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Archive for the ‘War’ Category


SOUNDTRACK: RODDY RICCH-Tiny Desk (Home) Concert #47 (July 8, 2020).

Here’s another rapper I hadn’t heard of, but who is apparently huge.  (Huge enough to have Ty Dolla $ign join him).  The blurb assures us

This was slated to be Roddy Ricch’s summer. He was having the breakout moment that I’ve seen from so many other Compton emcees before him… including the biggest song in the world in “The Box,” which spent 11 weeks at the top of Billboard’s Hot 100 and will probably go down as the last pre-COVID club anthem.

Richh raps in front of a fantastic band.  They have a fantastic groove and really jam fantastically.

Backed by the juggernaut musical collective 1500 or Nothin’, this set exhibits the many dimensions of his [suddenly prophetic] debut album title — Please Excuse Me for Being Antisocial.

Christopher “Brody” Brown brings a fantastic bass sound throughout the set.  You can hear it right from the first song “Perfect Time” which showcases the band and Richh’s rapping skills.  Richh even plays keys at the end of the song.

It segues perfectly into “Bacc Seat.”  The band tightly and seamlessly shifts gears from that rocker to this slower song.  The song features a cool guitar riff from Charles “Uncle Chucc” Hamilton and a guest appearance from Ty Dolla $ign who sings and plays guitar!

The backing vocalists are great; however, they are not social distancing at all.  Shaunise R. Harris, Garren Edwards, and Tayler L. Green are all shoulder to shoulder back there, which makes Richh’s shirt “that’s an awful lot of cough syrup” seem more ominous than funny.  T

But the band is on fire and there’s some serious drums from Nick Smith at the end of the song.

Gentle keys from Lamar Edwards open “High Fashion.”  Edwards has a few banks of keys getting all kinds of interesting sounds.  Richh says this song is about the type of relationship he like to be in–high fashion: “I like to be fly, like shorties be fly.”

Once again, this song ends with some great drums from Smith and percussionist Larrance Dopson.

Richh is pretty young so it’s surprising to hear him say that he doesn’t spend a lot of time on the internet: I don’t like to be bothered” (which jibes with the Anitisocial title).

The final song “War Baby” opens with a quiet, lovely piano. But the song builds to a big jam by the end with some great guitar soloing from Uncle Chucc interspersed with some fantastic drum soloing from both Smith and Dopson.

I’m not all that impressed with what Richh is rapping about–lots of vulgarities so i started tuning out–but the band is fantastic.

[READ: July 8, 2020] “The Canal”

With a title like this I didn’t expect this story to be about World War II.  Although it is set at a party several years later.

Two couple are drinking and talking.  Lew and Betty Miller are bored out of their minds listening to Tom Brace tell yet another war story from his days in Germany.  Tom’s wife Nancy couldn’t have been prouder, listening to him go on and on.

At some point, something that Tom says reminds Betty of something that Lew told her about the way.  She asks if Lew was in the same place as Tom.  Lew says no, although he grudgingly admits that he was in the same area at the same time. (more…)

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SOUNDTRACK: TRUPA TRUPA-Tiny Desk (Home) Concert #44 (July 3, 3030).

Trupa Trupa is a band from Poland who play some really great indie rock.  They were supposed to be touring the U.S. and doing a Tiny Desk, but instead they are home.

In a little dirty rehearsal room basement in Gdańsk, we find Poland’s great rock band Trupa Trupa on lockdown. Had it not been for COVID-19, this band would have been behind my desk this week, but as it is, they’ve settled into their rehearsal space.

Their songs are pretty intense, but this Home Tiny Desk features lighter versions of the songs.

They open their set with “Another Day,” from the 2019 record Of The Sun.  It has a great throbbing bassline Wojciech Juchniewicz while singer Grzegorz Kwiatkowski plays acuostic guitar.  He says its the first time he’s played the acoustic guitar in a really long time.

There’s a cool theremin-type sound that is coming from Rafał Wojczal.  The credits say the instrument is called an ondes Martenot, but this is a homemade device–and it sounds pretty cool.

I’ve seen them perform this; it’s always had an apocalyptic feel, but now the words “another day, waiting for another,” prompts Grzegorz to mention how this has turned into a quarantine song.  Grzegorz tells us that life in Poland has been difficult in this young democracy, but they are staying optimistic and playing music.  There’s darkness in the basement, yet their music is a bright beacon.

“Dream About” starts with a snappy drum from Tomasz Pawluczuk.  Kwiatkowski plays as scratchy rhythm on the guitar before  Juchniewicz plays a great rolling bassline that runs throughout the song until it abruptly stops for a some single notes.  Then it resumes again.  Wojczal adds some guitar before bringing that Martenot back.

“None of Us” is slow and deep basslines.  Initial vocals come from Juchniewicz who has switched to guitar.  The acoustic guitar is more prominent on this song.  And Juchniewicz’  fuzzy electric guitar sound is deep and menacing.

Their U.S. Tour was cancelled, but they weren’t going to play near me.  Maybe when they come back they can squeeze in a Philadelphia date.

[READ: June 20, 2020] Bagombo Snuff Box

This is a short story collection that I read when it came out.  When I read all of Vonnegut’s books a few years ago, I decided to re-read this collection.  It has only taken me several years to get to it.

But what a great bunch of short stories.

The Preface explains that these stories were written in the 1940s and printed in magazines before he had written his first big novels.  After the War, there were many magazines that featured fiction, so Kurt was able to make some good money on the side while he worked at General Electric.  He left the company in 1950.

Vonnegut has an introduction as well.  He talks about the beneficial effect short stories can have on a person.  He also says he generally feels good about these stories although he feels a bit badly for the way some (many) of the women are treated–not that Vonnegut specifically treated them badly, but that was sort of the way it was then. (more…)

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31423478SOUNDTRACK: FABIANO DO NASCIMENTO-Tiny Desk (Home) Concert #43 (July 2, 2020).

fasbiFabiano Do Nascimento was born in Brazil and now lives in L.A.  he is an amazing guitar player, creating gorgeous soundscapes–‘an amalgamation of Afro-Brazilian jazz, folklore, bossanova and samba.”

For the first piece, “Nanã,” he plays what I think is a 10 string guitar (the fretboard is so wide!).  he starts a lovely melody and then the screen splits into four.  David Bergaud adds quiet piano and Julien Cantelm adds some complex drum patterns.  The fourth quarter is Fabiano again (it took me a moment to realize it, because he is in a different room).  He plays a lead guitar melody on a tiny ten stringed guitar.

The combination of his overdubbed rhythmic and melodic guitar lines, coupled with the delicate hands of piano player David Bergaud and drummer Julien Cantelm … flow into the first number, “Nanã,” a folkloric composition that “is the spirit that comes from African lineage and represents the forest … and is the primordial mother of earth.”

Up next is “Etude,” a composition by Fabiano inspired by Cuban classical guitar virtuoso Leo Brouwer.

For this piece, he switches to a six string guitar.  He has a different accompaniment.  Adam Ratner plays electric guitar (quietly) and Leo Costa play a some great complex drum (and cymbal) patterns as well as the chocalho.

Both Fabiano and Adam play leads, slow jazzy, pretty, while thr drums really do take much of the action.

Fabiano expresses

love for his motherland Brazil — an “endless foundation of inspiration” — is threaded deeply into the tapestry of his sound and ethos. If you’re looking for a musical moment of zen, this set comes highly recommended.

The final piece “Tributo” is a tribute to Brazilian composer Baden Powell de Aquino.  This piece is for solo guitar.

[READ: June 20, 2020] Make Your Bed

My son completed a leadership training course for the Boy Scouts and he was given this book as a gift.  I was intrigued by the title and because I like the guy who gave it to my son, so I thought I;d read it.

It’s a fast and easy read and I think a younger person (this was originally a college commencement address) could be inspired by it.  I’m a little too set in my ways t make many changes (although I have made sure my bed has been made ever since reading this).

The book is set up in ten chapters: the ten points that he made during the speech.  Each chapter gives a suggestion.  It is followed by the practical origin of that suggestion and then a more intense incident in life in which he used that suggestion. (more…)

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julyaugust200SOUNDTRACK: PHOEBE BRIDGERS-“Kyoto” (2020).

phoebeI’ve heard this song a bunch and I like it more each time.

Phoebe Bridgers’ songs tend to be sad lyrically (and sometimes musically), but this song just overflows with wonder, melody and (apparent) happiness.

The song starts with a gentle keyboard but soon adds a fast bassline as Phoebe sings quietly.  Then pow, a big joyous chorus comes in.  Horns play a gorgeous melody and Phoebe harmonies (with herself?).  The way she sings “tokyp skies” gets me every time.

When the verse returns it feels a bit louder.  But the song is about her complicated feelings for her estranged father:

With my little brother
He said you called on his birthday
You were off by like ten days
But you get a few points for tryin’

The chorus resumes feeling even bigger and happier and yet the outro, featuring those same ebullient horns:

I wanted to see the world
Through your eyes until it happened
Then I changed my mind
Guess I lied
I’m a liar
Who lies
‘Cause I’m a liar

Phoebe said that this song was originally slow but she was tried of singing slow songs so she punched this one up.  It really reflects the mixed feelings you can have for someone.  And if you don’t care so much about the words, it’s a catchy gem.

[READ: June 23, 2020] “Dancing Bear”

This month’s issue of The Walrus is the Summer Reading issue and features two pieces of fiction, one memoir and three poems.

The first piece is the memoir, written by Dimitri Nasrallah.   I had assumed that this would be a First Nations piece with a title like that.  But it is far from that.  It starts in Beirut.

The neighborhood where Dimitri grew up was a battleground between the Palestinian Liberation Organization and the Israel military so his family left for Greece when he was four.

He stayed quiet while they tried to acclimate–they felt covered by the stench of war and wanted to keep a low profile. Then one night his father took the family out to the square.  As they walked around marveling at the sights, he saw a crowd gathered a round a man.

He was showing off a giant brown stanigng on its hind legs, muzzled.  The man made the bear “talk” and dance  Everyone laughed.  But that night Dimitri couldn’t get the sight of the bear out of his mind.  He imagined that he was the bear–muzzled, not wanting to dance.

The next day he told his father that he felt bad for the bear. (more…)

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SOUNDTRACK: THE BANANA SPLITS-“The Tra La La Song (One Banana, Two Banana)” (1968).

traOf all the bubblegum pop songs, this is probably the one I know the best.

I was surprised to discover that the song and TV show were from 1968, because I used to watch it all the time.

But I see that the series originally ran from September 7, 1968 to September 5, 1970, but then it was in syndication from 1971 to 1982, which is when I watched it.  Amazingly, it was in syndication for 11 years and there were only 31 episodes made.

Is there anything catchier than a bunch of people singing tra la la, la la la la?

And then the lyrics couldn’t be simpler:

One banana, two banana, three banana, four
Four bananas make a bunch and so do many more
Over hill and highway the banana buggies go
Coming on to bring you the Banana Splits show
Making up a mess of fun
Making up a mess of fun
Lots of fun for everyone
Four banana, three banana, two banana, one
All bananas playing in the bright warm sun
Flipping like a pancake, popping like a cork
Fleegle, Bingo, Drooper and Snork

This was the theme song for the TV show.  It was a minute and a half and is insanely catchy.

The Dickies did a punk cover in the 1970s, which doesn’t sound very different from the original, expect that instead of bright keyboards, the music is all guitars and drums.  It is faster-paced and yet longer because of a guitar solo and some extra sing along parts.

For those unfamiliar with the show, the Banana Splits were:

  • Fleegle — A greenish-brown dog wearing a large red bow tie, black buttons, brownish-orange chucks, with his tongue is always sticking out. He plays a guitar and sings.
  • Bingo — A nasal-voiced orange gorilla wearing white glasses and a yellow vest, featuring a toothy grin. He plays drums and sings.
  • Drooper — A lion with a very long tail wearing yellowish-orange glasses, spats on his feet, and speaks with a Southern drawl. He plays a bass guitar and sings.
  • Snorky — A mute furry elephant wearing pink glasses. He becomes a regular elephant in season 2, wearing a green vest with yellow stripes. He communicates through honking sounds akin to a clown horn, and one of the other Splits would translate what he is saying. He plays a keyboard.

What a great time to be a kid.

[READ: June 8, 2020] Bubblegum Week 5

Over at the Infinite Zombies site, there was talk of doing a Quarantine book read.  After debating a few books, we decided to write about a new book, not a book that everyone (or some people) had read already.  This new book would be Bubblegum by Adam Levin.  Many of us had read Levin’s massive The Instructions which was not especially challenging, although it was a complex meta-fictional story of books within books.  It was kind of disturbing, but also rather funny and very entertaining.

So I’ll be posting weekly ideas on this schedule

Date Through Page
May 11 81
May 18 176
May 25 282
June 1 377
June 8 476
June 15 583
June 22 660
June 29 767

A Fistful of Fists is a Handful

After the academia and “high brow” thoughts of Triple J’s essays, this week’s transcription of Triple J’s film A Fistful of Fists: A Documentary Collage is rather tough reading.  It reminded me of reading something like David Foster Wallace’s Brief Interviews with Hideous Men or Roberto Bolaño’s 2666 (The Part About the Crimes) in that there’s some really horrible things to witness but their inclusion serves to prove a point and even to further the plot and fill in some gaps.

A Fistful of Fists is a collage of twenty-seven short films all about the joy of killing cures.  The transcription is a print version of what is seen on the videos, sometimes in graphic detail.  Scenes of it reminded me of some of the “torture porn” stories that were trendy a while back. (more…)

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SOUNDTRACK: THE FUN AND GAMES-“Elephant Candy” (1968).

indexI’d never heard of The Fun and Games before looking up this bubblegum pop song.

Amazingly there were six members of the band (and none of them were cartoons).

The band members and name were constantly in flux and they released only one album, Elephant Candy in 1968.

“Elephant Candy” is a two and a half minute pop delight.

The main music of this song sounds almost like the music of a merry-go-round–a kind of sugar-coated pipe organ.

The song opens with the preposterously catchy “elephant elephant candy did you know that elephants can be fun eating candy on the run.”  The second go-round features backing vocals of a steady “Ahhahahh” that sounds simultaneously unsettling and catchy: kind of like a fun house mirror.

The verse seems like its just an opportunity to pause in between the next appearance of the chorus.

If that weren’t catchy enough, the song moves up a step so it’s even more treacly. Somehow, the song even has time for two keyboard solos.

[READ: June 1, 2020] Bubblegum Week 4

Over at the Infinite Zombies site, there was talk of doing a Quarantine book read.  After debating a few books, we decided to write about a new book, not a book that everyone (or some people) had read already.  This new book would be Bubblegum by Adam Levin.  Many of us had read Levin’s massive The Instructions which was not especially challenging, although it was a complex meta-fictional story of books within books.  It was kind of disturbing, but also rather funny and very entertaining.

So I’ll be posting weekly ideas on this schedule

Date Through Page
May 11 81
May 18 176
May 25 282
June 1 377
June 8 476
June 15 583
June 22 660
June 29 767

Sometimes One Looks Like The Other, Bad Taste and Stupidity

This weeks reading was really intense.  It also showed things that I never imagined would come up.

  • A lengthy and carefully edited suicide note.
  • A lengthy treatise on transgendered persons/prostitution/homosexuality
  • Academic papers that are simultaneously well-written and yet obviously the work of a child.

Part Two, Section 5 of the book is called “Letters and Facts.”

This was an interesting place to stop/resume reading because, although they reference the same incident, the beginning of this section differs from the end of the previous section.  (more…)

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SOUNDTRACK: SUNNY WAR-Tiny Desk Concert #910 (November 13, 2019).

Sunny War says twice that she’s not going to talk.  She saves all of her words for her songs.

Her voice is soft and gentle, but her words are strong.

The first song “If It Wasn’t Broken” features the chorus “how would you know you had a heart if it wasn’t broken?”

Further lyrics in this slow and simple song:

so you lost your baby
so you lost your job
so you lost all faith
in the one you call god.

Dang.

These are words from a young woman who has been homeless, busked on city streets and Venice Beach, left home feeling she was a burden to her distraught mother, had her life complicated by drugs, and yet still found a way to pick up a guitar and bring joy to others.

Her songs aren’t complicated, but they feature some really excellent fingerpicking.  “Got No Ride” has a lot of beautiful interludes (including one part where she is fingerpicking and bending a string at the same time).

Sunny War began learning guitar from her uncle at around the age of seven. One of the early songs she learned was The Beatles’ “Blackbird,” an almost prophetic tune with the line, “Take these broken wings and learn to fly.” But it was the fingerpicking that was the attraction for Sunny War. She loved playing guitar that way as opposed to strumming and, as you watch this Tiny Desk, you’ll see what a fluid and remarkable guitar player she’s become.

The song also features some extra bass lines from Aroyn Davis (The first song didn’t really have noticeable bass).

“Love Became Pain” is a lot faster, with some really impressive guitar work.  Clearly from the title, though, this isn’t a happy song either.  I like the shuffle drums that Paul Allen gets using brushes on the cajón.

The final song, “Shell” opens with the lines:

“Before you rip your girl to shreds / Be sure you really want her dead.”

With such a pretty melody, too!

Much like her name, Sunny War’s music is a wonder of contradictions.

[READ: February 2, 2020] Rust: Volume 4

This book concludes the Rust saga.

Like the first book, there are a ton of pages with no dialogue.  This story is wonderfully told with just visuals.  And Lepp’s visuals are really amazing–what he accomplishes with such  limited color palette is really impressive.

The book starts with a flashback to the war 48 years ago.  It’s been awhile since I read the first book but I feel like this intro pages are exactly the same.  We see Jet Jones rescue a man by creating a large shield.  I’m not sure if there;s some more significance.  I’m also not sure if we’re supposed to know who the man is.

But the story quickly jumps back to the Taylor’s farm.  The really menacing robots are closing in.  Oz has a shotgun in ready.  And the engineer is carrying Jet Jones’ limp body away with him.

The robots arrive (why does it amuse me that they open the door) and Oz shoots, which awakens the family.

A terrible battle commences in the house with all of the people getting hurt, but with all of them doing a good job of harming the robots.  Jet comes in at the last second and smashes up some of the robots.  In the process reveals his mechanical arm.  The family is shocked, except for Oz.  Roman is furious that Jet lied. (more…)

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SOUNDTRACK: PARQUET COURTS-“I Got Drugs (at the End of the Century)” (from WILCOvered, UNCUT Magazine November 2019).

The November 2019 issue of UNCUT magazine had a cover story about Wilco.  It included a 17 track CD of bands covering Wilco (called WILcovered or WILCOvered).  I really enjoyed this collection and knew most of the artists on it already, so I’m going through the songs one at a time.

This track is about as far from the Wilco sound as I can imagine.  Plus, this is a mash up of two Wilco songs, “Handshake Drugs” and “I Got You (at the End of the Century).”  The song opens with Austin singing the lyrics to “Handshake Drugs” while the rest of the band chants the backing vocals of “I Got You” at the end of each verse.

Musically it’s very un-Wiclo as well.  There’s a drum sound which sounds like a sample of a person making a drum sound.  There’s a chiming repeating guitar sound and a big rumbling bass. And of course the vocal delivery is about as far from Jeff Tweedy as you can get.

Austin sings the first two verses while the responding chants move further down the lyrics of “I Got You,” now chanting something else.

There’s  simple weird synth solo in the middle.  Then the end half of the song is loud and dancey with a lot of chanting, “It’s the end of the century” and an unhinged guitar solo.

This song sounds like neither of the two songs it’s taken from, making this a fascinating and ultimately very cool cover.

[READ: February 2, 2020] Rust: Volume 3

Volume three is the penultimate volume of the series.  I can’t believe how short this series is.  It seems like so little has actually happened and yet so much has gone on.

The story continues where volume 2 left off–in fact the first thing we see is the robot that Jet has destroyed.  But it is not destroyed, it easily rights itself and takes off after Jet.

Jet returns to the train to get Oz, but the robot is right behind them.  Jet uses a clever maneuver to avoid the robot who crashes into the train while it is on a huge bridge.  The train starts to goes over, bringing Oz (and presumably the conductor(!!) with it.  Jet is able to rescue Oz at the last second (no word on anyone else).  Nevertheless, Oz refuses to give Jet the oil cell, even though Oz is clearly dying.   Finally Jet has to punch Oz to save himself.  Jet flies Oz back to his family.

But Oswald is still not happy about Jet and he reveals what he knows to Roman and Jesse.  They drive off leaving Jet n a field.  And that’s where the man with the beard finds him.

He says this is the longest that Jet has stayed in one place. Jet reveals that he thinks the family needs him and he want to stay.  But the man says that is he stays he will bring the entire military to their doorstep. (more…)

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SOUNDTRACK: JIMMY EAT WORLD-Tiny Desk Concert #939 (January 29, 2020).

I’ll never understand the logistics of the Tiny Desk Concert setup.

This Concert features Jimmy Eat World, an unarguably huge band (at one time at least).  They’re doing something cool–playing their songs acoustically with no drums.

And they play for … less than 12 minutes.

Meanwhile the previous Tiny Desk Concert was by a young reggae person who, while she won a Grammy, is certainly not as well known or regarded as Jimmy Eat World.  And she got 15 minutes.  I’m okay with bands that I like playing a short set, it’s just frustrating that so many bands that I don’t know–usually in genres I don’t like as much–get two and sometimes three times as much air time.

But whatever.   Maybe the bands don’t want to play for that long.  But Jimmy Eat World came for their Tiny Desk Concert looking to have fun.

Jimmy Eat World showed up to the NPR Music office all smiles and no guitars, goofing off with toy instruments behind the Tiny Desk and cracking jokes. They borrowed a couple acoustics, a miniature gong and tambourine emblazoned with Bob Boilen’s face, which set the tone for a slightly silly, but altogether gracious performance.

They open with “Love Never” which features Jim Adkins singing lead and Robin Vining singing harmony.  I never noticed how fantastic their harmonies are–they are really spot on.  I wonder if it’s more noticeable in this stripped down format (or maybe it’s because Vining is a touring member and was picked because his voice is amazing).

What’s really funny during this song is that drummer Zach Lind is standing behind them the whole time doing nothing. And then for the last note, he hits Bob Boilen’s gong.  It’s pretty funny and everyone cracks up.

The next song, “All the Way (Stay)” comes from the band’s tenth album, Surviving.  [They have been around for twenty-seven years!].  Zach plays the tambourine.   Again, the vocal harmonies are outstanding as Robin picks out the melody while Jim strums.

Introducing the final song, Jim says their new songs reflect their earlier song ideas: “Your sense of self-worth coming from external validation is an empty pursuit,”

Guitarist Tom Linton joins the band for the final song.  During the introduction, Adkins gets distracted by Tom’s guitar (and goofs about throat singing) before getting everyone super excited that they’re going to play “The Middle.”

I’m fascinated to realize that I’ve known this song for nearly 30 years.  It’s still fun to sing along to–which the audience does.

this feel-good Bleed American single has remained a constant source of goodness in a sometimes bleak world. When the audience joins in for the last chorus, an uplifting catharsis streaked through our hearts as we all sang, “Everything, everything will be just fine / Everything, everything will be all right, all right.”

I’m always thrilled when bands like this get a Tiny Desk and I hope there’s more to come!

[READ: February 1, 2020] Rust Volume 1

Volume 1 picks up right where the prologue left off.  We are at Roman Taylor’s farm.  Roman is typing a letter to his (deceased?) father.  He says that mom is doing good and the little ones are fine. He hopes little Oswald will stick round, he could sure use help on the farm.

Then he tells about Jet Jones.

How on the day he arrived, Jet came screaming through the sky like he’d been shot out of a cannon.  He crashed through the barn and into the field.   When Roman went to look at him he heard a sound coming from behind the barn.   It was a large machine, clearly on a mission

The machine grabbed the boy and hurled him into a tree–which snapped in half. (more…)

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SOUNDTRACK: KOFFEE-Tiny Desk Concert #938 (January 27, 2020).

I can honestly say I didn’t know that there were musicians making new reggae music.  I mean, obviously there are–it’s not like the genre just stopped or anything–but I never hear about them.

So I was pretty surprised to play this Tiny Desk Concert and hear a reggae song start up.

Koffee is a 19 year-old Jamaican reggae star.  She just won a Grammy for best Reggae album (for an EP).  She is the first woman and the youngest artist to win the category.

She sings four songs.

“Raggamuffin” opens with her shouting out NPR quite a lot (is that all improvised or is she modifying existing lyrics?).  While the music has the typical reggae rhythm (although faster than old school reggae to be sure), her delivery is really amazing.  She sing (raps?) so fast during the verses.  It’s really an impressive display even if I can’t understand a word she says.

Her band is from different places around the world

“Rapture” has her singing along with her backing singers, Zhayna France and Shanice Drysdale (both from Jamaica) who really flesh out her voice.  There’s some cool moments where the lyrics pause to allow her to say a pointed word.  This song has a guitar solo from Thomas Broussard (from Paris).  It’s also really fun watching drummer Stephen Asamoah-Duah (London) and percussionist Stephen Forbes (Jamaica) communicating with each other and high-fiving at the end of the song.

Koffee centers her music around faith, resilience and gratitude. She has a new perspective to add to the pantheon of mostly male reggae greats and it’s resonating with a new generation that’s just getting hip to the iconic sounds. As her Tiny Desk performance shows, Koffee makes the best of her surroundings, channeling the day’s buzzy energy into a balancing act of youthful heart and old-pro precision, proving why she has become one of the most invigorating voices in reggae.

“Toast” opens with a fun keyboard melody from David Melodee (London).  Then the full song kicks in with a groovy five string bass from Nana Pokes (London) and acoustic guitar strumming from Broussard.  Mid song he switches back to electric for a brief solo.

“I want to thank everybody who’s been involved,” Koffee told the crowd halfway through her show. “You have now become a part of my journey.”

The final song “W” is her latest single.  It’s a slower ballad.  I realize that she has a pretty heavy Jamaican accent but I really can’t tell how many times she says the letter W in the song.  It sounds lie a lot, but perhaps she’s rhyming it with something ele.

[READ: February 1, 2020] Rust Volume 0

Royden Lepp was born in the Canadian prairies which I’m sure had some impact on the design of this book–set in fields and farms and colored with sepia tone.

I saw this book series at the library and thought it looked really interesting.  Royden Lepp’s artistic style (and color palette) are really cool and the premise of a military weapon that looks like a little boy is pretty fascinating.

The book starts 48 years ago in the middle of a war.  Amid the human carnage there is a boy with goggles on.  He has on a jetpack and appears to be flying around saving people.  He saves them from a large robotic monster/creature which someone calls a kamikaze drone.

The first forty or so pages are almost wordless–its’ all battle sequences.  It is quite exciting, but it is also without question, a little confusing,   Especially since this a world that is not quite like ours.  (more…)

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