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Archive for the ‘Politicians’ Category

ij4SOUNDTRACK: The Best Albums of the Year

morningAndrew Womack, fellow Infinite Summer player and founder of The Morning News has begun retroactively listing The Best Albums of the Year for each year since 1978.  This is a project that I have often thought about doing myself, yet never had the time to sift through all the music I have.

I was delighted to see how much I not only knew, but also agreed with his decisions.  Although if I’m honest, my list would have more metal and less new wave in it.  But the overall tenor is pretty on par with my feelings.

But, imagine my surprise to see that on the 2004 list I barely knew any of the discs at all!  I wonder what happened to make us diverge so much in that one year.

Anyhow, it’s a noble, well, not noble so much as worthwhile pursuit.  One that we can all enjoy.

[READ: Week of July 27] Infinite Jest (to page 434)

In the August 2009 issue of Wired, they have a little scroll across the bottom of one of the pages that lists  “Word Counts”.  King James Bible: 784,806; Where the Wild Things Are: 338; Infinite Jest: 483,994.  So, at almost halfway done we’ve read over 240,000 words!

Also, I haven’t sufficiently acknowledged some of my fellow Infinite Summer bloggers.  So I want to send a shout out to Infinite Tasks.  I especially enjoyed this post which takes a decidedly more philosophical approach than I did about a section that I found really enjoyable.  And Chris Forster, who gives a lovely discussion about Eschaton.  And I would be remiss if I did not mention Infinite Zombies, just because he may have written a letter here but his posts always get sucked up into spam, so I’ll never know.  (And because the posts are really thoughtful and worth reading too).

But enough back patting, onto the book.

solIt was a fun place to pick up reading.  At the small paragraph where I left off, we learn that the Statue of Liberty’s book now advertises that year’s Subsidizer.

On a couple of occasions there is the suggestion that the year 2000 is the first year of Subsidization, as they talk about things being different in the new millennium.  Although Matthew Baldwin’s argument here is very convincing which would make Subsidization begin in 2002.

And then we return to A.A.

(more…)

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powwer[WATCHED: June 2009] The Power of Nightmares

This is a film, not a book.  But I found it so fascinating that I had to say something about it.  I have to say it again, this series was truly amazing, and I encourage everyone to watch it.

The Power of Nightmares is a 3 part documentary, totaling about 3 hours.  It was created by the BBC in 2004.  The underlying theme of the film is that politicians have begun to resort to fear in order to achieve their desired aims.  Where in the distant past, politicians offered hope and future fulfillment, nearly all campaigns now try to scare you into voting for them.  (This was before Obama, and may explain the popularity of Obama’s campaign).

The premise of the series is that the rise of the radical Islamist movement (including al Qaeda) and the rise of the American Neo-Conservatives not only parallels each other but actually supports each other.

This documentary is well researched and, obviously, controversial.  It has, to the best of my knowledge, never aired in the U.S. (more…)

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mojoBack oh, fifteen years ago, I subscribed to Mother Jones.  I also subscribed to an unvaried assortment of political mags: The Nation, The Progressive, and In These Times.  But as I grew less politically motivated, I slacked off on the subscriptions.  I just didn’t have time to read all of that.

Recently, I added Mother Jones to my Google Home page.  I started seeing some good headlines, so I thought I’d look into resubscribing.  And for $10, I got a year.

At first I was a bit disappointed in it.  The first issue I received had the cover story: Who Ran Away With Your 401K?  And frankly, it’s gone, I don’t really need to see the trail of footprints leading to a culprit that will never be punished.  And that is the general focus of MoJo: Follow stories that no one is covering; muckrake, if you will.  And they’re very good at it.  And yet, most of the time I feel like nothing really comes of it.  Knowing that someone is at fault doesn’t make them pay for it (most of the time).

The other problem I had was with what we can call liberal guilt.  I’ve got better things to worry about, frankly.  So, when I get an article like this in the current issue: What’s Your Water Footprint? And the subtitle is If you thought calculating your carbon impact made you feel guilty, just wait….  Well, I’m not going to read that.

So the magazine starts like most magazines: the Out Front section is full of short articles that are usually depressing.

I do enjoy Conspiracy Watch, a small box that delves into a current conspiracy (by any side of the political spectrum) and sees if there’s any merit to it (with a rating in tinfoil hats).

There’s usually a look at someone in the administration and then some heavy-hitting articles.  This particular issue is all about the Drug War.  So there’s an article about drug violence in Mexico.  But then a more light-hearted, I suppose, article about drugs in the U.S., including a timeline for drug issues, was more interesting.  This particular one was a first-person account of the war on drugs.

The muckraking article was about the car dealers who steal from military families. (more…)

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hapersSOUNDTRACK: THE REPLACEMENTS-Sorry Ma, Forgot to Take Out the Trash (1981).

sorrymaSince I’ve been talking about The Replacements so much, it made me want to go back and listen to their stuff.  The Replacements are the quintessential band that “grew up” or “matured” and for better or worse sounds utterly different from their first album to their last (a span of only nine years!).  In fact, I don’t imagine that there are too many people who would enjoy all seven of their discs.  One suspects that if the band themselves were given a copy of their All Shook Down disc in 1981, they would have smashed it.

So this was their first release. It has 18 songs in about 30 minutes.  That’s pure hardcore, right?  Well, not exactly.  Even though the songs are short and fast and quite sloppy, there’s something about Paul Westerberg’s voice and delivery that makes these songs seem not quite hardcore.  He enunciates!  And you can understand him most of the time. And, maybe this is a better indicator: there’s parts to these songs, it’s not just breakneck pacing.  They also have song titles that belied how good their song writing would become.  Like: “Shiftless When Idle.”

In fact, “Johnny’s Gonna Die” isn’t fast at all.  It shows what the kind of songs that they would eventually write: literate and moving indie rock.

There must have been something in the water in 1981 in Minnesota.  Hüsker Dü, the other amazing punk outfit out of Minnesota (referenced in the ‘Mats song “Something  to Du”) also put out a blistering live hardcore record in 1981 called Land Speed Record (17 songs in 26 minutes, listed as 2 tracks on CDs because they don’t pause in between songs).  Like the ‘Mats, Hüsker Dü wouldn’t recognize their later incarnations in 1981 either.  And why are The Replacements abbreviated as The ‘Mats?  I don’t know.

But this ‘Mats record is the kind of sneaky record that can get you to enjoy punk even if you don’t think you like it.  There’s something so fun about Sorry Ma, that you don’t really notice that it’s all done so fast.

[READ: May 22, 2009] “My Great Depression”

This essay collection is tough to catalog.  Do I include all of the authors in the title of the post, do I pick selected ones, or just go with none.  Yes, go with none.

Harper’s asked ten authors/artists to send stories from the near future, after the economic collapse of the country. All of the pieces are three columns or less, and some are more enjoyable than others. (more…)

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scan0014SOUNDTRACK: COLIN MELOY-Colin Meloy Sings Live! (2008).

colinColin Meloy is the lead singer and songwriter for the Decemberists.  This is a recording of Meloy’s solo acoustic tour from 2006.  The recording is from several venues on the tour, although it is mixed as if it were one concert.

Meloy is a great frontman, and this translates perfectly into the solo atmosphere.  He is completely at ease, telling stories, bantering with the crowd, and generally having a very good time.

The set list includes some popular Decemberists songs as well as a track from Meloy’s first band Tarkio (whom I have never heard, but figure I’ll get their CD someday).  Meloy also adds a couple of covers, as well as snippets of songs added to his own (Pink Floyd’s “Fearless” gets a couple of bars, as well as a verse from The Smiths’ “Ask.”)

This disc is not going to win anyone over to the Decemberists, as Meloy’s distinctive voice is a love it or hate it deal.  However, if you’re on the fence about them, hearing these songs solo can only convince you of what great songs they are.  The Decemberists add a lot of arrangements to their songs.  You get a lot of interesting and unusual instruments.  Which I like a great deal.  But to hear that these songs sound great with just an acoustic guitar is testament to Meloy’s songwriting.

The intimacy of the venues also really lets these songs shine.

[READ: May 29, 2009] McSweeney’s #4

This is the first time that McSweeney’s showed that it might be something a little different. #4 came, not as paperback book, but as a box full of 14 small, stapled booklets. Each book (save two, and more on those later) contains a complete story or non-fiction piece.

There is something strangely liberating about reading the stories in this format. It gives me a sense of accomplishment to finish a book and put it down, so having 14 makes it seem like I’ve accomplished a lot.
This was also the first issue that I’m certain I didn’t read when it originally came out, for whatever reason. So, it’s all new to me.

DIGRESSION: When I was looking up publications for my Wikipedia page about McSweeney’s publications, I kept encountering records for these individual booklets.  This was rather confusing as I couldn’t find any other records or ISBNs for these booklets.  Rest assured they are all collected here. (more…)

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Unsurprisngly there are no online images of this periodical which is all text and no pictures.

Unsurprisingly, there are no online images of this periodical which is all text and no pictures.

I don’t even recall where I first heard of The Washington Spectator, or when I even started my subscription (although it is going on at least ten years now). No one else seems to have heard of it, so maybe it’s printed just for me.

The Washington Spectator comes out every two weeks. It is a 4 page (that’s right, four page– it doesn’t even have a staple) newsletter that covers national politics. For the most part, every issue covers one topic.   Usually that topic is, if not ignored, then certainly under-reported in the mainstream press. And each issue is more or less an extended article about that topic.

The most recent issue’s main topic, for instance, is “Republicans Shocked, Shocked, by Partisan Behavior of Democrats.” And yes, this publication is pretty exclusively pro-Democrat.  It’s not even issues-related as much as it is party-related (unless that’s just because the last eight years basically just chronicled the offenses of the Bush White House and the Republican majority). (more…)

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esquireI don’t recall why I started getting Esquire. I think it was because I got some kind of discount magazine subscription card. And since Sarah gets lots of women’s magazines, I thought I’d try a men’s one.

I’ve been quite delighted with it since I subscribed. And one thing that I like about it is that I don’t feel compelled to read everything in it. I enjoy the letters, although my favorite part of the letters page is the “Context-free highlight from a letter we won’t be running” which always contains a random sentence or two from a letter. This sentence is always weird and it’s awesome to imagine what the rest of the letter contained. An example: “Our prime minister is pretty harmless, but he licks his lips a lot when he speaks.”

As the Man at His Best section starts, I enjoy “The Vocabulary” which defines the words they will introducing in the section. And of course this section has The Rules, a randomly selected number assigned to a rule that should be followed. Example: “Rule No. 815: Of the clocks in the house, the coffeemaker is the least likley to be accurate.”

This section also contains the usual line-up of media reviews: books, music, film and TV. These are all short and sometimes I agree and sometimes I don’t, and that’s fine. Usually the books and movies they like are too “butch” for my taste, and that’s a general note about the magazine that I’ll get to shortly.  But the music section tends to introduce me to stuff I don’t already know.

There’s also stuff about food and drink, and I always want to try the food advice, because it’s mostly about foods I try to make, but I never save the pages so I always forget the clever suggestions. (more…)

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SOUNDTRACK: SIGUR RÓS-Med Sud I Eyrum Vid Spilum Endalaust (2008).

sigurSigur Rós are nothing if not ethereal.  Their music is constantly floating up in outer space somewhere.  So imagine the surprise when the first song of this disc opens with some thudding drums.  And, there are acoustic instruments aplenty this time around.  Their previous disc Hvarf/Heim had them playing a number of acoustic pieces in various unexpected settings.  And clearly the experience must have been a good one.

“Illgresi” is largely played on an acoustic guitar and “Ára Bátur” opens with a very pretty piano melody.  But lest you think this is Sigur Rós unplugged, “Ára Bátur” turns into a nearly 9 minute epic complete with orchestra, choir and as much ethereal sounds that you can cram into one song.  Indeed, a few songs before that is “Festival” another nine minute epic.  Although like in the beginning, there is a lot of bass, and a lot of drum.

But despite all of the musical changes, the band is still clearly Sigur Rós.  Jon Thor Birgisson’s voice is still unmistakable, and his lyrics are still inscrutable.  In fact, the final song, “All Alright” is sung almost entirely in English(!) and I didn’t realize until I just read about it recently.

In some ways this disc is not as satisfying as previous Sigur Rós releases as it doesn’t take you to quite the same planes of existence as past discs have.  And yet, in other ways it is more satisfying as it shows an earthbound side of them, allowing us to see their craft in action.

Despite any criticisms, Sigur Rós is still an amazing band, and this is an amazing record, too.

[READ: March 14, 2009] McSweeney’s #2

McSweeney’s 2nd issue retains some of the features from the first, and yet, some things have changed.

Similarities:

First: The cover retains that very wordy style that the first issue had.  There are more jokes (a good pun about Big Name authors).

Second: The letters column is still there.  What’s different is that in addition to some unusual letters (including the complete address of a letter writer), there are conversational letters between Gary Pike and Mr. McSweeney.  There’s also several small entries from Brent Hoff.  We are also treated to a letter from Jon Langford of the Mekons, Sarah Vowell, and a piece from Jonathan Lethem (the last of which was put in the letters column because they didn’t know what else to do with it). (more…)

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thanksSOUNDTRACK: YES-90125 (1983).

90125We had a snow day Monday, and since we were all home, I thought it would be fun to bust out some old records.  As soon as the opening chords of “Owner of a Lonely Heart” crashed out, Sarah gave me a “What made you think of playing this?” look and then said “What made you think of playing this?”

And there is no answer.  I saw it and figured it would be fun to hear. And it was.

Now, as an olde Yes fan, I should probably not like this album.  My favorite Yes album is Relayer, so really I have no business liking this.  First, it has no really long songs, second, it’s totally poppy, and third, it tries so hard to create hit singles.  And yet, I loved it then, and I still enjoyed now.   What’s interesting about it is that even though it was rather state of the art at the time, it doesn’t sound dated now.  Probably because, for instance, the orchestral hit in “Owner” has been sampled so much, it still sounds contemporary.

And so side one (for so it was at the time) has three songs that were hit singles: “Owner of a Lonely Heart,” “It Can Happen,” and “Changes” (which is probably the most “Yes” sounding of the bunch).  Even “Hold On” while not a single, gets recognition for being on the popular side one of the disc.

Side two features another great hit song, “Leave It” (with vocal sampling galore).  Although I think by the end, the disc loses some steam, and “Hearts” is a bit of a drag.

I knew that Trevor Horn was involved with this disc.  But since there have been multiple members in Yes, including two Trevors (!), I’d never really kept it all straight.  So, Trevor Horn was responsible for The Buggles (“Video Killed the Radio Star”) as well as The Art of Noise.  Their song “Close (to the Edit)” was a great video staple on MTV back in the 80s.  It features three gentlemen in suits and a very disturbing little girl smashing the hell out of musical instruments.  This song, which came out the same year as 90125 samples “Owner of a Lonely Heart” so the circle is complete.

Trevor Horn clearly had a big impact on the band and on 80s music in general, which is probably why the disc sounds so good all these years later.

[READ: February 27, 2009] Thanks and Have Fun Running the Country

I couldn’t recall the exact title of this book, so when I typed on Amazon.com “letters obama” I was surprised (although I shouldn’t have been) to see TWO books that fit this description already.  I suppose it makes sense that such compilations are being made (in fact, it seems that Obama could reignite the economy through merchandising of himself alone).  The second book isn’t due out till April, so I guess McSweeney’s have expediency on their side. (more…)

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A new day

inauguration

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