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Archive for the ‘Politicians’ Category

SOUNDTRACKDEDICATED MEN OF ZION-GlobalFEST Tiny Desk (Home) Concert #133 /138(January 11, 2021).

Dedicated Men Of ZionGlobalFEST is an annual event, held in New York City, in which bands from all over the world have an opportunity to showcase their music to an American audience.  I’ve never been, and it sounds a little exhausting, but it also sounds really fun.

The Tiny Desk is teaming up with globalFEST this year for a thrilling virtual music festival: Tiny Desk Meets globalFEST. The online fest includes four nights of concerts featuring 16 bands from all over the world. 

Given the pandemic’s challenges and the hardening of international borders, NPR Music and globalFEST is moving from the nightclub to your screen of choice and sharing this festival with the world. Each night, we’ll present four artists in intimate settings (often behind desks donning globes), and it’s all hosted by African superstar Angélique Kidjo, who performed at the inaugural edition of globalFEST in 2004.

The first band on the first night are the Dedicated Men of Zion from North Carolina.

Dedicated Men of Zion come to you from their backyard barbecue in North Carolina, bringing with them an electrified version of sacred Gospel soul music. This family band (all related through blood or marriage) has been isolating together during the pandemic, and the members are excited to provide an uplifting note during difficult times.

They sing three songs in front of an amazing looking barbeque in Dex’s backyard.  The first, “Father, Guide Me, Teach Me” is a rocking gospel song.  There’s a great old-fashioned organ sound from Aaron Adams.  The four men sing.  Anthony “Amp” Daniels sings lead, Dexter Weaver [his nephew-in-law], Antwan “Ace” Daniels [his son], and Marcus Sugg [his son-in-law] sing great backing vocals.  There’s a fun jam at the end.

“Can’t Turn Me Around” opens with Mark Richardson playing a simple blues riff on the guitar. Then Jerry Harrison joins in on bass.  Amp is full on power singing through it.  He sounds great.

For “It’s A Shame,” Ace takes over lead vocals.  He has a good voice, but not nearly as commanding as his father.  Drums throughout are provided by Amp’s little brother Jaheim Daniels.

They sound great, but honestly I kept thinking about that barbeque.

[READ: January 2, 2021]

Despite the boring title I was really intrigued by this story.  The cover is tshirtking and the blurb was really intense-sounding.

So, I was really fascinated that the fundamental basis of the story the #FeesMustFall Rally was real: #FeesMustFall was a student-led protest movement that began in mid-October 2015 in South Africa.  Much of the story is grounded in the reality and danger of this movement.

The story takes place over the course of a week and each chapter is told from one of six character’s person’s point of view.

Hector, a student protester is looking to get everyone riled up about the cost of education in Cape Town.

Noné, South Africa’s president is not ready to deal with this interruption because she has a big public event coming up–an extraordinary zoo.  Noné was once a student protestor herself but she has since become The System.  She can’t trust anyone because everyone is out to get her.  The only reliable face she knows is Alice.  Alice is young an beautiful and while Noné knows that Alice probably wants her job (and is undoubtedly prettier than she is), at this point Alice is a perfect assistant and only makes Noné look better.

Thuli is a student and friend of Hector.  She has been “glitching” where she can see seven days in the future.  She knows that Hector’s life is in danger.  She has to try to convince reporter Helen that what she’s saying is true. (more…)

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SOUNDTRACK: LABESS-GlobalFEST Tiny Desk (Home) Concert #133 (January 11, 2021).

LabessGlobalFEST is an annual even, held in New York City, in which bands from all over the world have an opportunity to showcase their music to an American audience.  I’ve never been, and it sounds a little exhausting, but it also sounds really fun.  

The Tiny Desk is teaming up with globalFEST this year for a thrilling virtual music festival: Tiny Desk Meets globalFEST. The online fest includes four nights of concerts featuring 16 bands from all over the world. 

Given the pandemic’s challenges and the hardening of international borders, NPR Music and globalFEST is moving from the nightclub to your screen of choice and sharing this festival with the world. Each night, we’ll present four artists in intimate settings (often behind desks donning globes), and it’s all hosted by African superstar Angélique Kidjo, who performed at the inaugural edition of globalFEST in 2004.

The second band on the first night is Labess.

This Algerian and Canadian band proves that music has no boundaries even in times of isolation. Recording its set from France and Colombia, Labess blends flamenco and Gypsy jazz-influenced North African chaabi into energetic soul music with a nonstop beat. Singing in Arabic, French and Spanish, lead vocalist Nedjim Bouizzoul mixes realism and hope, gentleness and fury, in stories about exile that illustrate the joys and the distress that pave the road from the native countries to new homes and back again. Through his poetry, he proposes we reflect on cultural diversity and the necessity to unite, no matter our differences.

“Yal Maknin” opens with Rabah Khalfa playing the derbouka hand drum and a great riff on the banjo from Simon Demouveaux.  Nedjim Bouizzoul sings lead.  As the song move on, Demouveaux plays a solo along with strings from Simon Lannoy (cello) and Loran Bozic (violin).  It’s a lot of different sounds that work well together.

“Yemma” is a much quieter ballad.  Bouizzoul plays acoustic guitar and sings.  Khalfa plays the derbouka and Demouveauz plays a grougious melody on the oud.

They end with “La Vida Es Un Carnaval.” Mike Rajamahendra opens with drums accompanied by François Taillefer and Julio Frias on percussion.  Pierre Bonnet played some excellent bass in the first song. It sounds even better in this song.  Bouizzol sings in Spanish on this one.  The middle of the sing shifts gears and sounds very Spanish, with great horns from Javier Villa (trombone), Rafael “Pachalo” Gavilan (trumpet) and Moises Marquez Leyva (saxophone).  Then comes a drum and percussion section (including Bouizzoul playing percussive guitar.   Finally, along comes the star of the song–Miche Molina plays a wonderful button accordion solo.

[READ: January 2, 2021] A Poor Season for Whales

After having not had much exposure to South African writers (or really much of anything South African), I’m now on my second book.  This one is fiction.

My ignorance of South Africa is pretty vast, so I had to do a bunch of looking things up while I was reading.  Race plays a pretty big role in this book, so i wante dto look up some information about that.

About 80% of South Africans are of Black African ancestry, divided among a variety of ethnic groups speaking different African languages. The remaining population consists of communities of European, Asian, and multiracial ancestry.

According to the 2011 census, the two most spoken first languages are Zulu (22.7%) and Xhosa (16.0%).  The two next ones are of European origin: Afrikaans (13.5%) developed from Dutch and serves as the first language of most coloured and white South Africans; English (9.6%) reflects the legacy of British colonialism, and is commonly used in public and commercial life.

The vast majority of black South Africans were not enfranchised until 1994.

So South Africa has a pretty intense history.  This story addresses that history in some ways–it seems almost unavoidable frankly–but it’s more about an older white woman and the relationship she forms with a younger colored man.

The book starts on November 20, 2018 and runs through the new year.

Margaret Crowley a white fifty-something woman.  She is an architect, is clever and rich and has just moved into a home she designed for herself in Hermanus.  She used to live in Cape Town but left all of her friends and family to find some space in the more bucolic suburbs. The only living creature she brings with her to Hermanus is her dog Benjy, a fun and loyal Doberman.  

There’s some more fascinating things I learned about South Africa.  This story is set at Christmas time and in South Africa, Christmas is warm.  There are also whales who come to calve outside of Hermanus, making it a very popular tourist destination.  The title “a poor season for whales” refers to the fact that not many whales came to calve this year.

Margaret has recently had more upheaval than just a new house.  After twenty-six years of marriage, her husband has left her for a younger man.  She is not angry about it–she’s coping rather well, but she is still disappointed in the way things turned out.

The back of the book draws you in with this

After nearly fifty six years in the world with very little to stress or vex her, it was therefore hardly to be foreseen that in her fifty-sixth year she would kill a man with a kitchen knife.

Things get exciting at the very start of the book.  Margaret is walking Benjy along the sea front when he spots some dassies and charges after them.

Okay, so what the hell are dassies?  That was the first thing I had to look up (they are an African rodent found among rocky outcroppings.)  They were several meters down the cliff.  Benjy went after them he had no way to get back up.  And if he went further over the cliff he would clearly plummet to his death.

As she is freaking out a young man calms her down.  He says he will help.  He rappels down the side of the cliff an helps poor Benjy up and back to safety.  Benjy has made a new friend for life.   The man is a twenty four year old named Jimmy Prinslii-Mazibuko. 

He is very handsome with gray green eyes and caramel skin.  Jimmy is what is known as “colored” in Africa–

In early 20th-century South Africa, the word “Coloured” was a social category rather than a legal designation and typically indicated a status intermediate between those who were identified as “white” and those who were identified as “black.” The classification was largely arbitrary, based on family background and cultural practices as well as physical features. Most South Africans who identified themselves as Coloured spoke Afrikaans and English, were Christians, lived in a European manner, and affiliated with whites

Margaret is obviously very grateful to Jimmy for saving Benjy.  She asks how she can repay him and Jimmy basically asks if he can stop by her house for coffee and maybe a clean up (he’s cut in a few places).  Margaret is hesitant obviously–she doesnt know this man at all–but Jimmy is persuasive and seems sincere enough.  She agrees.

As she puts the ointment on his leg (at his insistence), she finds the whole scene erotcialy charged–but what could a 24 year old want with a fifty-six year old woman?   

Jimmy stays for a time and is completely irritating to her.  He loves to argue and enjoys giving her grief about pedantic issues.  Their conversations are wonderful–funny and very believable.  Jimmy is clearly smart and knows how to turn convention on its head to get what he wants.

Jimmy has really left an impression on her, but she assumes she’ll never see him again.  But the next morning when she goes to the grocery store, she sees him hitchhiking.  He flags her down and she takes him in to town.  She assumes that’s the end of it but he’s waiting at the car when she is dione shopping. She gives him a ride back home and he helps unload the groceries and then offers to make a meal for her.  (She is a terrible cook and he studied to be a chef).

She really doesn’t know what to make of this young man.

One of the most wonderful things (and timely for today–ITMFA) about this book is how much their discussion revolves around eviscerating donald trump.

The ANC was off the wall, Brexit had been a colossal blunder and donald trump was a buffoon, albeit an extremely dangerous buffon.

Even better is Jimmy assessment of how trump won

“I know I’m not saying anything original, said Margaret, but it remains a mystery how a developed, prosperous country like America could have elected a vulgar huckster as its president”
He laughed, “What is democracy but vulgar hucksterism dressed up as the will of the people?
“But democracy is the will of the people,” she objected.  “At least of a majority of the people.”
“Okay fair enough, yea but what determines the will of the people?”  Most people wouldn’t know what to have for breakfast if their TV didn’t tell them.  It’s all showbiz, reality TV, and Trump wasn’t on reality TV for chicken shit. His deal is selling himself to people who like to believe hey too can live in gold-plated skyscraper and screw supermodels”
“But he’s so unappetising.”
… “Sure he’s unappetising but that’s part of his appeal.  Most of the people who vote for him aren’t that appetising either–you’ve seen them on TV, men with paunches, brassy blonde women with too many teeth.  It’s the Revenge of the Uncool, the people left behind in Gun-and-God Gulch, who at the snobbery of the cool, with their trigger warnings and their safe spaces and their gay marriages and their abortions, the people who fly over what they call flyover country and cannot understand how anybody can actually live there…and electing Donald fucking Trump doesn’t make them any more cool, but it sure makes the cool eat a lot of shit. Because the last revenge of the uncool is to annoy the cool.

The story also deals with race issues in an unexpected way.

Jimmy introduces margaret to his friend Thuthukile.

She says to Margaret, “as a black person, I feel unsafe in Sea Point, I feel my identity threatened by the rising tide of whiteness.”
“Excuse me,” Margaret could not help but saying, “but did you say ‘as a black person?'”
“Yes, sure I did, I mean just because I was born with a white skin that doesn’t mean I’m white, Right?”
“Oh, I thought that was exactly what it did mean.”
“No, that’s the old essentialist argument.  I have a while skin but I self-identify as black. I mean, you have people born with penises who self-identify as women, and people born with vaginas who self-identify as men, right?”

When she talks to her friends and family back home about Jimmy, they have amusing reactions. Her best friend Frieda is scandalized (but fascinated) by this young man and wants all of the salacious details.  Her daughter Celia is actually too interested in her own life to care all that much, but her son Carl is concerned.  He is the same age (almost) as Jimmy and goes to the same school that Jimmy did.  He finds out some things about Jimmy that Margaret is not too pleased about.

As Christmas approaches, Margaret get st the unwelcome news that her former cleaning lady Rebecca needs to move in with her.  When Margaret moved to this smaller place, she no longer needed Rebecca who went to live with her own daughter.  But now the cleaning lady finds her living situation unbearable and insists that Margaret allow her to live with her.  Margaret can’t say no largely out of guilt.

There was an earlier comment from Jimmy that I found interesting.  When Margaret told him that she no longer employed a cleaning lady he was offended that she had money and wouldn’t give a needy person a job.  She had felt a little guilty about employing someone to clean for her, but he says it’s better that she an income, right? 

Rebecca lives in a sketchy area and Margaret is nervous to go there, but Jimmy offers to drive. He also speaks isiXhosa which impresses Rebecca and her neighbors very much.

Another wonderful subplot comes when Maraget goes to her daughter’s engagement party.  No one is looking forward to it because no one really likes her fiancee.  But everyone has a pretty good time.  Margaret also runs into her ex-husband’s sister Felicity.  Felicity is a large brash woman–the exact opposite of her brother.  She is flirtatious (even with her nephew) and tells some wonderfully scandalous stories (she believes that her father killed her mother).

This all leads to a big event on Christmas Eve at Margaret’s house.  She invites Miriam, her children and Felicity.  Jimmy agrees to cook and serve.

The party is a disaster with Felicity getting drunk and offending everyone: “when did young people get so humourless.”  At the talk of politics, Felicity grew animated

with trump the troll in the white house, Timid Theresa in Number 10 and Balls-over-Brains Vlad in the Kremlin, we’re fucked.  America is fucked, of course, it goes without saying, but where America goes the planet goes, so the planet is fucked.  And you know why?  Because fifty-two percent of white American women want their pussies grabbed.  That’s the percentage of white America women who voted for trump, right?  In the full knowledge of his pussy-grabbing propensities.
Aunt Felicity are you saying women want to be sexually assaulted?
No love I’m saying that a politically significant number of white women, fifty two wpercent,to be exact don’t regard pussy grabbing as sexual assault otherwise they wouldn’t vote for that tangerine troll, would they?
They may think that trump’s other virtues cancel ot his less admirable propensities
What other virtues love?  His humility?  His honesty?

At this point Celia stormed off.  Felicity was too drunk to drive home. Her son was too drunk to drive home. Carl and Jimmy hit it off and Jimmy wound up spending the night, with Carl.  Margaret is not sure what to think of this.

Things get very intense after this.  Margaret finds out that Jimmy’s secretive past is quite bad–he is mixed up with some very bad people  She can’t decide if she wants him gone for ever or wants him around all the time.  Two big unexpected events happen–one with Jimmy and one with Jimmy’s associates.

And yes, she does stab someone with a kitchen knife. 

I really enjoyed this story a lot and it has led me to other South african authors who I have also liked a lot.  

Incidentally, this book has a blurb: “Pitch Perfect. Aclever, bitingly funny novel.  It had me riveted,” from Finuala Dowling and I just happen to have a book by her with a blurb from Heyns: “Alive with wit and intelligence and beautifully written, this novel will keep people talking and arguing for a long time.”

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SOUNDTRACK: ACTIVE CHILD-Tiny Desk (Home) Concert #131 (January 6, 2021).

Active Child has been around a long time, although I was completely unfamiliar with him.

Active Child is the music of Patrick Grossi. … He layers his choral-styled voice on top of melodic harp and piano. Electronic beats propel selections from his latest album, In Another Life, as well as one of his earliest and well-known songs, “Hanging On.”

He opens with “Hanging On.”  A drumbeat begins along with his high soaring voice.  As the camera fades in, he is playing the harp.  As he samples and loops himself, he switches to piano to play the main verse.  Then the loop starts and the room fills with music.  It’s pretty neat to watch him jump from piano to harp and again for a solo.

From a stunning room overlooking the San Gabriel Mountains in Pasadena, Calif., we hear the ethereal sounds of Active Child. “I chose this space, as this is where I’ve written nearly every piece of music for my active child project. my music and this house / this view are completely intertwined.”

As he’s talking, the drm for “In Another Life” begins.  I couldn’t see how he triggered it at all.  Over a drum beat and harp, he sings an ethereal melody.  When he switches to the piano his voice loops in a nice harmony.

There’s a very slow fade from one scene to the other as he begins “Cruel World.”  He starts looping and harmonizing with himself.  This is the catchiest of the three mostly from all of the looping.

[READ: January 6, 2021] Days of Our Lockdown Lives

In addition to the Zapiro book of editorial cartoons, we also got a comic strip collection from Stephen Francis and Rico (Schacherl).  This was a book in the Madam & Eve comic strip series.  There are thirty plus collections and this is the most recent.

Madam & Eve is a daily comic strip syndicated in many South African newspapers.  It started in 1992 and went daily in 1993. The premise is based around a middle-class white woman, Gwen Anderson (“Madam”), and her black maid, Eve Sisulu and how they manage in the new South Africa as the Apartheid era drew to a close.

Theirs is a relationship of affectionate squabbling.  Perhaps in the spirit of equality, neither character is portrayed as particularly sympathetic. Madam is always coming up with silly ideas in order to fit in more with the new way of life. Eve meanwhile keeps coming up with ways of obtaining extra cash out of Madam and others.

There is also a lot of political humor with strips mentioning topical incidents and also featuring some of the political figures in the news–so the Zapiro book is a nice companion. (more…)

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SOUNDTRACKSEVDALIZA-Tiny Desk (Home) Concert #130 January 5, 2021).

Sevdaliza is the first Tiny desk Home Concert to be published in 2021.  Let’s hope she signals a great new year.

Sevdaliza is Iranian born although this concert is filmed in a culturally significant bookstore and publishing house in Amsterdam called MENDO.

Her collection of music is a wonderful mix of the organic and the electronic all centered around her gorgeous voice.

The set opens with “an old reel-to-reel tape machine spinning some Brazilian bossa nova.”  Then it stops and she starts singing “Human,” a song which

casts away the notion of artists — particularly female artists — as products.

It’s a moody Portishead-like track.

It opens with synths and drums as she sings achingly.  Her voice sounds a bit like Beth Gibbons as well.  Then in the middle of the song, the electronics drop off and she recites

I am flesh, bones / I am skin, soul / I am human /Nothing more than human.
I am sweat, flaws / I am veins, scars / I am human / Nothing more than human.

While she speaks, the strings of Jonas Pap (cello) and Mihai Puscoiu (violin) play an eerie backdrop.  When the strings stop a very cool electronic section takes over.  Leon den Engelsen manipulates sounds, making voices sound mechanical and machines sounds human–it’s really cool watching him do this.  Meanwhile, drummer Anthony Amirkhan adds some complex electronic and analog drums.

Then den Engelsen resumes the bossanova tape as Sendaliza announces:

“Good afternoon humans, my name is Sevdaliza, you’re very welcome on flight 808; our destination is Shabrang.”

I feel like “Dormant: sounds even more Portishead-like.  Her voice carries Gibbons’ ache as she sings “I need a different type pf caring, a different type of sharing.”  The percussion is minimal but interesting.  Meanwhile the electronics are buzzing around while the strings ground the song in melody.

As the song fades out she sings notes and words which I believe the keys are manipulating in real time.

“All Rivers at Once” opens with a pre-recorded guitar melody.  The song is just full of samples and interesting melodies and then the middle falls into place with a lovely violin solo.  It ends with a deep resonating cello note

“Gole Bi Goldoon” is sung in Iranian (I assume).  It sounds much more like an old folk song–strings and piano.

I really enjoyed this set and want to check out more of her album.

[READ: January 9, 2021] Do the Macorona

I’m not exactly sure why we have been getting so many books from South Africa at work lately, but it’s fantastic.

This book is a collection of editorial cartoons from South Africa’s Daily Maverick newspaper.  Zapiro (Jonathan Shapiro) has been making editorial cartoons and caricatures since the early 1990s and has 25 books of cartoons published.

Although I have been reading some novels from South Africa, I really don’t know very much about the country.  I have learned, however, that reading about a year’s worth of editorial cartoons is a pretty great way to learn about a country.  I don’t understand all of the jokes in here, but I do feel like I have a vague grasp on the country now. However, it’s when Zapiro turns his pen abroad–especially against trump, that I can see how good of a satirist he is.

It feels especially timely to include this post now as we prepare to get the corrupt traitor out of office for good.  He has, in fact, made a cartoon out of the insurrection. (more…)

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SOUNDTRACK: HAYLEY WILLIAMS-Tiny Desk (Home) Concert #124 (December 9, 2020).

I basically missed Paramore entirely.  I’ve heard a few songs not realizing it was them and really liked them.  I listened to a bit more recently and really like the pop punk energy.

So this Tiny Desk (Home) Concert came as a real surprise. The music is stripped down and really spare.  There’s a real dancey element (funky bass and drums) and the guitars are really quiet.

The second big surprise came when Hayley introduced her band.  Becca Mancari on keys and backing vocals!  And Julien Baker on guitar!

This change in musicians and sound is intentional.

Petals for Armor is a soul-cleansing exhale from years of holding her breath. Originally released in a series of EPs, her solo debut sings through heartache in a tangle of triumph and hard-earned wisdom. It’s a pop album that knows sadness can simmer, but also shout over an ever-shifting sonic palette.

She plays three songs in ten minutes.

During the pandemic and protests, Williams has played these songs from her couch with muted restraint, and self-serenaded with acoustic covers — sad songs really can be sympathetic companions during dark days. But in her home, surrounded by blank canvases, Williams and friends splash a bottled-up energy.

The joy is infectious, as “Pure Love” bursts from first bloom

Aaron Steele counts off on the drums, while Williams gives a Huh! and Joey Howard introduces a funky bass line.  Her voice is powerful and soars throughout.

I’m disconcerted by the high fiving after the song–I hope they’ve been safe.

“Taken” shows off Baker’s jazzy-funk licks.

It opens with an outstanding bass from Joey Howard line that repeats throughout.  The song feels quintessentially dancey and a very different sound from Paramore.  Baker plays quietly wah-wah’d guitar as Mancari sings the backing bah bah bahs.  Williams plays a keyboard on a very tiny stand (I feel for her back).  The best moment comes with the five seconds of silence while Williams looks around and then jumps back into the danciness.

For the final song, Williams leans into the “Dead Horse” kiss-off with gleeful abandon.

The foundation of this song is the funky drum and bass once more. Williams picks up the guitar, but it’s Baker who plays the slightly askew riff that opens the song.  Baker plays lead licks throughout while Williams adds grace notes.  The best of which comes at 10:08 when both Williams and Baker plays a single note in harmony to make it really stand out.

And that kiss off?

When I say goodbye, I hope you cry.

[READ: January 5, 2021] “A Philadelphia Local is Unamused by the Fuss”

Today seemed like an ideal day to post about this election-related essay from Dave Eggers.

Today, a bunch if seditious Senators are going to pretend like our election was unfair.  They are going to make a spectacle of themselves and question the integrity of our very democracy.  They should be removed from office immediately.

This essay shows, in a small aside, how this phony scandal, this manufactured outrage, was created by the trump team long before the election happened.

On November 5th, while the election results were being tabulated, Eggers was in Philadelphia talking with Anna Palagruto.

Palagruto is the quintessential Philadelphian:

Palagruto has an accent so acute–“gonna” was “go-won-a” and an attitude so Philly-specific, that, if the city ever wanted a no B-S tourism spokesperson, no one but her would suffice. Come to Philly, she’d say. Or don’t.  No one cares.

Palagruto is fed up with the protesters on both sides. (more…)

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SOUNDTRACK: ASHLEY RAY-Tiny Desk (Home) Concert #125 (December 11, 2020).

Ashley Ray is a singer from Kansas.

Her voice is raw and harshly accented–purely from Kansas.  But her voice goes beyond country into what sounds like ancient folk music.

In this Tiny Desk (home) concert, Ray is

sitting on a screened-in porch with producer, songwriter and longtime friend Sean McConnell (and a distant chorus of crickets chirping in the early evening light).

I don’t know what her music normally sounds like, although this blurb says the songs 

all from Ashley Ray’s latest album, Pauline feel like a breakout release for this Kansas native, but she’s been putting in the hard work for close to 20 years now, spending much of her time waiting tables while writing songs for better-known artists.

All three songs feature Ray singing.  She plays guitar on the first one.  She is accompanied by McConnell.  He plays guitar as well, but it’s when he adds his harmony vocals that the songs really flesh out.  The second song, “Dirty work” almost feels like an X song (or many a Knitters song) with Exene singing lead and John Doe adding the harmonies (and playing the only guitar).

It’s interesting that Ray’s speaking voice is almost unaccented, when a song like “Pauline” is so clearly Southern.

“Just A House” feels more country than the other two–the melody of the chorus, I’m sure.  But I like the understatedness of it.

I do not like country music (duh), bit I really enjoyed this.  It was devoid of production and twang and felt real.

[READ: January 5, 2021] “Delaware Voters Await Joe Biden: ‘We Just Need Him'”

Today Georgia voters get to decide if Joe Biden will be roadblocked by The Worst Man in America, Mitch McConnell (he may have actually done more damage than trump).  

They get to decide if two trump supporters, who have already proven that their role in government is exclusively to get rich and screw the rest of us, should be thrown to the curb (preferably from a moving car).  

This election shouldn’t be happening.  These two horrible people should in no way be close to winning an election for anything.  And yet here we are. (more…)

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SOUNDTRACK: DON BRYANT: Tiny Desk (Home) Concert #116 (November 24, 2020).

I was not familiar with Don Bryant, although I must have heard his music over the years.

Bryant, almost 80, has been in the music business since the early days of rock and roll; he wrote his first hit, the Five Royales’ “I Got to Know,” in 1960. He went on to his biggest success as a songwriter for Hi Records in Memphis …. For a number of years he only recorded gospel music, until 2017 when he began releasing soul records again, backed by members of the Bo-Keys.

Although

Classic soul music feels best in a club, with a lead singer and big band, preferably with horns, playing off the excitement of a sweaty crowd, drawing them in to stories of love, or love lost, or love reclaimed. It’s a hard feeling to find in our pandemic times.

Bryant manages to play some gorgeous old-school soul with just a guitarist (Scott Bomar) and a keyboardist (Archie “Hubbie” Turner).  And his voice, of course.

Wearing an elegant black and grey jacket matching his salt-and-pepper hair, Bryant evokes style and experience – someone who has been in it for the long haul.

This set is three songs from his latest record, You Make Me Feel, all written by him

His voice is powerful and resonant, deeply rooted in gospel. The keyboard sound is a classic soul sound and the guitar provides a mixture of rocking riffs and mellow accompaniment.

In “Your Love is to Blame” he even gives some good James Brown yelps.

Between songs he sounds like a preacher:  I’m going to give these songs to you as strong as I can.

“Is It Over” is slower and more mellow.  His voice sounds great, hitting high notes and unlike contemporary singers, his grace notes sound great–strong and not whiny.

“Your Love is Too Late” is a classic soul kiss-off track: “I found somebody new to do the things I wanted you to do.”  It opens with an old fashioned guitar riff and moves on from there with grooving guitars and fleshed out keyboards.

I don’t listen to much soul, but I do rather like it.

[READ: December 26, 2020] By the Way 2

This is Ann Lane’s second book about public art in Ireland.  She compiled the first in 2010.  I haven’t seen it, so I don’t know what is in it.

She says that in the ten or so years since the first book, more art has been added and she had been made aware of all of the art that she had missed.

But the fact that there are over 1,000 images in this book, that this is her second book and that in the introduction she says that she pretty much ignores the big cities (due to size constraints of the book) makes me think that Ireland is absolutely amazing with the amount of public art that the country has.  Ireland is about the same size as Indiana, and I would bet a ton of money that Indiana does not have 2,000 (some absolutely gorgeous) piece of public art to look at.

This book is broken down by county.  Lane includes many pieces of art from each county and provides some context for the piece, whether it is the impetus for the creation, some comment about its construction or even an occasional personal reflection.

It isn’t easy to photograph pubic art.  Some pieces absolutely fail when taken out of context or when trying to encompass an entire piece of art with a tiny photo.  Sometimes you cannot do justice to a piece because it must be seen from different angles to be really appreciated.  But Lane does a great job conveying these pieces.  And if her main goal is to get you to want to come to Ireland see them, then she has succeeded.

I marked off dozens of pictures in here because they were either my favorites or they were interesting in some way.

I followed this format.
COUNTY
Town: Title (Artist) Location.  Comments. (more…)

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SOUNDTRACK: CARLOS VIVES-Tiny Desk (Home) Concert #95 (October 14, 2020).

This is a hugely fun Tiny Desk (Home) Concert.

Everything about Vives’ music feels uplifting and joyful.  And boy is that a nice feeling.

Carlos Vives kicks things off in high gear on this Tiny Desk (home) concert with his trademark sound: a celebration of the music from his beloved home country of Colombia, mixed with rock and other Latin music styles.

The opening song “Pa’ Mayte” starts out with a ripping accordion melody from Christian Camilo Peña and some wonderfully funky fluid bass lines from Guillermo Vadalá.  Vadalá is my favorite component of this set without question.

Vives’ voice is strong and powerful and he is joined with a chorus of backing vocalist and percussionist, especially Guianko Gómez from Cuba and Mayte and Tato Montero.

The middle of the song has a rap followed by some really fast and complicated lead guitar from Andrés Leal (followed carefully by Vadalá).

Spirited champeta dance grooves from the country’s Pacific coast permeate his classic 1995 hit “Pa’ Mayte,” and if you look closely you’ll see two of his backup vocalists also playing traditional gaitas Colombianas (flutes).

Then comes the flute solos.  First Mayte Montero on the traditional gaita then Tato Marenco joins in.  Of course no song like this would be complete without some excellent drum and percussion and Martin Velilla is fantastic in that role.

Vives speaks in Spanish between songs. He says that “Cumbiana” is dedicated to his country (Colombia) and the people there.  It opens with pretty, echoing guitar and some wonderful lead bass notes.

It starts slowly, like a love song but turns into a bit of a banger in the chorus.  He even plays a harmonica solo.  During the quiet ending there’s just guitar and harmonica as the song fades.

Next is transition between the title cut of his new album Cumbiana and “La Bicicleta” a vallenato fueled by a bit of reggaeton.

It was originally recorded with his compatriot Shakira and he dedicates the song to her–“the bike to travel the whole world.”

The song is upbeat and a lot of fun.  The middle has a lead flute solo which is echoed by the lead guitar–a great combination. It ends with with a solo accordion melody as the song fades out.

Vives says that “cumbiana is that amphibian territory that I call where cumbias vallenatos and porros are born.

Evidently this is Vives’ signature sound:

a celebration of the music from his beloved home country of Colombia, mixed with rock and other Latin music styles.

They end with “No te Vayas” (“Do Not Go”) opens with quiet guitar.  As he sings the two flutes come in playing the melody along with his voice.  It’s a wonderful combination and an altogether fantastic set.

[READ: November 20, 2020] “A is for Alone”

This story has an interesting setup,.

The narrator is an artist and her latest project is inspired by Mike Pence.  She has called it “Interrogating Graham/Pence” and plans to interview a series of men.  She will give them a questionnaire and take their Polaroid.

The two key questions are:

When, prior to today did you last spend time alone with a woman who is not your wife?  Are you aware of the Modesto Manifesto also known as the Billy Graham Rule, also known as the Mike Pence Rule?

The first man she interviews, Eddie, is an old friend from college.  They took a ceramics class together. They both have fond memories of those days, although since school Eddie has become very successful in the investment world.  Eddie is married and has children and admits that he isn’t alone with other women very often.  But he agrees that the Mike Pence rule is weird.

One of the other questions on the questionnaire is “what did you think when I invited you to lunch?” Eddie assumed that she was sick or dying.

She had planned to meet a different man each week, but then realized she didn’t know 52 men.

The next man she invited was her son’s hockey coach.  He is confused and somewhat alarmed at the lunch invitation.  He assumes there will be more people.  He thinks that the Graham/Pence rule makes sense.  He is not willing to contribute to or particulate in her project. (more…)

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[MASSIVE SIGH OF RELIEF: November 7, 2020]

Now please, let the Democrats win the two seats in Georgia, so that McConnell can’t block the progress we desperately need.

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[November 7, 2020] Kamala Harris!

On August 15, 2019, I made my first donation to the Kamala Harris for President campaign.  It was early days then, but she and Elizabeth Warren were my top choices.

In December 2019 Kamala Harris dropped out of the campaign after a pretty steep rise and surprisingly quick fall.

Then in August 2020, almost a year after I first donated, Kamala Harris was selected as Joe Biden’s running mate.

Now, today, she is the Vice President-elect!  (more…)

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