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Archive for the ‘Politicians’ Category

SOUNDTRACK: CHUMBAWAMBA-Anarchy (1994).

Long before Chumbawamba were Tubthumping up the charts, they were a bunch of squatting anarchists.  In fact their history as a collective is fascinating  in and of itself (they had even started a record label called Agit-Prop).

This album was their sixth, and the cover was not the only controversial thing about it.  It opens with the supremely catchy “Give the Anarchist a Cigarette” which features the delightfully sing a long: “Nothing ever burns down by itself/ Ever fire needs a little bit of help.”

From this disc on (their previous albums were a mish mash of samples and dance beats) they set about writing catchy electronic rock songs.  Simple beats that you could dance to, but with subversive lyrics up the wazoo.  They tackled Homophobia: “homophobia the worst disease you can’t love who you want to love in times like these.”  It’s an a capella track with an arr. trad. melody and (like “Tubthumping”) it was also set in a pub:  “In the pubs and clubs and burger bars, breeding pens for pigs Alcohol, testosterone, and ignorance and fists.”

I’ve enjoyed this disc for as long as I’ve had it.  It’s a catchy mix of different styles with a surprisingly strong sounding multi-voiced chorus.  (For all of Chumbawamba’s ups and downs, their harmonies have always been spot on).

The disc also features a number of 30 second snippets of TV (one is called “D’oh”) and commercials.  Songs also reference The Cook, The Thief, His Wife and Her Lover, as well as local politics and general awareness: “open your eyes, time to wake up, enough is enough is enough is enough” (from the song “Enough is Enough,” which is decidedly not a cover of the disco hit).

Because I have the sense of humor of a five-year old, I have always loved the lyrics of the wholly danceable “Mouthful of Shit” “Can’t hear you ’cause your mouth’s full of shit, do something about it. ” Also like “Tubthumping,” it features a solo female vocal coming out of the din, delicately singing, “You think you’re Gods gift, you’re a liar.  I wouldn’t piss on you if you were on fire.”  It’s fun to sing along to, just be mindful of where you are when yo do it!

[READ: Week of June 25, 2010] Letters of Insurgents [Third Letters]

The hardest thing about writing up posts about this book is trying to limit my quotes!  There are so many good ones, and ones that so encapsulate what I want to say that it just seems easier to use his words.  So, Insurgent Summer readers, I apologize for all of the blocks.  Fredy writes too well not  to share it.

And so begins the third letters: (more…)

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SOUNDTRACK: GREEN DAY-21st Century Breakdown (2009).

Like most people who like Green Day, I’ve been a fan since Dookie.  They were incredibly poppy (although they wrote great punk riffs) and they sang about weird, kind of subversive things.  And they got huge really fast.  Of course since then they have become one of the most commercially successful bands in America (including having their song picked for the ending scene of the Seinfeld montage–jeez).

And yet….

And yet, American Idiot, their previous album was one of  the most anti-establishment records of the last twenty years. (True it’s not hard to be Anti-Bush if you’re a punk band, but wow.)  And yet, it was a concept album and even a rock opera of sorts.  And it still sold millions.

And now American Idiot has been made into a freaking Broadway Musical.  And yet, how many Broadway shows (or top twenty albums for that matter) have lyrics like “The insurgency will rise when the blood’s been sacrificed.  Don’t be blinded by the lies in your eyes”

And so Green Day confounds me.  And yet, if I were younger and cared more about “keeping it real” I think they’d confuse me even more because although musically they have sold out (if you want to call it that), lyrically Billie Joe is still pretty true to his punk roots.  And, of course, even the punkest bands seem to go commercial eventually (Combat Rock anyone?)

Of all the Green Day CD’s I think I like this least.  And yet I really applaud them for writing an album that so easily translates to Broadway (not an easy feat in itself) (this disc would make better Broadway than American Idiot).  I think I dislike this disc not because it’s so unpunk, but because I think musically it’s really obvious (and although I like musicals, I prefer classic musicals to contemporary ones).  And yet, most of Green Day’s music is pretty obvious.  I guess I prefer my obvious music to have a harder egde.

And yet Act III is full of some really great aggressive punk songs: “Horseshoes and Handgrenades” is just fantastic.  And in Act II, “Peacemaker has a great construction, all spaghetti Western and whatnot.  And in the first act, the title song has multiple parts that all work well together.  It’s a pretty sophisticated song.  And who can fault Billie Joe for expanding his songwriting skills?  Like the Tin Pan Alleyesque opening of “¿Viva La Gloria? (Little Girl).”

In interviews, Billie Joe comes across as a maturing artist who is influenced by more diverse styles of music.  I always wonder what the other two guys think.  Should your name still be Tre Cool if you’re no longer writing songs about getting high and masturbating?

And yet…and yet…ad astra.

[READ: Week of June 18, 2010] Letters of Insurgents [Second Letters]

There’s been a lot of discussion over at Insurgent Summer (and here) about the first week’s reading.  Very exciting!  And with so much revealed and so many accusations flying this week, no doubt more will continue.

Many people have been wondering exactly what Yarostan could have meant in first letter when he said he barely remembered Sophia.  When he replies in this letter, he claims that “I now remember you as if I had been with you only yesterday” (29).  There are two ways to take this: first, as a positive; however, it can also be read as the way I take it: Oh, RIGHT, you’re THAT person, still.  And this is pretty well confirmed by the second paragraph: “I admit that I once shared the illusion your letter celebrates” (29). (more…)

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SOUNDTRACK: DANGER MOUSE AND SPARKLEHORSE present: Dark Night of the Soul (2010).

Seems like most things that Danger Mouse touches involve lawsuits.  I’m not entirely sure why this disc had such a hard time seeing the light of day.  But it is due for a proper release in July.  Although by now, surely everyone has obtained a copy of the music, so why would anyone give EMI any money for the disc (since they hid it away in the first place).

The name that is not listed above is David Lynch, who is an important contributor to the project.  He creates all the visuals (and the visuals in the book that was the original release format).  He also contributed vocals to two tracks on the CD.  (His vocals are weird and spacey, just like him…and if you remember his voice from Twin Peaks, just imagine Gordon singing (but with lots of effects).

The rest of the disc is jam packed with interesting singers: Wayne Coyne (from The Flaming Lips), Gruff Rhys (from Super Furry Animals), Jason Lytle (from Grandaddy) on my two favorite tracks, Julian Casablancas (from The Strokes), Black Francis, Iggy Pop, James Mercer (from The Shins), Nina Persson (from The Cardigans), Suzanne Vega, and Vic Chesnutt.

I’m not sure if Danger Mouse and Mark Linkous wrote the music already knowing who the singers were going to be, but musically the tracks work very well.  And yet, despite the different sounds by the different singers, the overall tone and mood of the disc is very consistent: processed and scratchy, melodies hidden deep under noises and effects.   Even the more “upbeat” songs (James Mercer, Nina Persson) are dark meanderings.

It took me a few listens before I really saw how good this album was.  On the surface, it’s a samey sounding disc.  But once you dig beneath, there’s some really great melodies, and it’s fascinating how well the songs stay unified yet reflect the individual singers.

EMI is going to have to pull out all the stops to make it a worthy purchase for those of us who have already found the disc.  Since The Lynch book was way overpriced for my purchase, (and they surely won’t include it with this CD), they need to include at least a few dozen Lynch photos (and more).  And with a list price of  $19 (NINETEEN!) and an Amazon price of $15, the disc should clean your house and improve your wireless connection too.

[READ: June 1, 2010] Bloom County Vol. 1

Boy, did I ever love Bloom County.  Back in high school I had more drawings of Opus and crew in my locker than anything else.  (I used to reproduce the cartoons by hand, I was never one of those “cut out of the paper” people.)  And so, there are tons of punch lines that I still remember twenty-five years later.

And yet, despite my fondness for the cartoon (and the fact that I owned (and read many times)) all of the collected books, I was amazed at how much of the early strips I had no memory of, at all.  True, some of the really early ones are here for the first time in collected form (according to an interview there are hundreds of comics in collected form for the first time in these volumes).   But those early 1980 comics…wha? (more…)

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SOUNDTRACK: BLUE ÖYSTER CULT–Blue Öyster Cult (1972).

Craig Ferguson mentions that the only concert he saw as a teen in America was Blue Öyster Cult.  My guess is that it would have been around the Agents of Fortune or Spectres tour (ie, around “(Don’t Fear) The Reaper”) so that must have been a killer show.

In honor of his book, I’m going to look at the lesser known early work of BOC.  Their first disc is a fascinating amalgamation of hard rock, blues, boogie and psychedelia.  All of that is coupled with the utterly perplexing lyrics that they came up with. In addition to the huh? factor of titles like “She’s a Beautiful as a Foot” and “Before the Kiss, a Redcap” we also get fascinating title like “Transamaniacon MC” (later on John Shirley would write a book called Transmaniacon as a tribute to this song).

The album isn’t heavy by today’s standards, but at the time, this was some pretty heavy stuff.  The rocking chorus of “Transmaniacon,” the blistering speed of “Stairway to the Stars,” and yes, the undeniably heavy riff of “Cities on Flame with Rock and Roll” let you know that this is no simple rock album.

And yet, they work so well with the fundamentals: Steppenwolf is clearly an inspiration.  This is classic rock that doesn’t quite fit the classic rock mode (which, frankly, makes it far more interesting).  There’s a lot to like here, and there’s more to come.

[READ: February 26, 2010] American on Purpose

I keep saying I don’t read memoirs but then I keep reading them. Yes, I’m a liar.

Well, in this case, I felt it was justified because a) Craig Ferguson is hilarious and I assumed his book would be too and b) he has already written a novel that I really liked (as well as 3 screenplays which I have not seen). So I figured it would be a well-written, funny book.  And, since it turned out I had two days off because of the “snow” I finished the book in a couple of days.

Right, so Craig Ferguson is the host of The Late Late Show, a show that Sarah and I fell in love with last year and then kind of forgot about it. And then we caught it again recently and have been enjoying some TiVo’d bits every now and then. Ferguson has a wonderfully warped sense of humor and his show veers into the bizarre more often than not.   But he is always enjoyable, and his celebrity interviews are worth watching for how funny and un-promotional they are.
But what about this book? This book basically details his life growing up in Scotland, moving to the States and becoming a “huge star.”

But the crux of the book is about his descent into alcoholism, how it destroyed his first marriage and several other long term relationships, as well as potentially his career. (more…)

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SOUNDTRACK: The Believer June/July 2007 Music Issue Compilation CD: Cue the Bugle Turbulent (2007).

The 2007 Believer disc smashes the mold of folkie songs that they have established with the previous discs in the series.  The theme for this disc is that there’s no theme, although the liner notes give this amusing story:

one decaffeinated copy editor (“the new guy”) made a suggestion: “The Believer CD should be composed of eight a.m. music/breakfast-substitute jams, like that commercial from a while back with the guy who gets out of bed over and over again while ELO plays over his morning routine. You should tell all of the bands to write/contribute songs worth listening to within three minutes of waking up.”

So, without a theme, they just asked artists for some great songs.  There’s one or two tracks written especially for the disc (Sufjan Stevens, Lightning Bolt).  There’s a couple B-sides.  There are some wildly noisy raucous songs: and three of them come from duos!  No Age offers a very noisy blast of feedback.  Magik Markers play a super-fast distortion-fueled rocker, and Lightning Bolt play 5 minutes of noise noise noise.  Oh, and there’s even a rap (Aesop Rock)!

Tracks 3-7 are just about the 5 best songs in a row on any compilation.  Oxford Collapse plays a catchy and wonderfully angular song with “Please Visit Your National Parks.”  It’s followed by a song from Sufjan Stevens that sounds NOTHING like Sufjan Stevens, it’s a noisy distorted guitar blast of indie punk.  I’m from Barcelona follows with a supremely catchy horn driven song that would be huge on any college campus.  Aesop Rock comes next with a fantastic song.  I’d heard a lot about Aesop Rock but had never heard him before, and he raps the kind of rap that I like: cerebral and bouncy.  This is followed by Reykjavik! with a crazy, noisy surf-guitar type of song.  It reminds me of some great college rock from the early 90s.

Of Montreal, a band I’ve been hearing about a lot but who I’ve never heard (and didn’t think sounded like this) plays a wonderfully catchy two minute love song that sounds ironic, but which likely isn’t.  The melody is straight out of the Moody Blues’ “Wildest Dreams,” and yet it is still fun and quirky.

There’s a couple instrumentals as well: The Clogs do a cool, mellow instrumental and Explosions in the Sky do one of their typically fantastic emotional tracks.  Also on the disc, The Blow contribute a delightfully witty song and Bill Fox, a singer I’d never heard of (but who has a great article about him in the magazine), really impressed me with his Bob Dylan meets Nico delivery.  The disc ends with an alternate version of a song by Grizzly Bear.

This is definitely my favorite Believer disc thus far.  See the full track listing here.

[READ: Throughout 2009] Schott’s Miscellany 2008

This year’s edition of Schott’s Miscellany is very much like last year’s edition (see that review here).  I mean, it is an almanac after all.  However, it is a wondrous testament to Schott that even though I read every word of the 2008 edition, I was able to read every word of the 2009 edition and not feel like I was duplicating myself very much.

Obviously the news, facts and events of 2008-09 are different from last year.  And since Schott’s writing style is breezy and fun with a hint of sarcasm and amusement thrown in, you don’t get just a list of facts, you get sentences with subtle commentary on the facts.  And it’s a fun way to re-live the past year.  Plus, the Sci, Tech, Net section discusses science stories that sounded really impressive and important which I can’t believe I didn’t hear about at the time. (more…)

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[READ: Yeah, I’m not reading her book, but this parody book looks mighty funny.  Click the cover to order it.]

So, obviously I’m not going to read her book.  But I did want to point out the Webster’s definitions of Rogue.  It was pretty clear on the campaign trail that words didn’t really mean anything.  But when your very own book uses a word as its title and that word is (presumably) used to describe you, wouldn’t it behoove you to find out just what the word means?

1 : vagrant, tramp
2 : a dishonest or worthless person : scoundrel
3 : a mischievous person : scamp
4 : a horse inclined to shirk or misbehave
5 : an individual exhibiting a chance and usually inferior biological variation

So, which is it?  Vagrant?  Dishonest Person?  Scamp?  Horse?  Inferior individual?  That may not have been the best word choice.

And speaking of failed vice presidential candidates.  Recent events have led me to ponder the life of the failed vice presidential candidate.  It seems that in the 21st century, the failed presidential candidate gets off okay.  He fails and he moves on, but jeez, let’s look at the last few failed VPs: (more…)

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adidasSOUNDTRACK: TV ON THE RADIO-Dear Science, (2008).

sciencThe problem with TV on the Radio for me is that their first EP is so damned good that anything else they do pales in comparison.  Having said that, Dear Science, comes really close to topping that EP.  I liked Cookie Mountain (their previous disc) but I felt like they put so many elements into the mix that it detracted from the best part of the band: Tunde Adepimbe & Kyp Malone’s vocals.

And so, on Dear Science, the vocals are back up front where they belong.  This disc is a lot less busy, which may seem a little like selling out, but instead, it just heightens the complexity and originality of the band’s work.  The disc rocks hard but it also heightens some really cool jazz and dance elements.    But it all comes back to the melodies and vocals for me.  And on Dear Science, they pretty much outdo themselves.

And you can dance to it!

[READ: September 30, 2009] Shiny Adidas Tracksuits and the Death of Camp and Other Essays

After reading David Foster Wallace’s essay in this book, I looked at the other articles here and decided to read the whole thing.  And I’m really glad I did.  It’s an interesting book full of, funny and often thought-provoking pop culture articles circa 1996.  As with some of the other pop culture/political books that I’ve read several years after they were relevant, it’s often weird to look back and see what things fully occupied the popular landscape at the time.  And, when a piece is completed dated, it’s pretty obvious, and sometimes unintentionally funny.  But there are many pieces here that are timeless (or at least hold up for a decade), and those are still really good reads.

This book also does a good job of summarizing the tenor of the defunct Might magazine.  A dose of irony, a splash of humor and a lot of criticism of what’s trendy.

The strange thing to me about this book, though is the targets that they chose to go after sometimes.  Rather than critiquing right-wing attitudes or corporate shenanigans (which they do touch on), they really seem to be after pop and rock celebrity.  For instance, there are two separate articles which take a potshot at Eddie Vedder (this was around the time of the Ticketmaster fiasco which didn’t put him in the best light but which could hardly be seen as only self-serving).  This seems rather unfair, unless his sincerity could really be called into question by a bunch of ironic jokesters.  Magazines like Radar and Spy used to do snarky articles like this. I’d always thought that Might was a little better than that.  But indeed, there’s one or two pieces here that have a holier- (or perhaps indier)-than-thou attitude.   Which may have been fine in the 90s but which seem petulant now.

But aside from those, the irony-free pieces are very enjoyable.  (more…)

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weekI’m not sure how I first learned about The Week. I think I received a trial issue in the mail. But after just one or two issues we were hooked.  The Week is a comprehensive newsweekly, although it offers virtually no original reporting.  It collates news stories and offers opinions from a variety of sources: newspapers, online magazines, political journals etc. And it provides opinions from across the political spectrum.

Each issue has the same set up (although they recently had an image makeover: a new cover design and some unexpected font changes in a few sections, which I suppose does lend to an easier read).

Each issue starts with The main stories… …and how they were covered. The first article is a look at whatever major story captivated the editorials that week.  (The growing gloom in Afghanistan).  And in a general sense of what you get for long articles (the long articles are about 3/4 of a page) You get WHAT HAPPENED, WHAT THE EDITORIALS SAID, and WHAT THE COLUMNISTS SAID.  The What Happened section is a paragraph or two summary of the story.  The editorials offer a one or two sentence summary from sources like USA Today, L.A. Times and The Financial Times, while The Columnists are from The Washington Post, The Wall Street Journal and Time.com, for example. (more…)

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ashSOUNDTRACK: UI-Sidelong (1996).

ui I mentioned this band in my review of The New Yorker because Sasha Frere-Jones writes the music column for the magazine and he’s also the main guy here.

This disc is challenging to describe but certainly not to listen to.  It is a gorgeous smooth/funky/instrumental set.  The band plays with sound effects and time changes, but they are grounded by a fantastic double bass-guitar rhythm.  In some ways they remind me of the bass style from Morphine (that fluid and ultra-cool sound).

There’s a couple of songs with words, although they’re not really anything special (mostly sort of chanting/free verse style).  Stick with the instrumentals which don’t get bogged down with concepts.

This album came out the same year as Tortoise’s Millions Now Living Will Never Die.  Tortoise seems to be a frame of reference for reviewers (like me), although they don’t sound anything alike.   I guess its the whole instrumentals-can-be-cool aesthetic.

If you like your music funky and bass heavy without being dance music (although you can certain groove to Ui) or straight up funk, this is a disc worth seeking out.

[READ: August 24, 2009] Army of Darkness: Ash Saves Obama (Issue 1)

I had a couple of reasons for reviewing this comic before the series was finished.  One, it’s Army of Darkness.  Two, Ash saves President Obama.   Three, It’s Army of Darkness!! And four it’s on a small press, so they can use the publicity.

You need to know some back story to understand just what the hell is going on here.  And if you haven’t seen any of the Sam Raimi/Bruce Campbell films (Evil Dead/Army of Darkness) then this probably doesn’t mean much to you. (more…)

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ny1It took me going to Seattle to learn about The New Yorker magazine.  I was visiting my friend Rob and he was really surprised that I didn’t read the magazine all the time (my reading always seems to surprise people, see The Believer.)

Upon my first read of the magazine, I was surprised to see that the first twenty pages or so are taken up with upcoming shows: films, concerts, sports, everything.  I actually wondered how much content would be left after all that small print.

Since then I have learned that Sasha Frere-Jones writes columns in here quite ofuiten.  For reasons known only to my head, I was convinced that Sasha was a black woman.  Little did I realize that he is not.  And that he was in a band that I have a CD of called Ui.  He is an excellent resource for all things music, whether I like the artist he’s talking about or not.  Some entries are here.  This audio entry about Auto-Tune is simply fantastic.

But of course, there’s a lot of content.  And the first thing you get are letters.  I don’t think I have EVER looked at the letters section. (more…)

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