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Archive for April, 2020

SOUNDTRACK: BLACK THOUGHT-Tiny Desk (Home) Concert #7 (April 9, 2020).

?uestlove is (in my mind at least) the heart (or at least the face) of The Roots.  So it’s easy to forget that Black Thought is the man behind the voice.

This video is fascinating because Black Thought is sitting in a comfy chair, legs crossed, casually sitting as he raps the hell out of these songs.

While our culture adjusts to the New Normal, artists are revealing the threads of our common humanity as they find new ways to bring their work to virtual communities. In this installment of Tiny Desk (home) concerts, hip-hop wordsmith Tariq Trotter, aka Black Thought of The Roots crew, took the occasion to premiere three new songs.

On “Thought Vs. Everybody,” Thought calls for unity in response to the conditions of an encroaching dystopia.

It’s really fascinating that he can sound so powerful while chilling in his chair like that.  I also love that it starts with a sample saying “introducing the most powerful black man in the world.”

Thought talks about the Streams of Thought project that he’s been working on.  It started as a Steams of Thought mixtape/EP series he started in 2013.  “Thought Vs. Everybody” and “Nature of the Beast”  will appear on Streams of Thought Vol. 3.

Although the second song, “Yellow,” easily one of my favorite rap songs in years, is not on this EP.

“Yellow,” is song from his upcoming off-Broadway musical Black No More, an adaption of the 1931 Afrofuturist novel by George S. Schuyler, set during the Harlem Renaissance.

He is writing, producing and starring in the Broadway musical.  He says the plot is hard to summarize, but essentially, the main character a black man has decided he’s over the black experience.  There’s a machine that can turn black people white in an attempt to change the racial landscape of America.  Now this man wants everything yellow: yellow money, yellow women, yellow taxis.

Thought says that as a proud black man it challenged him to write from this perspective and to connect with feeling’s he’s never felt.

It is a fantastic song with a great 1920’s jazz score and although the lyrics are tough, he delivers them wonderfully (although I don’t really care for the chorus just repeating the word “yellow”).

He closes with “Nature of the Beast,” a collaboration with Portugal. The Man, who pop up on screen from a remote location.

This song has a really catchy singalong chorus.  I wonder how much of the music was from Portugal.

[READ: April 18, 2020] “The Media”

This was a real challenge to read and honestly I’m not sure what happened in it even after reading it three times.

It begins with Ben walking at dusk recording “this prose poem on his phone.”

He calls someone to ask about their trip–asks the person to call him back.  He’ll be around “until late nineteenth century, when carved wood gives way to polished steel.” (more…)

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[CANCELLED: April 19, 2020] Jens Lekman

indexI have really enjoyed Jens Lekman over the years. His Tiny Desk Concert is tremendous.  He was even the subject of a request in an episode of Every Little Thing, a podcast that S and I really like.  (A caller could not get a fragment of a song out of his head and it was one of Lekman’s).

I have been wanting to see him live for years (he last came around in 2017, but I missed it).  But this night is a special person’s birthday so there was no way I was going to go out.

Lekman has cancelled his entire tour, but I have to assume he’ll be back soon.  And I hope it won’t be on another birthday.

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[WATCHED: April 17, 2020] Chunky Shrapnel

In 2020, the ever productive King Gizzard and the Lizard Wizard released a soundtrack and a live documentary/concert film.

NME explains:

Chunky Shrapnel was supposed to have premiered earlier this month in two sold-out screenings at the Astor Theatre in the band’s stomping grounds of Melbourne. But the coronavirus pandemic put paid to that, so the movie will now premiere for 24 hours on Vimeo, April 17-18. Stewart promises that plans for wider distribution – including a theatrical release in cinemas around the world – are in the works.

Primary filming was done by John Angus Stewart.  In that NME interview he says

because I was shooting on film, and you don’t really know what you’ve got until you’ve got it processed, which takes a few weeks. I was shooting things, in a way, blindly.

With documentaries about musicians or even about filmmakers, a lot of the time, to give it a narrative thread, they pry into artists’ personalities or whatnot, trying to extract this deeper narrative to make it feel like a three-act film.

But to me, I think [King Gizzard’s] performance and their music is so fuckin’ interesting that you don’t have to do that.

If you like this music, you’ll get an insight into who these people are. But I didn’t want to frame them as these godlike figures, because to me that’s kind of bullshit. They’re just normal dudes.

So what’s the film like? (more…)

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SOUNDTRACKKING PRINCESS-Tiny Desk (Home) Concert #6 (April 8, 2020).

I’ve heard a lot of buzz around King Princess–that she’s fun and puts on a wild show.

This home Tiny Desk is not wild in any way.

“Welcome to the quarantine shed!” King Princess exclaims. She’s in jogging pants and sitting on a fluffy white chair, with two guitars, an amp and a tiny keyboard at her side. “I’m in Hawaii and brought as much gear in the carry-on of my plane ride as possible.”

She calls herself KP, which I rather like.  These songs are really quiet. She plays “the three songs from her late 2019 album, Cheap Queen, in ways I never would have imagined.”

“Isabel’s Moment” is played on a quiet keyboard.  She says it’s an homage to people experiencing quarantine thirstiness–texting their exes and ex friends and everyone.  It’s my least favorite of the three because I don’t like the keyboard sound she chose.  But her voice is excellent.

“Prophet” is played on one of her guitars (with lots of echo and slightly out of tune she admits).  The chorus turns surprisingly bright. She says it’s about the entertainment business and it is now more relevant than ever.  We’re all out of jobs right now.

She says this is back to making music in my room, trying to find that creative spark we had as children, when I could sit in my room and make things for hours.

“Homegirl” is also on that guitar and sounds really pretty, too.  I really like her singing voice quite a lot. It holds up well in this quiet setting–so if Bob says that it’s very different from what he’s used to, I’m very curious about what her live show is like.

But I really don’t like her speaking voice, I must admit.

[READ: February 2020] Burning Bridges to Light the Way

Evidently I asked S. for a book by David Thorne a few years ago.  I don’t know what book it was, I don’t recognize any of his titles and I didn’t even recognize his name when I saw this book.  She didn’t get me the book then, but she did get me one this past Christmas.

Turns out that David Thorne is an Australian smart ass.

As the foreword from Peter Goers puts it, this book is full of “barely coherent rants about friends, family, and colleagues.”  He continues,

David isn’t a dreadful human being all the time.  He has to sleep and I know he cares a lot about squirrels.  There are parts of this book that even hint at a certain degree of empathy for other human beings.  Some human beings, not all of them, maybe three.

I’m not sure who Peter Goers is, but his introduction is very funny.  Don’t skip it:

I once asked David if he’s autistic and he replied, “It’s pronounced artistic and no, not really, I can draw a cat though.”  I assume he was joking but it’s hard to tell with David.

In the first essay, David says that every year when he releases a new book friends and associates say that they are going to sue him if he says anything derogatory about them in his book.  But he’s not worried. Nobody he knows has enough money to hire a lawyer. (more…)

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[POSTPONED: April 17, 2020] Dead Can Dance / Agnes Obel [moved to April 23, 2021]

indexI really enjoyed Dead Can Dance’s mix of cultural touchstones on their earlier albums. I have a bunch of their releases up until they broke up.

Somehow I missed their reunion entirely.  I also missed their subsequent reunion and new albums.

They haven’t played in this area for 8 years and I was pretty pleased to finally experience them live.  I bought a ticket for this show and then a few days later it was announced that they would be playing the State Theatre in New Brunswick.  Since that venue is about three times closer to me, I snatched up a great seat for that show and figured I could sell the Philly ticket.

Then a couple months ago the Theatre announced that the New Brunswick show was unexpectedly cancelled. No reason was given.  I don’t think it was sales as it looked like they sold well.  So that sucked, but I was glad I still had this ticket.

Agnes Obel is a Danish born singer who plays quirky atmospheric chamber pop.  I have heard great things about her for many years but never really investigated her music.  I was looking forward to learning about her in this setting.

She was actually scheduled to open for The The on their 2018 tour.  However, the three New York area shows had different openers, so I didn’t get to see her then.

I hope they all come back around together.

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SOUNDTRACK: BEN GIBBARD-Tiny Desk (Home) Concert #5 (April 4, 2020)

I feel like Ben Gibbard released the first new quarantine song.

On March 26 he released “Life in Quarantine,” and it’s the first song he plays in this Home Concert: “Hello, this is Ben Gibbard, welcome to Tiny Desk, Seattle style.”

Some of the other Home Tiny Desk Concerts were uplifting and lighthearted, but Ben’s mood is pretty down.  He lives in Seattle where things were very bad first.

And with that, the heavy-hearted Death Cab for Cutie frontman performs his newly written song from America’s first coronavirus hotspot, Seattle. The song is called “Life in Quarantine,” and it’s not only portrait of his city’s current state; it’s a gift to that city. Ben is donating money from streaming and purchases to Aurora Commons, a self-described “welcoming space for our unhoused neighbors.”

It’s a pretty song, but very sad (as you might imagine).  And Ben is not planning to cheer us up for the rest of the show.

And as if there weren’t enough sadness, Ben performs an homage to songwriter and musician Adam Schlesinger of the band Fountains of Wayne, who passed away on April 1 from complications due to COVID-19. Ben was a long admirer of Adam’s music and sings us one of his favorite Fountains of Wayne songs, as well as a song Ben wrote for The Monkees’ Good Times album, a record that Adam produced.

“Me & Magdalena” (The Monkees song) is slow.  It’s similar to The Monkees’ version, although Ben’s delivery makes the song sound even sadder.

He talks about Fountains of Wayne and how he and Chris Walla took a road trip San Francisco and listened to the debut FoW record the whole way down and back.  His favorite song was “She’s Got a Problem.”  Even though I think of FoW as being poppy and cheerful, this song, in keeping with the mood, is not.

I really like Death Cab for Cutie and Ben Gibbard, but this is one show I won’t be listening to again, it’s just too much of a downer.

[READ: April 10, 2020] Black Canary: Ignite

I believe S. brought this home because Meg Cabot wrote it.  I haven’t read any of Cabot’s books, but S. is a fan. This is Cabot’s first graphic novel (it somehow seems odd that it’s a DC book).  I don;t know if Black Canary is a familiar character (I’ve not heard of her, but then I’m not much of  DC fan).

This book is part of DC’s Zoom imprint which means its written for younger kids (which also means I’ll like it more than standard DC fare).

Dinah is the daughter of Detective Lance.  She is thirteen and is in a band.  She wants to try out for the Gotham City Junior Police Academy (during Career Week).  Both of these things make her father angry.  She believes its because she’s a girl, but he says that Gotham is just not a safe place to live. [So why not move?].

The Joker has escaped [again].  One thing I dislike about DC is that it seems that everything is about The joker and Arkham Asylum, must have no security at all. (more…)

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[POSTPONED: April 16, 2020] Margaret Glaspy / Kate Davis

indexI loved Glaspy’s album Emotions and Math and I really wanted to see her perform it live.  Turned out she had played in Philly a couple of months before I first heard the album.

So I figured she’d be back soon.  Now here it is four years and a new album later and she’s finally coming back around.

However, this show conflicted with Kishi Bashi, so I was going to miss out on it anyhow.

Kate Davis is a former jazz prodigy who has suing jazz standards and played Carnegie hall.  Now she has gone indie rock.  She has a really nice voice and her songs seem to start quietly and conclude with a grunge-lite flourish.

 

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[POSTPONED: April 16, 2020] Kishi Bashi / Tall Tall Trees

indexWe saw Kishi Bashi back in November and it was one of the best concerts I have ever been too.  The spectacle was amazing. We were in exactly the right place to help him crowd surf and he played the encore in the middle of the audience.  It was also his birthday.

When I saw that he was playing again and at White Eagle Hall, I wasn’t sure if seeing him again so soon after the other show would somehow diminish the previous show.  But it was worth the risk.

Now with the delay, even more time will have past which makes the show even more appealing.

Tall Tall Trees is the banjo player is Kishi Bashi’s band.  He’s a fantastic player, using his banjo as a percussive as well as a stringed instrument.  I like his albums (although not quite as much as I want to).  I imagined he’d be terrific live.

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SOUNDTRACK: MICHAEL McDONALD-Tiny Desk (Home) Concert #4 (March 26, 2020).

I was never a fan of the Doobie Brothers, although I do like a few of their songs.  To me, especially now, Michael McDonald’s voice has the quintessential mockable tone and style.  If I were to sing in a voice that I thought was funny, it would sound like him.

Now, he sang on the Thundercat album “Drunk” so that gives him some cred for me, but it’s hard for me to listen to this Tiny Desk Home Concert.

Shows what I know, though, since he is hugely popular and is a “five-time Grammy winner and 2020 Rock and Roll Hall of Fame inductee.

After Michael McDonald finished “Matters Of The Heart,” the opening song in his Tiny Desk (home) concert, there was a brief pause. The bewilderment on his face was unmistakable. It’s a look I believe we all can relate to in this moment of uncertainty. He sat in his home studio, complete with an illustration of the Tiny Desk drawn by Mr. McDonald himself. That pause, usually reserved for the anticipated applause, was replaced by complete silence.

“Matters” is slow and ponderous.  It lasts nearly 6 minutes and sounds like a ballad I would have hated in the 90s.

I hate to be so mean to him, because he seems like a nice enough guy.  But my comments surely won’t affect him too much.

He then proceeded to play two 1978 Doobie Brothers classics that showcase his still-golden voice: “Minute By Minute” and “What A Fool Believes.”

He jokes: “If you know the words, sing along with me at home,” he said. “I won’t know if you’re singing well or not because I can’t hear you here.”

I enjoy these two Doobie Brothers songs, although  don’t really know the words–I had no idea that the song was called “What a Fool Believes” until about twenty years after I first heard it.  I much prefer the full band to these rather stripped down versions.

[READ: March 10, 2020] The Kids in the Hall: One Dumb Guy

It’s amusing to me that this book by Paul Myers, has an introduction by Seth Meyers and mentions Mike Myers.

Seth says that he was interning at Comedy Central and was doing a great job.  Then he found The Kids in The Hall (which he had never seen before). He became so obsessed with it that he started slacking off.  His boss at Comedy Central said that initially he was planing on offering Seth a job but after all the slacking off he wouldn’t do it.  When Seth told his boss he had been side-tracked by The Kids in the Hall, his boss sais, “There are worse things to throw an opportunity away for.”

So this is an authorized biography of the five Kids in the Hall.  Myers tells the story in a really compelling way. One where, as you read it, you think, gosh I hope everything works out for these guys.  Even though you know they did because well, this book wouldn’t be written about them if it didn’t and because you’re a huge fan of the Kids and you know it all worked out. (more…)

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SOUNDTRACK: TARRIONA ‘TANK’ BALL-Tiny Desk (Home) Concert #3 (March 26, 2020).

Tiny Desk loves Tank and the Bangas, who won the 2017 Tiny Desk Contest.  Of the five winners so far, they have certainly had the most success that I’m aware of.

I really enjoy their attitude, although their music is surprisingly repetitive for the amount of creativity in the band.

This Home Concert might be entirely improvised (there’s not “setlist” provided).  Tank seems to be riffing around a refrain of “don’t go out to the cookout.”  She is playing a rather cool electronic melody on “a version of Korg’s music software called iKaossilator.”

The rest of the music comes from percussive instruments that include a suitcase, [that she received when she was nominated for a Grammy.  She didn’t win but she got a suitcase, which is just as good], a jar of cocoa butter and a cassette box.

The middle of the song has a lengthy rap/poem/freestyle.

Mostly she is trying to convince everyone to stay home, bitch.  She even modifies the State Farm theme: like a good neighbor, stay over there.

It’s OK to be alone by yourself, eat by yourself, chill by yourself, read by yourself.

It is clear that she is having a really good time–laughing, clapping along.  She also says “I’m obviously practicing social distancing cause my group is not here.”

[READ: April 13, 2020] “The Other One”

I really liked the way this story was constructed.

When Heloise was 12, in 1986, her father was killed in a car crash.

Her father was supposed to be in Germany at a conference. But the crash happened in Paris.  In the car with him were his mistress (who also died) and her friend (who survived).

Heloise had false memories about this event.  She was sure she went with her mother to view the body (that never happened). (more…)

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