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Archive for the ‘Goats’ Category

SOUNDTRACK: AILBHE REDDY-“Distrust” (2016).

I found this song from, of all things, a redbull website listing up and coming Irish bands.  It says that this song has been streamed over 3 million times.

This song opens with otherworldy “oohs” before a jagged, slapped guitar melody enters the song.  The guitar feels like it ends too abruptly.  It ‘s a very cool hook.  Especially for a song that is a total kiss-off song like this one.

Over the course of three and a half minutes more and more is added to the song–an insistent bass, drums, more backing vocals and even a violin.  But that persistent guitar runs through the whole song.  As does Ailbhe Reddy’s voice which is clean and piercing.  She speak-sings in the beginning, but when the chorus comes in, her voice is in full power. 

The song soars by the end, as does her voice.  

In the video, she stands absolutely still and strong as the room she is in falls apart around her.  

Reddy has a full album coming out next month. This song isn’t on it, but her new song “Looking Happy” is a real rocker (with a cool video). 

[READ: September 19, 2020] No Country for Old Gnomes

I really enjoyed the first book in the series–Kill the Farm Boy.  I was really looking forward to reading the continuing efforts of the heroes of Pell.

So I was a little surprised to learn that this book has almost nothing to do with the first one.  It’s set in the same place (with the same map up front) and the world remains the same, but this book follows the exploits of a completely different band of accidental warriors. 

That was a little disappointing at first (I miss Fia and Agrabella) but Dawson & Hearne have created a brand new band of travelers who are just as interesting and compelling as the first bunch. All of the characters from the first book make cameos, but they are brief.  The only characters from the first book that have any regular work are King Gustave and Grinda the Sand Witch.

But this book is exciting and funny and in the same vein as the first while being very different as well.  It is full of puns and jokes and twists on fantasy novels all while fleshing out the world that was created in book one (and making great use of the map that’s on the first page).

The book opens with three witches (not Grinda) and a cauldron.  I love a spoof of this scene and this one is especially good.  Two of the witches are casting a spell to help the Bruding Boars win their jousting competition.  But they needed a third so they put an ad on Ye Olde Meet-Up Bulletin Boarde. This third with (who looked quite different from her picture) had a very different spell in mind.

The third witch disappeared after casting a spell full of blood and seeming to be against gnomes.  But, really, who cared about gnomes.

Neither noticed the surfeit of portent in the air, wafting from the coppery-smelling cave, probably because the second witch smelled so strongly of cat urine.
But the portent was there nonetheless.

The book shifts to the Numminen family of gnomes.  Gnomes are generally smöl (ha!) and cheerful. The two sons Onni and Offi are fighting about Offi’s lack of gnomeric behavior.  Offi likes wearing cardigans that are black and covered in bats (gnome cardigans should be bright and cheerful).  So, yes, Offi is a goth gnome.  Whereas Onni is a perfect gnome who wins award for his gnomeric behavior. (more…)

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SOUNDTRACK: COURTNEY MARIE ANDREWS-Tiny Desk (Home) Concert #68 (August 20, 2020).

Courtney Marie Andrews annoys me because she is not Courtney Barnett.  So whenever a DJ says Courtney, I hope it’s Barnett.  Sometimes it is and sometimes it’s this country singer.

Courtney Marie Andrews seems like a nice enough person but her music is on the wrong side of country for me.

She opens this set with “Burlap String.”  Paul Defiglia plays upright bass and Mat Davidson (aka Twain) adds pedal steel.  In this song

Andrews sings about the fear of love. “I’ve grown cautious, I’ve grown up / I’m a skeptic of love / Don’t wanna lose what I might find.” Yet, “Burlap String” is also a song about how love’s memory lingers, and how the mind rekindles its beauty.

Defiglia leaves after the song.

The blurb says that Andrews is only 29 and she’s been playing for ten years.  She has a new album and WXPN has been playing “It Must Be Someone Else’s Fault” a bunch.  It’s a bouncy song that seems to be full of sadness.

For “If I Told,” which she calls a modern day love song, Davidson switches to the Wurlizer.  Andrews sings a bit of yodel in the chorus.  It’s a catchy moment.

The set ends with Courtney alone at the Wurlitzer, singing “Ships in the Night” the final song on her seventh album, Old Flowers.  It is about lost love and hoping for closure with fondness.

Courtney Marie’s voice is powerful but it’s not my thing.

[READ: August 1, 2020] Kill the Farm Boy

I saw a review for the second book in this series (which has just come out) and it sounded pretty great.  So I looked up the first one only to find out that Dawson and Hearne are both authors with other series to their names.  Dawson has written The Shadow Series (as Lila Bowen), The Hit Series and The Blud Series.  Meanwhile, Hearne has written The Iron Druid Series and Oberon’s Meaty Mysteries.  They’ve also written single volumes of things too.  So they are well known in the fantasy realm.

The acknowledgments say that they met up in the Dallas Fort Worth airport at the barbecue joint (I have eaten there and it was tremendous).  They waited for their flight and discussed killing the farm boy, or in other words, making fun of white male power fantasies that usually involve a kid in a rural area rising to power in the empire after he loses his parents.  They found that skewering topics was fun and decided to write the book together.

So in the land of Pell we meet a farm boy named Worstley.  He cleaned up the goats.  And one goat, Gus, was especially ornery.  One night while Worstley was mucking out the area, a fairy entered the room.  She was haggard and dressed crazily with one sock on and her pants falling off. But the fairly quickly corrected any thoughts about her being a proper fairy by saying she was a pixie and her name was Staph.  She was there to anoint the chosen One.

To prove her magic she pointed at Gus and magicked him into talking.  The first thing Gus said was that his name was Gustave and he called Worstley “Pooboy.” (more…)

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SOUNDTRACK: LIANNE LA HAVAS-Tiny Desk (Home) Concert #18 (May 5, 2020).

This Tiny Desk is wonderful because you can clearly see the interesting chords that Lianne La Havas is playing.

She looks quite comfortable in her cozy space. I love the effect of the close camera placement; her essence penetrates the fourth wall like she’s singing just for me. Lianne performed the tender “Paper Thin” and “Bittersweet,” two recent singles that will be included on her self-titled new album set to drop in July. The intimacy of the performance matches the lyrics of the new songs, personal vignettes about her life and growth over the last five years.

After “Paper Thin” she says “I just felt like playing it first.”

Also included in the set is “Midnight,” a wistful gem from her 2015 album, Blood.

There’s some really wonderful guitar work here too.  She plays a complicated picking melody complete with occasional harmonics.  At one point her vocals take of and get much louder.  So loud that she kind of overloads her mic.

“Bittersweet”  continues with the quite guitar and powerful voice.  I’m curious what these songs will be like when they are fully produced.

[READ: May 3, 2020] “Witness”

This story is set in Berbice, Guayana.

Quammie had gone there to visit cousin Calib and tells the narrator his story.

Noting much happened, he didn’t buy any souvenirs.  Although that night there was to be a rally for President Ramotar.

It was rare that the Guyanese election made international ripples.  Oil had been discovered in the ocean, so Guyana and Venezuela were fighting over whose water the deposits were submerged in.

The polls were predicting a narrow loss for Ramotar who had decreed a state media blackout on all ads and coverage for his rival.

Quammie said they got out before the rally started, but on their way out of the city, they had to pull over for the President’s motorcade.

You saw Ramotar?

No, just his car. (more…)

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SOUNDTRACK: ZAKI IBRAHIM-Live at Massey Hall (March 27, 2015).

I had never heard of Zaki Ibrahim before this and from the pictures, I rather thought she would be kind of an opera singer.  She is pretty much everything but.

Born in British Columbia to a father from South Africa and a mother from the United Kingdom, Ibrahim spent her childhood as what she describes as a “citizen of the world”, living at different times in Canada.

This show starts out differently than the others–no interview just her getting her make up done and warming up with her backing singers.

Then she comes out to the theater and sings…in French!  I believe it is the song “Lost in You” (for some reason they don’t show the names of the songs for her).  It’s moody and quite lovely.  After some vocals scatting big drums propel the song half way through to really rock out.

She talks about feeling vulnerable on stage and how important that is for the energy exchange between fans and artist.

The next song is on piano with quiet drums, the singers repeat “I Just Need You Here.”

After this song, the band plays around with some sounds, manipulating it with gadgets and slides and whatnot and there are some vocals by Waleed Abdulhamid.  While that is going on, she comes out in  new outfit and as “Something in the Water” starts she is playing the theremin! and an electronic drum pad.  They seem to be singing “We Fly Home.”

It’s great that these Massey Hall shows have picked so many good artists to showcase.

[READ: June 2, 2018] “Anyone Can Milk a Rubber Glove”

This issue of the New Yorker had a section entitled “Parenting.”  Five authors tell a story about their own parents.  Since each author had a very different upbringing the comparison and contrasting of the stories is really interesting.

Jeanette Winterson describes milking a rubber glove: fill it with warm water, put your index finger and thumb two inches above the teat. The other three fingers squeeze the udder firmly but placidly–it’s like playing the recorder.

Why would anyone do this?  Well she did it for training how to milk a goat.  She was nine or ten when they got the goat.  The goat was named Gracie Fields (after a war-time music hall star).  The war had been over for twenty-five years but her parents still talked about it.

Her mother was deeply religious and read the Bible front to back and started over again.  S also liked singing and believed the goat milked better is you sang to her.  The songs had to be the right kind of downer hymns because goats don’t like to be too cheerful. Unlike sheep, goats are thinkers, but goats are going to Hell while sheep are going with Jesus.

Jeanette’s first time milking Gracie didn’t go very well.  Even with her mother singing “Have You Any Room for Jesus?”

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