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Archive for the ‘Goblins’ Category

SOUNDTRACK: AILBHE REDDY-“Distrust” (2016).

I found this song from, of all things, a redbull website listing up and coming Irish bands.  It says that this song has been streamed over 3 million times.

This song opens with otherworldy “oohs” before a jagged, slapped guitar melody enters the song.  The guitar feels like it ends too abruptly.  It ‘s a very cool hook.  Especially for a song that is a total kiss-off song like this one.

Over the course of three and a half minutes more and more is added to the song–an insistent bass, drums, more backing vocals and even a violin.  But that persistent guitar runs through the whole song.  As does Ailbhe Reddy’s voice which is clean and piercing.  She speak-sings in the beginning, but when the chorus comes in, her voice is in full power. 

The song soars by the end, as does her voice.  

In the video, she stands absolutely still and strong as the room she is in falls apart around her.  

Reddy has a full album coming out next month. This song isn’t on it, but her new song “Looking Happy” is a real rocker (with a cool video). 

[READ: September 19, 2020] No Country for Old Gnomes

I really enjoyed the first book in the series–Kill the Farm Boy.  I was really looking forward to reading the continuing efforts of the heroes of Pell.

So I was a little surprised to learn that this book has almost nothing to do with the first one.  It’s set in the same place (with the same map up front) and the world remains the same, but this book follows the exploits of a completely different band of accidental warriors. 

That was a little disappointing at first (I miss Fia and Agrabella) but Dawson & Hearne have created a brand new band of travelers who are just as interesting and compelling as the first bunch. All of the characters from the first book make cameos, but they are brief.  The only characters from the first book that have any regular work are King Gustave and Grinda the Sand Witch.

But this book is exciting and funny and in the same vein as the first while being very different as well.  It is full of puns and jokes and twists on fantasy novels all while fleshing out the world that was created in book one (and making great use of the map that’s on the first page).

The book opens with three witches (not Grinda) and a cauldron.  I love a spoof of this scene and this one is especially good.  Two of the witches are casting a spell to help the Bruding Boars win their jousting competition.  But they needed a third so they put an ad on Ye Olde Meet-Up Bulletin Boarde. This third with (who looked quite different from her picture) had a very different spell in mind.

The third witch disappeared after casting a spell full of blood and seeming to be against gnomes.  But, really, who cared about gnomes.

Neither noticed the surfeit of portent in the air, wafting from the coppery-smelling cave, probably because the second witch smelled so strongly of cat urine.
But the portent was there nonetheless.

The book shifts to the Numminen family of gnomes.  Gnomes are generally smöl (ha!) and cheerful. The two sons Onni and Offi are fighting about Offi’s lack of gnomeric behavior.  Offi likes wearing cardigans that are black and covered in bats (gnome cardigans should be bright and cheerful).  So, yes, Offi is a goth gnome.  Whereas Onni is a perfect gnome who wins award for his gnomeric behavior. (more…)

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SOUNDTRACK: TWIN PEAKS-“Spiders (Kidsmoke)” (from WILCOvered, UNCUT Magazine November 2019).

The November 2019 issue of UNCUT magazine had a cover story about Wilco.  It included a 17 track CD of bands covering Wilco (called WILcovered or WILCOvered).  I really enjoyed this collection and knew most of the artists on it already, so I’m going through the songs one at a time.

This was the last song on this compilation and it’s my favorite.

There’s a lot of Wilco songs that I like and “Spiders (Kidsmoke)” is way at the top.  The song is really long and doesn’t change a lot but the changes are fantastic.  One of the great things about the song is Nels Cline’s insane guitar work throughout–noisy and seemingly uncontrolled, but somehow fitting in perfectly with the 1-2-3- bass line.

This version by Twin Peaks is as good, if not slightly better than the original.  I say that because the band sounds a little fuller during the verses which I like (although it does make the change to the noisier section less dramatic).  And Nels Cline;s guitar work is more interesting than the Twin Peaks version–although they do some cool things too.

I think Twin Peaks has a bit more of the heavy alternative sound the I like.  The vocals are great, the guitars are great.  I’ve now listened to both versions back to back and I like them both!

This cover actually made me investigate Twin Peaks more and I was bummed to find out that they had just played a show in our area after I had listened to this song.

Next time!

[READ: February 20, 2020] Princeless: Volume 5

This book opens with Adrienne and Bedelia enjoying a cleansing bath in a lake (I assume).  While they are getting clean, Adrienne mourns the state of her hair.  How often she has tried to straighten and control the knotty curls on her head.  And after some serious thought, she has Bedelia shave it all off.  I love that when she pops out of the water newly shorn, she looks gorgeous–well done Emily Martin.  On a less great note, there’s a scene in the water where Bedelia, who is a strong and rugged half-dwarf lets not forget, is drawn with a waist that would be about 10 inches across in real life–bad form Emily Martin.

In book two, Devin and Kira are trotting along (with the tough Kira getting nauseous on the back of a horse).  When suddenly Kira smells… an elf.  And it is her duty to kill it.  Kira dives on the elf’s travelling companion, who is Prince Wilcome.  The elf, named Tempest, quickly disarms Devin and takes his sword.  They are at an impasse.

Next we jump to the dwarf kingdom.  There are two male guards out front discussing music and almost come to blows during their argument, calling each other girlie and arguing which one is the real man.  But when another dwarf comes along shouting Dragon, we find out that the dwarf dragon slayers are all women.  They prep themselves and get ready to make dragon stew.  After a kiss between Benna and Gretta they fling the dwarfs through the air from a catapult. (more…)

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SOUNDTRACK: THE HANDSOME FAMILY-“Capitol City” (from WILCOvered, UNCUT Magazine November 2019).

The November 2019 issue of UNCUT magazine had a cover story about Wilco.  It included a 17 track CD of bands covering Wilco (called WILcovered or WILCOvered).  I really enjoyed this collection and knew most of the artists on it already, so I’m going through the songs one at a time.

I’ve know of The Handsome Family for a long time, but I’m not sure if I’ve ever heard them before.  “Capitol City” is also a bit of a mystery.  It appeared on a Wilco bonus disc (for the deluxe edition of The Whole Love).  I assumed it had something to do with The Simpsons, but I guess it doesn’t.

This is a kind of honky-tonk version with banjo and “gadgets” as part of the lineup.   It’s fun with lots of weird sound effects swirling around this otherwise conventional song.

I wish you were here. Better yet, I wish I was there with you.

[READ: February 20, 2020] Princeless: Volume 4

Sir Gahiji the Hunter has learned that Adrienne is actually not dead and is in fact the knight they are all after.  He shares this information with the Black Knight. They instantly fight and the Black Knight knocks out Gahiji (or Cat Hat, since he wears a wolves’ head on his head).

Adrienne and Bedelia are headed for Grimmorium Swamp.  Bedelia tells of some horrible things that live there: flesh eating goblins, swamp creatures, electric fish, squirrels… real live squirrels! (The squirrel revelation is pretty great).

Back at the castle, the King grabs Devin and brings him along to the forest where the encounter the remains of the Queen’s carriage.   The King says he thinks the Black Knight is responsible.  The King then introduces Devin to the wolves (Kira scares the daylights out of him).

Amazingly Devin and Kira soon bond well enough.  The leader of the wolves says that he wishes his daughter were inquisitive like Devin. The King says he’d rather have Kira in battle–he’s seen rabbits with more courage than his son.  In the background we see Kira and Devin climbing all over his mother’s empty chest.  When he comes out he stands tall and says “I’m going on a quest to save my mother!” (more…)

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SOUNDTRACK: KURT VILE-“Passenger Side” (from WILCOvered, UNCUT Magazine November 2019).

The November 2019 issue of UNCUT magazine had a cover story about Wilco.  It included a 17 track CD of bands covering Wilco (called WILcovered or WILCOvered).  I really enjoyed this collection and knew most of the artists on it already, so I’m going through the songs one at a time.

Kurt Vile is a pretty obvious and delightful choice to cover this loping song about drinking and not driving.

It’s a full band recording (even though it’s only two people playing).  Kurt plays some delightful meandering guitar throughout the song while Adam Langellotti plays bass, drums and keys.

It’s a fun cover and Vile’s delivery is perfect.

[READ: February 9, 2020] By Night

I am so taken with Giant Days, that I’ll pretty much read anything by John Allison.  This three-book series has a pretty uninspired title, but the story inside is trippy and very cool.

The story opens “in a commercial lab in Spectrum, South Dakota.”  We are looking at Jane Langstaff who has a masters in chemistry.  As the exposition continues Jane turns to us and says “Stop narrating my life, Barney.”  She sighs and says that she’s basically a restaurant dish washer but with biohazard.  Her best friend is now the autoclave.

As she walks outside she sees “ghost lady” and as she is looking at her she almost stumbles over Heather sitting on the stairs.  Heather has been waiting for Jane.  Jane lies and says she didn’t know that Heather was back in Spectrum.  They quickly catch up.  Heather is no longer with Shawn–who cut his hair and got a law degree.  Jane is shocked: “he cut his hair?” (with an accompanying picture of his gorgeous locks).  Heather reacts: “Of those two things that’s not the one that should blow your mind.”  Heather invites her for drinks.  Jane agrees but instantly regrets it.

Later Heather tells her that she wants to tear it up which means going to a local bar.  It is dark and depressing and no one is tearing up anything.  In fact, Heather’s s dad Chip is there drinking.

Chip reveals that he was terminated today.  He has worked at the Charleswood Estate for his entire life.  Heather realizes that this means that the Charleswood Estate is unguarded (he was the only guard left at the Estate).  With some sleight of hand, Heather steals her fathers’ keys and tells Jane they are going to sneak in.

After some persuading, Jane agrees to go.  They both know Charleswood Estate because every year the school would take them there for a class trip because Chet Charles more or less created the town.  When they sneak in the first thing they do is watching the old welcome video that they’ve seen so many times before.

They sneak into Charles’ private office, where he has a projector and a comfy looking chair.  They are pretty delighted with this find.  but when moonlight hits the projector it turns on and projects a hole in the wall which Heather and Jane walk through … into another world. (more…)

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SOUNDTRACK: GAELYNN LEA-“I Wait” Tiny Desk Family Hour (March 12, 2019).

These next few shows were recorded at NPR’s SXSW Showcase.

The SXSW Music Festival is pleased to announce the first-ever Tiny Desk Family Hour showcase, an evening of music by artists who have played NPR Music’s Tiny Desk Concert, at Central Presbyterian Church on Tuesday, March 12 from 8-11pm.

If you’re going to put together the first-ever Tiny Desk Family Hour — an epic night of Tiny Desk-style concerts, held at the wonderful Central Presbyterian Church in Austin during SXSW Tuesday night — you might as well kick things off with a core member of the Tiny Desk Family. Gaelynn Lea won 2016’s second annual Tiny Desk Contest with the barest of ingredients: a few swooping violin strokes, a loop pedal and her fragile-but-forceful voice.

At the Tiny Desk Family Hour, Lea performed in that same spare configuration. She closed with a powerful song called “I Wait,” which addresses the way people with disabilities — Lea herself has brittle bone disease, and works as a motivational speaker and teacher as well as a musician — are frequently left out of social justice movements. It’s Lea at her best, as her warm, intense, hauntingly beautiful voice is shot through with a clear sense of purpose.

This song is wonderful.  The looping is simple but effective–the notes are menacing and effective, while the unlooped pizzicato notes add just the right amount of rhythm to this otherwise sparse song.  For this song is all about the lyrics.  Lea details what it’s like to be handicapped–not in the world at large, but within protest movements which supposedly have her best intentions at heart.

So when you hear them
Make claims of progress
Take a good look
And see who isn’t there
We need a seat now
At the table
So please invite us
Or don’t pretend to care.

When Lea brought “I’ll Wait” to an abrupt close, the audience’s soft collective gasp gave way to the night’s first standing ovation.

It’s a stunning ending.

[READ: February 12, 2019] The Creepy Case Files of Margo Maloo #2

I really enjoyed the first book in this series and I’m happy to see the follow-up.

It opens with a recap from Charles Thompson, a future reporter (who uses a tiny reporter’s pad to write down his thoughts).  He talks about how he met Margo Maloo, the “Monster Mediator” and how with her help, he was able to locate and deal with a troll in his house.  And by “deal with” he means befriend.  For although Margo is a mediator between monsters and humans, she is mostly interested in the safety of the monsters.

Thompson has dozens of readers, he thinks, and maybe this is why Margo wants his help.

She will not be getting any help from Charles’ friend Kevin, who wants nothing to do with any monsters (unless they come in toy-form, like the Battle Beanz). (more…)

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SOUNDTRACK: SCOTT MULVAHILL-Tiny Desk Concert #825 (February 18, 2019).

download (18)I had never heard of Scott Mulvahill.  And when I saw him with his big upright bass, I assumed he was a jazz guy.  But I was wrong.  And the reason I’d never heard of him?

Scott Mulvahill has been trying to win the Tiny Desk Contest for each of its four years. He’s always been one of our favorites, though he’s never been our winner. The double bassist entered his song, “Begin Againers” in 2016 and though it wasn’t the winning entry, we all loved it so much, I invited him to my desk to perform his extraordinary song. He opened the Tiny Desk with it, only this time he was joined by bandmates Jesse Isley and Josh Shilling who shared vocal harmonies.

“Begin Againers” is such a delightfully simple song–a cool upright bass melody that runs through the whole song (with an occasional flourish) and three voices.  Scott sings leads and he sounds like a fairly conventional old-school folk singer, but with a bit more punch.  He sings the lead and his two Jesse and Josh add some great harmonies. (who play guitar and keys).

There’s a bit of Jackson Browne [I was thinking James Taylor, but I think Browne is more accurate] in his voice and a bit of Paul Simon shows through in his self-reflective words.

When the song’s over he says, “That was the first song I ever sent into NPR and of course I wanted to play it behind this desk.  Isn’t it beautiful guys?”

For track two, “Gold Plated Lie,” Jesse and Josh switch to (guitar and keys) and two other guys come out to play drums and dobro [Terence Clark: drums; Gabe Scott: dobro].  With a full band, the music sounds fantastic.  The track opens with a zippy keyboard riff which everyone else soon joins in on.  There’s some cool ah ha has in the bridge and then a really stellar big chorus.  By the end the ah has turn into oh hos hos and and the catchy melody edges a bit sinister.  It’s fantastic.

Scott Mulvahill honed his craft touring with the great bluegrass mandolin player Ricky Skaggs. “Playing bluegrass with him is like playing jazz with Miles Davis,” Scott told the Tiny Desk crowd.

He says that it taught him to learn to write on the bass, which led to this new album.  For the title track “Himalayas,” it’s just him and his bass, and his bass writing is very cool.

For the final tune, the title track from his self-released and current album Himalayas, Scott Mulvahill goes solo, brings out a bow for that bass and we hear a spaciousness I don’t often find in the Nashville world he inhabits.

He bows the bass (playing some really deep and some really really high notes).   And when he starts singing, he plays harmonics and slaps the bass for percussion.  After slapping and singing for a bit, he starts bowing again, and even though the song doesn’t change, the new sound really changes the tone of everything.  I love the way he ends the song with such a high bass note.

[READ: February 7, 2019] The New Brighton Archeological Society: Book One

I was immediately attracted to this story because of the drawing style.  There was something really fascinating about these little kids with big heads, dressed like adults. And of course the title was really cool (especially given the fact that the kids has crossbows and there were goblins with them as well).

The story starts 50 years ago as an island stands up out of a lake and walks away.  On the island it looks like fairy marrying a goblin.

It jumps to 50 years later in Antarctica where four people are chasing a lone figure.  The lone figure pulls out a magic lamp with a genie in it.  He says a magic word and the people vanish. Then we cut to the children on the cover. Their parents were the ones who have gone missing (presumed dead) and now the kids are moving in with an older couple in a giant mansion.  Their relationship to the older couple is a bit vague, but they knew the kids’ parents too.

The kids acclimate well, playing together in the fields in all seasons . And then one day they happen upon clubhouse.  A clubhouse that clearly belonged to their parents. (more…)

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jack SOUNDTRACK: RINGO STARR-The Best of Ringo Starr: Christmas Collection: 20th Century Masters (2003).

This Christmas album came out twice.  First in 1999 as I Wanna Be Santa Claus and then in 2003 as The Best of Ringo Starr: Christmas Collection: 20th Century Masters.  The track listing is the same.  Some history suggests that when the 1999 album came out the label failed to push it and it kind of faded away.

As you can see from the images, the original cover was the same, more or less.  So, for whatever reason, this new label or maybe its the same label) decided to repackage the Christmas disc as a best of.  Well, whatever, it’s still a great Christmas album, and has quickly become one of my favorites.

Like most people, I’ve never been a huge fan of Ringo.  And yet, I feel like I have new respect for him as a musician and as a humanitarian (he has recently been knighted).  This album is also a perfect example of good will, love and happiness.  And while it may be a bit cheesy here and there, his joyfulness overrides any complaints.

There’s some new songs and some traditional songs as well, all done in a vaguely Beatles rock n roll sorta way.

“Come On Christmas, Christmas Come On” is a new song.  It’s a rollicking childlike good fun wondering why it’s taking Christmas so long to get here. I can’t believe this isn’t played on more Christmas channels.  With lots of big loud chanting.

“Winter Wonderland” is like a slower Beatles swagger, with some great backing vocals and a cool instrumentation.

“I Wanna Be Santa Claus” is exactly what you think a Ringo Starr original Christmas song would be like: light-hearted whimsical and very sweet.

“The Little Drummer Boy” is a quick-tempoed version of the song (which is good as it’s usually too slow) with some solid drumming from Ringo himself.  I was delightfully surprised at the presence of bagpipes throughout the song.

“Rudolph The Red-Nosed Reindeer” sweet and boppy with swinging bass sax and more great backing vocals.  There’s a spoken part where Ringo gets to use his Liverpudlian accent that the luved him.  There’s even a “mistake” where he speaks, “he said Santa, no he didn’t he said Rudolph” [laughs].  He even throws in a Ringo the Red Nosed Reindeer line.

“Christmas Eve” is a sad song about being alone.  But he’s not willing to totally bring us down as there is some hope.

“The Christmas Dance” is a fun skiffle song about going to, yes a Christmas Dance.  It swings and is generally good fun.

“Christmas Time Is Here Again” is my least favorite song on the disc.  Although I do like the chorus the main part is just too simple and repetitive (and long!).  It’s just repeating that same line over and over (with a weird shout of “Do it for Jesus, Jesus Loves you.”  It’s also weird that several times he states O-U-T spells out, but the song doesn’t actually.

“Blue Christmas” is almost country-sounding with a slide guitar. It’s sweet and is one of the better versions of this song.

“Dear Santa” sounds about a mash up of several songs (I expect to hear the “oooohs” from “Twist and Shout”;  there’s a bit of “Dear Prudence,” there’s even the melody of “Beauty School Dropout” from Grease.  It’s a nice sentiment but a little long.  However, I do really like the shout out to John: “Dear Santa, I’ve heard it all before, from Jingle Bells, to no more war.”

“White Christmas” is done in a Jamaican lite-reggae feel with steel drums.  It’s rather silly and fun.

“Pax Um Biscum (Peace Be With You)” is a cool Middle-Eastern sounding jam with a sitar.  There’s also vocals in several languages.  he ends this song by muttering. ” Merry Christmas, Annabelle.”

It’s a fun and enjoyable Christmas album from a fun and enjoyable Beatle.

[READ: September 9, 2017] Mighty Jack and the Giant King

I rather assumed that this Mighty Jack series would have several book s in it.  So I was surprised to see that this story pretty much ends the Jack saga (although the epilogue does leave things open…)

The story picks up right where it ended–Jack and Lilly are climbing a beanstalk to chase the monster that stole Jack;s sister Maddy.  They are clearly not on Earth and the monster seems to be rats working together as larger monster.

Jack and Lily are separated.  Jack heads toward the giant’s castle while Lily falls underground and meets goblins. (more…)

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[LISTENED TO: December 2016] Nightmares! The Lost Lullaby

I was really excited to get this third volume of the Nightmares! series.

The previous book ended with the startling revelation that on the first day of the new school year, India Kessog (INK) is sitting in Charlie’s classroom.

INK and her sister ICK were responsible for creating the tonic that nearly destroyed Orville Falls–not to mention the Dream Realm, the Netherworld and the Waking World.

Charlie and his friends knew that INK was on this side of the portal and that her sister ICK was still in the nightmare realm, but they never expected that INK would come to them rather than then having to track her down.

INK is still dressed like she has always been–in old-fashioned clothes with a red bow–exactly the way that she (or ICK, they are twins) terrorized everyone’s dreams in Charlie’s town.  As INK walks through the school–observing everything very carefully–all of the kids keep their distance and stare and whisper.

When she sits down to eat, she is repulsed by the chicken nuggets–who wouldn’t be?  But she loves the tater tots.  That must make her okay right? (c’mon, EVERYONE loves the tater tots).  Charlie is just about to go approach her when his little brother Jack beats him to it.  And he starts talking to India (he calls her Indy) like she was his friend instead of a monster.  They seem to be having a good conversation until a new characters approaches. (more…)

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[LISTENED TO: December 2016] Nightmares! The Sleepwalker Tonic

2I though the first Nightmares! book was great.  I had listened to both of these books before, but what was fun about listening this time is that the end of book one gives a little hint at what book two would be about.

Towards the end of Book One, the story tells us that Charlotte’s business was doing well, although a new store had opened up in the next town and was also doing very well–possibly taking away her customers.

And that’s essentially what book two is about.  (No, not about small town commerce).

But let’s back up.  In book one, Charlie Laird and his three friends Paige, Alfie and Rocco prevented the evil president of the Netherworld from taking over the waking world.

Back up some more.  Nightmares aren’t bad.  They are there to frighten us, yes, but their goal is for us to face our fears and come out stronger.  They don’t want to hurt any of us. But the nightmares have an enemy–the goblins.  The goblins have been forced out of the nightmare realm never to return.  And they are constantly trying to get back into the Netherworld. (more…)

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[LISTENED TO: Summer 2016 & November 2016] Nightmares!

nightmresI loved Jason Segel on How I Met Your Mother.  I loved that Jason Segel was instrumental in bringing The Muppets back to the big screen.  And now I love that Jason Segel has written a series of really enjoyable–funny and frightening–children’s books.

This book is about–wait for it–nightmares.  But not in the way that you might expect.  Segel (and Miller–I have no idea how much she contributed to the book) have created a realm where Nightmares live.  It is a wonderfully realized and very well thought out world.  And I am really impressed with how well the whole story works.

It is the story of Charlie Laird.  Charlie is a pretty normal kid.  He does okay in school, he has friends, his family loves him.  But three years ago his mom died unexpectedly.  It was a harsh blow to him and his family.  Charlie has never really gotten over it.  And what has made it especially tough is that Charlie’s dad recently got remarried.  Apparently he got over it just fine.

If that weren’t bad enough, Charlie’s family moved from his old house–the house he grew up in and loved–into the mansion on the hill.  Not a far move–still in the city of Cypress Creek–but worlds apart from what he was used to.  Or what he wanted.

The mansion has always been there in town. It is huge and…it is purple.  It towers over the whole town–you can’t avoid looking at it–and it has always been rather creepy.  It was built a long time ago by Silas DeChant, and it has been in the DeChant family ever since.  So it makes sense that Charlie’s new stepmother, Charlotte, who is a DeChant, would want to live there.

But Charlie hates it  And he hates Charlotte, and he hates anything that tries to get him to see reason about his horrible stepmonster (I didn’t like the lazy use of this term, but it is rather appropriate). (more…)

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