Feeds:
Posts
Comments

Archive for the ‘Monsters’ Category

SOUNDTRACK: YOLA-Tiny Desk (Home) Concert #70 (August 25, 2020).

Yola is a Britiish singer with an amazing voice.  She is quarantining in Nashville and for this Home Concert, she is playig in a lovely backyard in Nashville with guitarist Jordan Tice.

Yola has one album out (and an EP) and her songs are full of soul and energy.  And that voice!

These four songs are stripped to just acoustic guitar (Tice plays lead on some of the tracks).  They are

 beautiful interpretations of songs from her 2019 album Walk Through Fire and her 2016 EP Orphan Offering that pull back the intensity I associate with Yola’s music, but are still passionate and fervent.

I’ve enjoyed hearing the recorded versions of these songs but hearing them stripped down to just melody and her voice, the sound even better.

“Faraway Look” is a gorgeous song with a terrific melody.  It sounds really quite different with the acoustic guitar but her voice is perfectly suited to it regardless of what kind of music backs it up.  And the way she can hold those notes is really stunning.

“Dead And Gone” feels more relevant now than when she wrote it for her 2016 EP.  This song is a little darker with some nice soloing notes from Tice.

“Love Is Light” is a beautiful ballad with a fantastic vocal melody.

I love the final song, “It Ain’t Easier.”  It’s got two great vocal lines back to back in the chorus.  I could listen to her sing it all night long.  And those little grace notes at the end are pretty awesome.

[READ: August 23, 2020] Malamander

I don’t often pick out children’s books to read.  Although I’m rarely disappointed when I find one that looks good.  My daughter and I were in Barnes & Noble and I saw this book.  The title, cover and description sounded really fun.  So I decided to buy it.  And I’m glad I did.  It was a fast, engaging read and the start of a promising series.

The book is set in Eerie-on-Sea.  Eerie-on-Sea is a wonderful place to vacation in the summer (when it is known as Cheerie-on-Sea).  But nobody wants to be there in the winter.  Sometimes not even the people who live there want to be there.  It’s bleak. It’s cold.  It’s windy.  And there is the legend of the fearsome Malamander.

When people visit they stay in The Grand Nautilus Hotel.  The Hotel’s Lost-and-Founder is 12 year old Herbie Lemon.  Perhaps you’ve never heard of a Lost-and-Founder, but you should have–who else is in charge of making sure everyone gets their lost items back?

Herbie is very good at his job.  But a big surprise happens when a girl climbs through the window of his office and asks him to hide her.  He does as she asks–who wouldn’t–just as two men come to Herbie’s door.  One is Mr. Mollusc, the manger of the Hotel who dislikes Herbie and dislikes the whole idea of the Lost-and Founder.  Fortunately for Herbie, Mr Mollusc is not the owner.  The owner, Lady Kraken, LOVES having a Lost -and Founder, she finds it essentially to running a good hotel.  The other man is large and scary with a hook for a hand.  Herbie and the girl, Violet, call him Boat Hook Man.

The girl is Violet Parma.  Her parents went missing from the hotel 12 years ago, when Violet was a baby  Violet was orphaned and raised by her Aunt.  She has now come all the way back to Eerie-on-Sea by herself to find out what she she can about her missing parents (she is sure they are not dead).  Coincidentally, Herb is also an orphan.  He was found by Lady Kraken and that’s how he got the job. (more…)

Read Full Post »

SOUNDTRACK: RHIANNON GIDDENS AND FRANCESCO TURRISI-Tiny Desk (Home) Concert #27 (May 28, 2020).

Rhiannon Giddens has a really amazing voice.  It is powerful and full and easily commands your attention.  She’s a practitioner of traditional music and loves to share the history and the culture.  She also writes her own songs.  However, introducing the second song Rhiannon Giddens explains “We’re not doing my original songs, ’cause with these kinds of emotions, the old songs say it best.”

They start with “Black as Crow” a lovely traditional song starting with Giddens’ mournful violin and then Turris’ plaintive banjo.  It’s amazing how rich and deep her violin sounds  Which makes me think it is a viola.

Rhiannon talks a bunch about how the pandemic has effected them.

They canceled their tour of Japan and returned home to Ireland; Rhiannon lives in Limerick while Francesco lives a few hours away in Dublin where they recorded this Tiny Desk (home) concert.

She says it’s hard for them as musicians because to do anything they have to be videographers and engineers and everything.  There’s a reason why people do that as the thing that they do and we appreciate them even more.

For the “Spiritual” mentioned above, Rhiannon plays the banjo and Francesco plays a bodhrán.  It starts with Rhiannon singing a capella, then she starts playing with great banjo picking (even some groovy slide work).

Food and art are the basis of what we are as human beings. And those are hit hard.  She started a website ArtLivesOn.com.

They end the set with two songs, “Carolina Gals” segues into “Last Chance.”  Rhiannon plays a violin (fiddle) while Francesco gets an amazing variety of sounds from the tiny hand drum he plays.  It’s like a tambourine with a skin on and there’s wonderful diversity of sounds.  The lyrics of “Carolina Gals” are familiar but different: “Carolina girl’s won’t you come out tonight.”  But my favorite part of the set comes at the end when Rhiannon just takes off on the fiddle playing the super fast instrumental “Last Chance.”

[READ: May 25, 2020] “Everyday Parenting Tips”

I love Simon Rich, he makes me laugh out loud pretty regularly.  Although this piece fell flat to me.  The premise is okay but there’s not enough to do with it, so it kind of runs out of steam pretty quickly.

This comic essay is all about how to help your children who are afraid of monsters.

It starts off easily enough with the calming assurance that it is normal for children to be afraid of monster.  It shows a sign of a healthy imagination.  By five they should be convinced that monsters aren’t real.

The problem however is that some monsters are real.  Ever since the Great Monster Uprising, when the monsters arrived from the Dark Place, monsters are an unavoidable part of out lives. (more…)

Read Full Post »

516ZKjM2CqL._SX351_BO1,204,203,200_ (1) SOUNDTRACK: ELISAPIE-Tiny Desk Concert #948 (February 20, 2020).

downloadElisapie (I have no idea how to pronounce that) is a First Nations singer from Salluit, on the Northern tip of Quebec.

She sings in Inuktitut (as well as in English and French).  And her voice is absolutely intense.

Her songs are very personal–she sings of

her life as an adopted child and of meeting her biological mother. Now, as a mother herself, she sings about what it must have meant to her own mother to give up her child.

Elisapie left her birth-village, Salluit, as a teenager and headed to Montreal, leaving her community and her sick mom. The songs she sings, here all come from her album, The Ballad of the Runaway Girl and deal with the consequences of her leaving.

These songs are definitely rock, but with a different overall sound.  Jason Sharp’s bass saxophone is fantastic–creating deep low rumbles and otherworldly squawks.

“Arnaq” opens with some chugging guitar riffs (I can’t tell if the guitar is acoustic or electric) from Joe Grass and after a verse or so, some great noisy electric guitars from Josh Toal, who punctuates the song with little solos.  There’s no bass guitar because the bass saxophone covers all of the low ends.

The song, even though it is in Inuktitut is rally catchy with a chorus of “ahhhhhh, I, yi, I” (or something).

The middle section is full of great noises as both guitars and the sax all play some wild solos.

All of this is held together by “the tasteful drumming of Evan Tighe.”

She says the second song, “Una” is the most painful yet the most freeing song.  It is  written to her biological mother.  In Inuktitut the word for mother means “our little bag” because they carried us.

It opens with slow staccato guitar chords and a near a capella vocal before the quiet electric guitar from Josh Toal joins in.  The spareness of the beginning of this song is a great counterpoint to the end of the song when everyone joins in–vocals, guitars, sax and some complex drumming.

Before the final song, she looks around and smiles and says Lizzo was here!  My daughter is very excited.

The final song “Darkness Bring The Light” opens with some great weird sounds from everyone.  Tighe makes scraping metallic sounds as he slides his drum sticks around the cymbals.  Toal plays a synth intro as Grass bows his guitar and Sharp makes waves of gentle sounds to underpin the melody

This one is in English.  She sings a melody that rides over the sounds.  After 2 minutes the drums kick in and after a run through of the chorus, the guitarists join in

Bob Boilen concludes

This is an extraordinary Tiny Desk from an artist with something meaningful to say.

He is absolutely correct.  This set is fantastic.

[READ: March 10, 2020] Gunnerkrigg Court 4 [32-41]

I really enjoyed the first three books of this series and then promptly forgot about it.  I happened to see this book at the library and was excited to see that I hadn’t read it.  Can it really have been three years since I last read about these characters?

Being away for so long made some of this a little confusing.  I will have to read the whole story again some time.

Chapter 32 shows Antimony returning from the forest and there is a warm welcome with Renard. But Katarina’s welcome is cool–“you kinda make it hard to be your friend.” Antimony tries very hard to make Kat like her again…too hard.  She creates scary situations in which she can “save” Kat,  It doesn’t exactly work, although Kat isn’t really mad anymore, just annoyed.  But then a gigantic creepy monster thing comes out of the water.  Kat is impressed by Annie’s conjuring until Annie says she didn’t do it.  They run out.

Only to learn that this is Lindsey–the creature who helped design most of everything at the court–a giant crablike creature.

All this time Kat has been working on the idea of growing a robot.  Well, not exactly, but kind of.  She imagines using a muscular frame to build a robot body around.  Or something.  She is able to use the smarts of one of the existing robots to give her a hand.  The code they provide is actually a small white cube with no writing on it.  Amazingly Kat is able to read parts of it. (more…)

Read Full Post »

SOUNDTRACK: TWIN PEAKS-“Spiders (Kidsmoke)” (from WILCOvered, UNCUT Magazine November 2019).

The November 2019 issue of UNCUT magazine had a cover story about Wilco.  It included a 17 track CD of bands covering Wilco (called WILcovered or WILCOvered).  I really enjoyed this collection and knew most of the artists on it already, so I’m going through the songs one at a time.

This was the last song on this compilation and it’s my favorite.

There’s a lot of Wilco songs that I like and “Spiders (Kidsmoke)” is way at the top.  The song is really long and doesn’t change a lot but the changes are fantastic.  One of the great things about the song is Nels Cline’s insane guitar work throughout–noisy and seemingly uncontrolled, but somehow fitting in perfectly with the 1-2-3- bass line.

This version by Twin Peaks is as good, if not slightly better than the original.  I say that because the band sounds a little fuller during the verses which I like (although it does make the change to the noisier section less dramatic).  And Nels Cline;s guitar work is more interesting than the Twin Peaks version–although they do some cool things too.

I think Twin Peaks has a bit more of the heavy alternative sound the I like.  The vocals are great, the guitars are great.  I’ve now listened to both versions back to back and I like them both!

This cover actually made me investigate Twin Peaks more and I was bummed to find out that they had just played a show in our area after I had listened to this song.

Next time!

[READ: February 20, 2020] Princeless: Volume 5

This book opens with Adrienne and Bedelia enjoying a cleansing bath in a lake (I assume).  While they are getting clean, Adrienne mourns the state of her hair.  How often she has tried to straighten and control the knotty curls on her head.  And after some serious thought, she has Bedelia shave it all off.  I love that when she pops out of the water newly shorn, she looks gorgeous–well done Emily Martin.  On a less great note, there’s a scene in the water where Bedelia, who is a strong and rugged half-dwarf lets not forget, is drawn with a waist that would be about 10 inches across in real life–bad form Emily Martin.

In book two, Devin and Kira are trotting along (with the tough Kira getting nauseous on the back of a horse).  When suddenly Kira smells… an elf.  And it is her duty to kill it.  Kira dives on the elf’s travelling companion, who is Prince Wilcome.  The elf, named Tempest, quickly disarms Devin and takes his sword.  They are at an impasse.

Next we jump to the dwarf kingdom.  There are two male guards out front discussing music and almost come to blows during their argument, calling each other girlie and arguing which one is the real man.  But when another dwarf comes along shouting Dragon, we find out that the dwarf dragon slayers are all women.  They prep themselves and get ready to make dragon stew.  After a kiss between Benna and Gretta they fling the dwarfs through the air from a catapult. (more…)

Read Full Post »

SOUNDTRACK: THE HANDSOME FAMILY-“Capitol City” (from WILCOvered, UNCUT Magazine November 2019).

The November 2019 issue of UNCUT magazine had a cover story about Wilco.  It included a 17 track CD of bands covering Wilco (called WILcovered or WILCOvered).  I really enjoyed this collection and knew most of the artists on it already, so I’m going through the songs one at a time.

I’ve know of The Handsome Family for a long time, but I’m not sure if I’ve ever heard them before.  “Capitol City” is also a bit of a mystery.  It appeared on a Wilco bonus disc (for the deluxe edition of The Whole Love).  I assumed it had something to do with The Simpsons, but I guess it doesn’t.

This is a kind of honky-tonk version with banjo and “gadgets” as part of the lineup.   It’s fun with lots of weird sound effects swirling around this otherwise conventional song.

I wish you were here. Better yet, I wish I was there with you.

[READ: February 20, 2020] Princeless: Volume 4

Sir Gahiji the Hunter has learned that Adrienne is actually not dead and is in fact the knight they are all after.  He shares this information with the Black Knight. They instantly fight and the Black Knight knocks out Gahiji (or Cat Hat, since he wears a wolves’ head on his head).

Adrienne and Bedelia are headed for Grimmorium Swamp.  Bedelia tells of some horrible things that live there: flesh eating goblins, swamp creatures, electric fish, squirrels… real live squirrels! (The squirrel revelation is pretty great).

Back at the castle, the King grabs Devin and brings him along to the forest where the encounter the remains of the Queen’s carriage.   The King says he thinks the Black Knight is responsible.  The King then introduces Devin to the wolves (Kira scares the daylights out of him).

Amazingly Devin and Kira soon bond well enough.  The leader of the wolves says that he wishes his daughter were inquisitive like Devin. The King says he’d rather have Kira in battle–he’s seen rabbits with more courage than his son.  In the background we see Kira and Devin climbing all over his mother’s empty chest.  When he comes out he stands tall and says “I’m going on a quest to save my mother!” (more…)

Read Full Post »

SOUNDTRACK: JAMES ELKINGTON-“Black Moon” (from WILCOvered, UNCUT Magazine November 2019).

The November 2019 issue of UNCUT magazine had a cover story about Wilco.  It included a 17 track CD of bands covering Wilco (called WILcovered or WILCOvered).  I really enjoyed this collection and knew most of the artists on it already, so I’m going through the songs one at a time.

Elkington is the first person on this compilation I didn’t know.

He plays an absolutely gorgeous, complicated guitar melody to open the song.  I am mesmerized by how lovely it is.  It’s actually so much different from the original–which has a subdued guitar opening–that i didn’t recognize the song at first.

Elkington sings in a quiet, hushed voice through the verses which continue that beautiful guitar melody and add percussion.

When the chorus kicks in with organs and a great electric guitar slide it become catchy just like the original (possibly more so).  But as the chorus dissolves into the verse, the electric guitar soars throughout while the acoustic picked guitar resumes the beauty.

What a wonderful cover and what a fantastic guitar player.

[READ: February 15, 2020] The Hidden Witch

After finishing The Witch Boy, I was really happy to see that we also had the second book in this trilogy, The Hidden Witch.

This book picks up right where the last one left off, although this one includes a map of the area, so we can see how close Aster’s house is to the main town (and the school).

The book opens in with witchcraft class.  Aster is there with the girls (who are looking at him funny).  He is far behind but his Aunt Iris doesn’t seem too happy about the fact that he is in the class.

Aster’s grandmother agrees to teach him if he will help her.  Her special request is to try to save her brother Mikasi–the creature from the previous book who they have trapped.  She believes that because Aster also had an inkling for witchcraft that he could possibly speak to the Mikasi within the beast.

Then we switch to Sterling Junior High where Charlie is showing off that her leg is no longer broken.  But there’s  new girl in school now.  Her name is Ariel and she seems very dark–thick eyeliner, dark clothes, etc,

This is one more reason why I love this series so much.  Charlie walks up to Ariel and tries to talk to her.  Ariel says you don’t have to partner with me just cause you pity me or whatever.  And Charlie replies “I thought you looked cool.  I like your bracelets.” They immediately start chatting and Ariel admits that she is good at art.  She draws something and Charlie is very impressed.  And soon enough they are friends.  I loved that interaction and wish it was that easy in real life.  And maybe sometimes it is.

Later that night, Aster goes to Charlie’s house. Their friendship is out in the open–her dads like him and everything.  They talk about their day and have a family dinner (I love that Charlie has two dads, but it is not a plot point or an issue at all.  It just is).

Then we cut to Ariel’s house.  Ariel is in foster care (you can tell by how different she looks from the rest of the family).  Her “dad” is kind of jerk saying that if she can’t make it in this school, she may have to go back to the foster system (jeez).

Ariel complains that trouble finds her–none of the things that happened in the past were her fault.  But the whole time she is staring at the phone and getting angrier.

Charlie promised she would call that night but she hasn’t..  And by the time she is ready for bed, Ariel goes to her hideout and summons a Fetch which she sends to find Charlie and give her “a scare.”

The Fetch is basically a shadow that sneaks into Charlie’s room and burns her (or something) on the arm.  Charlie runs away and the creature follows.  She runs all the way to Aster’s house and when she crosses through the protection stones, the Fetch can’t follow.

Charlie finds Aster and with his grandmother’s help, he is able to heal her arm.  Then the grandmother looks through the eyestone and they an all see the Fetch.  The grandmother can’t determine who made the Fetch, but she does make a protection spell for Charlie.  As Charlie walks away, Aster agrees to help his grandmother wit her brother.

At school the net day, Ariel is making enemies and sends a Fetch to push the bullies around a bit.  She is also super frosty to Charlie.  That’s when Charlie realizes she forgot to call her and is very sorry.  When she says “You kind of hate me now,” Ariel is taken aback and promises not to hate her.

She asks why Charlie had a bad night.  Charlie says she dealt with whatever it was and Ariel says to herself that that’s never happened before.

The next day, Charlie and Ariel are studying together when Aster comes by to bring Charlie a bracelet of protection.  Ariel gets a little jealous of their friendship.  When Aster leaves, she says boys are mean.  Charlie says everyone can be mean sometimes.  Charlie says that even though she has friends, sometimes she thinks everyone got the message about how to act and she missed it.  That’s why she likes Ariel.

Ariel is offended “Because I don’t know how to act?”
Charlie replies, “Because you don’t think there’s a right way to act.  You’re just doing your thing.”

That night is Charlies basketball game.  Aster goes and on his way Sedge tags along.  Sedge admits he doesn’t want to shapeshift–he’s freaked out about it.  In fact, he thinks that normal school sounds pretty great.

At the game Aster sees that Fetch is helping Charlie in the game–fouling people and assisting with the ball. Charlie is devastated that she wasn’t as good as she thought she was.  But the more pressing concern is who was casting the Fetch.  That’s when she realizes it must be Ariel.

They confront Ariel and she says that Charlie is clearly a witch too–that’s why she wasn’t hurt by the Fetch.  But Aster says it was his family that helped Charlie.  And he wants to help Ariel as well–hes concerned for her because the Fetch could backfire on her.   Being angry all the time can really impact you–When people treat you like a monster you start to act like one.

Soon enough the Fetch attacks Ariel and she is rendered unconscious.

Aster and Charlie bring her to Aster’s house–the only place she can get help.

I loved the way the story was resolved and who it tied so nicely to the previous book.  I also enjoyed the way the story lines twisted together ta the end (no spoilers)

I’m looking forward to book three (which is out already)!

Read Full Post »

SOUNDTRACK: JEN CLOHER-“Impossible Germany” (from WILCOvered, UNCUT Magazine November 2019).

The November 2019 issue of UNCUT magazine had a cover story about Wilco.  It included a 17 track CD of bands covering Wilco (called WILcovered or WILCOvered).  I really enjoyed this collection and knew most of the artists on it already, so I’m going through the songs one at a time.

Cloher takes on of my favorite Wilco songs and transforms it in a way that I quite like.  The song opens with some cool buzzing guitar sounds before the main melody resolves with some plinking guitars and keys.

When Cloher starts singing in her quiet, whispering voice, the song builds up a bit and grows really catchy (with cool sound effects swirling around).  The song is really mellow and catchy until the guitar solo in the middle which has a great echo on it as the song ramps up the speed.

I love that the song has picked up the pace and Cloher has vocally as well, although her delivery remains much the same–understated and cool.

It’s a great version.

[READ: February 15, 2020] The Witch Boy

My daughter has had this book for quite some time and she and S. both encouraged me to read it.  I didn’t put it off for any reason, it’s just that there were other things around first.

But boy did I love this story.

I love that it plays with gender roles but in the inverse of a lot of stories.  In this one the boy wants to do what the girls normally do.  And I liked that it’s not that the boys think what the girls do is too girly, it’s just that that is how it has always been done–boys do one thing and girls do another.  So it’s a nice twist on the gender role reversal story.  Plus the story is unyieldingly positive.

We open on a group of young girls learning witchcraft.  I love that they are speaking in runes and that (I assume) Osterberg made up all the symbols?  Or maybe they are classic witchcraft symbols?

Then we see that Aster is in the tree above them eavesdropping.  He is yelled at and told the girls are leaning secrets that he is not privy to.  His mother tries to calm him by saying the magic is not for him, but he insists that he wants to learn it.  But his role, like all the boys, is to learn to shapeshift (I’m glad they each have a cool skill, at least).  But he’s not interested in shapeshifting.  He wants to cast spells.

Then we learn why the gender roles are separated.  Aster’s grandmother had a twin, Mikasi.  Mikasi wanted to learn magic and he eavesdropped as well.  But the spells poisoned him and he lost control.  A darkness came over him, people were hurt and he was cast out. (more…)

Read Full Post »

SOUNDTRACK: MOUNTAIN MAN-“You and I” (from WILCOvered, UNCUT Magazine November 2019).

The November 2019 issue of UNCUT magazine had a cover story about Wilco.  It included a 17 track CD of bands covering Wilco (called WILcovered or WILCOvered).  I really enjoyed this collection and knew most of the artists on it already, so I’m going through the songs one at a time.

Mountain Man is a trio of three women with beautiful voices.  They often sing a capella or with one guitar accompaniment.  There music is quiet, designed for you to lean in to hear better.

The original song is a gentle folk song (with some gently rocking moments).  Mountain Man make it even more gentle.  The original has a vocal harmony from Feist.  Having a two harmony voices makes this version even more special.

Alexandra Sauser-Moning plays guitar (and maybe sings lead?) while Amelia Meath and Molly Sarle sing gorgeous harmonies.

As with everything Mountain Man does, it’s delicate and lovely.

[READ: February 11, 2020] The Time Museum: Vol. 2

Volume 2 opens up with very little explanation about what happened before.  In fact, it jumps right in the middle of a chase.  A purple creature with four tentacles is running away from Delia in an amusement park.  The purple creature is a kid and he doesn’t know why he’s being chased.  Delia communicates through her wrist watch that the kid has the Icono de Prestigo.

The rest of the beginning of the book has Delia’s Epoch Team chasing this (very fast) kid as he flees with the Icono.  The kid finally settles in the middle of an exhibit for Monstro the Terrible.  They freak out and don’t want to see the kid hurt, but he says his dad works there and the exhibit has been empty for years.  Which proves to be false as immediately Monstro (who looks a lot like the monsters in Stranger Things) awakens and swallows the kid.

Through some brave and disgusting techniques the kid and the icono are rescued.

After all of that, the kid hands over the icono and says its probably all melted anyway.  What?  Then they see him walk by with another one–the icono is actually a container for an ice cream sundae.  The Team was hundreds of years too late to save the actual relic.  When they return they are given a reprimand. (more…)

Read Full Post »

SOUNDTRACK: KURT VILE-“Passenger Side” (from WILCOvered, UNCUT Magazine November 2019).

The November 2019 issue of UNCUT magazine had a cover story about Wilco.  It included a 17 track CD of bands covering Wilco (called WILcovered or WILCOvered).  I really enjoyed this collection and knew most of the artists on it already, so I’m going through the songs one at a time.

Kurt Vile is a pretty obvious and delightful choice to cover this loping song about drinking and not driving.

It’s a full band recording (even though it’s only two people playing).  Kurt plays some delightful meandering guitar throughout the song while Adam Langellotti plays bass, drums and keys.

It’s a fun cover and Vile’s delivery is perfect.

[READ: February 9, 2020] By Night

I am so taken with Giant Days, that I’ll pretty much read anything by John Allison.  This three-book series has a pretty uninspired title, but the story inside is trippy and very cool.

The story opens “in a commercial lab in Spectrum, South Dakota.”  We are looking at Jane Langstaff who has a masters in chemistry.  As the exposition continues Jane turns to us and says “Stop narrating my life, Barney.”  She sighs and says that she’s basically a restaurant dish washer but with biohazard.  Her best friend is now the autoclave.

As she walks outside she sees “ghost lady” and as she is looking at her she almost stumbles over Heather sitting on the stairs.  Heather has been waiting for Jane.  Jane lies and says she didn’t know that Heather was back in Spectrum.  They quickly catch up.  Heather is no longer with Shawn–who cut his hair and got a law degree.  Jane is shocked: “he cut his hair?” (with an accompanying picture of his gorgeous locks).  Heather reacts: “Of those two things that’s not the one that should blow your mind.”  Heather invites her for drinks.  Jane agrees but instantly regrets it.

Later Heather tells her that she wants to tear it up which means going to a local bar.  It is dark and depressing and no one is tearing up anything.  In fact, Heather’s s dad Chip is there drinking.

Chip reveals that he was terminated today.  He has worked at the Charleswood Estate for his entire life.  Heather realizes that this means that the Charleswood Estate is unguarded (he was the only guard left at the Estate).  With some sleight of hand, Heather steals her fathers’ keys and tells Jane they are going to sneak in.

After some persuading, Jane agrees to go.  They both know Charleswood Estate because every year the school would take them there for a class trip because Chet Charles more or less created the town.  When they sneak in the first thing they do is watching the old welcome video that they’ve seen so many times before.

They sneak into Charles’ private office, where he has a projector and a comfy looking chair.  They are pretty delighted with this find.  but when moonlight hits the projector it turns on and projects a hole in the wall which Heather and Jane walk through … into another world. (more…)

Read Full Post »

SOUNDTRACK: DEATH LURKS-“Happiness Pie” (1996).

After Grivo took GLeeMONEX, he went from being a dark man embracing darkness into a happy man who loves happiness.  In pie form.

What’s in this pie?

Two cups love
A cup and a half of understanding
a tablespoon of good old-fashioned compassion
sugar to taste
and the ovens … are our hearts

This song, like the other Death Lurks songs was written by Craig Northey of Odds.  And while the lyrics are deliberately over the top treacle, the song is top-notch.

The jangly guitars sound just right and you can easily start to sway along.

Much like this movie was all about drugs, this song is like a gateway into pop music.  You listen because it is so silly and easy to mock.  But you slowly start to get into it because the music s really catchy.  And soon enough you like pop music as well!

True story.

[READ: January 20, 2020] “Another Castle: Grimoire”

This story was written by Andrew Wheeler and illustrated by Paulina Ganucheau. It was published as a five issue arc and collected in this one volume.

In the Kingdom of Beldora a heart finch appears on a branch outside the window of princesses Artemisia (Misty).

Her lady in waiting is thrilled at the good omen, but he princess recognizes that it is not actually a heart finch.  She realizes it as a spy and puts a pair of scissors through it and it immediately disintegrates.  Then the princess if off to defend the kingdom–Shadelings are spying on them.

The Shadelings are run by Lord Badlug.  It has been ten years since he’s done anything to their kingdom, but hey can’t forget his treachery.

Misty’s father tells her to settle down and go back to her friends.  But Misty knows what she is doing.  She runs up to the throne and grabs The Leveler–the only sword that can kill Lord Badlug. (more…)

Read Full Post »

Older Posts »