Feeds:
Posts
Comments

Archive for the ‘Egyptology’ Category

SOUNDTRACK: J.S. ONDARA-Tiny Desk Concert #937 (January 24, 2020).

WXPN has been playing J.S. Ondara quite a lot since his album came out.  And while the DJs would often give some details about his life story, he gives a bit more here.

J.S. Ondara’s journey to the Tiny Desk is a fascinating one. From his home in Nairobi, he listened on his sister’s radio to American artists, including Nirvana, Jeff Buckley, Death Cab For Cutie and, most importantly, Bob Dylan. He wanted to be a folk singer, so he moved to Minnesota, Dylan’s home state.

In between songs he narrates his life in a wonderfully comically understated style.

Ondara told us his story. “I remember, at one point, someone told me about this contest that you guys do called ‘the Tiny Desk Contest.’ And I was, at the time, desperately trying to be a folk singer. And I’m not quite. I’m not a big fan of contests, but I like NPR. So I figured I’d give it a shot. And I’d just written that song, ‘Lebanon.’ So I made a video of me playing that song, and I submitted it. And I suppose that things didn’t go quite in my favor. So I figured I’d find a bit of a roundabout way to get here, which involved making a record and touring it relentlessly and stalking Bob [Boilen] all around South by Southwest. (I actually didn’t do that part.) I was thinking about it. And now I’m here. The journey would have been a lot shorter had I just won the bloody contest. It’s on me, not you, I suppose, I should have written a better song.  But in the very wise words of Miley Cyrus, ‘it’s not about how fast you get there, it’s about the climb.’  I can’t stop quoting that song, it’s one of those words even when I don’t want to.”

“Lebanon” is a slow ballad with Ondara’s unique singing style (S. and I genuinely didn’t know if Ondara was a man or a woman upon hearing his song “Saying Goodbye” because his voice is so multivaried.  I really like the passion of the lyrics and how it is countered with the slowness of the music.

In the water, fire
I’ll go wherever you go
In the valley, in the canyon
I’ll go wherever you go
Hey, love, I’m ready now
Can’t you see this riot
Inside of my veins
Hey love, I’m overcome
By desire
How must I wait?
Up next is “Days of Insanity” with this fascinating lyric

There is a bear at the airport, waiting on a plane
There is a cow at the funeral, bidding farewell
There is a goat at the terminal, boarding the C-train
There is a horse at the hospital, dancing with the hare
Somebody call the doctor, from the university
Somebody call upon the witch and the wizardry
Somebody call the rabbi, the pastor and the sheikh
Coz we are coming on the days of insanity
The days of insanity.

In talking about this song he says it is such a rich time to be a folk singer in America.  He wrote the song while making the record.  He was watching videos of kittens and puppies as he does every night before bed and the video suggested watching Stephen Colbert with John Mulaney.  Mulaney took a trip to Japan and described things in America as being like seeing a horse loose in a hospital.  It’s like something no one’s ever seen before.  Ondara encourages us to watch the clip and he is right–it is hilarious!

“Saying Goodbye” is the song that’s been getting the airplay.  It’s passionate and powerful and when he sings in the higher register it really is otherworldly.

This live version is quite a revelation.  His delivery is different–much more slow and deliberate.  But he can still hit that glorious high notes..

Amazingly, Tales of America was nominated for a Grammy award for Best Americana Album (not bad for a guy from Kenya).  Sadly it didn’t win.

[READ: June 2, 2018] Cleopatra in Space Book Five

It took Maihack seventeen months to make this book!  He says that sixteen of those months were spent growing the bear on his author picture.

This story is action-packed with some fascinating twists and turns.  Consequently, seventeen months is a long time to go between books.  Fortunately, Maihack’s quality of illustration and storytelling has maintained its high standards.

The book opens with a flashback to the moment when Cleo first disappeared from Gozi while they were having target practice (back in book 1).

The actual story has followed Cleo on her adventures.  But now we see what happened to Gozi.  He was attacked by … someone … and imprisoned.  Gozi believes that whatever happened to Cleo–it was her choice not to return and help him.

I have to admit I was more than a little confused as to just what happened next, [Gozi explains things later on].  IN the montage of events, there’s a spaceship and lots of cats (I suspect that if I had read the other books more recently this would be more clear).  In whatever happened, Gozi is badly burned and the pain never goes away.  He was wrapped in bandages but that didn’t really help at all.  Then we see exactly what happened to make Gozi tun into Octavian and to agree to use the Lion’s plasma to carry out the ruin of the galaxy. (more…)

Read Full Post »

download - 2020-05-20T121917.708SOUNDTRACK: THE FLAMING LIPS AND HEADY FWENDS-“Is David Bowie Dying” (2012).

2012 saw the release of this very strange collaborative album.  Whether The Flaming Lips had entered the mainstream or if people who’d always liked them were now big stars or maybe they all just liked doing acid.  Whatever the case, The Lips worked with a vast array of famous (and less famous) people for this bizarre album.  Here it is 8 years later. Time to check in.

This six minute track starts with scraping and electronic sounds and a two note guitar melody that rise sand falls. Neon Indian, an electronic chillwave band, is the guest on this song

Around 2 minutes the music turns optimistic and soaring and then it  mellows out with trippy sounds. The lyrics change to

At the mountain, you scream
Now the fountain reveals
As you do want and make you whole
Goodbye, goodbye

The mellowness lasts for about a minute then the angular guitars returns.  This second half feels less harsh and more trippy, although the wild effects are still in place.  This sequence runs through to the end as they repeat

Take your legs and run
Into the death-rays of the sun

[READ: August 1, 2019] Strangers in Paradise XXV #10

This limited series ends with this issue.

Katchoo is the voice over as she worries about the five years the earth has left to exist–she will have this hanging over her head as she returns home.

Francine reports that her mother is doing fine–she has the will to be alive to watch her grandchildren grow up.  This, of course, makes Katchoo even sadder.

Back home, the girls are up in the air vent wondering why Aunt Libby is crying.  But she’s not.  It turns out that there is a heavily tattooed man with a gun telling her that he plans to kidnap the two little girls because the dykes who live there have a lot of money and he intends to get the ransom for them. (more…)

Read Full Post »

download - 2020-05-20T121901.285SOUNDTRACK: THE FLAMING LIPS AND HEADY FWENDS-“Do It!” (2012).

2012 saw the release of this very strange collaborative album.  Whether The Flaming Lips had entered the mainstream or if people who’d always liked them were now big stars or maybe they all just liked doing acid.  Whatever the case, The Lips worked with a vast array of famous (and less famous) people for this bizarre album.  Here it is 8 years later. Time to check in.

This three-minute interlude is mostly thumping drums and percussive noises with a repeated sample of someone (I assume Yoko Ono) saying “Do It!”

There’ a grooving bass line.  With all of the attention paid to Wayne Coyne and Steven Drozd, it’s easy to overlook how good a bassist Michael Ivins (and has been with Wayne from the beginning).  I assume that’s him playing on this song.

The samples are tinkered with as the bass propels the song forward.  It’s a nifty little transition piece.

[READ: August 1, 2019] Strangers in Paradise XXV #9

The cover image of this issue has nothing whatever to do with the contents.  That is true for many of the issues, but it’s disturbing for this one because it suggest something is going to happen but it’s actually something similar but ultimately very different.

In New England, Katchoo doesn’t want to believe that the woman walking across the snow is Lilith.  She doesn’t want to believe any of this.

They go inside and there’s a cookie jar.  Zoe goes to take one but Lilith says that they are for the raccoon who likes to sneak in at night and pillage my kitchen.
Zoe: “You have a raccoon?”
Lilith: “Not anymore.”

They look at the scroll  Rachel reads it “This is how he did it and this is how you undo it”  Then she looks at Lilith and snarls, “Why did you write this?”

Zoe asks He who?  Jet say they’re talking about God an how to blow us all kingdom come. (more…)

Read Full Post »

SOUNDTRACK: THE FLAMING LIPS AND HEADY FWENDS-“I’m working at NASA on Acid” (2012).

2012 saw the release of this very strange collaborative album.  Whether The Flaming Lips had entered the mainstream or if people who’d always liked them were now big stars or maybe they all just liked doing acid.  Whatever the case, The Lips worked with a vast array of famous (and less famous) people for this bizarre album.  Here it is 8 years later. Time to check in.

This song starts out with NASA voices and beeps.   The beeps turn into a rhythm and after a cool echoing guitar the song takes on almost a spaghetti western feel.  even with the bowed cello

The song features Lightning Bolt, a noise rock duo, and I assume they join in the fun in the middle of the song.

After three minutes, a pretty guitar melody leads to a sped up voice saying 1, 2,3, 4 as it soars into the next chaotic and wild section.  The riff speeds up, the drums and distortion increase and the song feels like an epic take off into outer space.

It runs for about two minutes and then slows down.  Way down.  After a backwards countdown 4,3,2,1, the song resumes as a gentle folk song kind of like “Space Oddity.”  It’s pretty cool.

[READ: August 1, 2019] Strangers in Paradise XXV #8

Katchoo is flying to Boston.  The voice over has a nice moment where we see just how much she loves Francine.

She lands and heads to Jet’s garage.  She tells Jet that she has something to give her.

They get into Katchoo’s car which is surrounded by ravens.  They seem to be following her.  I love Terry Moore’s art throughout this series.  He does realistic portrayals of women perfectly (even if sometimes I can’t tell some of the women apart).  I love the way he draws Jet so distinctively as well.  But those ravens, um, not so much.

Jet has no idea what the container is and when Katchoo explains the contents she thinks Katchoo is joking. Why did Stephanie send her to Jet if Jet doesn’t know what it is? (more…)

Read Full Post »

SOUNDTRACK: THE FLAMING LIPS AND HEADY FWENDS-“You Man? Human???” (2012).

2012 saw the release of this very strange collaborative album.  Whether The Flaming Lips had entered the mainstream or if people who’d always liked them were now big stars or maybe they all just liked doing acid.  Whatever the case, The Lips worked with a vast array of famous (and less famous) people for this bizarre album.  Here it is 8 years later. Time to check in.

Nick Cave’s most recent music has been quiet pretty and tender.  It’s easy to forget that he has often been a wild man of Australian punk.  His Grinderman albums emphasized that noisy history of his and this song seems perfect for Cave.

In fact, this track seems like a song he could have released with the Birthday Party forty years ago. It’s abrasive and kind of rambling–although with more modern production and sounds. It also has a slow pummeling bass notes with lots of chaotic drumming.

Unlike most of the songs on the record which have falsetto vocals, Cave’s deep voice really stands out.  He is reciting a fairly crazy story of pools and chlorine and how you can touch him if you want.

Quintessential Cave mixed with a few Lips.

[READ: August 1, 2019] Strangers in Paradise XXV #7

Katchoo was falling off a cliff.  In the wide shot we see there is water down below (and a small boat).

She lands in the water and rockets down pretty far (some creepy eels greet her before she takes off back up to the surface).

The man on the boat tries to fend her off with a long pike, but he’s no match for Katchoo who avoids the gun shots until the boat takes off.

Back home, we see Francine and her (cool) Aunt Libby in some relative domestic happiness–Katchoo hasn’t warned her about he gunman yet.

Koo resists taking out the garbage. Francine asks, “when do you want to do it”  “Later when I grow up.”

When she puts the trash in the bin, she smells…something.  Which we see is a pile of cigarette butts and a shoe.  But she is called in before she sees what it is.

Katchoo goes to a small hotel.  There’s a man sleeping in the tub.  I’m unclear what that is meant to signify, but Katchoo leaves before he wakes up.

The book ends back home with Koo unable to sleep (she is reading I Hate Fairyland, by Skottie Young).  She heads downstairs (at 3AM) and sees a male shadow looking in their glass windows. Yipes!

Don’t mess with these cute kids, you hear me!

Read Full Post »

SOUNDTRACK: THE FLAMING LIPS AND HEADY FWENDS-“Children of the Moon” (2012).

2012 saw the release of this very strange collaborative album.  Whether The Flaming Lips had entered the mainstream or if people who’d always liked them were now big stars or maybe they all just liked doing acid.  Whatever the case, The Lips worked with a vast array of famous (and less famous) people for this bizarre album.  Here it is 8 years later. Time to check in.

Lately, Jim James has been going in a more mellow direction after the pretty heavy psychedelia of Circuital in 2011.  But this song stays in that heavy psychedelic vein with a big distorted guitar riff and distorted vocals from James (and Coyne, I assume).

It’s that weird mix of creepy and catchy that the Lips do so well.  You can clearly hear James on the lead vocals, but who knows who is contributing vocals to the rest (the oh oh ohs).  The guitar solo is all distorted and reversed–a noisy explosion of sound.

This song is barely four minutes and it’s followed by another noisy short one before the album segues back into quieter terrain.

[READ: August 1, 2019] Strangers in Paradise XXV #6

Katchoo was given coordinates to meet Stephanie.  The coordinates put her way off the grid in Colombia.  As she waits, a guy on a moped drives up and a monkey hops off and delivers a package (that’s pretty adorable, honestly).

Katchoo can only assume things are bad since Stephanie didn’t show.  She can’t imagine what is in the satchel (she hopes it’s not Francine’s head).

But no, it is a tube and in the tube is an ancient piece of papyrus–Cleopatra’s mathematical ideas. (more…)

Read Full Post »

SOUNDTRACK: THE FLAMING LIPS AND HEADY FWENDS-“Children of the Moon” (2012).

2012 saw the release of this very strange collaborative album.  Whether The Flaming Lips had entered the mainstream or if people who’d always liked them were now big stars or maybe they all just liked doing acid.  Whatever the case, The Lips worked with a vast array of famous (and less famous) people for this bizarre album.  Here it is 8 years later. Time to check in.

I’m not exactly sure when Tame Impala became huge.  I actually didn’t even realize they were huge until this past summer when I saw them. I’d always just liked their modern psychedelia.  I gather they’ve been huge for a while.  But I don’t think they were huge in 2012 when this album came out.  So really, Tame Impala was just another cool indie rocker singing along with the Flaming Lips.

None of the songs on this album are particularly “poppy” what with all the distortion and noise on them.  But this song is certainly one of the catchiest.  The guitar melody (which is very Flaming Lips) is simple and instantly grabbing.  The vocals are high falsetto–which are probably Wayne and Kevin Parker together.

After a trippy middle instrumental, the song resumes with acoustic guitar an a nice sing along.  It feels like a solid combination of The Lips and Tame Impala.

[READ: August 1, 2019] Strangers in Paradise XXV #5

The island that Katchoo woke up on is called Bonbi, a private island in the Riviera.  The person waiting for her is Tambi.

Tambi proceeds to give Katchoo a history lesson about Cleopatra and the history of Base Phi Mathematics.

I don’t know that much about Cleopatra, so I’m going to assume that the history here is true.  I don’t know a thing about Base Phi Mathematics, so I don’t know whether Cleopatra knew anything about it. I’ll assume Moore did his research.

Anyhow, Base Phi Mathematics is also the foundation for he Alaskan Collider that exploded and caused all the trouble for Katchoo.  (Yup, I’m skimming the hard science). (more…)

Read Full Post »

SOUNDTRACK: MAGOS HERRERA AND BROOKLYN RIDER-Tiny Desk Concert #849 (May 15, 2019).

Brooklyn Rider was on a Tiny Desk nearly a decade ago.  My main take away was how poorly it was lit.  I enjoyed them for their multicultural take on classical music.  For this Tiny Desk, they team up with Mexican singer Magos Herrera (whom I’ve never heard of).

When the intrepid string quartet known as Brooklyn Rider first visited the Tiny Desk nine years ago, no one knew what the musicians might play. They’re as likely to trot out an Asian folk tune as they are a string quartet by Beethoven, or one of their own compositions.

For this visit though, we knew exactly what was on tap. The band, fronted by the smoky-voiced Magos Herrera and backed by percussionist Mathias Kunzli, performed three songs from the album Dreamers, a collection steeped in Latin American traditions.

The versatile Mexican singer, who has never sounded more expressive, notes that these songs emerge from struggle.

She says, “Although there is a lot of light and usually I don’t sing that early, my heart is warm and expanding.”

The first song, Gilberto Gil’s bossa nova-inspired “Eu vim da Bahia” is “a tribute to his home state. He released it in 1965 as Brazil’s military dictatorship took charge.”  I love that between the heart-felt words, there is a gorgeous instrumental passage from the quartet (Johnny Gandelsman and Colin Jacobsen: violins; Nicholas Cords: viola; Michael Nicolas: cello).

She says the songs transcend dark times with the values of their words.  Gil wrote the tune a year before the dictatorship was installed in Brazil

The atmospheric, flamenco-tinged “La Aurora de Nueva York,” composed by Vicente Amigo, has lyrics from a poem written by Federico García Lorca, the Spanish poet who wrote it while he was in residence in New York in the 1920s.  She says “A Poet in New York is my favorite book” and this poem is the most iconic poem from the book.  Her voice is smoky and impassioned.  There’s some wonderful pizzicato from the quartet.  There’s some lovely solo moments from the violins and some spectacular percussion sounds from Mathias Kunzli.

García Lorca, who fell to assassins during the Spanish Civil War in 1936.

The final track “Balderrama,” by the Argentine folk legend Gustavo Leguizamón, ruminates on a café which served as a safe haven for artists to talk about their work.

One of the members of Brooklyn Rider says that when they talked about this project, they wondered which songs to do.  Which would best represent beauty in the face of difficult circumstances–an antidote to cynicism.  What is most precious and beautiful to a culture.

This song and all of them certainly do that.

[READ: May 16, 2019] “The Presentation on Egypt”

I have enjoyed everything I’ve read by Bordas.  And I really enjoyed this one.  A story would have to be good if the apparent main character has your name and–before committing suicide–has to pull the plug on a brain-dead man with your son’s name.  [That was painful to read].

The story opens with Paul telling the wife of the brain-dead man that he is completely brain-dead.  Unlike on TV, he wasn’t going to magically snap out of it.  When the wife finally agreed to pull the plug and the main died, Paul went home, had a cigarette, and hanged himself.

Paul had a wife and a daughter (if either one had my wife or daughter’s name, I would have had to give Bordas a call).  Paul hanged himself in the laundry room, perhaps knowing that his daughter would never go in there. (more…)

Read Full Post »

SOUNDTRACK: MAC DEMARCO-“No Other Heart” (Field Recordings, August 10, 2015).

Mac Demarco is pretty famous now and seems to be pretty much everywhere.  And yet I actually don;t think I’d ever heard him before this recording.

I’m not even sure if it is in any way representative of his music.  But I love that you can hear the waves lapping.

For this song, Demarco says he bought a boat for his birthday.  It’s a small rowboat, which he rowed out into a bay in Queens “Take A Sunset Cruise With Mac DeMarco”) and began playing his song on a little keyboard. The music has an intentional weird vibrato on it but the recording sound is quite magnificent.

For the charismatic 26-year-old songwriter who grew up in the landlocked plains of Canada, the water still holds an exotic appeal. Plus, the area’s laid-back feel is a perfect match for his laconic delivery and perpetually chill personality.

He sounds a little goofy singing it–presumably intentionally–given the other clips of him goofing off on his boat.

DeMarco moved to this house [by the bay in Far Rockaway, Queens] last fall, after touring behind last year’s excellent Salad Days — just in time for the long, bleak East Coast winter — with the intention of playing his instruments loud and writing new music in isolation [the wistful, melodic mini-album Another One].  A shaggy and surfy collection of love songs, it’s suited for a lazy summer backyard barbecue or taking your second-hand rowboat out for a dusk cruise.

As the show ends, he goofs around singing “Don’t Rock the Boat” as the camerawoman walks up to him in waist deep water.

Behind him, sun-dappled waves are chopped up by freighter boats and the occasional jet ski passing by. Across the water sits JFK airport, with its distant engine hum of planes taking off and landing at a steady, rhythmic clip. The crisp, salty sea breeze mingles with wafts of stagnant water, decaying debris and dead horseshoe crabs that wash ashore.

[READ: June 2, 2018] Cleopatra in Space Book Four

T. brought this book home and I couldn’t believe that book four was out already (had it really been a year?).

This book opens with a reflection on the previous book and Octavian yelling at his soldier cat for not killing the girl.  He is provided with a bounty hunter–a dog-headed man who will stop at nothing to make sure that the Golden Lion is destroyed.

Octavian is shocked.   If they possessed the Golden Lion, they could firmly defeat P.Y.R.A.M.I.D.

Back at P.Y.R.A.M.I.D. at Yasiro Academy, we see Cleo doing battle against a whole bunch of robots in a simulator  Akira comes to take her to class but before they can go they are summoned before he Council.  When they arrive in front of the cat Council, Akira’s parents are there (they call her KiKi much to her annoyance).  They are happy to see her and very happy to meet Cleopatra for they have been studying her life and the prophecy for years. (more…)

Read Full Post »

SOUNDTRACKLISA LEBLANC-Live at Massey Hall (June 6, 2015).

I thought I didn’t know who Lisa LeBlanc was, but it turns out that I knew her song “5,748 km” from a NPR episode.  How funny.

LeBlanc thanks Massey Hall for putting her on and for supporting new artists.  It’s so legendary, she can’t imagine what’s going to happen right now.

The show, in which LeBlanc opens for Spirit of the West, opens with this formal introduction.

Welcome to Massey Hall. To get the night going when you have a band like Spirit of the West who is dynamic and fun, who else can you bring to match that kind of excitement?  Please welcome to the stage Lisa LeBlanc.

She walks out on stage, grabs the banjo and plays a slow banjo melody.  After a beat or two she starts whistling a forlorn melody–a perfect Western-sounding instrumental (her whistling is very impressive).

Her whistling is great.

Then she gets a sly look and starts playing her banjo a little faster.    And then completely unexpectedly (to me anyway) her drummer (Maxime Gosselin) and baritone guitarist (Jean-Phillipe Hebert) start trashing like lunatics.  “Gold Diggin’ Hoedown” is a song that perfectly meets what her style is called: “trash rock” It is crazy and fun.

She says she grew up in New Brunswick playing music in the “kitchen party” scene.  She played with her uncles in the garage instead of going partying with the cool kids.  “I was kind of a loser.”

The next song is in the same style, but it is sung in French.  “Cerveau ramolli” which she translates as “My Brain is Mushy.”  This song is totally rocking with great thumping floor toms.

I can’t find the names of all of the songs (usually the video names them, but not this time).  There’s another song in French.

She switches banjos and then talks about “Katie Cruel,” a song that no one knows where it came from and it’s her favorite song of all time.  There’s a quiet part in the middle with just banjo and then nearly a capella before rocketing back to life.

She gets a new banjo and sings quietly over gentle picking:

Don’t try to figure out what’s going on his head / he ain’t trying hard to see whats going on in yours….  I love these lyrics:

He’ll give you the shirt off his back but he wont give you his heart.

She tells the audience she’s from New Brunswick.  Cheers from half the crowd.  Then she says she’s from a town of 51 people.  She was trying to date someone from Vancouver.  Canada is really big.  This is an introduction to “5.748 km” in which she plays guitar instead of banjo.  It’s a spoken/sung song.

She says “Let’s talk about cowboys” and then sings a song in French called (I believe) “J’pas un cowboy.”

For the final song she says the title “You look like trouble but I guess I do too” is quite self-explanatory.  After a few verses they take off.  That baritone guitar is so low and rumbling.  Things slow down in the middle where she plays a great banjo solo and then the sing thrashes to an end.

Over the credits she sings part of one more song this time with electric guitar.

LeBlanc is multi-talented and a lot of fun.  She’d be an excellent opener for anyone.

[READ: June 2, 2018] “Mum’s the Word”

This issue of the New Yorker had a section entitled “Parenting.”  Five authors tell a story about their own parents.  Since each author had a very different upbringing the comparison and contrasting of the stories is really interesting.

This is a funny (sort of) essay about being a parent and how “as a parent I spend a good amount of time talking about things that don’T interest me like My Little Pony, or pasta, or death.”

The death part is funny because her four-year old daughter is suddenly obsessed with it.  But in unusual ways: “When I die…I want to die in Egypt so that I can be a mummy.”  After half paying attention, Rivka nods assent then her daughter says “Mummies make other mummies.  With toilet paper.” (more…)

Read Full Post »

Older Posts »