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Archive for the ‘Christmas Album’ Category

SOUNDTRACK: LOS LOBOS-Tiny Desk Concert #926 (December 18, 2019).

One of my favoirte Christmas songs is “Donde Esta Santa Claus?” so I’m always pleased to hear someone play it (it’s not overplayed yet).  I didn’t realize that this Tiny Desk Concert was a Christmas themed one, so when Los Lobos opened with this song, I knew it had to go on Christmas Day.

The band called up tunes from the Latin holiday song book, straight from their recently released, first-ever Christmas album, Llegó Navidad, a bilingual collection of songs from across Latin America and the U.S.

Imagine my surprise to read this about my favorite Christmas song:

They kicked it off with an obscure novelty hit that was once popular in Latino households in the Southwest, “¿Dónde Está Santa Claus?” It was originally a lushly orchestrated affair that is now a “lowrider oldie.”

The percussion is in full effect on this song with Enrique “Bugs” Gonzalez on drums, Marcos Reyes on congas and Louie Perez on a washboard type scratcher.  The song features a cool baritone sax solo from keyboardist Steve Berlin and a little acoustic guitar solo from singer Cesar Rosas.

David Hidalogo on 12 string electric guitar takes lead vocals on the new album’s title cut, “Llegó Navidad.” The song

is actually a classic from the Fania Records catalog originally performed by the Puerto Rican composer and singer Ismael Rivera. Los Lobos retains its pan-Latin callout to holiday celebrations across Latin America, set to a slow burning montuno groove.

There’s some cool low notes from the baritone sax and Hidalo’s gentle voice over the top.

For the third song, “Christmas and You” Louie Perez plays a jarana and Hidalgo sings lead.  It’s interesting to me that I am more familiar with Rosas as the lead singer.  I wonder how many songs he actually sings.

The band adds a David Hidalgo and Louie Perez original to the Latin holiday songbook with “Christmas and You,” a plaintive ballad about desperate loss that we would easily call a carte vena (vein cutter). The great Mexican essayist Alma Guillermoprieto once wrote that it’s not a real Mexican party “until someone cries,” and this song does the trick.

A brief keyboard/bells solo from Berlin keeps the holiday spirit in the song.

For the final song “It’s Christmas Time In Texas,” Hidalgo picks up the accordion and the bouncy bass from Conrad Lozano makes this a fun polka style holiday song.

The party ends by sending everyone home, dancing with “It’s Christmas Time In Texas,” a song by the great Tex- Mex troubadour, Freddy Fender. It’s a Los Lobos scorcher, complete with accordion and good times that would get even abuelita dancing.

The Tiny Desk holiday shows are always fun, I wish there were more.

[READ: December 25, 2019] “A Hint for Next Christmas”

This year, S. ordered me The Short Story Advent Calendar.  This is my fourth time reading the Calendar.  I didn’t know about the first one until it was long out of print (sigh), but each year since has been very enjoyable.  Here’s what they say this year

The Short Story Advent Calendar is back! And to celebrate its fifth anniversary, we’ve decided to make the festivities even more festive, with five different coloured editions to help you ring in the holiday season.

No matter which colour you choose, the insides are the same: it’s another collection of expertly curated, individually bound short stories from some of the best writers in North America and beyond.

(This is a collection of literary, non-religious short stories for adults. For more information, visit our Frequently Asked Questions page.)

As always, each story is a surprise, so you won’t know what you’re getting until you crack the seal every morning starting December 1. Once you’ve read that day’s story, check back here to read an exclusive interview with the author.

Want a copy?  Order one here.

I’m pairing music this year with some Christmas songs that I have come across this year.

Yes, this is the creator of Winnie the Pooh.  I didn’t know he wrote essays, but I definitely want to read more after this.  This essay appeared in Milne’s 1920 collection If I May and it rings true almost 100 years later in nearly every way. (more…)

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SOUNDTRACK: LETTERS TO CLEO-Ok Christmas (2019).

After a lengthy hiatus and a comeback EP, Letters to Cleo have returned with a Christmas EP.

It’s four songs and the title is a pretty funny indicator that the songs here are not full of great cheer–things are okay.

It’s a bit of a surprise for such a happy-sounding band.

The first song is a fun rocking version of The Kink’s “Father Christmas.”  This song always seems happy until you listen to the lyrics.  This version is a bit more pop punk than the original, but not by much.  However, Kay Hanley has updated the lyrics from

But give my daddy a job ’cause he needs one
He’s got lots of mouths to feed
But if you’ve got one I’ll have a machine gun
So I can scare all the kids on the street

to

But give my daddy a job ’cause he needs one
He’s got lots of mouths to feed
And can you melt down all the machine guns
so the kids are safe on the street

“Miss You This Christmas” is an original that sounds like classic Letter to Cleo and could easily have been written and recorded back in the 90s.  Its a song of longing (obviously) with a positive twist at the end–coming home to kiss me New Year’s Eve.

“If I Get Home on Christmas Day” was sung by Elvis.  It’s a poppy little number that sounds upbeat and has a lovely lap steel guitar. But it has a lot of questioning about being together for the holidays.

The final song “X Mas Time (Sure Don’t Feel Like It”) I heard recently by The Mighty Mighty Bosstones.  I assumed it was their song–it suited their sound very well (and its about Boston).  But it turns out it was originally by The Dogmatics (which makes sense because it’s a bit too dark for the Bosstones).

It’s the twentieth of December
Rain is coming down
Kenmore squares deserted, now
The college kids have left town

This version is a little less dark than the Bosstones’ since Kay Hanley’s voice is so much prettier than Dicky Barrett’s but it’s still not a very happy ending.

I understand what the band was doing with this OK Christmas, but I do wish it ended a bit more happily. Because that album cover (a great design by Daykamp Creative) is just fabulous.

[READ: December 24, 2019] “Vigil”

This year, S. ordered me The Short Story Advent Calendar.  This is my fourth time reading the Calendar.  I didn’t know about the first one until it was long out of print (sigh), but each year since has been very enjoyable.  Here’s what they say this year

The Short Story Advent Calendar is back! And to celebrate its fifth anniversary, we’ve decided to make the festivities even more festive, with five different coloured editions to help you ring in the holiday season.

No matter which colour you choose, the insides are the same: it’s another collection of expertly curated, individually bound short stories from some of the best writers in North America and beyond.

(This is a collection of literary, non-religious short stories for adults. For more information, visit our Frequently Asked Questions page.)

As always, each story is a surprise, so you won’t know what you’re getting until you crack the seal every morning starting December 1. Once you’ve read that day’s story, check back here to read an exclusive interview with the author.

Want a copy?  Order one here.

I’m pairing music this year with some Christmas songs that I have come across this year.

This story is a memory of Christmas Eve,  It also includes a bunch of Polish words.

On the Holy Night vigil, Wigilia (which means “to watch” in Polish), the young narrator and his family sat around while his father read “The Night Before Christmas.” They were ready for bed when there was a knock on the door. It was the grizzled, kooky old taxidermist from downstairs.

The man presented them with a large unwieldy package.  They invited him in, but he wouldn’t stay.  They wished him Wesolych Swiat and closed the door.

The present proved to be a very large carp wrapped in newspaper with a pinkish bronze tail and a gray thick-lipped snout with its white mustachios. (more…)

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SOUNDTRACK: BEST COAST-“Little Saint Nick” (2019).

It was only a few years ago that I realized that this song is about a car.  For years you can sing words to a song and not realize what you’re actually saying.

The song is a fun upbeat Christmas song that I rather like.

Best Coast is a rock duo: Bethany Cosentino and Bobb Bruno.  They sing California indie pop with a rocking edge.

This version of “Little Saint Nick” is not radically different from the original.  The biggest musical difference is how fuzzy and distorted the main guitar is.  But her deliver of the lyrics is pretty clean (with some very nice backing vocals).

I appreciate this version because it finally taught me what the deep-voiced part is in the song “he don’t miss no one.”  I could never tell form the Beach Boys version.

This is a delightful poppy version that with just enough edge to get you moving for the holiday.

[READ: December 23, 2019] “The Adventists”

This year, S. ordered me The Short Story Advent Calendar.  This is my fourth time reading the Calendar.  I didn’t know about the first one until it was long out of print (sigh), but each year since has been very enjoyable.  Here’s what they say this year

The Short Story Advent Calendar is back! And to celebrate its fifth anniversary, we’ve decided to make the festivities even more festive, with five different coloured editions to help you ring in the holiday season.

No matter which colour you choose, the insides are the same: it’s another collection of expertly curated, individually bound short stories from some of the best writers in North America and beyond.

(This is a collection of literary, non-religious short stories for adults. For more information, visit our Frequently Asked Questions page.)

As always, each story is a surprise, so you won’t know what you’re getting until you crack the seal every morning starting December 1. Once you’ve read that day’s story, check back here to read an exclusive interview with the author.

Want a copy?  Order one here.

I’m pairing music this year with some Christmas songs that I have come across this year.

Ian Williams has my favorite answer to one of the Q&A questions:

When did you write it, and how did the writing process compare to your other work?

IW: I wrote “The Adventists” because Michael Hingston asked me for a story for the Short Story Advent Calendar project. I pretty much already had a title from the invitation. He said that the story didn’t have to be religious or about Christmas, so, good lawkeeper that I am, I wrote a story that was religious and about Christmas.

Indeed, this story is about Adventists.  Seventh-Day Adventists.  The narrator is the father of a family of Adventists and his daughter has just come back from college in Leeds for Christmas.

The story begins, “Our daughter is trying to persuade us that the world is more  than 6,000 years old.” She’s also got quite the posh British accent (after being away for a semester).

She doesn’t dismiss the Bible out of hand–it gives comfort to many people.  But not you? her father wonders.  She says you can’t deny science.  He retorts, “You’re going to trust some rocks above the Word of God?”

Soon enough, his daughter took out her phone and started “texting or tweeting or whatever she does when she has no retort for the real world.”

The Monday before Christmas [that’s today!] they went to Walmart.

I love this aside:

For a significant period our family refused to celebrate Christmas in protest against its pagan origins.  Made no dent on the economy.  Now we were back, somewhat grudgingly to being standard Protestants.

(more…)

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SOUNDTRACK: WEEZER-Christmas EP (2000).

I heard a Weezer Christmas song this weekend when WRFF in Philadelphia was playing a Christmas takeover weekend–rock bands playing Christmas songs.

 I discovered the Christmas with Weezer EP, but the song they played was on this 2000 release.

That song is called “The Christmas Song” which is not any other Christmas song; it is a Weezer original.

With a heavy riff, Rivers sings a song of woe as the woman who told him she’d be there with him has stood him up and he is “waiting beside the tree all by myself.”

I like how the bridge features a note that sounds a bit like the “faaaaalll on your knees” part of “O Holy Night.”  Although it is actually, “Aaaaaaaah. Could you ever know how much I care?”  It’s got a very Weezer sound.

The other song on this release is called “Christmas Celebration.”  It’s a faster punkier song and despite the title, it is not much of a celebration .After a run-through of things that happens on Christmas

Carolers are singing
Registers ka-chinging
And the presents are in place
But I’d rather eat some mace
Cos that egg nog always makes me sick

we get to the crux.  Despite the “hoo hoo” at the end of each line, the vibe is negative.  The final repeated refrain is “The pageantry is such a bore.”

Not the most sentimental Christmas songs, although they are both quite catchy.

[READ: December 22, 2019] “Government Slots”

This year, S. ordered me The Short Story Advent Calendar.  This is my fourth time reading the Calendar.  I didn’t know about the first one until it was long out of print (sigh), but each year since has been very enjoyable.  Here’s what they say this year

The Short Story Advent Calendar is back! And to celebrate its fifth anniversary, we’ve decided to make the festivities even more festive, with five different coloured editions to help you ring in the holiday season.

No matter which colour you choose, the insides are the same: it’s another collection of expertly curated, individually bound short stories from some of the best writers in North America and beyond.

(This is a collection of literary, non-religious short stories for adults. For more information, visit our Frequently Asked Questions page.)

As always, each story is a surprise, so you won’t know what you’re getting until you crack the seal every morning starting December 1. Once you’ve read that day’s story, check back here to read an exclusive interview with the author.

Want a copy?  Order one here.

I’m pairing music this year with some Christmas songs that I have come across this year.

This was another of my favorite stories in the Advent Calendar.  It was so unexpected and thought-provoking.

I love how it starts on seemingly familiar ground with a list of three items: “three brown dahlias, pressed and dried; a photograph of a meadow in spring; a compass.”

It is Christmas Day and this federal office is open–the only federal office open. They are open every day because you never know.

An old woman comes past security and hands over her papers.  After an approval, she hands over her item–a sandwich bag full of cloud white fur.  But it is denied–nothing perishable or alive.

Another list of items: an endorsement letter signed by a cardinal; a miniature compendium of prayers for the dead; a pack of condoms. (more…)

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SOUNDTRACK: WEEZER-Christmas with Weezer (2008).

I heard a Weezer Christmas song this weekend when WRFF in Philadelphia was playing a Christmas takeover weekend–rock bands playing Christmas songs.

When I looked up the song, I found out that Weezer released this EP in 2008.  It had originally been released for a video game called Christmas with Weezer (?!).  Evidently the game was Tap Tap which featured 18 band-specific versions!

This EP has six songs in under 13 minutes.  Each one of the tracks is pretty straight-ahead Weezer guitar rock.  They are bouncy and short, with nothing weird or crazy in them.

“We Wish You A Merry Christmas” starts out with a quiet guitar and then just rocks out when the lyrics come in.  The song is quick and to the point–no messing around.  There’s figgy pudding, there’s a short guitar solo, there’s a key change and its all done in a minute and a half.

“O Come All You Faithful” moves along at a nice clip.  This song is often done rather slowly and this is a fun change of pace.  The back half has a part where the guitars fade out and its a quiet verse before they all come back in to rock the finish.

“O Holy Night” is two times longer than anything else on the EP.  It’s a 4 minute, quiet version with a simple, picked electric guitar melody.  That is until the Weezer guitars kick in after about 40 seconds.  The song is still respectful and very catchy

“The First Noel” starts with an unexpected four note heavy guitar riff before the song resumes it faithful lyrics.

“Hark! The Herald Angels Sing” has a rocking intro before a bass slide kicks the song into high gear.  This song romps through in 90 seconds.

“Silent Night” is a slower song with no drums, just tambourine.

This is a pretty ideal alternative collection of Christmas songs–nothing too crazy, but a nice change from the familiar.   Although it did not actually contain the song I was looking for.

[READ: December 21, 2019] “The Carnation Milk Palace”

This year, S. ordered me The Short Story Advent Calendar.  This is my fourth time reading the Calendar.  I didn’t know about the first one until it was long out of print (sigh), but each year since has been very enjoyable.  Here’s what they say this year

The Short Story Advent Calendar is back! And to celebrate its fifth anniversary, we’ve decided to make the festivities even more festive, with five different coloured editions to help you ring in the holiday season.

No matter which colour you choose, the insides are the same: it’s another collection of expertly curated, individually bound short stories from some of the best writers in North America and beyond.

(This is a collection of literary, non-religious short stories for adults. For more information, visit our Frequently Asked Questions page.)

As always, each story is a surprise, so you won’t know what you’re getting until you crack the seal every morning starting December 1. Once you’ve read that day’s story, check back here to read an exclusive interview with the author.

Want a copy?  Order one here.

I’m pairing music this year with some Christmas songs that I have come across this year.

This story is set in 1964 and concerns fourteen-year-old Charlotte.  She and her family were invited to the Halden’s house for a New Year’s Eve party.

The Haldens were the richest people her parents knew.  They lived in a mansion that her father liked to call The Carnation Milk Palace.  Charlotte’s family couldn’t even afford new things. It was quite a disparity.  Her mother painted things to try to make them current (which meant avocado green). (more…)

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SOUNDTRACK: CHARLY BLISS-“All I Want for Christmas is You” (2017).

For some reason I though this Christmas cover song came out this year.  It actually came out two years ago!

Charly Bliss do a fun power-pop version of this Mariah Carey song

It starts off quiet;y with just Eva Hendrick’s voice and a gentle guitar.  After the first verse, the whole band kicks in with a rocking pop version of the song.  There’s some great backing vocals from the guys (their oohs and ahhs are really great) and even a set of jingle bells from time to time.

Eva gets to rock out in the middle third with some loud high notes and then the band rocks out after that with some loud guitars a and a few screeching solo notes before the pleasant guitar solo that takes the song out.

There’s a lot of great versions of this song, and this is one of them.

[READ: December 20, 2019] “The Unbeatable Deck of Ronan Shin”

This year, S. ordered me The Short Story Advent Calendar.  This is my fourth time reading the Calendar.  I didn’t know about the first one until it was long out of print (sigh), but each year since has been very enjoyable.  Here’s what they say this year

The Short Story Advent Calendar is back! And to celebrate its fifth anniversary, we’ve decided to make the festivities even more festive, with five different coloured editions to help you ring in the holiday season.

No matter which colour you choose, the insides are the same: it’s another collection of expertly curated, individually bound short stories from some of the best writers in North America and beyond.

(This is a collection of literary, non-religious short stories for adults. For more information, visit our Frequently Asked Questions page.)

As always, each story is a surprise, so you won’t know what you’re getting until you crack the seal every morning starting December 1. Once you’ve read that day’s story, check back here to read an exclusive interview with the author.

Want a copy?  Order one here.

I’m pairing music this year with some Christmas songs that I have come across this year.

This story was remarkably sad, but with, maybe, a small glimmer of hope.

Despite that overall tone, I loved the way it was created.  And that the main character plays a role-playing game.

The story is about Ronan Shin and his fantastic deck for the game Aftermath. Aftermath is a knock off game… sort of like Magic: the Gathering, but more nebulous.  It’s this vagueness that appeals to Ronan.  The cards

are made with a fraction of the budget of the card titans, and it shows.  The ink work is scratchy.  The faces are sometimes disconcertingly unfinished, askew, the expressions wrong, like they were meant for a different card, or a different game altogether.  …  Even the universe of the game is sketchy.  The game never attempts to explain who the player is within its world.  Nowhere in any of the flimsy game materials is the calamity that has befallen the planet described

It’s this shoddy strangeness that first hooked Ronan.  Of course, none of this matters in competition–it has nothing to do with the rules, which are concrete-but it’s the vague backstory that he likes.

His best (and really only) friend is Nima Tehrani.  Nima has theories about what the backstory is supposed to be–he spends time imagining an explanation for where they are playing. But Ronan knows the truth.  There is no secret mythology.  The company that makes Aftermath bought unused concept art from a few other failed role playing game and cobbled them together.  The game was made in a boardroom by people with no imagination.

But he still loves the game and he has an unbeatable deck. (more…)

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SOUNDTRACK: KATHLEEN EDWARDS-“It’s Christmastime (Let’s Just Survive)” (2019).

I really like Kathleen Edwards and I was so delighted to hear that she was coming out of … semi-retirement?… this summer.  In the last few years, she has opened up her own coffee shop, in Stittsville, Ontario called Quitters Coffee [road trip?].

I couldn’t believe that she played XPN Fest on the year that we had tickets to the Newport Folk Festival.  I had hoped she’s play Newport as well, but sadly no.  She played two new songs and a few older ones and her voice sounds great (thanks YouTube).  In the spirit of coming back, she has released this wryly amusing Christmas song. Like many of her songs, there is a nice mix of humor and bite in this song–set to a very catchy melody.

With a slow lap steel guitar starting the song, she begins

It’s a wonderful time where we all descend to my parent’s house in the West End.  [Hope they subscribe to the West End Phoenix].

Then the song gets to the point:

Uncle Dave and Susan bring their feral cat / and homemade wine that tastes like crap.

There’s a few more examples of amusingly bad Christmas happenings.  One of my favorites is

Someone let the dog lick the gravy boat / and now the air in here unbearable

I also enjoyed this line, because it hits home:

You have a meltdown when we play scrabble / Its not my fault you’re only left with vowels.

Musically, the song is quite lovely.  There’s a pretty bridge where she sings lyrics that sound sweet until you listen closely, “tell me a story we’ve heard before and drag it out even more.”

And just when you think the song is only dark and cynical, the instrumental break adds a refrain of Kathleen quietly singing “meow, meow, meow, meow, meow, meow.”

I truly hope that this song gets played a lot during this and future holidays.  It may not make it to #1 like “All I Want for Christmas is You,” but it’s a lot more honest–and really catchy.

I’m so excited that Kathleen is back that I’m posting the video for the song right here!

I have also just learned that this song comes from a new Christmas album called A Dualtone Christmas. (although I don’t really like much else on it).

[READ: December 19, 2019] “Letter from San Francisco”

This year, S. ordered me The Short Story Advent Calendar.  This is my fourth time reading the Calendar.  I didn’t know about the first one until it was long out of print (sigh), but each year since has been very enjoyable.  Here’s what they say this year

The Short Story Advent Calendar is back! And to celebrate its fifth anniversary, we’ve decided to make the festivities even more festive, with five different coloured editions to help you ring in the holiday season.

No matter which colour you choose, the insides are the same: it’s another collection of expertly curated, individually bound short stories from some of the best writers in North America and beyond.

(This is a collection of literary, non-religious short stories for adults. For more information, visit our Frequently Asked Questions page.)

As always, each story is a surprise, so you won’t know what you’re getting until you crack the seal every morning starting December 1. Once you’ve read that day’s story, check back here to read an exclusive interview with the author.

Want a copy?  Order one here.

I’m pairing music this year with some Christmas songs that I have come across this year.

This story is indeed a letter from San Francisco.

There are a few things redacted from it–the sender and the recipient’s names and two lines in the middle which are the details of their huge fight. (more…)

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SOUNDTRACK: OHMME-“Jing-a-Ling, Jing-a-Ling” (2019).

OHMME provided gorgeous backing vocals on the previous two Christmas songs that I posted about.  Well, they also have their own song on the JNR Holiday Party, Vol. 2 compilation and it is not quite as beautiful as you might think.

However, what it lacks in conventionality, it more than make up for in coolness.

OHMME is a two-piece band made up of Sima Cunningham and Macie Stewart.  They both play guitar and sing (there’s other instruments going on as well).

Their voices are gorgeous together, but their music also features some interesting guitar sounds.

“Jing-a-Ling, Jing-a-Ling” is a manic song originally sung by The Andrews Sisters.  There are two parts, a super fast chorus (the “jing, jing a ling” part) and then a middle part that is slower and, in the OHMME version, a bit creepy, maybe.  OHMME is known for their amazing use of hocketing.  [In the medieval practice of hocketing, a single melody is shared between two (or occasionally more) voices such that alternately one voice sounds while the other rests].  It’s a mesmerizing sound that they do perfectly.

This version opens with noisy guitars and the two voices rapidly singing the chorus.

Jing jing a ling jing a ling jing a ling
I love to hear our laughter mingle
Hah hah
Ho ho

But when the ha ha ho ho part comes in, OHMME performs some amazing hocketing to make the sound just stunning.

The slower middle part is played on a deep low guitar with a second guitar playing scraping noises as the two voices sing in close harmony.

It’s over quickly and after a guitar solo the manic chorus resumes.

Everywhere-man Thor Harris is also on this track.   I’m not sure what he’s doing, but I assume the drums and maybe whatever those other weird ringing sounds are (or are those from the guitar?  who knows).

As the song comes to an end, the two voices sing separate ho ho and ha ha and then they ho ho slightly out sync until they return in perfect tuning for the end note.

And if you listen closely at the very end of the track you can hear someone say, “Yeah!  Fucking awesome.”

It’s a really stunning song in just over 2 minutes.

I played it last night for my family and my 12 year old daughter loved it while my 14 year old son did not: “just because it’s weird doesn’t make it good.”

[READ: December 18, 2019] “Amaranth”

This year, S. ordered me The Short Story Advent Calendar.  This is my fourth time reading the Calendar.  I didn’t know about the first one until it was long out of print (sigh), but each year since has been very enjoyable.  Here’s what they say this year

The Short Story Advent Calendar is back! And to celebrate its fifth anniversary, we’ve decided to make the festivities even more festive, with five different coloured editions to help you ring in the holiday season.

No matter which colour you choose, the insides are the same: it’s another collection of expertly curated, individually bound short stories from some of the best writers in North America and beyond.

(This is a collection of literary, non-religious short stories for adults. For more information, visit our Frequently Asked Questions page.)

As always, each story is a surprise, so you won’t know what you’re getting until you crack the seal every morning starting December 1. Once you’ve read that day’s story, check back here to read an exclusive interview with the author.

Want a copy?  Order one here.

I’m pairing music this year with some Christmas songs that I have come across this year.

I read this story in Lucky Peach back in 2013.  In that review I gave away a little more than I was planning to this time, so avoid if you want fewer details (but no real spoilers).  I am also surprised at my reaction to the story six years ago.  I thought it was unduly harsh and a little hard to read (the content, not the quality of the story).

Here it is now, six years later with so much badness going on in the world and I found the revenge rather impressive and it gives a little bit of hope for those waiting for a long payback. (more…)

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SOUNDTRACK: KISHI BASHI-“All I Want for Christmas is You” (2019).

The 2018 JNR Holiday Party, Vol. 2 compilation also featured a Christmas song by Kishi Bashi.

It begins with him muttering.  “It’s Christmas.  It’s never Christmas when you’re recording Christmas songs.”

What follows is the remarkably conventional song I’ve heard Kishi Bashi record.  Aside form the obviously hugely conventional nature of one of Christmas’ biggest songs, the style of his singing along with the backing vocals and the general feel makes me surprised this version isn’t played more.

Thor Harris who appeared on yesterday’s bizarre Christmas song, makes an appearance here (although I don’t know what he does).  The gorgeous backing vocals come from OHMME (just like yesterday as well).

K. sings this in his lower register–giving him a very croony sounds (one that is rather unlike his normal singing voice).  The only real nod to it being Kishi Bashi is a the cool violin solo (so much better than a sax solo!).

I would listen to this version over any other, hands down.

[READ: December 17, 2019] “The Science Fair Protest”

This year, S. ordered me The Short Story Advent Calendar.  This is my fourth time reading the Calendar.  I didn’t know about the first one until it was long out of print (sigh), but each year since has been very enjoyable.  Here’s what they say this year

The Short Story Advent Calendar is back! And to celebrate its fifth anniversary, we’ve decided to make the festivities even more festive, with five different coloured editions to help you ring in the holiday season.

No matter which colour you choose, the insides are the same: it’s another collection of expertly curated, individually bound short stories from some of the best writers in North America and beyond.

(This is a collection of literary, non-religious short stories for adults. For more information, visit our Frequently Asked Questions page.)

As always, each story is a surprise, so you won’t know what you’re getting until you crack the seal every morning starting December 1. Once you’ve read that day’s story, check back here to read an exclusive interview with the author.

Want a copy?  Order one here.

I’m pairing music this year with some Christmas songs that I have come across this year.

This was another confusing story that seemed like it might have been based on something … except the whole premise is crazy.

Even the beginning is hard to parse: “When the new gangsters got elected and took control, atoms could no longer be said to be the smallest form of matter.”  What?

This begat the Science Fair Protest, an ongoing violent disruption.  The narrator says he is no science teacher, but his neighbor, Ram, was an eighth grade biology teacher.  Ram said that the gangsters insisted that instead of him having lab hours once a week, he was to take the students to a field to play a game called Stick & Ball.  You have a stick and, not a ball, but a big rock.  You throw the rock in the air and hit it with the stick as hard as you can. (more…)

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SOUNDTRACK: THOR HARRIS, DUMB NUMBERS-“Carol of the Tubular Bells” (2019).

I really like Joyful Noise Records.  They release some really beautiful music as well as some really out there stuff.  They are the home of Kishi Bashi and Ohmme as well as a number of other terrific bands. But they also release lots of noisy chaotic bands (call it joyful noise perhaps).

For 2018 they released JNR Holiday Party, Vol. 2 and eclectic bunch of holiday songs.

This song was recorded by Thor Harris & Dumb Numbers with David Yow, Ohmme, and CJ Boyd.

Thor Harris is, well, his Wikpedia page says he is “an artist, sculptor, musician, painter, carpenter and handyman.”  Musically he is a composer and percussionist who plays every instrument in the universe (on his last album he was credited with marimba, flute, vibraphone, voice, organ, duduk, tubular bells, gongs ,etc.”

Dumb Numbers is the project Adam Harding whose musical style has been described as doom, sludge, and “swooning feedback pop.”  He has worked with all kinds of people including David Yow, singer of The Jesus Lizard.

That’s the background for this nearly three minutes of bizarreness.

The song starts with a toy piano playing Carol of the Bells.  Soon enough, OHMME sing beautifully the actual song, including the ding dong ding dong.  Meanwhile the counterpoint vocals (normally “Hark how the bells, Sweet silver bells…”) features David You singing “Don’t go insane, don’t go insane” to that melody.

That’s all that Yow sings, over and over for nearly 3 minutes.  And he clearly starts to go a little insane.  His vice fades to a whisper, turns into a rant, and sometimes even gets back on track to the timing.  Meanwhile OHMME sounds really beautiful.

Around 2 minutes in, Yow seems to have lost it entirely, mumbling incoherently until he screams “look out mama, there’s a….”

OHMME stop singing and then the melody of “Carol of the Bells” suddenly morphs into Mike Oldfields’ “Tubular Bells” and the song takes on a whole new tone.

As the song fades Yow screams “Faaaaaaaaalllllllll on your knees.”

This is the song you play when you want everyone to leave your Christmas party.

You can watch Yow sing over the backing track here.

[READ: December 16, 2019] “Show Me Your Dantes”

This year, S. ordered me The Short Story Advent Calendar.  This is my fourth time reading the Calendar.  I didn’t know about the first one until it was long out of print (sigh), but each year since has been very enjoyable.  Here’s what they say this year

The Short Story Advent Calendar is back! And to celebrate its fifth anniversary, we’ve decided to make the festivities even more festive, with five different coloured editions to help you ring in the holiday season.

No matter which colour you choose, the insides are the same: it’s another collection of expertly curated, individually bound short stories from some of the best writers in North America and beyond.

(This is a collection of literary, non-religious short stories for adults. For more information, visit our Frequently Asked Questions page.)

As always, each story is a surprise, so you won’t know what you’re getting until you crack the seal every morning starting December 1. Once you’ve read that day’s story, check back here to read an exclusive interview with the author.

Want a copy?  Order one here.

I’m pairing music this year with some Christmas songs that I have come across this year.

This story was delightfully surreal.  I am very intrigued that it is an excerpt from an upcoming novel which is the second of a trilogy about  character named Prin.  Initially I thought Prin was a woman, because, why not.  But that was quickly settled, when it was obvious Prin was a forty-year old man.

The excerpt starts with Prin being interviewed by a Charlie Tracker.  Charlie asks him what he knows about this job and Prin says that if he got the job he would be working with Charlie but would be working for Hugh, Charlie’s son.

The story seemed to be pretty normal–a man getting interviewed–until Charlie says he is impressed that the Prin wore new shoes to the job interview, “most of the professors I’ve met over the years show up in shoes they stole from hobo camps.”  Since I didn’t know when this story was set I didn’t know how literal that was meant to be. (Apparently not at all).

As the interview gets going Charlie offers to let Prin see “the finest private collection of Dante manuscripts and Dante memorabilia in the United States.”   Charlie is a little disappointed that Prin wasn’t more excited about that but Prin says he’d be more excited if he knew what this position was all about.

Charlie gives a lengthy and affecting explanation of how he got into Dante (it had to do with the Vietnam war and a very disturbing scene).  We also learn about Charlie’s business background and how he succeeded after the war. (more…)

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