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Archive for the ‘Jeremy Whitley’ Category

SOUNDTRACKRHEOSTATICS-3rd Annual Green Sprouts Music Week Night 4 (Ultrasound Showbar, Toronto Ontario September 21 1995).

Darrin at Rheostatics Live added a number of new shows in the last eight months.  Like this full week of shows from the Third Green Sprouts Music Week

Fourth night of the third annual Green Sprouts Music Week held at Ultrasound Showbar September 18-23 1995. Never Forget makes its live debut and Farm Fresh and Tyler Stewart of Barenaked Ladies joins the band for Soul Glue. The 16 minute Digital Beach/Wreck Of The Edmund Fitzgerald/You Are Very Star ending is amazing. The band also talks about “Raise A Little Elf” which would be noted on The Blue Hysteria and several other albums.

This is the first of the shows in which the audience is really obnoxious.  It gets worse later on.  I’m not sure why they get picked up so clearly on the mic, but it ruins some of the songs.

Many of the shows opens quietly, but this one opens with a raw “Feed Yourself” with some different words.  The guys are still figuring out the ending.

There’s a really noisy guy who shouts “sit down!” [This is a big thing tonight].  Tim: I’m not getting involved in that.

They play “All the Same Eyes” which I wouldn’t call the most rocking song in their catalog, but Martin says “we’re not normally this rock n rolly.”  Dave: Only on Thursday.  Only on St. Swithin’s day.  Only on my grandpa’s birthday.

They play “an old song,” it’s “Fishtailin'” and the crowd is stupidly loud during the quiet parts.

Up next is “Four Little Songs.”  There’s a long intro, but they get it right.  During Dave’s part he asks them to play the intro twice and he says Bono’s (?) kitchen.  But by the end, they can’t get the counting part right so they ask the audience to help and they do great.

These songs are “aged like sharp cheese which is what Rheostatics means in Latin.”

Dave finally addresses the shouters: you’re not gonna shout out sit down still are you?  They’re obviously not going to sit down and stuff.  Don: They’re talking to you, Dave, they want you to sit down.

Dave says his “day band” The Medicores” playing tomorrow at Lee’s Palace.  It’s a food bank benefit  Don will be at a benefit on Sunday with the coolest band in the area, Don’t Talk, Dance (a group with Tyler Stewart and others).

Last night was a weird night–felt the ghost of Trooper.  We even broke into “Raise a Little Elf.”  The story behind that is that when Andrew was very young he thought that the Trooper song “Raise a Little Hell” was “raise a little elf.”  He didn’t find out until …1992!  So naive.  He’s Mennonite.  Mennonites believe in elves.

Up next is Tim’s new song “Connecting Flights,” which Martin says is called “Two Flights of Stairs.”

You hear the guy shout “sit down asshole.” Thankfully before the song starts.

Presumably to damp down the jerks, they play their happy theme song (“Introducing Happiness”).  He says they plan to play it at the Grey Cup and the Governor Generals Inauguration (cheers). You like the Governor General? Weird crowd.

Up next is “Claire,” the only time they played it this week.  This time it features a guitar “duel” between Martin and Tim.  Tim obviously loses.  he even messes up his simple part and has to play it twice.  Dave says that the song is from the movie Whale Music which is coming out in the States on October 6 at a place in Santa Monica.

Next up is a brand new, never performed song sung by Don kerr called “Never Forget.”  There’s so much talking during it I can’t believe it.

Dave tells a funny, lengthy story about riding his bike and getting honked at by girls in a van.  He tells them Mississauga’s that way (a burn on Don Kerr).  The punch line is them telling him to “go back to England.”  You know what happens when Italians are mistaken for English….

Don says that if you’re riding a bike in Mississauga, you’ve got to  watch for people in vans with baseball bats.  Their TVs break and they have nothing to do.

A great sounding “Fat” has a rocking ending (Dave reveals that the gum that’s tough to chew was Dubble Bubble).  Farm Fresh gets the shout out in “Fan Letter” And then Martin introduces the next song which is “about working in a gas station.”  Dave: It’s not the ‘Summer of ’69’ is it?  But seriously, who talks through “Self Service Gas Station?”

Then there is clapping for the “contest winner.”  The “play drums on your birthday with the Rheostatics” contest.  It’s Tyler Stewart.  Give him a shot at the big time.

Dave asks about an “eat Kraft dinner with BNL contest” in which the bnl were too busy to eat with th eguys and so there were cardboard cutouts.  Tyler: is that some sorta CHOP?

They got to eat with Tyler’s double: Tarzan Dan.
Tim’s double is Henry Rollins
Dave’s double is Telly Savalas
Martin’s double is Starsky Michael Paul Glaser
Don’s double (courtesy of Janet Morassutti) Richard Manual from The Band.
The guitar tech’s double is William Baldwin–at least you didn’t say Ed Begley, Jnr.

Tyler plays a beat for Farm Fresh.  It’s a wild introduction to “Soul Glue.”  There’s so much cursing!  Whaddya think of Farm Fresh/Rheostatics/Barenaked Ladies  “They suck!”  Tyler also does a rap and then describes “Soul Glue” as a “song about LSD.”  It’s a bit slower, but sounds cool.  When Tim sings the “reapt that mistake” Tyler shots “sorry!” and after the “in the ground” Tyler adds “in the ground, in the ground, in the muthafuckin ground.”

Dave encourages everyone to join the Green Sprouts Music Club if you can.

The encore is “Digital Beach.”  There’s some shushing as Martin starts.  It segues into a slow, powerful “The Wreck of the Edmund Fitzgerald.”  The song is fantastic–the loud parts are really overwhelming. Then as the song ends and Tim reprises the slow part some some jackass shouts out “Gordon Lightfoot!” which totally ruins the moment.  Jesus.  Dave threw in an “I wish I was back home in Derry” which I thought was something he did much later.

After atmospheric jamming at the end of the song, it ends with a lovely (uninterrupted) “You Are Very Star.”

I hate that these drunken people can ruin quiet moments because otherwise this show is fantastic.

[READ: February 20, 2021] School for Extraterrestrial Girls

The title of this book sounded pretty good and when I saw that it was written by Jeremy Whitley who did the wonderful Princeless I was ready to read it.  I don’t know Jamie Noguchi but he has illustrated Erfworld.

Princeless was a YA book and this series is aimed a little younger.  It starts with Tara Smith, a normal girl going to a normal school.  Well, not that normal.  She doesn’t really have any friends. She just puts her head down and gets good grades.  Her parents are pretty intense.  And they are very busy.  So much so that she never really sees them in the morning.  They give her her daily meds (she has serious allergies) and trust that she will catch the bus (which she always does).

When she gets home they go over her homework, make her do everything that she got wrong over and over again and then tell her to study for tomorrow.   The only free time she has is when she takes out the garbage.

Then one morning she wakes up late. A power failure has messed up her alarm.  In her haste to get to school, she drops her meds and breaks a special bracelet that her parents gave her.  Today she can’t take the mean kids on the bus.  She yells at them and her eyes glow red, which gets everyone to back up.  Later in class, as she is writing on the board, her hand catches fire.  And then her whole body does. (more…)

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SOUNDTRACK: SiR-Tiny Desk Concert #941 (February 3, 2020).

I had never heard of SiR, the R&B singer from Inglewood, CA.  That’s not surprising since I don’t listen to R&B.

But as I often say I’m always surprised to read that someone is very successful and yet I have never heard of them.

Since signing to hip-hop juggernaut Top Dawg Entertainment in 2017, Sir Darryl Farris has been the most consistent, most reliable player on the roster outside of its original four.  His output has further solidified the label’s stake in spaces outside of just rap music.

He sings four songs, all ballads.  His voice is somewhere between speaking and singing with an interesting raspy quality.

The songs come from his latest LP, Chasing Summer.

Themes of regret loom throughout the album and he’s never shied away from writing about personal flaws. His depiction of misdirected desires and heartbreak on “John Redcorn” and “The Recipe” reveal a cruel honesty that couples grapple with at times.

“The Recipe” has some really nice backing vocals from Davion Farris, Jacquelyn Farris and Zyah Belle.

“New Sky” has a pretty piano melody from Ledaris “L.J.” Jones with some nice fat bass from Samuel Davis.   I quite like like the vocals on the chorus.

When he introduces the band he reveals that Davion Farris is his older brother and Jacquelyn Farris is his mom.

The set was also a family affair with his mother and older brother offering support as two of the three background vocalists. We get a glimpse of his upbringing in the gospel choir once those harmonies open up.

The set proves to be unexpectedly emotional

About halfway through the performance, SiR revealed that he’d lost his infant godson a few days prior and dedicated the performance to him. “We’re doing this for him. I didn’t want to come… It took a lot for me to be here today …but we’re gonna get through this.”

He plays the spare “Wires in the Way.”  It’s just his voice with some quiet jazzy guitar from Terrall Whitehead.  Midway through some lovely jazzy piano is added.  Throughout, you can see how emotional SiR is while singing the song and then he needs a moment at the end before they start the last song.

Woah.

He is able to bring the happiness back for the last song.  He says “It’s my favorite song off the album.  Hope you like this last one.”

“John Redcorn” feels like a culmination of the other songs, with everyone playing or singing to make this song very full.  I especially like the way Roger “Jooseondrums” Benford makes the cymbals sound like they are filling up the room.

Many Tiny Desk Concerts are emotional and you;d have to be stone cold not to be moved by this one.

[READ: February 20, 2020] Princeless: Raven Book 3

Book Two ended with a cliffhanger–would Raven be able to save Ximena?  She needs to take Ximena for medical care, but she knows that she can’t go anywhere on the island, since her brothers rule everything there.

Katie looks at the maps that Ximena has been making and sees that there’s an island not too far off.  It’s a spa for people who are really injured.  They set sail immediately and Katie is put in charge while Raven stays with Ximena.  Raven reveals that she is in love with Ximena (which most of the crew guessed anyway).

Raven is told that Ximena needs to hear her voice if she is to recover and so Raven tells the story of how her mother and father met.  It’s a pretty wonderful story and is beautifully drawn by Sorah Suhng.

All this time, Sunshine has been listening at the door.  It turns out she’s quite jealous of Ximena because she has a major thing for Raven.  So when Raven asks Sunshine to tell Ximena a story, Sunshine is really torn.  But she knows how important it is so she tells the story of how her parents met–that a human and an elf could conceive.  It’s a pretty great story drawn in a very different style by Jason Strutz. (more…)

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SOUNDTRACK: RISING APPALACHIA-Tiny Desk Concert #940 (January 31, 2020).

I feel like I have heard of Rising Appalachia, but I’m not sure that I have.  If I had, I certainly didn’t know anything by them.  But I think I had a pretty safe guess.

Rising Appalachia’s Tiny Desk Concert is charged with the roots music that sisters Leah Song and Chloe Smith learned in fiddle camps as kids. Growing up in urban Atlanta and beyond, they also heard rhythms from a wider world, and their music grew to reflect new sounds and their activism. When they came to NPR, their van was packed with a bodhrán (Irish drum), an ngoni (West African harp) a huge gourd, a cello, a baritone guitar and more, including the other musicians who make up this wandering, Atlanta-based band: David Brown, Biko Casini, Arouna Diarra and Duncan Wickel.

And so, with this band you get traditional-sounding folk music but with world music instruments and influences.  It melds beautiful.  And their lyrics are great, too.

“Resilient” starts the set with just the two of them.  Chloe Smith is on banjo while Leah Song is on bodhrán.  Their voices are great together as they sing a fantastic protest song. There’s so many great lyrics to choose from, but I’ll pick just this one

My voice feels tiny I’m sure so does yours / put em all together make a mighty roar.

There’s also a really catchy “who ho ho” in the chorus, which is a fun treat.

After the song, Leah says they are reviving the voice of the people.  Then, introducing the next song, “Medicine”  she says this is for all of our ancestors and all the medicine keepers.

Chloe switches to acoustic guitar.  The song begins with a a bowed, then plucked cello from Duncan Wickel.  Biko Casini plays a high hat with a big circular gourd for a bass and percussive sound.

There’s a very nice bowed cello solo.  Leah sings lead and Chloe adds some terrific harmonies.  Midway through the song you can really hear Arouna Diarra on the ngoni, playing some high notes, but it’s his solo at the end of the song that is so cool.  I’m fascinated by this instrument.

Before the final song, they joke that they wanted Leah to jump on the desk and that they might crowd surf.

Leah says she was going to shave I Love Bob Boilen into her hair.  Or maybe NPR, but if you mess that up it could just go wrong.

They end the set with a song Leah and Chloe “learned from our mama, an old boot-stompin’ Appalachian folk tune” called “Cuckoo.”  They aim to bring old music into a new format.

“Cuckoo” is a song I know from Kristin Hersh and, coincidentally, she played it when I saw her recently.

For this song, Leah plays the banjo and Chloe plays the violin (as does Duncan Wickel).   Their take is rather different from Kristin’s–not in the melody or lyrics but the way they sing the words.  Kristin has a very different vocal style.

The end features a njongi solo along with the baritone guitar solo from David Brown followed by a fiddle solo

And after a minute or so of soloing there’s split second pause before everyone rocks out a bit.  You can really hear the baritone guitar and its bass notes here.

I really enjoyed this set and I’m very curious about this band.

[READ: February 20, 2020] Princeless: Raven Book 2

Book One of this series was pretty intense.  And book two doesn’t really let up.

Well, the first chapter lets up some as we meet the crew and the women get used to the ship.  There are some rope climbing contests, everyone also wants to take a turn steering.  And Ximena and Raven are arguing already.

It’s a cool way to meet some of the new cast.  Dezzy would rather sunbathe than work.  Helena is very strong, Cid is deaf–which we find out because Jayla is yelling at her (to no avail obviously) and is getting frustrated and petulant–she’s a terrible character.  And powerful Sunshine is incredibly seasick.

Then they get into some sword practice. Raven addresses her crew calling them bilge rats. But Katie interrupts, “The insulting thing, is that something we have to do?”

Raven says she never thought of it.  That’s just how pirates speak. But Raven decides the ship will be a democracy (except in battle when her word is law).  She asks who finds insults to be a motivator?  No one raises her hand.  Raven hereby abolishes “name-calling, back-biting, under-cutting, insulting and sarcastic undermining” from her ship. (more…)

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SOUNDTRACK: KIKAGAKU MOYO-“Gypsy Davey”/”Mushi No Uta” (2020).

Japanese psych rock band Kikagaku Moyo (who are amazing live) were picked for the new Sub Pop 7″ singles cub release.  I’m not part of that club, but the tracks are available to stream.  Here’s what the band says:

This is a limited release as a part of the Sub Pop Singles Club Vol. 4, and physical copies will only be available to subscribers of the series. As such, it won’t be available at our shows or in stores…but you can listen now on streaming sites.

The first song, “Gypsy Davey,” is a reworking of the traditional British folk song by the same name. We referenced Sandy Denny’s arrangement from the 1971 album Fotheringay for our performance.  We recorded the track in London with guest vocalist Kandice Holmes, aka Bells @be__lls.

The second song, “Mushi No Uta,” was written by Tomo and Go and recorded last summer in their living room.

Both of these were recorded in brief windows during our touring in 2019. We are very happy with opportunity hope you enjoy the songs.

I love the way they have taken this old English folk song “Gypsy Davey” and added some great psychedelic elements.  First off it starts with drums and some very cool sitar work.  The guitars are slow and echoing.  Then after the first verse, the full band joins in with a slow 70’s sounding folk rock (with electric guitars) song.  By the third verses, the two guitars are doing different things and it all works together very nicely.

I had never heard of Kandic Holmes (aka Bells) but her voice is perfect, sounding old school and like she has heard this song a million times and can’t wait to sing it again.

The middle of the song has a wonderful, slow sitar solo.  I love that they have taken folk and made it international folk.

“Mushi No Uta” is a slow ballad. It does sound a bit like a home made recording (or else it is recorded deliberately close-sounding).  The vocals are whispered and the guitars intertwine nicely.  After a minute and a half, expansive, echoing guitar chords come rumbling through totally changing the atmosphere.  The second guitar plays some wild lines.  After about a minute, it all fades out and the original sound returns–gentle folk acoustic guitar and falsetto vocals.

It’s a nice single and shows a different side of the band.

[READ: February 20, 2020] Princeless: Raven Book 1

I really enjoyed Book 3 of the Princeless series in which Adrienne encountered Raven locked up in a castle.

I thought Raven was a pretty awesome character and I was really happy to see that Jeremy Whitley had created a series just for her.

This series is a lot less light-hearted than the Princeless series and definitely skews a bit older than Princeless.  It’s also not quite as funny (by design, I assume).  However, it features a wonderfully diverse crew of women and all of the great feminism that Princeless is known for.

As this book opens, we see Raven’s father showing her how to shoot an arrow–how she came to be known as Black Arrow and how fearsome she was even as a child.

The story of the excitement she had as a child on her father’s ship is contrasted to the drudgery of the present–fixing up the ship that she has commandeered from her brother’s mates.  She realizes that if she is going to get revenge on her brothers for locking her up, she needs a crew.  So she heads into town where she bumps into (literally) a woman who barely speaks English and is down on her luck.  She says she ate today, but has no money left.  Raven gives her some coins and the woman replies, “You give me to have these?”  She gives Raven a huge kiss and walks off.  That’s when Raven realizes the woman stole her purse.

The rest of the chapter shows some excellently drawn chase scenes from Rosy Higgins and Ted Brandt in which the thief (who we will learn is a half-Elf named Sunshine) is impressed by Raven’s tenacity and in which Raven is impressed by Sunshine’s physical abilities.  Sunshine runs into a bar and as Raven is about to tackle her, the bar owner points a crossbow at her. (more…)

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SOUNDTRACK: TWIN PEAKS-“Spiders (Kidsmoke)” (from WILCOvered, UNCUT Magazine November 2019).

The November 2019 issue of UNCUT magazine had a cover story about Wilco.  It included a 17 track CD of bands covering Wilco (called WILcovered or WILCOvered).  I really enjoyed this collection and knew most of the artists on it already, so I’m going through the songs one at a time.

This was the last song on this compilation and it’s my favorite.

There’s a lot of Wilco songs that I like and “Spiders (Kidsmoke)” is way at the top.  The song is really long and doesn’t change a lot but the changes are fantastic.  One of the great things about the song is Nels Cline’s insane guitar work throughout–noisy and seemingly uncontrolled, but somehow fitting in perfectly with the 1-2-3- bass line.

This version by Twin Peaks is as good, if not slightly better than the original.  I say that because the band sounds a little fuller during the verses which I like (although it does make the change to the noisier section less dramatic).  And Nels Cline;s guitar work is more interesting than the Twin Peaks version–although they do some cool things too.

I think Twin Peaks has a bit more of the heavy alternative sound the I like.  The vocals are great, the guitars are great.  I’ve now listened to both versions back to back and I like them both!

This cover actually made me investigate Twin Peaks more and I was bummed to find out that they had just played a show in our area after I had listened to this song.

Next time!

[READ: February 20, 2020] Princeless: Volume 5

This book opens with Adrienne and Bedelia enjoying a cleansing bath in a lake (I assume).  While they are getting clean, Adrienne mourns the state of her hair.  How often she has tried to straighten and control the knotty curls on her head.  And after some serious thought, she has Bedelia shave it all off.  I love that when she pops out of the water newly shorn, she looks gorgeous–well done Emily Martin.  On a less great note, there’s a scene in the water where Bedelia, who is a strong and rugged half-dwarf lets not forget, is drawn with a waist that would be about 10 inches across in real life–bad form Emily Martin.

In book two, Devin and Kira are trotting along (with the tough Kira getting nauseous on the back of a horse).  When suddenly Kira smells… an elf.  And it is her duty to kill it.  Kira dives on the elf’s travelling companion, who is Prince Wilcome.  The elf, named Tempest, quickly disarms Devin and takes his sword.  They are at an impasse.

Next we jump to the dwarf kingdom.  There are two male guards out front discussing music and almost come to blows during their argument, calling each other girlie and arguing which one is the real man.  But when another dwarf comes along shouting Dragon, we find out that the dwarf dragon slayers are all women.  They prep themselves and get ready to make dragon stew.  After a kiss between Benna and Gretta they fling the dwarfs through the air from a catapult. (more…)

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SOUNDTRACK: THE HANDSOME FAMILY-“Capitol City” (from WILCOvered, UNCUT Magazine November 2019).

The November 2019 issue of UNCUT magazine had a cover story about Wilco.  It included a 17 track CD of bands covering Wilco (called WILcovered or WILCOvered).  I really enjoyed this collection and knew most of the artists on it already, so I’m going through the songs one at a time.

I’ve know of The Handsome Family for a long time, but I’m not sure if I’ve ever heard them before.  “Capitol City” is also a bit of a mystery.  It appeared on a Wilco bonus disc (for the deluxe edition of The Whole Love).  I assumed it had something to do with The Simpsons, but I guess it doesn’t.

This is a kind of honky-tonk version with banjo and “gadgets” as part of the lineup.   It’s fun with lots of weird sound effects swirling around this otherwise conventional song.

I wish you were here. Better yet, I wish I was there with you.

[READ: February 20, 2020] Princeless: Volume 4

Sir Gahiji the Hunter has learned that Adrienne is actually not dead and is in fact the knight they are all after.  He shares this information with the Black Knight. They instantly fight and the Black Knight knocks out Gahiji (or Cat Hat, since he wears a wolves’ head on his head).

Adrienne and Bedelia are headed for Grimmorium Swamp.  Bedelia tells of some horrible things that live there: flesh eating goblins, swamp creatures, electric fish, squirrels… real live squirrels! (The squirrel revelation is pretty great).

Back at the castle, the King grabs Devin and brings him along to the forest where the encounter the remains of the Queen’s carriage.   The King says he thinks the Black Knight is responsible.  The King then introduces Devin to the wolves (Kira scares the daylights out of him).

Amazingly Devin and Kira soon bond well enough.  The leader of the wolves says that he wishes his daughter were inquisitive like Devin. The King says he’d rather have Kira in battle–he’s seen rabbits with more courage than his son.  In the background we see Kira and Devin climbing all over his mother’s empty chest.  When he comes out he stands tall and says “I’m going on a quest to save my mother!” (more…)

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SOUNDTRACK: PUSS N BOOTS-“Jesus, Etc.” (from WILCOvered, UNCUT Magazine November 2019).

The November 2019 issue of UNCUT magazine had a cover story about Wilco.  It included a 17 track CD of bands covering Wilco (called WILcovered or WILCOvered).  I really enjoyed this collection and knew most of the artists on it already, so I’m going through the songs one at a time.

This was my introduction to Puss N Boots, a group consisting of Catherine Popper, Sasha Dobson and …Norah Jones?  They’ve been getting some buzz lately (of course) and it’s interesting to have my first exposure to them through this cover of one of my favorite Wilco songs.

This has a great slow rocking sound.  It’s got minimal instrumentation (no drums), just electric guitars and bass.  The women harmonize really nicely.

I really like this version, although whoever is singing lead (Catherine or Sasha) has that weird thing that singers seem to be doing now where it almost sounds like a speech impediment on the letter r.  The way she sing skyscrapers so it almost sounds like skyskwrapers.  And cry sounds like cwry.

It’s a thing that I’ve heard a lot lately and I can’t quite wrap my heard around it.  It’s not an accent, but what is it?

Regardless, I do like this version.  The opening electric guitar is great and their voices work very well together.

[READ: February 19, 2020] Princeless: Volume Two

I like the artwork y in this book so much better than the first.  I feel like Emily Martin brings a whole new level of greatness to this series.  The coloring is also much more vibrant.  It’s possible that the printing I had for book 1 wasn’t very good, but this book is fantastic.

The book opens with Adrienne’s father speaking to the bravest knights of the land: Sir Rocks the Mighty; Sir Gahiji the Hunter (who wears a wolf head on his head); Sir Raphael the Handsome (a poet and a vampire); Sir Walsh the Braggart; Sir Zachary the Pure (who serves the gods); and The Black Knight, the king’s fiercest of friends.  They have been summoned to kill the knight who made off with Adrienne’s head and bring the head of her dragon.  Whoever can do so will win his daughter’s hand in marriage.  (Which daughter? someone whispers).

Devon is angry that his dad is doing this so he goes to talk to his mom.  But she has plans–she is leaving and going to visit her parents.  He can’t believe she is running away too.

Back to our heroines.  We see them flying on Sparky, with Bedelia hanging from a rope and swiping food from the cart of a thief who stole the food in the first place.  But Sparky isn’t the most coordinated of fliers and soon enough, Bedelia and Adrienne wind up in a tree.  Again.

They manage to regroup and are sitting near a fire eating their plunder when a dandy prince shows up.  His name is Roderick Lovelorn and he is a poet.  He calls her fair lady and i love that there’s a running joke that she is not fair–fair means pale and she is not pale, she has brown skin (and kinky hair) thank you very much.  He is heading home to his muse.  The lady whom all seek to see but none dare to touch.

As he goes on like this, Adrienne gets annoyed because she realizes that he is talking about…her sister Angelica. (more…)

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SOUNDTRACK: KACY & CLAYTON-“How to Fight Loneliness” (from WILCOvered, UNCUT Magazine November 2019).

The November 2019 issue of UNCUT magazine had a cover story about Wilco.  It included a 17 track CD of bands covering Wilco (called WILcovered or WILCOvered).  I really enjoyed this collection and knew most of the artists on it already, so I’m going through the songs one at a time.

I was not familiar with Kacy Anderson and Clayton Linthicum (a Canadian folk duo).

This song has a bit of menace in the delivery.  I’m not sure if it’s the way Kacy sings a bit like Aimee Mann or in the bass/organ combination.  The original is a bit more spare (although still minor key).

The guitar work (from Clayton) is very pretty, both the initial acoustic and then the sharper electric. There’s a great guitar solo mid-song.

I really like this version and will definitely check out more from this duo.

[READ: February 19, 2020] Princeless: Book One

After heaving read book three in this series, I figured I should go back and see how it all started.  This book collected issues 1-4.

This book opens with a cartoony drawing of a fairy tale.  A princess in a tower is saved by a handsome knight and they get married and live happily ever after.

On the next page, the little girl hearing the story says it is complete hogwash.

Then the girl, who is our heroine, Adrienne, lists the plot holes:

What kind of dragon dies from one blow?
How does the prince get the princess from the tower.  He climbed?  And then climbed down with her?  Because she sure didn’t with those toothpick arms.
And who would put a princess in a tower, what kind of grudge would you need against her to do that?
Plus, the cost of a tower would be more than her dowry!
You’re gonna put a dragon, a wild animal, in charge of your daughter.  What if it wanders off?  What if it kills her?

All she knows is when she turns 16 her parents better not put her in a….

cut to next page tower.  We see poor 16 year-old Adrienne locked in a tower guarded by a (very pink) dragon. The dragon is named Sparky and this dragon is not too scary.  Well, she is since she is a dragon, but she’s not as scary as some dragons.  I mean, she does manage to eat all of the knights who try to rescue the princess. (more…)

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SOUNDTRACK: LOW-“War on War” (from WILCOvered, UNCUT Magazine November 2019).

The November 2019 issue of UNCUT magazine had a cover story about Wilco.  It included a 17 track CD of bands covering Wilco (called WILcovered or WILCOvered).  I really enjoyed this collection and knew most of the artists on it already, so I’m going through the songs one at a time.

This is a slow, spacey, trippy cover with gently echoing synth, big echoing drums and a processed echoing voice.  I really like the original of this song and I find this cover to be a little too slow for my liking.

However, the overall sound of the song is very cool, especially the chaotic ending.

[READ: February 2, 2020] Princeless, Vol. 3

This book said Book 3 on the label but it seemed like it was starting form the very beginning.  It wasn’t until after I finished it that I read that this is in fact book 3 but it is a kind of spin off of sorts.  The main character of this story, Raven Xingtao, is actually not the main character of the series.  I did wonder why the two other characters on the cover, Adrienne and Bedelia, are not really introduced here–they are introduced in the first two books, obviously.

So this story starts with a story.  We learn of Ming Two-Tails the fiercest pirate to ride the sea. Her ship was called The Just Wind because she and her crew were so silent sailors thought it was just wind they heard.

The man who is telling the story ends with “And that’s what you’ll be like someday, my little Raven.”

Turns out Ming was Raven’s great-grandmother and Raven was so inspired that even as a little girl she was ready to fight.  She asked her dad to show her how to use a bow.  Her dad smiled and said she will not be a helpless princess.

Cut to the next scene and Raven is in a tower.  She had been there 90 days with no one looking for her.  Until a pink dragon flown by Adrienne Ashe and Bedelia Smith flies in.  They ask if Raven needs help. She does. So Adrienne lands and looks for a fight. (more…)

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