SOUNDTRACK: BILLY BRAGG-Talking to the Taxman About Poetry (1986).
I’ve liked Billy for ages now. I’ve seen him live a few times, and I’ve always loved that his accent is so prominent when he sings. Over the years he has become somewhat less overtly political, but he is still a man of issues and causes.
This is Billy Bragg’s second full length. He was still primarily a man with a voice and a guitar at this stage. His melodies are strong, and since there’s no other instrumentation, all that’s left to talk about is the lyrics.
“Greetings to the New Brunette” is an adorable love song, followed closely by the anti-marriage “The Marriage”: “If I share my bed with you Must I also share my life Love is just a moment of giving And marriage is when we admit our parents were right.” (which doesn’t quite jibe with Sophia, but it’s close.
But really what you come to Billy Bragg for is the politics. LIke in “Ideology”: The voices of the people Are falling on deaf ears Our politicians all become careerists They must declare their interests But not their company cars Is there more to a seat in parliament Then sitting on your arse.”
He also covers a public domain song which I wondered how well it would fit here. “There is Power in a Union” seems like it’s saying the right thing, but some of the characters here would disagree about the end: There is power in a factory, power in the land Power in the hands of a worker But it all amounts to nothing if together we don’t stand There is power in a Union.”
This album also features the great track, “Help Save the Youth of America.”
Over the years Billy would expand his sound (he even worked with Wilco on two discs), but he always sings for the people.
[READ: Week of July 2, 2010] Letters of Insurgents [Fourth Letters]
As I’ve been going along in the story, I began to wonder if the two letter writers were going to be rehashing the same arguments in each letter. I had confidence in Perlman that the story would be interesting (it sure had been so far), but I couldn’t imagine how he would keep it original, especially since Yarostan was in jail for so long–he has no information except secondhand.
This week’s reading gave two examples of how he’d do it: Jasna comes to visit Yarostan and she updates everyone about what had happened to all of their fellow workers, and Sophia reveals a horrible situation in which she hits rock bottom–a real physical bottom, not a philosophical one. (more…)

SOUNDTRACK: CHUMBAWAMBA-Anarchy (1994).
Long before Chumbawamba were Tubthumping up the charts, they were a bunch of squatting anarchists. In fact their
SOUNDTRACK: GREEN DAY-21st Century Breakdown (2009).
Like most people who like Green Day, I’ve been a fan since Dookie. They were incredibly poppy (although they wrote great punk riffs) and they sang about weird, kind of subversive things. And they got huge really fast. Of course since then they have become one of the most commercially successful bands in America (including having their song picked for the ending scene of the Seinfeld montage–jeez).
SOUNDTRACK: DANGER MOUSE AND SPARKLEHORSE present: Dark Night of the Soul (2010).
Seems like most things that Danger Mouse touches involve lawsuits. I’m not entirely sure why this disc had such a hard time seeing the light of day. But it is due for a proper release in July. Although by now, surely everyone has obtained a copy of the music, so why would anyone give EMI any money for the disc (since they hid it away in the first place).
SOUNDTRACK: BLUE ÖYSTER CULT–Blue Öyster Cult (1972).
Craig Ferguson mentions that the only concert he saw as a teen in America was Blue Öyster Cult. My guess is that it would have been around the Agents of Fortune or Spectres tour (ie, around “(Don’t Fear) The Reaper”) so that must have been a killer show.
SOUNDTRACK: The Believer June/July 2007 Music Issue Compilation CD: Cue the Bugle Turbulent (2007).
The 2007 Believer disc smashes the mold of folkie songs that they have established with the previous discs in the series. The theme for this disc is that there’s no theme, although the liner notes give this amusing story:
SOUNDTRACK: TV ON THE RADIO-Dear Science, (2008).
The problem with TV on the Radio for me is that their first EP is so damned good that anything else they do pales in comparison. Having said that, Dear Science, comes really close to topping that EP. I liked Cookie Mountain (their previous disc) but I felt like they put so many elements into the mix that it detracted from the best part of the band: Tunde Adepimbe & Kyp Malone’s vocals.
I’m not sure how I first learned about
SOUNDTRACK: UI-Sidelong (1996).
I mentioned this band in my review of The New Yorker because Sasha Frere-Jones writes the music column for the magazine and he’s also the main guy here.