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SOUNDTRACK:

[READ: March 24, 2021] This is Not the Real World

I really enjoyed the first book in this duology.

That book was about a girl who was forced to work on the set of the retro TV show Stuck in the ’90s (which reveled in 1990’s pop culture).

When I was reading it, I had no idea that Carey was planning to write a sequel.  The end of the book show sequel possibilities (and it sounds like there will be no part 3).

As the book opens, Jess and her fellow cast member Kipps have been free from their show for a few months.  But they are never really free.  Because the production company owns them until they turn 18, they have  to lay low.  Jess has turned 8 recently, but Kipps still has six months to go until he is an adult. (more…)

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SOUNDTRACK: hiatus

[READ: April 2022] The Fifth Elephant

This is a story of Ankh-Morpork and progress.  Ankh-Morpork has just introduced a series of clacks–semaphore towers–to provide quick communication between distant places.  It’s expensive, but businesses in the know are all getting c-mail addresses.

Incidentally, the movie The Fifth Element came out in 1997 and was clearly an inspiration for the title–although very little about that film falls into place here.  Rather, the fifth elephant of the title is believes to have been one of the elephants who held up the world but who fell to the Disc and caused craters of fat deposits that are found underground in Uberwald (which produces the best fat on the disc).  Fat deposits are a very valuable commodity.

Uberwald factors heavily in this story.  Ankh-Morpork now has the largest dwarf city on the Disc.  And the progressive dwarfs in Ankh-Morpork are able to sway elections back home–where the more traditional dwarfs (deep down dwarfs) don’t think highly of the dwarfs who have left.

An upcoming election for Dwarf king was swayed by the Ankh-Morpork contingent and Rhys Rhysson, a progressive dwarf is set to become King.  But this has made many old school dwarfs very unhappy and rumors of an internal war start brewing. (more…)

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SOUNDTRACK: hiatus.

[READ: February 2, 2018] Amulet: Supernova

It has been SIX YEARS since I read the previous book in the series and the final book isn’t even out yet!  When I finished book seven I wrote “How can I wait a year for book 8?  [Word has it Book 8 will come out in 2018].”   And in that year I totally forgot about this series.  Whoops.

So it was a little hard catching up to what was going on, but I managed.

The book opens with Trellis in a dream.  he meets an old woman traveler who guides him through his dream.  Before he wakes he asks if he will see her again–she says sooner than you expect.  When Trellis wakes, he is told the elf army has made landfall.

But when we see the army, led by a small creature named Logi, Logi tells the commander that their plan is surrender.  Trellis can’t believe it, but it appears to be true and they take the army into lock up. The city celebrates Trellis, but he is suspicious and he has every right to be because Logi has a token of the Elf King’s affection–a glowing object,

Which turns out to be a bomb of sorts.  (more…)

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SOUNDTRACK: hiatus

[READ: January 26, 2022] Fixer

I saw this book at work and was attracted by the cover (obviously San Francisco) and that it was about a tech startup company (sort of).

The book is set up with each chapter being about one of the five main characters.

Meghan is a single woman whose life has been one of upheaval.  As we meet her, she has just gotten laid off (with about one third of the firm) of a tech company that has had to resize itself.  She’s not even sure why she works in marketing–she has no real sense of self and would love to be an artist.  But she doesn’t dare risk things for that.  She has also just had a very good date with Diego Garcia.

Diego (Digs) is techie guy with great ideas.  He has been working in the tech field for many years and has brought some of his good college friends to work with his at Del Oro, a startup tech firm with one of the hottest apps out right now.

Kari (he is Norwegian) is Diego’s college friend.  They have been close as anything for many years.  Kari (and his father especially) have very high expectations for Kari. Kari is the more business minded side of Diego–he knows about money and how to get it.  He is passionate about very few things.  One is success.  The other is Kari.

Kira (the similar names are cute, rather than cloying, I think) is his girlfriend of many years.  She is possibly more driven than he is.  She is very successful and expects the best from everyone.  She has known Kari and Diego since college.  She likes Diego but gets a little tired of him.  When Diego starts dating Meghan, she finds her unbearably boring.

The last of their college friends is Ravi.  Ravi is gay, but he has not (and could never) come out to his strict Indian parents (who are back in India).  They would love for him to come home, but he has made a life for himself here. He is actually just about to get married to a woman.  She is his best friend (they’ve known each other forever) and she is a lesbian.  She also needs help with her visa to stay in the country. It solves everything.  Even their serious significant others are on board.  Ravi is very close to Kari as well.  His boyfriend is serious and they imagine settling down someday is gay marriage is ever legalized. (more…)

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SOUNDTRACK: FLOCK OF DIMES-Tiny Desk Concert #246 (August 10, 2021).

Flock of Dimes is a fun band name.  It’s the solo project of Wye Oak’s Jenn Wasner (I thought Wye Oak was a solo project as well–no, it’s a duo).  [Gee, why wasn’t Andy Stack invited to this sing along?]

For this Home Concert, the solo project turns huge with nine people sitting around having a big ol’ sing along (I’ll assume they are all vaccinated and that this was filmed before Delta took off).

The setup is pretty simple: three guitars (I love that the guys on the couch are lefty (Michael Libramento, baritone guitar) and righty (Alan Good Parker, tenor guitar) so it looks appealingly symmetrical). some percussion and a lot of voices (the men on the right of the screen seems somewhat less invested).

The friends who are singing along include the three singers from Mountain Man: Amelia Randall Meath, Molly Sarlé and Alexandra Sauser-Monnig.  Meath is also in Sylvan Esso and her bandmate Nick Sanborn is also present (he’s one of the less invested men).  The set is filmed at Sylvan Esso’s new studio in Durham, N.C., called Betty’s.

“Two” is a bouncy number with lots of percussion.  I like the way the backing singers join in from time to time, but not constantly–it introduces new voices throughout.

One of the invested men is percussionist Matthew McCaughan from Bon Iver–he’s got a full complement of instruments at hand.  Joe Westerland (from Megafaun) is the other percussionist, he’s just a bit more subtle in his actions, but you can see him gently tapping through “Two.”

“Price of Blue” is a little slower but it has a wonderful melody.  The harmonies really standout on this song.

I don’t know the originals of these songs, but I have to assume the blurb is correct

These acoustic performances actually shed new light, thanks to radiant and radically different arrangements, while fully capturing the warmth we look for from Tiny Desk concerts.

Whatever the case, the backing vocals are tremendous.  You can really hear Molly Sarlé’s gorgeous harmony vocals.

“Awake For The Sunrise” feels like an old fashioned fire side sing along.  I’ve enjoyed Wye Oak’s music but I don’t know it very well.  I rather like Wassner’s delivery here–but i feel like these songs might not be as good without these harmonies!

[READ: August 12, 2021] New Teeth

I’m guessing that Simon Rich had a baby.

This collection of stories is loaded with stories about little kids.  And that’s all right because he has a very funny take on being a parent.

The other stories tackle the corporate environment and are full of fish-out-of-water stories.

“Learning the Ropes” is about being a new parent.  But it is written from the point of view of two pirates. And hilarity ensues.

What’s odd to me is that in his first books, his stories were really short, but I feel like lately his stories have gotten much longer–sometimes too long.  This one in particular kind of dragged at times, because it’s pretty much a one-note joke: what? pirates raising a little girl?!  One pirate is a concerned parent which means he wants them both to care about the child.  It’s got a few very funny moments, and of course, when the pirates who speak in pirate style (“The only man I trust is me first mate”) say things like “Arr… it be called ‘limit testing.’ She be acting out because she be craving discipline,” well, that’s classic Simon Rich right there. (more…)

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SOUNDTRACK: CARM-Tiny Desk (Home) Concert #192 (April 15, 2021).

CJ Camerieri is a co-founder of yMusic, which is how I know him (I saw him perform with Ben Folds).

This is his new project, CARM.  Camerieri is also a member of Paul Simon’s band, a collaborator with Bon Iver and a Tiny Desk alum. (You can hear his French horn with The Tallest Man On Earth from their 2019 Tiny Desk Concert.)

“Soft Night” is the first track and introduces us to what CARM is about.  He plays trumpet while Trever Hagen plays electronics and sets up the melody and drums.  Then Camerieri switches to French horn while Hagen plays some trumpet.  Then in a fun moment, Camerieri picks up the trumpet with his right whole still holding the French horn in his left.  He plays the trumpet melody and then puts down the trumpet and starts on the French horn.  For the rest of this five-minute instrumental, the two jump back and forth playing trumpet riffs and leads as the electronics build satisfyingly.

For CJ Camerieri … home is where the art is. He performed his concert at the Pablo Center in Eau Claire, Wisc., where [he] conceived and recorded all the songs for his 2021 debut solo album, CARM. “This particular community has been a really big part of my musical life for 10 years,” CJ says after playing the calming tune “Soft Night,” “so it seems like the perfect place to be doing this.”

He made “Song of Trouble” with Sufjan Stevens.  They wrote it before the pandemic but the lyrics have taken on new meaning.  S. Carey plays piano and sings.  This is another mellow song with some lovely muted trumpet and simple electronics backing the song.

“Nowhere” is a little stranger.  It opens with jittery trumpet and skittery and loud electronics.  The juxtaposition of the organic horns and the electronic instruments is very cool.

“Slantwise” opens with some rapid and wild drum loops.  Then Camerieri loops the French horn and trumpet giving the song a rather majestic feel.

[READ: May 11, 2021] A Complicated Love Story Set in Space

The librarian in West Windsor recommended this book to my son.  He didn’t read it, but I loved the title and was really interested in reading it.

And wow, did I enjoy it.

I have not read anything by Hutchinson before, so I’m not sure how this compares to his other books, but this was, indeed, a very complicated love story.  In the acknowledgments Hutchinson says that originally the story was called Gays in Space.  And while that is a fun title, I think the final title is wonderfully compelling.

The story opens on Noa.  Noa is a normal teenager from Seattle.  But he has just woken up and he finds himself in a spacesuit, floating outside of a spaceship.  He has no recollection of how he got there.  There’s a note that says “You are in space floating outside a ship called Qriosity.  There is no reason to panic.”

Well, thank goodness for that.

After getting his bearings, a voice speaks to him.  The voice is from a teenaged boy named DJ.  DJ is from Florida and he is aboard the Qriosity.  He also has no idea how he got there.

They are each tasked with a pressing problem and if they don’t fix them immediately, the ship will explode.  Noa panics (as he tends to do) but DJ calms him and talks to him as they work together to fix the ship.  Which they do.  But as Noa is heading to the airlock, his tether is not attached and he is flung from the ship.  He has nowhere near enough oxygen and soon enough, he is dead.

That’s a rough start for the protagonist of the story. (more…)

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SOUNDTRACKDAVIDO-Tiny Desk (Home) Concert #174 (February 24, 2021).

I thought I knew what Afrobeat was and that I was really starting to enjoy it, but Davido plays something other than what I was expecting.

Nigerian Afrobeats star Davido comes to us from his estate in Lagos with an intimate four-song performance that takes us on a mini-retrospective of his career.

He and his band create a sultry vibe with a unique rendition of “Gobe,” his smash 2013 single, to open the set.

“Gobe” doesn’t have the percussion and bounce that I thought it would, although drummer Stanley Unogu is pretty sharp.  The lyrics are pretty funny, though

Girl your behind is a killer
I can see you’re sensual
See gobe
Omo see gobe eh
When you wiggle and waver
You must be intentional

Bassey Kenneth and Sylvia Asuquo sing nice backing vocals.  Then he says that “Aye” is dedicated to his father.

Davido has long expressed pride in his father’s success. He titled his 2012 debut album Omo Baba Olowo, meaning “son of a rich man” in the Yoruba language. In his (home) concert, Davido cites his father as his inspiration in a sweet and tender moment: “A Nigerian American like myself that studied in the States…I went to an HBCU, you know… My dad went to one as well and my dad used to work at Burger King. … To become what he’s become today as a Black man starting off in America has been very, very inspiring to me.”

A cool bass slide and generally fun bouncy bass from Kenneth Ogueji make “Aye” a fun track.  The rest of the song is all keys from Gospel Obi and Orowo “Roy” Ubiene.

In collaboration with the Alternate Sound band, Davido strips back “Aye,” a hit from 2014, with an unfettered rendition showcasing his natural voice devoid of any vocal effects.

It’s followed by “Risky” which is a bit more poppy.

Rounding out this Tiny Desk (home) concert, he concludes with “Jowo,” a single from the album that of conjures hope for better times ahead.

“Jowo” is a sadder ballad.  I like the song, but I cant help but think that by the end the backing singers are off key.

[READ: March 24, 2021] This is Not the Jess Show

I subscribed to the Quirk books newsletter some time ago.  And that explains why I received so much promotion for this book which I’d never otherwise heard of.

I read the blurb and it sounded fun, so I checked it out of the library.  And I was hooked instantly.

The book set in 1998 and it rather revels in 90s culture.   I though this was a lot of fun (since I am quite fond of the 90s myself).  At times it seemed like the book was maybe overdoing it with the 90s love (how many reference points are there: Titanic, Jewel, Scott Wolf, Savage Garden, Chumbawamba, Tori Amos), but whatever, Jess is a teenage girl and pop culture is pretty important in a teenager’s life.

As are crushes.  Her oldest friend Tyler has suddenly become… more interesting to her.  When they were younger, Tyler had buckteeth and rust colored hair.  He was fun but dorky.  And yet suddenly, she couldn’t stop thinking about him.

Her two best girl friends Kristen and Amber just didn’t get it.  They still thought of Tyler as a dork and they really discouraged Jess form pursuing him.  They teased her that she was like the song “Lady in Red”

It’s like, really?  You’ve known her this whole time and you’re only into her now, after seeing her in a red dress?  Isn’t that a little …fickle?

In fact, they know that Patrick Kramer, the hunky soccer player (and local hero!) is going to ask Jess to the spring formal.  How could she pass this up?  (Because Jess thinks Patrick is dull as dirt). (more…)

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SOUNDTRACK: GIVĒON–Tiny Desk (Home) Concert #166 (January 28, 2021).

GIVĒON is a pretty classic R&B crooner.  He seems pretty grateful to have gotten where he is.

“Just bear with me while I just enjoy this and soak in it,” GIVĒON admits with a laugh.

He plays three songs.

“The Beach” opens with gentle guitar chords from James Murray and a slow bass line from Ivan Chatman.  Then GIVĒON and RaVaughn Brown sing together.

After the song, he says he’s pretty excited to play in February.

“Any moment to do this would be special,” he says between songs, “but I think Black History Month … just celebrating Black culture for this month, I’m really excited to get to do this on this platform.”

He also notes that he is a Pisces.  “Pisces are emotional, maybe that’s why I make songs like this.”  “Like I Want You” opens with a simple drum intro from Andre Montgomery and a slow bass line.  Deondre Ellis plays a keyboard melody that matches the vocal melody at the beginning each line–it’s a nice touch.  Murray plays a pretty ripping guitar solo, too.

Before the final song, “Stuck on You,” he says, “I can’t wait to watch this with my mom and see what she thinks because she likes to nitpick sometimes.”  It’s a bit of a faster song and when there’s about a minute left, GIVĒON walks off to let the band jam out the set.  The mark of an old school singer already.

[READ: February 20, 2021] Goliath

The final book of this trilogy was as exciting as the rest of the series.

Everyone is back aboard the Leviathan and they are heading toward the Arctic.  They have an exciting and dangerous mission up ahead–they are going to lower Leviathan as low as she can go so that they can retrieve some cargo from the back of a polar bear beastie.

Deryn and Newkirk are on a small platform swinging madly through the air as they try to secure this very large parcel from the back of a moving bear.  It’s something that’s been done before, but never with something this large (usually just mail bags).  This is a massive time saver, but if they miss, it means a several hours before they can turn around an try again.

The package is a huge amount of supplies both for the Leviathan and for the special guest who they are going to meet in the Wilderness. Things don’t go as smoothly as promised because the package weighs more than was promised–the danger is pretty great and the scene is very exciting.

When they open up the packages in the ships hold, they discover that in addition to the various supplies there is a massive Clanker gadget that needs assembling.  It is good that Alek and his men are on board to help assemble the Clanker contraption.  He’s also happy to have gainful employ for a time–it’s the happiest he’s been in a while.

The device proves to be a portable metal detector–a powerful one designed to be used almost like a giant magnet. But there’s no explanation for why it’s here.

The ship continues on its mission further up towards Greenland.  Then the watchman sends a message: Trees All Down Ahead.  It doesn’t make sense until they see a clearing up ahead and indeed all of the trees are destroyed–knocked over as of by the world’s largest hurricane. Worse yet, there are gigantic bones littering the place–as if a whale beastie was eaten. (more…)

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SOUNDTRACK: MR. BUNGLE-The Raging Wrath of the Easter Bunny Demo (2020/1986).

In 1986, Mr. Bungle released a demo tape called The Raging Wrath of the Easter Bunny.

In 2020, after a reunion tour of sorts, the band rerecorded the album, with some slight personnel changes. Original singer Mike Patton was still there as was masterful guitarist Trey Spruance and bassist Trevor Dunn.  But they had two impressive guests stars (who also performed live with them), Scott Ian (from Anthrax) on rhythm guitar and Dave Lombardo, drummer extraordinaire.

And thus they re-recorded the initial demo.  Fans of Mr. Bungle’s later genre bending work would be a little disappointed because this was pretty much a heavy heavy metal record.  But it is Mr. Bungle so you know there’s gonna be some weird stuff too.

The only song they don’t play from the original is “Evil Satan” which is more or less a goof anyway.

“Grizzly Adams” opens the album with a very pretty guitar instrumental. Spruance really shines with this moody, weird piece.  But even when the full band joins in in the last 30 seconds, it doesn’t prepare you for the heaviness to come.

“Anarchy Up Your Anus” is old school metal–heavy guitars with an Anthrax/Slayer vibe.  There’s even a lengthy scream after the opening drum fills.  This song has an opening narration by Rhea Perlman.  Yes.  Rhea Perlman.  The narration comes from the Chilling, Thrilling Sounds Of The Haunted House Disney album (on the demo they just played the audio from the record).

“Raping Your Mind” is out of sequence from the demo (it was originally song 6).  It continues with the heavy Anthrax-like riffage and some serious drumming.  There’s a cool middle moment where there’s two guitar solos and just bass and drums in the back–there’s some seriously wicked guitar soloing going on.

“Hypocrites /Habla Español o Muere” was originally a longer song, but they decided to shorten it and add this humorous cover of the Stormtroopers of Death song.  The title is mentioned in the first few seconds, then after 30 seconds, the song jumps into a bit of “la Cucaracha” and then segues into “Speak Spanish or Die.”

“Bungle Grind” is really heavy with some classic mosh sections and faster riffage.

“Methematics” is a new song.  It’s a bit more standard heavy metal and not so much early thrash until the double bass drums kick.  There’s lots of parts including a classic punk style in the middle.  This is more akin to the later, adventurous Mr. Bungle, but at 8 minutes it is a little long.

“Eracist” is another new song.  This one is great.  Really catchy with some good old fashion metal riffs and chanted chorus.  There’s a seriously heavy middle section, too.

“Spreading the Thighs of Death” was the third song on the demo.  It’s some good fast thrash with wicked chord changes and massive double bass drum.  There’s some really wild guitar soloing too.

“Loss For Words” is a Corrosion of Conformity cover.  It’s a pretty serious cover version.  Patton’s vocal delivery is even a little different.

“Glutton for Punishment” is another new song that fits into the classic riff an thump thrash.  There’s a whispered vocal part where you can actually hear the words!  And a fascinatingly fiddly guitar solo that left me wondering how he did it.

“Sudden Death” ended the demo and ends this as well.  A heavy chugging riff and super fast thrashing–it’s impressive that they can keep it up for seven plus minutes.  I rather liked the “yes/no” chanting at the end.

This album isn’t for everyone (as most Mr. Bungle albums aren’t).  But it does show off some quality old school metal and some serious skill for a band covering themselves 30 years later.

[READ: March 24, 2021] Zed

I saw this book in Barnes & Noble and fell in love with the cover.  I made sure to look for it at the library and was pretty psyched when it came in.

And I was pleased as soon as I started reading.

Set in the not too distant future, one tech company, Beetle, dominates the world.  I thought that Beetle was pretty inspired name.  It could be Apple (who have a connection to The Beatles, with Apple Records) and it looks a lot like the word Google, although I suppose it is probably closest to being about Amazon–with their online assistant Athena.

Nearly every citizen (the book takes place in London, but Beetle is global) wears a BeetleBand which monitors everything you do–like a Fitbit or Apple Watch on steroids.

It tells you when you are stressed or when you should hydrate or that you shouldn’t have that donut.  Indeed, everything is now really “smart”: fridges, doors, cars.  Everything in your house is monitoring you. And everyone has a Veep, a personal assistant who does everything for you (except for physical things, since it has no body). You pay for all the best stuff in Beetle bucks–the cryptocurrency that replaced actual  money as the dominant currency.  If you didn’t convert your pounds, euros or dollars, when the rate was good, you’re just stuck.

When the book says everyone, it’s really mostly everyone. There are some people who can’t afford such extravagance.  People who don’t work for Beetle get paid in regular money which isn’t very useful.  There are also neo-Luddites who want nothing to do with Beetle.  But they are carefully monitored by Beetle.

Most people work and communicate in a virtual world with avatars that are some version of themselves.  And most importantly, every person has a Lifechain–the algorithm that determines the longevity and happiness you should experience.  This predictions are pretty much never wrong and everyone uses them to judge people–employers, police, etc. Everything you do, every decision you make changes our Lifehchain, which changes you likelihood of doing x y or zed. (more…)

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SOUNDTRACK: MILEY CYRUS–Tiny Desk (Home) Concert #161 (January 28, 2021).

I’m quite torn about Miley Cyrus.  I respect her individuality and her desire to push boundaries (and her Happy Hippie Foundation [created to rally young people to fight injustice facing homeless youth, LGBTQ youth and other vulnerable populations] is pretty great).  But sometimes I don’t always love her choices.

In all that time I’ve never given much attention to her music.  She was a pop singer (or worse, a country singer) and that was that.

Now, after getting mixed up with The Flaming Lips, who even knows what she’s up to.

For her Tiny Desk Concert (I can’t believe it’s barely over 11 minutes when so many other have done them over 20) she has built a tiny room, complete with a bed and a window and posters on the wall.  The room itself is probably three feet high and Miley, bedecked in a fascinating array (fake, one assumes) furs an leopard skin pants and a big hat and glasses.

The blurb gives rather an extensive narrative to Cyrus’ video

Here, the scene opens with Cyrus, dressed head to toe in rock-star faux fur, in what looks like a teenage girl’s bedroom. But the perspective in this pink-and-purple space feels a little … odd.  As Cyrus sings, it becomes clear that this is her Wonderland – like Alice full of magical cake, she’s grown to exceed her surroundings. By the end of this three-song set, Cyrus reveals that it’s the adolescent enclave that grew too small for her, not the other way around.

That give a lot of credit to a little video.  But whatever.  First she lounges on her bed and sings a pretty intense version of Mazzy Star’s “Fade into You.”

The original was pretty chill (and maybe a little boring) and Miley inject some powerful screams in the middle and her voice gets all raw.  It adds some drama to an otherwise chill song.  Or as the blurb says

a hazy psychedelic anthem that she infuses with just the edge of the next day’s hangover.

Up next are two songs from her latest album.

The two songs from Plastic Hearts that follow are her own bids at classic-rock timelessness.

In “Golden G-String” Cyrus assesses her own life in the spotlight with Leonard Cohen-esque charm.

She takes off her coat and hat (the video ifs filmed from different angles and there’s some overlapping edits.

This song is really quite catchy.  I think Id like to hear the album version.

And “Prisoner” is the power ballad that lets Cyrus really break out – as she leaves the tiny room — just a box, it turns out, on a soundstage – and joins her band,

Her poor band is never really on camera. It pans around a little before prisoner–you see some hands and some hair of Stacy Jones: drums; Mike Schmid: keys; Max Bernstein: guitar; Jamie Arentzen: guitar and Joe Ayoub: bass.

“Prisoner” sounds like a classic rock song-maybe from Heart or Fleetwood Mac.  This album is getting some good accolades and I might just have to check it out.

[READ: March 18, 2021] I Text Dead People

We brought this book home from the library for my daughter, but I found myself reading and (sort of) enjoying it.

Annabel Craven and her mother have just moved from Sacramento to this small town.  They moved because Annabel’s Uncle died and left his house to them.  Since they lived in a tiny apartment in Sacramento, her mom figured it was a step up.  Except that their new house is actually a creepy old “haunted” house that is adjacent to a cemetery.

On her first day of school, Annabel took a shortcut through the cemetery where she found a phone.  She had recently broken her phone and her mother was trying to teach her the value of things by making her save up for a new one.

Obviously, she will return this found phone to its owner, but until then, it might be nice to be able to communicate with people  Sadly, the phone has no power so she couldn’t locate its owner anyhow. (more…)

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