SOUNDTRACK: CHUMBAWAMBA-Anarchy (1994).
Long before Chumbawamba were Tubthumping up the charts, they were a bunch of squatting anarchists. In fact their history as a collective is fascinating in and of itself (they had even started a record label called Agit-Prop).
This album was their sixth, and the cover was not the only controversial thing about it. It opens with the supremely catchy “Give the Anarchist a Cigarette” which features the delightfully sing a long: “Nothing ever burns down by itself/ Ever fire needs a little bit of help.”
From this disc on (their previous albums were a mish mash of samples and dance beats) they set about writing catchy electronic rock songs. Simple beats that you could dance to, but with subversive lyrics up the wazoo. They tackled Homophobia: “homophobia the worst disease you can’t love who you want to love in times like these.” It’s an a capella track with an arr. trad. melody and (like “Tubthumping”) it was also set in a pub: “In the pubs and clubs and burger bars, breeding pens for pigs Alcohol, testosterone, and ignorance and fists.”
I’ve enjoyed this disc for as long as I’ve had it. It’s a catchy mix of different styles with a surprisingly strong sounding multi-voiced chorus. (For all of Chumbawamba’s ups and downs, their harmonies have always been spot on).
The disc also features a number of 30 second snippets of TV (one is called “D’oh”) and commercials. Songs also reference The Cook, The Thief, His Wife and Her Lover, as well as local politics and general awareness: “open your eyes, time to wake up, enough is enough is enough is enough” (from the song “Enough is Enough,” which is decidedly not a cover of the disco hit).
Because I have the sense of humor of a five-year old, I have always loved the lyrics of the wholly danceable “Mouthful of Shit” “Can’t hear you ’cause your mouth’s full of shit, do something about it. ” Also like “Tubthumping,” it features a solo female vocal coming out of the din, delicately singing, “You think you’re Gods gift, you’re a liar. I wouldn’t piss on you if you were on fire.” It’s fun to sing along to, just be mindful of where you are when yo do it!
[READ: Week of June 25, 2010] Letters of Insurgents [Third Letters]
The hardest thing about writing up posts about this book is trying to limit my quotes! There are so many good ones, and ones that so encapsulate what I want to say that it just seems easier to use his words. So, Insurgent Summer readers, I apologize for all of the blocks. Fredy writes too well not to share it.
And so begins the third letters: (more…)

SOUNDTRACK: GREEN DAY-21st Century Breakdown (2009).
Like most people who like Green Day, I’ve been a fan since Dookie. They were incredibly poppy (although they wrote great punk riffs) and they sang about weird, kind of subversive things. And they got huge really fast. Of course since then they have become one of the most commercially successful bands in America (including having their song picked for the ending scene of the Seinfeld montage–jeez).
SOUNDTRACK: DANGER MOUSE AND SPARKLEHORSE present: Dark Night of the Soul (2010).
Seems like most things that Danger Mouse touches involve lawsuits. I’m not entirely sure why this disc had such a hard time seeing the light of day. But it is due for a proper release in July. Although by now, surely everyone has obtained a copy of the music, so why would anyone give EMI any money for the disc (since they hid it away in the first place).
SOUNDTRACK: BLUE ÖYSTER CULT–Blue Öyster Cult (1972).
Craig Ferguson mentions that the only concert he saw as a teen in America was Blue Öyster Cult. My guess is that it would have been around the Agents of Fortune or Spectres tour (ie, around “(Don’t Fear) The Reaper”) so that must have been a killer show.
SOUNDTRACK: The Believer June/July 2007 Music Issue Compilation CD: Cue the Bugle Turbulent (2007).
The 2007 Believer disc smashes the mold of folkie songs that they have established with the previous discs in the series. The theme for this disc is that there’s no theme, although the liner notes give this amusing story:
SOUNDTRACK: TV ON THE RADIO-Dear Science, (2008).
The problem with TV on the Radio for me is that their first EP is so damned good that anything else they do pales in comparison. Having said that, Dear Science, comes really close to topping that EP. I liked Cookie Mountain (their previous disc) but I felt like they put so many elements into the mix that it detracted from the best part of the band: Tunde Adepimbe & Kyp Malone’s vocals.
I’m not sure how I first learned about
SOUNDTRACK: UI-Sidelong (1996).
I mentioned this band in my review of The New Yorker because Sasha Frere-Jones writes the music column for the magazine and he’s also the main guy here.
It took me going to Seattle to learn about
ten. For reasons known only to my head, I was convinced that Sasha was a black woman. Little did I realize that he is not. And that he was in a band that I have a CD of called Ui. He is an excellent resource for all things music, whether I like the artist he’s talking about or not. Some entries are