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Archive for the ‘Barack Obama’ Category

SOUNDTRACK: hiatus

[READ: June 23, 2022] Yuanyuan’s Bubbles

This is the fourth of sixteen graphic novels based on Cixin’s Liu’s stories.  This story, originally called 圆圆的肥皂泡, is the most straightforward one yet.

It is full of hope and shows that play is just as important as other scholarly pursuits.

When Yuanyuan was born, the one thing that made her happy was bubbles.  Her mother was a scientist and rather serious.  While her father often chided her mother for being too straight-faced.  But her mother had serious work to do.

Their city–Silk Road City was having severe drought.  If nothing could be done about it, the whole city would have to be abandoned.  Yuanyuan’s mother’s idea was to drop ice bombs with plants in them from a plane.  The project worked–the water helped to keep the seedlings alive.

However, in a rather dramatic early moment, the plane went down and Yuanyuan’s mother was killed.  Yuanyuan’s father was affected by the death of his wife and insisted that Yuanyuan grow up to be just like her mother–serious and thoughtful.  But Yuanyuan had other ideas.  She was still obsessed with bubbles.

Even her teachers noticed her attitude.  But her grades were excellent. Indeed, one of her teachers explained to Yuanyuan’s father that “in this new era, being a  little more relaxed and carefree isn’t a weakness.”

Her father still wants her to take things more seriously, but in the meantime, Yuanyuan has discovered a formula for creating the largest bubble in the world–it’s breaks the world record!

Yuanyuan becomes very successful–her formulas for creating elasticity in bubbles is greatly in demand.  Ultimately, her father asks her for a loan to help keep part of their old city alive.  But she says she cannot.  She is using her funds for her next project–a bubble that can envelope a city.

That’s actually not what she intended, but the bubble does settle onto the city, forcing everyone to figure out how to survive with their oxygen being cut off.  Everyone is furious at Yuanyuan, but she only sees the possibilities–what is she made bubbles that could carry water from he sea to their desiccated city?

No one thinks she can do it.  People make fun of her.  Even her father is disappointed in her.  But she won’t give up.

As with most of these graphic novels, I feel like the story suffers a but from being truncated (I assume it was truncated a lot).  And yet the general tone and tenets of the story come through clearly.  And it’s very cool.  It was translated by Nicholas Blackburn Smith and then written for this book by Valérie Mangin.

The story was illustrated by Steven Dupré and he does a great job creating the images of the bubbles.

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SOUNDTRACK: hiatus

[READ: February 2022] The Village Teacher

This book came to my work and it was quite a challenge to catalog.  Cixin Liu is a Chinese science fiction writer.  These are graphic novel adaptations of his short stories.  But he did not write the graphic novels.  However, I wanted them linked together because there are going to be sixteen of them and they should all go together.  If you put them under Liu, then they go into the Chinese authors section.  But these are American books created for American audiences.  (I wound up making it an American series under Liu’s name).

Anyhow, I had never heard of him before, but these books are blurbed by none other than Barack Obama.

So I decided to take a look at them.

This book is also called The Rural Teacher in translated form.

After the complex intensity that was The Wandering Earth, this story is much more simple.  But it is not less intense.

There are two storylines.  I’m not sure if in the written work it’s less clear that the story lines are at the same time.  It felt like for a powerful effect, they would not be obviously simultaneous, but I’m not sure how he could have done that.

The story starts on a school in a rural village.  The teacher is teaching the kids about outer space. (more…)

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SOUNDTRACK: hiatus

[READ: February 2022] The Wandering Earth

This book came to my work and it was quite a challenge to catalog.  Cixin Liu is a Chinese science fiction writer.  These are graphic novel adaptations of his short stories.  But he did not write the graphic novels.  However, I wanted them linked together because there are going to be sixteen of them and they should all go together.  If you put them under Liu, then they go into the Chinese authors section.  But these are American books created for American audiences.  (I wound up making it an American series under Liu’s name).

Anyhow, I had never heard of him before, but these books are blurbed by none other than Barack Obama.

So I decided to take a look at them.

This second one is also a dark story about the destruction of the earth (actually, all three are).

The story is also more complicated with a lengthy timespan and a few surprises thrown in.

As the story opens we learn that three hundred years ago scientists discovered that our sun was using up its hydrogen and converting it to helium–it was going to explode.  So the scientists began a plan.  Using rockets, they would stop the earth’s rotation and then using those same rockets, they would propel the earth into a habitable part of the galaxy.

Obviously, this would take many generations and would result in the destruction of the earth as we know it.

The book begins with a baby born on the day that the earth had stopped rotating.  We quickly jump to the boy in school learning about everything that happened (a great way of doing exposition).  These students are high-tech and scientifically very smart.  Art and philosophy and everything like it have basically been done with because it’s all hands on deck for saving the planet. (more…)

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SOUNDTRACK: hiatus

[READ: February 2022] Sea of Dreams

This book came to my work and it was quite a challenge to catalog.  Cixin Liu is a Chinese science fiction writer.  These are graphic novel adaptations of his short stories.  But he did not write the graphic novels.  However, I wanted them linked together because there are going to be sixteen of them and they should all go together.  If you put them under Liu, then they go into the Chinese authors section.  But these are American books created for American audiences.  (I wound up making it an American series under Liu’s name).

Anyhow, I had never heard of him before, but these books are blurbed by none other than Barack Obama.

So I decided to take a look at them.

This first one is a dark story about the destruction of the earth (actually, all three are).

The story opens on an Ice & Snow Arts Festival.  The artist Yan Dong is completely wrapped up in his sculpture which is abstract and wild unlike every other one.  While people are looking at the art, a giant ball comes out of the sky and hovers above the ground.  The creature calls itself a Low Temperature Artist.  It states that only art matters in the universe–everything else is trivial.

It scoffs at the realistic art pieces and says that only Dong’s is worth considering.

Then it says that it will create the greatest ice-based art.  And it slowly begins sucking up all of the water from the earth.  It freezes the water and begins preparations for its installation which will remain in space protected by a membrane that will prevent the ice from melting.

Pretty cool.  Except of course, that soon, the planet is completely dried out. (more…)

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SOUNDTRACK: hiatus

[READ: December 31, 2021] You Can’t Be Serious

S. and I were wrapping presents for Christmas this year and put on A Very Harold & Kumar Christmas (which I thought was new and didn’t realize was ten years old).  I had said something about thinking Kal Penn was really cool and respecting his decision to work for the White House.

And lo and behold but there was this book in my Christmas pile.

Kal Penn, Jersey represent!, has led a fascinating life.  And he seems like a very cool (but not scoring you weed on the weekend kinda cool) guy.

Kal starts his book by saying that in kindergarten, the fastest, dumbest boy in his class called him the n-word.  He didn’t know what it meant, but he knew it was bad from the way the kids reacted.

A traumatic way to start a book and a school.  But things got better from there.  He recalls not paying much attention in school and also class trips to Old Sturbridge Village–that’s over three hours away!  His class went there–multiple times?  He loved the acting that went on there.

He talks about getting picked on for being a nerd.  But also about being grateful for living in a diverse New Jersey town–he went to a lot of mitzvahs.  His story of being on a boat for someone’s mitzvah is pretty funny.  And yet, he also talks about a hate group called Dotbusters based in Jersey City (I am so shocked to hear about this) who harassed assaulted and even killed Indian people.  His aunt lived there and his grandmother visited her there. (more…)

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SOUNDTRACK: SLEATER-KINNEY-Tiny Desk (Home) Concert #231 (July 1, 2021).

Sleater-Kinney were once an abrasive riot grrl band with vocals that were challenging and guitar riffs that were often abrasive.  The songs and the vocals intertwined in fascinating ways, making music like nobody else.

They took a lengthy hiatus and reemerged sounding a little different.  Then they released another album which sounded very different (so different that it caused Janet Weiss, holy drummer of the trio, to depart).

That album was not Sleater-Kinney.  It was good, very good in fact, it just wasn’t the same band.  Now, they’ve released another album and this one verges even further from their trio sound.

It’s still good, but it’s disconcerting that our two guitar-wielding singers aren’t playing much in the way of guitars.

“Path of Wellness” opens with a funky drum beat (from Vince Lirocchi) and bass.  Bass!  The gypsies had no home and Sleater-Kinney had no bass.  Well now they do in the form of Bill Athens.

On the previous album I bemoaned that Carrie Brownstein and Corin Tucker’s vocals didn’t intertwine like they used to.  It’s nice that the two sing the song together.  The vocals are much closer to traditional harmonies than untraditional S-K vocals.  But there is a bit of that wild S-K interchange in the voices.  And, once the song takes off in the middle though, Carrie plays some leads and Corin plays big loud chords.

Corin Tucker and Carrie Brownstein sing of human frailty and self-improvement, vibrating with low notes of disgust. Then Brownstein shoots Tucker a knowing smile as they sing, “You could never love me enough,” and the pair, who have been making music together for nearly 30 years, start to unwind things: Brownstein hisses “I am on a path of wellness” through gritted teeth before ripping into a four-note riff that feels like it’s pulling your guts out; Tucker sets her voice at maybe 75 percent howl capacity to sing “I feel like I’m unknown” and Brownstein still has to raise a hand to steady herself against the force. She can’t stop grinning.

“High In The Grass” feels looser and hazier than on the album;

“High In The Grass” has Corin playing the chords, Carrie playing the main riff and third guitarist Fabi Reyna playing the high lead read.  I don’t know if Corin would have normally played that or not, but having an extra guitar doesn’t hurt.

Corin sings this song rather delicately, in a kind of soft falsetto.  But when they get to the chorus is sounds like classic S-K vocals.

The guitars are pretty awesome in the middle part as all three women play different things  Corin is playing chords up and down the neck, Carrie has some riffage going on in the middle and Fabi is playing a scorching feedbacky solo.

Track three is a surprise.  Going back to 2002’s One Beat, they play the title song.  Corin and Carrie put down their guitars and keyboardist Galen Clark plays piano while Bill Athens plays bowed upright bass.

“One Beat” played with piano and bowed upright bass, making it that much easier to hear how, by the end, Tucker’s pleas and Brownstein’s yelp have been inextricably knitted together.

The album version is spare intertwined guitars and tribal drums–a very different sound.

“Worry With You” feels heavier [than the album].

The guitar riff sounds very S-K, and the guitars (and keys) do bring a heaviness to the proceedings.  The verses are jumpy and erratic but they resolve into one of their catchiest chrouses yet.

So yes, you can hear Sleater-Kinney in this album. But one aspect of the band is definitely gone.  Nevertheless, the core remains and it sounds terrific.

[READ: June 10, 2021]  “Standing By: Fear, loathing, flying.”

It was fascinating to read this article in 2021 because at the end he talks about fearing to ask the person near him on line who they voted for.  I wondered when he wrote this because it really applies to pretty much any election in the 21st century.

The essay opens with the joke that when your flight is delayed it’s a national tragedy–why isn’t this on the news!  But when you hear about it from someone else, it’s totally ho hum.

But mostly he gets to be snooty about his fellow passengers.  Like the guy next to him in a T-shirt and shorts:

It’s as if the person next to you had been washing shoe polish off a pig then suddenly threw down his sponge saying, “Fuck this.  I’m going to Los Angeles.”

He also talks about flight attendant friends who have given him some insight.  “I’ll be right back” is code for “Go fuck yourself.”  When he asked another attendant how he dealt with unruly travelers, the answer (at the end of the essay) is very satisfying.

He talks about another flight in which he saw an old woman with her young grandchildren who were dressed beautifully–like children from a catalogue.  The boy was even wearing a tie–clip on, but that’s ok. (more…)

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SOUNDTRACK: ROKIA TRAORÉ-GlobalFEST Tiny Desk (Home) Concert #136 (January 14, 2021).

Rokia Traore.GlobalFEST is an annual event, held in New York City, in which bands from all over the world have an opportunity to showcase their music to an American audience.  I’ve never been, and it sounds a little exhausting, but it also sounds really fun.

The Tiny Desk is teaming up with globalFEST this year for a thrilling virtual music festival: Tiny Desk Meets globalFEST. The online fest includes four nights of concerts featuring 16 bands from all over the world. 

Given the pandemic’s challenges and the hardening of international borders, NPR Music and globalFEST is moving from the nightclub to your screen of choice and sharing this festival with the world. Each night, we’ll present four artists in intimate settings (often behind desks donning globes), and it’s all hosted by African superstar Angélique Kidjo, who performed at the inaugural edition of globalFEST in 2004.

The final artist of the fourth and final night is Malian singer Rokia Traoré.

Rokia Traoré performed at globalFEST in 2005, the music festival’s second year, and it’s a thrill to present her meditative performance as part of Tiny Desk meets globalFEST. Her work is rooted in the Malian musical tradition, but defies the confines of a single culture. Born in Mali to a diplomat father, Traoré had a nomadic upbringing that exposed her to a wide variety of international musical influences. She joins us from Blues Faso, a theater inside her Foundation Passerelle in Mali, which she created to support emerging, interdisciplinary artists, from music and the performing arts to visual arts and photography.

She plays three songs that more or less segue into each other.  I don’t know a lot about music from Mali, but the little I know I can recognize from the Ngoni played by Mamah Diabaté and the guitar played by Samba Diabaté, with lots of speedy runs.   In “Souba Lé” melody is played on the balafon by Massa Joël Diarra (although I wish they’d have shown us it up close).  Both this song and “Tiramakan” feature subtle bass from Aristide Nebout.  The final song “Fakoly” is a little louder and drummer Roméo Djibré is a bit more prominent.

But all of these songs are all about Rokia Traoré’s vocals which soar and ring out.

[READ: February 25, 2021] March Book 3

Each book has gotten longer.  Book one was 121 pages, Book 2 was 187 and Book 3 is 246.

This book begins right after the bombing of the Sixteenth Street Baptist church in Birmingham, Alabama in 1963.   You meet the victims before they were killed.  It continues through until the passing of the Voting Rights Act in 1965.  Holy cow was there a lot of violence in these two years and the amazing art by Nate Powell never shies away from showing it.

Eagle Scouts at Klan rallies who then go on to kill Black teenager’s, hicks in pickups celebrating the deaths of the girls in the church with anti-integration chants and, as we see more and more in this book, police killing innocent people and not getting in any trouble because of it.

This book has opened my eyes to what Black people have known all along about police forces.  That they are completely corrupt and need to be restructured from the ground up.  When you see that it was their job to be racist in 1963, is it any surprise that they are still racist in 2021?

Reading a book like this I can’t help but think that the best thing we could have done for our country would have been to let the south secede.  Bring all people of color north and let the racists fester in their own lack of diversity.  Because their racism poisons the whole country.  And yet that is exactly the opposite belief that this book is based upon.

I’m embarrassed at how naïve I am. (more…)

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SOUNDTRACKELISAPIE-GlobalFEST Tiny Desk (Home) Concert #136/156 (January 14, 2021).

ElisapieGlobalFEST is an annual event, held in New York City, in which bands from all over the world have an opportunity to showcase their music to an American audience.  I’ve never been, and it sounds a little exhausting, but it also sounds really fun.

The Tiny Desk is teaming up with globalFEST this year for a thrilling virtual music festival: Tiny Desk Meets globalFEST. The online fest includes four nights of concerts featuring 16 bands from all over the world. 

Given the pandemic’s challenges and the hardening of international borders, NPR Music and globalFEST is moving from the nightclub to your screen of choice and sharing this festival with the world. Each night, we’ll present four artists in intimate settings (often behind desks donning globes), and it’s all hosted by African superstar Angélique Kidjo, who performed at the inaugural edition of globalFEST in 2004.

The second artist of the fourth and final night is First Nations singer Elisapie.

Elisapie returns to Tiny Desk for a show-stopping performance from Montreal, with the disco globe of our dreams helping to light her set. Elisapie, in both her songs and work, is a resounding advocate of First Nations culture in Canada. In her set, she harnesses an incredible energy with electrifying, emotive vocals.

I had really enjoyed Elisapie’s previous Tiny desk.  I found her to be a less extreme, but no less dramatic performer than Tanya Tagaq.  Her band is outstanding creating all kinds of textures to surround her voice.

The first song is “Qanniuguma.”  It starts quietly with a single ringing guitar note from Jean-Sébastien Williams and little taps of percussion from Robbie Kuster.  Joshua Toal adds some quiet bass as the guitar plays some higher notes.  After a minute Elisapie starts singing.  Another 30 seconds later the drums get louder and Jason Sharp start sprinkling in some raw bass saxophone.  As the song grows more intense, Elisapie adds some breathing and chanting–throat singing.  Things quiet down and then build again with the sax and the guitar soloing as the drums and bass keep things steady

Behind her you can see Mont Royal, which has a lot of history.

The second song “Wolves Don’t Live by the Rules” is “a small song” but very meaningful.  It starts in a similar way with ringing notes an thumping drums.  She sings this one in  English and it feels like a much more conventional sounding song.  It’s pretty quiet but the instrumental breaks adds huge guitar chords and the end is really loud.

Introducing the final song, “Arnaq” (which means Woman) she says women tend to forget that we have a lot of strength and we should celebrate it loud and clear.  This one opens with a loud raw sliding guitar like an early PJ Harvey song.  The song’s chorus builds with an “ah ya ya ya” as the instruments add chunky noises–scratches from the guitar and skronks from the sax and all kinds of precious.  It’s a cool noise fest, although the guitar could be a smidge louder.

I’d really like to see her live.

[READ: February 25, 2021] March Book 2

Book Two picks up John Lewis’ life.

Like the first, it starts with Lewis’ preparations for the inauguration of Barack Obama.

Then it flashes back.  Lewis was in college and had moved to Nashville where the growing student movement was gaining strength.

The visuals are even more striking in this book.  The panels of the white woman pouring water and then soap (or flour) on the quietly sitting Black diners and then hosing them down is really arresting.  As is the sequence (which is almost entirely black) of a room full of peaceful protestors being locked in a room when the fumigator was set off.

I couldn’t believe that a man couldn’t really left us there to die.  Were we not human to him?

Then next round of protesta was at the segregated movie theaters.  I love that they chose the Ten Commandments to protest (the irony was lost on the whites in Alabama).  The Black protesters would line up and would be refused seating.  Hundreds of people who would then get back on line and be refused seating again.  Whites would throw things at them and hurl abuse at them. (more…)

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SOUNDTRACKEDWIN PEREZ-GlobalFEST Tiny Desk (Home) Concert #136/155 (January 14, 2021).

Edwin PerezGlobalFEST is an annual event, held in New York City, in which bands from all over the world have an opportunity to showcase their music to an American audience.  I’ve never been, and it sounds a little exhausting, but it also sounds really fun.

The Tiny Desk is teaming up with globalFEST this year for a thrilling virtual music festival: Tiny Desk Meets globalFEST. The online fest includes four nights of concerts featuring 16 bands from all over the world. 

Given the pandemic’s challenges and the hardening of international borders, NPR Music and globalFEST is moving from the nightclub to your screen of choice and sharing this festival with the world. Each night, we’ll present four artists in intimate settings (often behind desks donning globes), and it’s all hosted by African superstar Angélique Kidjo, who performed at the inaugural edition of globalFEST in 2004.

The first artist of the fourth and final night is Edwin Perez.

From the basement of the Bowery Electric in downtown Manhattan, composer and vocalist Edwin Perez and his 10-piece band come together to put on a show. With a strong backbeat and enough room to move around, Perez’s up-tempo energy brings the party and keeps it going. The theme of the night is salsa dura music, which originated in New York in the 1970s and gained acclaim thanks to acts like the Fania All-Stars and Spanish Harlem Orchestra.

This set is a lot of fun (even with the seriousness of the second song).  Cuban music is so full of percussion and horns it’s hard not to want to dance to it.  And this band has three percussionists: Nelson Mathew Gonzalez: bongo, cowbell (from Puerto Rico); Manuel Alejandro Carro: timbales (from Cuba); Oreste Abrantes: (from Puerto Rico).  The horn section is also pretty large: Leonardo Govin (from Cuba) and Michael Pallas (From Dominican Republic): trombone; Jonathan Powell (from USA) and Kalí Rodriguez (from Cuba): trumpet.

They play three songs. “La Salsa Que Me Crió” has lots of percussion and a great trumpet solo.  Perez even dances during the instrumental breaks.  And throughout, Jorge Bringas (from Cuba) keeps the bass steady.

After introducing the band, he says “Say her name Breonna Taylor.  Say his name Philando castile.  Say his name George Floyd.  End the abuse.”  This is the introduction to the quieter “No Puedo Respirar” (I Can’t Breathe).   Despite the subject, this song is not a dirge.  I don’t know what the words are but there is joy in the music as well.  There’s a jazzy keyboard solo from Ahmed Alom Vega (USA).

Yuniel Jimenez (From Cuba) opens the final song “Mi Tierra” with a fantastic introductory solo on the Cuban tres guitar.  The rest of the song brings back the Cuban horns and percussion. There’s even a drum solo (or two) in the middle.

[READ: February 25, 2021] March Book 1

I had heard amazing things about this trilogy of books.  I don’t know why it took me so long to get around to reading them.  Now that John Lewis is dead for almost a year, it was time to read them.

This is essentially a biography so it’s not easy to write about.  It’s also an incredible story of selflessness, fortitude and unbelievable courage.

The framing device is very well executed.  After a brief prologue that shows John and is marchers getting attacked by police, the book shows us Washington D.C. January 20, 2009, the day that Barack Obama is being inaugurated President.  Since John is (in 2009) in office he will be attending the ceremonies.

As he is preparing and getting ready to leave, a woman and her two children walk into his room hoping to look at Mr. Lewis’ office–a inspirational moment for her young boys.  But it happens that John (or Bob as he is called) is still in his office. They are embarrassed to interrupt, but he welcomes them warmly and shows them some of the things around his office.

Like photos of him meeting President Kennedy when Lewis was 23.  And from the March on Washington in 1963, where Dr King gave his “I have a dream” speech.

Then the boy asks him why he has so many chickens in his office.

The story then flashes back to young John (called Bob by his parents).  His father purchased 110 acres in Pike County, Alabama for $300. John was incharge of the chickens on the farm.  He also loved preaching.  He learned to read at 5 and began preaching to the chickens (they never said Amen or anything).

He also loved going to school.  He would even away from his house on the days his father insisted all the children work in the field because he didn’t want to fall behind.  (Even if it meant getting in trouble).

One of the first being moments in his life wa when his Uncle Otis drove him North.

Otis knew which places offered colored bathrooms and the ones where you would never get out of the car: “Alabama, Tennessee, Kentucky.  These were the states we had to be careful in as we made our way North.”

It wasn’t until they got to Ohio that his uncle relaxed.  They arrive in Buffalo 17 hours later and John was amazed to see white and black people living next door to each other. (more…)

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SOUNDTRACK: DON BRYANT: Tiny Desk (Home) Concert #116 (November 24, 2020).

I was not familiar with Don Bryant, although I must have heard his music over the years.

Bryant, almost 80, has been in the music business since the early days of rock and roll; he wrote his first hit, the Five Royales’ “I Got to Know,” in 1960. He went on to his biggest success as a songwriter for Hi Records in Memphis …. For a number of years he only recorded gospel music, until 2017 when he began releasing soul records again, backed by members of the Bo-Keys.

Although

Classic soul music feels best in a club, with a lead singer and big band, preferably with horns, playing off the excitement of a sweaty crowd, drawing them in to stories of love, or love lost, or love reclaimed. It’s a hard feeling to find in our pandemic times.

Bryant manages to play some gorgeous old-school soul with just a guitarist (Scott Bomar) and a keyboardist (Archie “Hubbie” Turner).  And his voice, of course.

Wearing an elegant black and grey jacket matching his salt-and-pepper hair, Bryant evokes style and experience – someone who has been in it for the long haul.

This set is three songs from his latest record, You Make Me Feel, all written by him

His voice is powerful and resonant, deeply rooted in gospel. The keyboard sound is a classic soul sound and the guitar provides a mixture of rocking riffs and mellow accompaniment.

In “Your Love is to Blame” he even gives some good James Brown yelps.

Between songs he sounds like a preacher:  I’m going to give these songs to you as strong as I can.

“Is It Over” is slower and more mellow.  His voice sounds great, hitting high notes and unlike contemporary singers, his grace notes sound great–strong and not whiny.

“Your Love is Too Late” is a classic soul kiss-off track: “I found somebody new to do the things I wanted you to do.”  It opens with an old fashioned guitar riff and moves on from there with grooving guitars and fleshed out keyboards.

I don’t listen to much soul, but I do rather like it.

[READ: December 26, 2020] By the Way 2

This is Ann Lane’s second book about public art in Ireland.  She compiled the first in 2010.  I haven’t seen it, so I don’t know what is in it.

She says that in the ten or so years since the first book, more art has been added and she had been made aware of all of the art that she had missed.

But the fact that there are over 1,000 images in this book, that this is her second book and that in the introduction she says that she pretty much ignores the big cities (due to size constraints of the book) makes me think that Ireland is absolutely amazing with the amount of public art that the country has.  Ireland is about the same size as Indiana, and I would bet a ton of money that Indiana does not have 2,000 (some absolutely gorgeous) piece of public art to look at.

This book is broken down by county.  Lane includes many pieces of art from each county and provides some context for the piece, whether it is the impetus for the creation, some comment about its construction or even an occasional personal reflection.

It isn’t easy to photograph pubic art.  Some pieces absolutely fail when taken out of context or when trying to encompass an entire piece of art with a tiny photo.  Sometimes you cannot do justice to a piece because it must be seen from different angles to be really appreciated.  But Lane does a great job conveying these pieces.  And if her main goal is to get you to want to come to Ireland see them, then she has succeeded.

I marked off dozens of pictures in here because they were either my favorites or they were interesting in some way.

I followed this format.
COUNTY
Town: Title (Artist) Location.  Comments. (more…)

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