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Archive for the ‘The Shins’ Category

Weezer (XFinity Mobile Arena, Philadelphia PA, September 29, 2026)

Posted in Philadelphia, PA, Silversun Pickups, The Shins, Weezer, XFinity Mobile Arena on October 1, 2026| Leave a Comment »

[ATTENDED: September 29, 2026] Weezer

This is my fourth time seeing Weezer.  I’m not a huge Weezer fan and I know they’ve released some real stinker songs, but when they hit it right, they absolutely nail it.  And their shows are a lot of fun.

This is the first time I’ve seen them headline in a pretty long time.  I remembered their 2018 show was a great spectacle showing the band progress through the years.  But they went all out for this show and it was a blast!

The show began with a video of a kid drawing pictures like those in the poster to the right.  Some bullies mocked Nicholas for drawing his weird Ws and Nicholas said that Weezer were playing at his house tonight.  The kids don’t believe him.  Nicholas wishes really hard and the weird symbols he’s drawing start to glow and Rivers received the message about a show that night.  He grabs the band and they head to Nicholas’ house.

The stage had been setup to look like a back yard.  There was a house (!) as well as telephone poles (with sneakers on the wires) artificial turf and a picket fence.  On the screen, the guys approach a fence and then walked through the fence on stage. A simple detail, but really fun.  The screen converted to a backyard scene with a swimming pool and trees and everything.  It looked really convincing (despite being obviously fake).

The story was played out though the whole night (even if the guys in the band are TERRIBLE actors–so bad!  Rivers’ “let keep this party going” and things were pretty sus but who cares).

They started playing a brand new song (I don’t now the album all that well, but everyone on the floor sure did).  In addition to showing the band on the stage, the cameramen in the front row went back an forth to the folks in the front row, and most of them were singing along.

And then came what was mostly a greatest hits selection of songs, but with quite a few deep cuts as well.  (more…)

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The Shins (XFinity Mobile Arena, Philadelphia PA, September 29, 2026) [WEEZER]

Posted in Philadelphia, PA, Silversun Pickups, The Shins, Weezer, XFinity Mobile Arena on September 30, 2026| Leave a Comment »

[ATTENDED: September 29, 2026] The Shins

I have been a fan of The Shins since their debut album came out and I have never seen them live.  I put them very high on my list of bands that I wanted to see.  But I assumed I just never would.  (They played Franklin Music Hall in 2022 and The Fillmore in 2017).  And yet, here they were opening for Weezer.

I don’t know what James Mercer (the only real Shin at this point) has been up to for this last decade (their last album came out in 2017), but whatever it is, he’s been keeping his voice in amazing condition.

They opened with Simple Song and I immediately remembered how much I love The Shins.  And as soon as he hit the first high notes of the song–and hit them confidently and easily, I knew this set was going to be fantastic.  They made some use of the video screens.  The camera zoomed in on the musicians from time to time and behind them, for each song there was a different band name logo, which was really fun.

Up next was Australia (I realized I have no idea what the names of these songs are) but as soon as the “la la las” came along, the whole song flooded back.  And Mercer seemed like he was having a really good time up there.  He commented about how he had never been on an arena tour before and how much fun he was having. (more…)

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Silversun Pickups (XFinity Mobile Arena, Philadelphia PA, September 29, 2026) [WEEZER]

Posted in Philadelphia, PA, Silversun Pickups, The Shins, Weezer, XFinity Mobile Arena on September 29, 2026| Leave a Comment »

[ATTENDED: September 29, 2026] Silversun Pickups

I had been wanting to see Silversun Pickups for a pretty long time and finally managed to see them (after missing easily a half dozen shows in our area over the course of a year or so) in 2024.  And they were great.  I really wanted to see them again, but once again, their headlining show fell during a vacation.

So, at last here they were again, this time opening for Weezer.

Initially, my wife said she didn’t want to go to this show, but upon hearing that The Shins were opening, she changed her mind.  I wound up getting cool seats in the club section (which includes a personal food and drink and bathroom area) and we fought the traffic (why would you AC/DC playing at the football field next door at the EXACT SAME TIME as this show?

We arrives in time, found our cool seats and even ordered food (which we never do) because we hadn’t had time for a pre meal dinner.  Hint: go for the kid’s meal, it’s a decent sized portion for half the price).

We were on the left side of the stage.  Almost parallel to the stage but not quite and really rather close.  Great seats.  And even if you couldn’t see the screens behind them straight on, they were done really well and were easily viewed from where we were.

The Silversun Pickups came out and Nikki Monninger’s bass rumbled the opening notes of Well Thought Out Twinkles. The sounded great.  The venue’s sound quality isn’t perfect or anything, but they sounded really good–that bass was so clean.  It’s always fun to watch drummer Chris Guanlao, going crazy pack there–hair flying, sticks smashing things.  He shows you how fun being a drummer can be. (more…)

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The Shins / Joseph (Franklin Music Hall, Philadelphia, PA, August 26, 2022) [DID NOT ATTEND]

Posted in Franklin Music Hall, Joseph, Philadelphia, PA, The Shins on August 26, 2022| Leave a Comment »

[DID NOT ATTEND: August 26, 2026] The Shins / Joseph

The Shins last played Philly in 2017.  I would have really liked to see this show, the 21st birthday for Oh, Inverted World, but I already had tickets to see Peter Hook tonight.

[Writing this years later: If I had realized that The Shins wouldn’t return to Philly until 2026 and in that instance, as an opener, I would have tried to get here for sure).

I do love The Shins first few albums and of course their debut, but sometimes other things come up first.

We saw Joseph in 2018 in Sellersville.  They were great but I wouldn’t have gone out of my way to see them again.  However, it would have been enjoyable to see them open for The Shins.

Here’s some blurbs about the show from WXPN

But first, sisters Natalie, Allison and Meegantook the stage. The band, Joseph, explained that their name was in honor of their late grandfather. From the audience you could feel that closeness the sisters shared. This rang especially true in Joseph’s unwavering and beautifully-toned harmonies that carried through each of their songs.

James Mercer was quick to assure the crowd that they would, in fact, be playing every song from Oh, Inverted World as he stood center stage with the band and the cover art for the album backdrop behind him. Several times he’d announce which number track The Shins were on cheekily. After welcoming Joseph back to the stage to do backup vocals a few songs in, Mercer looked at the crowd and announced “song 3” (aka “Weird Divide”) in a Terry Gross-esque tone.

The album as a whole is a “short one,” so The Shins’ went cherry picking crowd favorites from later albums as well. “Australia” and “Sleeping Lessons”off Wincing The Night Away made the cut, seemingly releasing a ball of energy or anticipation that the crowd had been holding onto. “Simple Sound” of Port of Morrow shared similar explosive energy. There were also more somber moments like during “The Fear” off Heartworms.

The Shins seemed to loosen up and goof around after the album was played and the set entered the fruit salad portion. Emanating chaotic good energy Mercer started to sing “Do Ya Think I’m Sexy” by Rod Stewart and the band followed suit. It seemed the band was expecting this random cover, they just didn’t know when.

Sounds really fun.

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Newport Folk Festival Recap (Fort Adams State Park, Newport, RI, July 27 & 28, 2019)

Posted in All Songs Considered, Amanda Shires, Amy Ray, Benmont Tench, Billy Strings, Bob Boilen, Brandi Carlile, C., Chris Funk, Colin Meloy, Courtney Marie Andrews, Crosby Stills & Nash, Crosby Stills Nash and Young, CSN, Dawes, Dolly Parton, First Ladies of Bluegrass, Fleet Foxes, Fruit Bats, Hozier, Hurray for the Riff Raff, J.S. Ondara, Jade Bird, Jason Isbell and The 400 Unit, Jim James, Judy Collins, Jupiter & Okwess, Lake Street Dive, Lucy Dacus, Maggie Rogers, Maren Morris, Mavis Staples, Molly Tuttle, Muppets, My Morning Jacket, Native Americans, Newport Folk Festival, Newport, RI, Nilüfer Yanya, NPR/PRI/PBS, Our Native Daughters, Pete Seeger, Portugal The Man, Preservation Hall Jazz Band, S., Sheryl Crow, Susto, T., The Decemberists, The Highwomen, The Milk Carton Kids, The Shins, Trey Anastasio, Vacation, Wilco, Woody Guthrie, Yola on July 28, 2019| 1 Comment »

[ATTENDED: July 27 & 28, 2019] Newport Folk Festival

Back in 1998, I won a radio contest (not through luck, I knew the name of a song and couldn’t believe no one else did!) and scored a ticket to the Newport Folk Festival.  It was in a lull back then and also, I believe there was only one stage (it’s hard to remember).  Now it is at full power, selling out before artists are even announced.

S. and I have talked about going and finally this year I saw when tickets were announced and I bought 4 tickets for us.  I knew that our son wouldn’t want to go, but I decided to make a long vacation out of it–a couple days in Rhode Island and then about a week in Maine.  He couldn’t say no to going to that.

I didn’t get Friday tickets because three days seemed excessive.  Plus, you never know who is going to appear until long after you buy the tickets. and that actually worked out pretty well.   Turned out, there wasn’t anyone I really wanted to see.

So we rolled in for Saturday.  I was told that if you wanted to get the poster you had to get their very early.  We arrived at 12:30 and they were long sold out.  Oh well. (more…)

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Rebecca Rosenblum–“The First Day of Winter” [The 2017 Short Story Advent Calendar #21] (2017)

Posted in Ages and Ages, Andrew Bird, Angst, Black Prairie, Brave Combo, Calexico, Canadian Content, Christmas, Christmas Album, Eleanor Friedberg, Food, Fun., Funny (ha ha), Futility, Hamburgers, Heartless Bastards, Holly Golightly, Parenting, Paul McCarthy, Preservation Hall Jazz Band, Punch Brothers, Rebecca Rosenblum, Romance, Rufus Wainwright, Sallie Ford, Salvador Dali, Sharon Van Etten, Short Story, The Civil Wars, The Decemberists, The Head and the Heart, The Shins, The Short Story Advent Calendar, Tweens, Veggie Burgers, Y La Bamba on December 21, 2017| Leave a Comment »

SOUNDTRACK:  HOLIDAYS RULE (2012).

This collection is fairly new (a second volume has just come out this year).  It was curated by Chris Funk from The Decemberists.  It’s a nice mix of contemporary bands and classic songs.  The disc is mostly fun–it gets a little bogged down in the middle–and upbeat.

FUN-“Sleigh Ride”
The first time I heard this  had no idea who it was (I didn’t look at the disc).  I actually thought it was a female pop singer.  After listening a few times I’m mixed but favorable on it.  I love the sound effects in the background.  It’s fun, even with the autotune.

THE SHINS-“Wonderful Christmastime”
This is one of my least favorite Christmas songs, but I like this version better than Pauls’s.  It doesn’t sound especially like The Shins to me though.

RUFUS WAINWRIGHT AND SHARON VAN ETTEN-“Baby, It’s Cold Outside”
I love Rufus’ distinctive voice–he does louche so well.  Sharon is somewhat indistinct here but she is well-matched with him.

PAUL McCARTNEY-“The Christmas Song (Chestnuts Roasting On An Open Fire)”
This might be the only disc I have where someone covers a song by an artist on the disc.  His version of this is way too slow.  But I am intrigued that he says “some holly and some mistletoe” (Because he’s vegetarian).

BLACK PRAIRIE featuring SALLIE FORD-“(Everybody’s Waitin’ for) The Man with the Bag”
I typically don’t care for this song, but I love this bluegrassy version.  It’s stomping and fun (and Chris Funk plays on it).

THE CIVIL WARS-“I Heard the Bells on Christmas Day”
The Civil Wars are downbeat folk artists but, man, their voices together are so lovely.  Their harmonies make this song essential despite the less than upbeat rhythms.

CALEXICO-“Green Grows the Holly”
This song sounds so wonderfully Calexico.  I love it and would even have assumed it was an original of theirs if I didn’t know better,

AGESANDAGES-“We Need A Little Christmas”
I’m torn about this song.  They modify the delivery and I think I like it.  It’s also pretty infrequently played so it gets extra points.  But it feels like a real downer when you can hear the lyrics so clearly.

HOLLY GOLIGHTLY-“That’s What I Want for Christmas”
I don’t know who this is. And I don’t really care for this song which is kind of slow and ponderous even if the message is a good one.

IRMA THOMAS WITH PRESERVATION HALL JAZZ BAND-“May Ev’ry Day be Christmas”
This is big brassy version of the song which sounds like it could be quite old with Thomas’ husky voice.

HEARTLESS BASTARDS-“Blue Christmas”
I dislike this song to begin with, so making a countryish version certainly doesn’t help.

ELEANOR FRIEDBERGER-“Santa, Bring My Baby Back to Me”
So this song is interesting with its strange chord choices and themes.  And it would be great if it were like 2 minutes long.  It seems to end quite naturally at that time, but then some vibes come in and the song gets all slinky.  That would be fine except it just repeats the same line and vibes section for 3 minutes!  WTF Eleanor?

FRUIT BATS-“It’s Beginning to Look Like Christmas”
It drives me nuts the way this guys says Creeesmas.  Why does he say it like that?  It’s crazy.  And I can’t get past it because he says it a bunch.

Y LA BAMBA-“Señor Santa”
This song is more or less “Mister Sandman” but sung with the lyrics of Mister Santa.  There’s a wheezy accordion and the great accented voice of the lead singer Luz Elena Mendoza.  I love this and more artists should invent songs like this for the holidays.

PUNCH BROTHERS-“O come, O come, Emmanuel”
The Punch Brothers are awesome and this version of this song terrific.  Chris Thile sings wonderfully as he gets that mandolin worked up.  I love that they turn it into an opportunity to stretch out some, too.

THE HEAD AND THE HEART-“What Are You Doing New Year’s Eve?”
A terrific duet with the unmistakable voice of Charity Rose Thielen.  This is a sprightly and fun song and they do a great job.  I love the way she sings “maybe I’m crazy” and the vamping at the end is fantastic.

ANDREW BIRD-“Auld Lang Syne”
Andrew plays some high-spirited violin and sings briskly.  There’s a kind of countryish feel to it, which is quite different for this song.

Overall this is a good collection to add.  Nothing offensive or off-putting and maybe just one or two duds.

[READ: December 21, 2017] “The First Day of Winter”

Once again, I have ordered The Short Story Advent Calendar.  This year, there are brief interviews with each author posted on the date of their story.

Hello. Welcome. It’s finally here: Short Story Advent Calendar time.

If you’re reading along at home, now’s the time to start cracking those seals, one by one, and discover some truly brilliant writing inside. Then check back here each morning for an exclusive interview with the author of that day’s story.

(Want to join in? It’s not too late. Order your copy here.)

This year I’m pairing each story with a holiday disc from our personal collection. (more…)

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Joseph O’Neill-“The Mustache in 2010” (Harper’s, July 2017)

Posted in Funny (ha ha), Funny (strange), Harper's, Jesus and Mary Chain, Joseph O'Neill, Marriage Trouble, Mustaches, Set at School, Short Story, The Shins, Tiny Desk Concert on July 31, 2017| Leave a Comment »

SOUNDTRACK: THE SHINS-Tiny Desk Concert #639 (July 24, 2017).

Although this is billed as The Shins, it is actually James Mercer solo (although really The Shins are more or less Mercer’s solo gig anyway).

Mercer plays three songs with just his voice and acoustic guitar: two new tracks and one that reached back to 2003 from the album Chutes Too Narrow.

The first two are slow and very folky–I don’t know the new album yet.

“Mildenhall” has a country flare and is something of an autobiography.  “I thought my flattop was so new wave until it melted away.”  The chorus is nice: A kid in class passed me a tape a later chorus reveals: “a band called Jesus and Mary Chain.”     Started playing his dads guitar and that’s how we get to where we are now.”  I love the unexpected ending chord.

“The Fear” is a delicate, simple song that fits perfectly with his voice.  It’s also quite sad.

“Young Pilgrims” is the recognizable song from Chutes to Narrow (the song even mentions that phrase).  It doesn’t sound that different in this stripped down format–there’ some missing extra guitars bit other wise the acoustic format fits it well. The biggest difference is that he seems to be singing in lower register here.

In fact none of the songs sounded like him exactly and I think that’s why– he usually sings in more of a kind of higher pitch, so it’s interesting to hear it slower and lower.

[READ: June 29, 2017] “The Mustache in 2010”

I really enjoyed the story.  I loved the strange way it was constructed and that even though it didn’t seem to start as a story, it certainly was one.

It begins

Social historians will record that in the early twenty-first century, the fashion for a clean-shaven face lost its dominance in metropolitan North American Bourgeoisie society.

After some lengthy discussion about the merits of various facial hair construction ,we meet Alex, a youngish (36 is youngish in New York City) businessman.  He availed himself of this trend by shaving only every third Monday.  His growth was dense and black.

One morning he realizes that he had left large sideburns, which amused him.  Thereafter he “subtracted facial hair so as to create an amusing residue.”  He never wore the stylized looks outside, they were private jokes for him and his wife.  Although there was always a scream of horror because he would sneak up on her.

This all l leads to some more details about Alex.  He was Québécois living in New York.  His English was fine but “fell just short of the level required for wittiness.”  This left him with an unjustly wooden personality.  So his wife was always looking for nonverbal diversion for him. (more…)

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Jennifer L. Holm & Matthew Holm–Happy Birthday, Babymouse [#18] (2014)

Posted in Cats, Children's Books, Cupcakes, Funny (ha ha), Graphic Novel, Jennifer L. Holm, Matthew Holm, Mice, Set at School, Short Books, The Shins, Yo Gabba Gabba on May 24, 2014| Leave a Comment »

18SOUNDTRACK: THE SHINS-“It’s Okay, Try Again” (2009).

mia“Sometime you win, sometimes you lose.  But it’s okay, you try it again.”

A simple idea that no kid will ever believe in no matter how many times he or she hears this song.  Nevertheless, the song is poppy and fun, it’s pure Shins and it is infectious.

The song also feels a lot longer than 2 minutes.  They have really packed a lot into their choruses and verses (and middle third).

Yo Gabba Gabba has been excellent at getting great bands to play simple quickie songs for their records (and shows).

[READ: May 16, 2014] Happy Birthday, Babymouse

It’s hard for me to believe that it took 18 books before Babymouse had a birthday!  I got a chuckle out of the fact that in the book it acknowledges that we don’t even know how old she is [and that they break the fourth wall, too].

As the book opens, Babymouse imagines a full-on Times Square countdown for her birthday.  But that only makes sense because every other birthday that she has had in recent years was a disaster (no idea what season it’s supposed to be in since the disasters span just about everything you can imagine).

But this year she is planning something epic–she sends out a mailbox-filling pile of invitations (including to people in the Squish series–nice cross platform mixing there).  Everyone gets invited except for the gnomes–“they’re too troublesome.”  Of course then comes the dreadful information–Felicia Furrypaws is having her party on the same exact day.  And it promises to be everything Babymouse dreamed her party would be. (more…)

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Dean Hale, Shannon Hale and Nathan Hale–Calamity Jack (2010)

Posted in Adventure, Children's Books, Danger Mouse, Dean Hale, Dystopia, Fables, Fantasy, Funny (ha ha), Graphic Novel, James Mercer, KEXP 90.3 FM--Seattle, WA, Nathan Hale, Shannon Hale, The Shins on November 3, 2012| Leave a Comment »

SOUNDTRACK: JAMES MERCER-Live on KEXP, February 10, 2012 (2012).

James Mercer came to KEXP to play a few songs solo with his acoustic guitar (the set is billed as The Shins, but it’s only Mercer).  DJ Cheryl Waters talks to him about what he’s been up to in the last five years since the previous Shins record (they don’t discuss that the rest of the band is basically gone).  She asks him about working with Danger Mouse and his foray into acting.  But mostly this set is about the music.

Mercer’s voice sounds great and the songs sound wonderful in this acoustic setting.  He explains the origins of the title Port of Morrow (it’s a real place).  He plays “Australia” from Wincing the Night Away and “September” “Simple Song” and “It’s Only Life” from Port of Morrow.

While I prefer the full album versions, this acoustic setting is quite nice and shows what great songs they are as well as how strong Mercer’s voice is (and that he was really the driving force behind The Shins all along)..

[READ: October 31, 2012] Calamity Jack

And they did.  Two years later.  This book is a kind of sequel to Rapunzel’s Revenge as well as Jack’s backstory before he met Rapunzel.

Jack was a petty thief. He and the pixie Pru (who loves hats) began with small scams (apples and whatnot), and slowly built up to larger ones.  In their defense they initially only tried to rob people who “deserved” it, but they were caught on more than one occasion and Jack’s mother had had enough of him.

Then Jack happens upon a score that he can’t pass up.  And he does it (without telling Pru about it).  Jack climbs into the tower of the evil giant Blunderboar.  Blunderboar is an industrial bigwig with a Jabberwock as a guard of his gigantic tower.  As with Rapunzel’s Revenge, the setting is a mix of fairy tale and contemporary real world(ish).  Blunderboar has a lot of money (including a media empire) and he is responsible for all of the troubles in Jack’s village of Shyport.

But the problem is that the beanstalk (there is a beanstalk, but there’s no cow, there’s magic beans and a pawn shop) destroys his mother’s bakery.  And she realizes that he is responsible.  Jack flees the town both because of his mother and because of the giant (who is understandably incensed). (more…)

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Antonya Nelson–“Chapter Two” (New Yorker, March 26, 2012)

Posted in Antonya Nelson, Death, Drinking, Marriage Trouble, New Yorker, Short Story, Tenement Halls, The Shins on April 5, 2012| Leave a Comment »

SOUNDTRACK: THE SHINS-“Plenty is Never Enough” from Score! 20 Years of Merge Records: The Covers (2009).

The Shins have taken this song and completely turned it into a Shins song.

It is bouncy and poppy with some nice tempo changes.  It could easily fit onto any Shins album.

The original (I’d never heard of Tenement Halls) is very similar to The Shins’ version.  The big difference is that it doesn’t have The Shins’ vocals and musical sensibilities.  The original feels kind of flat, the highs just aren’t as high.  But it serves as a good stepping off point for the cover.

[READ: March 30, 2012] “Chapter Two”

This story is about A.A.  But, amusingly, Hil is tired of telling her own stories at A.A., so she starts telling the story of her fifty-something alcoholic neighbor (with the wonderful name of), Bergeron Love (the story is set in Houston).

Interestingly, no one at A.A. complains that she is talking about someone else (in fact the blind guy just seems to smile politely).  This is just as well because Bergeron’s story is pretty funny.  Bergeron arrives at Hil’s door, stark naked and invites herself in.  This is not atypical for Bergeron who crashes neighborhood parties and plays ridiculous pranks.  But not everything she does is funny: she also reports overgrown lawns and loose dogs.

Hil lives with her son and a roommate, Janine.  Janine is a very fat woman (see my diatribe about fat characters yesterday).  But Janine is not the victim or the pity-case in this story (well, maybe a little).  Hil figures Janine must eat all day to be as big as she is, but she has never seen her eat.  But then Hil’s son, Jeremy, a shy teenager enjoys playing video games with Janine more than going out with his peers (and more than being with his mom, I believe). (more…)

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