but I’d actually see Bob Mould doing a solo tour (with a band) and they played Sugar songs.

Sugar is Bob’s poppiest band and every song is a delight.  I was so excited when they announced a reunion tour.  The first few dates were NYC only and I considered going.  But it seemed likely they’d add more dates and here they were with two nights at Union Transfer.  I deliberately got night two, so I didn’t go to this first night.

But I’m super psyched for tomorrow.

I have one album from Jawbox, their last.  J. Robbins was the singer and main dude behind the band.  I’m not sure what got me to buy it (that was back in 1996 after all).  I may have been the Tori Amos cover.  They were a post-hardcore band before that was a thing.  I probably would like it now if I listened to it.  Maybe I’ll give it a listen before the show (but I see he’s not playing any songs from it so…)

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[DID NOT ATTEND: October 9, 2026] Wesley Stace

Add this to the number of Free at Noon shows I haven’t gone to but grabbed a ticket for.  (I don’t feel bad since it didn’t sell out).  Wesley Stace was supposed to open for Loudon Wainwright last week but Loudon cancelled the show for some reason so Wesley did an entire show himself.

Who is he?  Wesley Stace once recorded under the pseudonym John Wesley Harding and released some 20 albums.  These albums bear a resemblance to Elvis Costello because he shared some of the members of The Attractions and also because his singing voice has the same arch tone and timbre as Costello’s.  I saw him open for Steven Page back in 2018 and loved his set so much I bought a novel of his as well.

But today I just wasn’t feeling the effort of driving into Philly.  And, to be honest I listened to some of his new album and found it a lot more adult contemporary than his older stuff.  It didn’t seem worth it.  I’ll listen online when it gets posted though and see if I made a mistake.

 

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[DID NOT ATTEND: October 1, 2026] Loudon Wainwright III / Wesley Stace

Loudon Wainwright III has been playing pretty and also pretty funny music for decades.  I discovered him about twenty years ago and quickly became a fan of his work.

His newer material deals more with old age than his earlier stuff but it’s still enjoyable.  I’m sure he would play songs from throughout his career.  Recent setlists show he plays stuff from all over his catalog.

He plays Sellersville every year or so and I never seem to be able to catch him.  This poster on the right is for a different show, but it’s the same billing with Wesley Stace.

Tonight’s show was up against Ted Leo who I really wanted to see with my wife.

Wesley Stace once recorded under the pseudonym John Wesley Harding and released some 20 albums.  These albums bear a resemblance to Elvis Costello because he shared some of the members of The Attractions and also because his singing voice has the same arch tone and timbre as Costello’s.  I saw him open for Steven Page back in 2018 and loved his set so much I bought a novel of his as well.

This is a great double bill and I’m bummed I couldn’t make it.

UPDATE: I received an email today that Loudon Wainwright had to reschedule this show.  But Wesley Stace was still performing.

$15 POP UP SHOW TONIGHT WITH WESLEY STACE!

What else do you have going on? Come on out!

There is a great new show this evening! Singer songwriter Wesley Stace (aka famously as John Wesley Harding) will perform a full concert. Wesley Stace has performed at Sellersville Theater before and is loved by the staff. Tickets are available now for $15 and the show is general admission. Come by, bring friends, and enjoy a night out!

I would have loved to support him.  But, hey, he announced a free at noon for next week so…

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[DID NOT ATTEND: September 9, 2026] Aldous Harding / Sam Burton

I saw Aldous Harding at Underground Arts in 2019.  The show was very weird and pretty cool, with Harding being a presence I could not remove my eyes from.  When this show was announced (in January), I grabbed a ticket.  I didn’t actually enjoy her new album as much as her previous ones and when this show came up, I basically just stayed home.  So I’ve made a note to myself to not get a ticket next time (even though this show sold out).

Sam Burton is an American singer songwriter.   He plays a country type of music that I don’t care for.  His voice is “a high-lonesome wail that recalls Roy Orbison” playing “an old, weird Americana sound filled with echo and longing.”   Totally not my thing.

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[DID NOT ATTEND: July 7, 2026] Sarah McLachlan / Allison Russell

Back in 2024, Sarah McLachlan did a tour for the anniversary of Fumbling Towards Ecstasy.  Back in the 90s I loved Sarah so much.  I loved her music.  I oved Lilith Fair, I though she was the bomb.

I feel like she got crazy overplayed (especially the sad dog commercial) and she became something of a punchline, which is a shame.   A friend saw her last time and said the show was amazing.  I thought about gong to this one, but the timing and the venue did not inspire me, so I didn’t bother getting a ticket.

It turns out this tour was for a new album, which I didn’t know anything about.  Although she did play a lot of great older songs too, the previous tour would have been the better choice.

I think I would like to see her again–her voice is supposed to be strong and wonderful still.  Maybe if she played the Met, instead of the Mann.

Allison Russell opened for Hozier in 2024 on the tour I could not get tickets to.  She is a Canadian singer who is placed in the Americana genre, which is kind of funny.  WXPN plays some of her songs, and “Stay Right Here” is super duper catchy and will sound AMAZING in the Pavilion with its big chorus, disco beats and R&B/choir components (I wonder if she’ll have a band live).  Her song “Nightflyer” is more mellow but quite lovely.

I think I might actually be quite the fan of her without realizing it was her.

 

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[DID NOT ATTEND: June 6, 2026] Loudon Wainwright III / Wesley Stace

I only found out about this show when looking up information about his October show.  In fact, I guess I’ve never heard anything about the Bryn Mawr Twilight Series.  It might be too far to go to (although it’s not much further way than Ardmore).  I wonder who else has played it over the years?

So, Loudon Wainwright III has been playing pretty and also pretty funny music for decades.  I discovered him about twenty years ago and quickly became a fan of his work.  But I’ve never seen him live.  Here’s another show I missed.

Wesley Stace once recorded under the pseudonym John Wesley Harding and released some 20 albums.  These albums bear a resemblance to Elvis Costello because he shared some of the members of The Attractions and also because his singing voice has the same arch tone and timbre as Costello’s.  I saw him open for Steven Page back in 2018 and loved his set so much I bought a novel of his as well.

And here’s a short review of the show, which makes me especially glad I didn’t go.

The show was outdoors and there was a thunderstorm during the second song by Wesley Stace (the opening act).  After a 90 minute rain delay Loudon started his set and performed some songs with Wesley.  It was a wonderful show. Loudon enjoyed his interactions with the audience.

 

 

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[ATTENDED: February 12, 2026] Kim’s Convenience

My wife and I really enjoyed Kim’s Convenience when it aired.  My mother-in-law enjoyed it and then recently, my son watched it on his own.

When this performance–the play that started it all, performed by the writer–was announced at McCarter, I grabbed my wife and I tickets ASAP.  Then when my son found out about it he wanted to go as well.  He couldn’t go the night we had tickets, but I was able to exchange our tickets for another night and get an extra one for my son.  I haven’t been to the Berlind Theater for a long time and I forgot how tiny it is.  So even though our seats were near the back, they were still really close.

McCarter had a lot of fun with this production, setting up a Canadian/Korean market in the lobby with Canadian flags and sweaters and lots of posters. They sold Korean goods (from the local Woori Mart) and may have even brought it some Canadian favorites (some drinks and ketchup flavored potato chips). (more…)

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SOUNDTRACK:

[READ: October 31, 2025] “The Extremophile”

It has been six years since Ghost Box III came out….

After years of demand, the Ghost Box is back! Patton Oswalt’s much-beloved spooky-story anthology returns for a fourth edition, with the same trademark production details—magnetized box lid, anyone?—that Ghost Box fans have come to expect.

As always, working with Patton on Ghost Box IV was a dream, and we can’t wait to show you the nightmares that he’s wrangled and stuffed into the box this time around.

I don’t know very much about Christian Bök except that he wrote the poetry series Eunoia which is a remarkable piece of art and poetry:

 Each poem uses only one vowel, creating sentences like: “Hassan can, at a handclap, call a vassal at hand and ask that all staff plan a bacchanal”

It’s worth checking out.

I didn’t know if he did anything since, but apparently he has been working on something called The Xenotext which Wikipedia says

Xenotext consists of a single sonnet (called “Orpheus”), which gets translated into a gene and then integrated into a cell, causing the cell to “read” this poem, and in reply, the cell builds a protein — one whose sequence of amino acids encodes yet another sonnet (called “Eurydice”). The cell becomes not only a durable archive for storing a poem, but also an operant machine for writing a poem. The gene has so far worked properly in cultures of E. coli, but the intended symbiote is D. radiodurans (“the dire seed, immune to radiation”) — an extremophile, able to thrive in very inhospitable environments, deadly to most life on Earth.

I quoted that because it uses the word extremophile, which is the name of this story.

This story is quite short and it is, simply, a list of conditions that this entity can survive in.  It’s fascinating but not terribly interesting and, indeed, not very scary.  Especially since nothing happens in the story.  I mean, the ending is “It awaits your experiments,” which I guess is an interesting setup and given some of that background above it does make it slightly more compelling, but as a story, well, meh.

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