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Archive for the ‘King Gizzard and the Lizard Wizard’ Category

[POSTPONED: October 23, 2021] King Gizzard and the Lizard Wizard / Leah Senior [rescheduled from May 22 and then October 22, 2020; moved to October 22, 2022]

indexOn May 24, King Gizzard announced that they were pushing back this tour for another year.  It seemed surprising since everyone else is filling in tour dates this fall, but they made a valid point

We’ve made the (very hard) decision to reschedule our USA/CAN tour once again.

This was an extraordinarily tough decision to make but I hope y’all can understand the complexities that come with a giant tour of the States and Canada with a 6 piece band and a 6 person crew from Australia during a pandemic.

We’ve tried our hardest to reschedule as many of these shows as possible at the same venues. That means your ticket will still be valid if you want to go.

For our NY show, we’re unfortunately going to be canceling it, you will be given a full refund and will have to buy a new ticket at the new venue. Sorry! It’s bigger though so everyone should be able to get tickets. Exciting news on that and other new shows coming soon! 🙂

If you’d like a refund contact your local venue as soon as you can to arrange.

Thanks to every gizzhead for your ongoing support and love. We will get back on the road as soon as we can.

Love king gizz Xoxox

I was bummed when KGATLW had to postpone a show in May. I mean, come on, Coronavirus, would certainly be over by May, right?  Well, now it’s October and things are still crazy.  I really hope they can do this again next year.

Of course, knowing them, they’ll have three more albums out by then.

I have become a huge fan of King Gizzard and the Lizard Wizard (are there any other kinds of fans of them?) since I first heard about them a few years ago.

I’m sad that I missed them on the tour just before the first time I saw them (at a smaller venue when newbies like me hadn’t heard of them yet), but I have seen them twice since.

In both cases, the band overcame somewhat unpleasant (to me) situations (obnoxious capacity crowds and unreasonable heat) to change my mind from swearing I’d never bother seeing them again (before the show), to hoping they’d come back really soon (after the show).

I’m not at all surprised that this show was postponed and they have already rescheduled the new date.  So we’re all good.  I just hope the damned air-conditioner works next time.

The last time I saw KGATLW, the two opening bands were kind of doom/psychedelic–perfect matches for KGATLW’s more recent sound.  This year’s opener is a singer named Leah Senior.

Leah Senior did the narration on KGATLW’s Murder of the Universe album.  But her music is a completely other thing.  She sings gentle folk songs with delicate guitar playing and her beautiful soft voice.

I can;t imagine how well she would go over with a rowdy KGATLW crowd and I also wonder if that means that KGATLW would play their more mellow stuff?  Nah.

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SOUNDTRACK: KING GIZZARD AND THE LIZARD WIZARD-Fishing for Fishies (2019).

The first of two albums released by KGATLW in 2019, Fishing for Fishies is a bluesy, boogie-filled record.

It opens with with two false starts.  There’s the briefest sound of a sound like they’d recorded over another track but left it, then there’s a drum beat that hits a few and stops only to resume a few seconds later and starts the title song.  “Fishing for Fishies” is a soft shuffling song with delicately whispered vocals and a bouncy melody.  It’s super catchy and is followed by “Boogieman Sam” with its bouncy staccato guitar and then Ambrose’s wailing harmonica.

“The Bird Song” is a favorite on the record.  Fun gently whispered lyrics and a remarkably catchy jazzy song.  “Plastic Boogie” is loose blues song with a lot of people talking throughout, giving the whole thing a party atmosphere.

“Cruel Millennial” is sung by Ambrose.  It’s a swinging boogie with a catchy chorus and some wailing harmonica soloing at the end.  “Real’s Not Real” starts as a potentially heavy rocker but as the song proper starts, it shifts abruptly to a kind of mellow Beatles-y piano-pop song.

“This Thing” is a harmonica-fueled blues song with great big bouncy bass line.  “Acarine” is an unusual song on the disc.  It’s slower and moodier slow moody with whispered vocals and piercing harmonica.  Although the last two and a half minutes are an instrumental jam with  looping synths that sound like a sci-fi soundtrack.

“Cyboogie” ends the disc.  It was the first singe off the album and it’s as catchy as anything.  Who knew it was so much fun singing “boogie, boogie, boogie, boogie, boogie, boogie, boogie.”  The buzzy bouncing synth is a great sound for this song and the cyber voice prompts a return of Han-Tyumi who pops in after murdering the universe.

[READ: April 29, 2021] Manopause

I have no idea who Bernard O’Shea is.  Well, he’s an Irish comedian, but I don’t know what kind.  He could be Ireland’s Jeff Foxworthy for all I know.  I doubt that he’s Ireland’s Dave Chapelle, anyway.

I read O’Shea’s first book when it came across my desk at work.  When this one appeared a few days ago I thought it was the same guy.  A little research confirmed it, and since I mostly enjoyed the first book, I thought I would read this one as well.

It’s tough playing the mid-life crisis card, especially for a successful male.  And, honestly, for a bunch of the book I did think “oh, moan moan moan.”  The key though is if you can make the moaning funny.  O’Shea manages to do that for a time but then, unexpectedly, the book gets serious.  O’Shea looks seriously into changing is life and he explores several ways to do so.

Manopause is a funny enough term, but I appreciate that O’Shea had the sensibility to include his mother’s comment about him using the word.

He told his mother he was going through “the manopause…the male menopause.”  To which she replied

If you had any idea what the menopause was like, Bernard, believe me, you wouldn’t go through it.  Sweating, hot flashes, no sleep–at times it feels like you are going mad….  You wouldn’t survive 30 seconds of it.  No man would survive it.  Jesus, if ye did go through it, we’d never hear the end of it.  And if you went through it, you’d hospitalise yourself.

That might be the funniest thing in the book.

We met Bernard’s long-suffering wife Lorna in the first book.  She is longer-suffering still.

In chapter one, Lorna gives him an amazing birthday present.  She takes herself and their three kids away to her mother’s for five days.  He has five days to himself, to do whatever he wants. (more…)

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SOUNDTRACK: KING GIZZARD AND THE LIZARD WIZARD-Infest the Rat’s Nest (2019).

One of the (many) fascinating things about King Gizzard and the Lizard Wizard is that if you don’t like something they’ve done, you need to just wait a little bit and they’ll do something else.  They released five albums of very different styles of music in 2017.

Then in 2019 they released Fishin for Fishies, a kind of blues and roots album.  They followed that four months later with this album, a tribute of sorts to some of the heaviest, thrashiest heavy metal from the 1980s.

It deals with climate change (Australia bore the brunt of a lot of climate abuse that year), destruction of the environment and human resettlement to other planets.

The album is a clear tribute to thrash pioneers, with double bass drums, brutally fast guitars, killer piercing riffs and growling vocals–it’s almost hard to tell it’s singer Stu singing these songs.

Unlike other albums, there’s not a ton of diversity in these songs.  And that’s by design.  The songs are short and heavy.  “Planet B” has wailing guitars, some cool basslines and a ton of double bass drum.  “Mars for the Rich” features a middle bass “solo” (same note but only bass and drums) before raw guitars return.

“Organ Farmer” has a kind of false start with a slow drum intro before the song takes off into pure heaviness with screaming guitar solos and licks.  “Super Bug” is one of the most growly songs with a middle section that’s just voice and drum.  Most of the songs are three minutes, but this one jams out to almost 7 and feels like an old school Black Sabbath song with loping bass and a slow thoughtful guitar solo.

“Venusian 1” is a heavy song with pummeling blasts of guitar and drums and a ripping guitar riff.  “Perihelion” has a catchy chorus and then a middle part that sounds nothing like the rest of the album.  “Venusian 2” is a big chugger of a song with some great riffage.  It’s just under 3 minutes of heavy speed metal.

“Self-Immolate” sounds like a classic Slayer riff and even has some pretty wild drumming a la Dave Lombardo.

The album ends 9at just over 35 minutes) with “Hell,” which chugs along with double bass drums.  After an extended feedback moment the song plays a microtonal version of itself and then pummels to the finale which ends with the album title lyric.

I encourage anyone to checkout any of KGATLW’s albums because there’s bound to be something you like.  but this album is singular of purpose and if you don’t like classic thrash metal, it’s not for you.  Surprisingly, you hate to wait over a year for their next album K.G., which sounds absolutely nothing like this one.

[READ: April 25, 2021] “Good-Looking”

The narrator’s dad was a fit 38 year-old man who worked at the gym.  He didn’t wear a wedding ring because he said it was good for business–he was encouraged to flirt with the customers.

Most of the gym’s members were women and women were more likely to bring friends.

Men were the worst customers.  They did free classes, came alone, and didn’t clean the equipment when they were done.

The narrator’s mom didn’t like that his dad didn’t wear a wedding ring.   And she had reason to be concerned. The two of them met when he was married to someone else.  She was 17 at the time.  He had married his high school sweetheart and gotten her pregnant when she was 17.  He divorced this first woman and was now married a new 17 year old–he got older, they seemed to stay the same age.

It seemed that every ten years he got bored.  That’s why his mother was concerned, they’d had three kids over the last ten years.

The story zooms in on a woman that his dad took a interest in–a professor at the local university.  She came to the gym a lot and he paid attention to her.

Now, I love Dad and I hate to say this, but no way would a man like him ever get to meet a smart woman like her outside o the gym.

One day after class she asked him out.  It was courageous of her and made the other women jealous.

He didn’t drink so she asked him for coffee.  He agreed. When it was time to meet he took the narrator along.

She seemed surprised and confused.  He then proceeded to talk a lot about his wife and how jealous she gets.

But he also flirted the whole time–talking about books to make himself seem smarter.  The narrator even feels a little bad for him.

He talked about how much he liked being in love.  She finally asked him how he knew love would happen again.

This question came from a woman who believed in magic and romance, in second chances.  Dad, the brute that he was, said, “That’s life,” and shrugged, like love was a thing that could happen to you over and over again.

As they left the cafe, the narrator looked back at the woman.  He watched her wipe something from her face before she turned and walked away.  He never saw he again but he fell in love with her that night.

His dad started wearing his wedding ring after that night.

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SOUNDTRACK: KING GIZZARD AND THE LIZARD WIZARD-Live in San Francisco ’16 (2020).

This is a fun show from The Independent in San Francisco on May 25, 2016.  It’s on the Nonagon Infinity tour, which means a lot of stuff from that album appears here.

The one irritant is the woman who is a little too close to the soundboard.  You can hear her throughout the set, and she’s not exactly an intellectual giant.  She shouts, “Why do you have two drummers?” as the show starts.  This would be no big deal if it was all you could hear from her.

They album is a series of songs that segue into each other.  What I like here is that the first five songs do segue into each other but, while they start with the opening song “Robot Stop,” it segues into 2014’s slower “Hot Water” (from I’m in Your Mind Fuzz).  It’s very cool the way their songs keep a similar beat throughout.

They jump right back to Nonagon’s second song “Big Fig Wasp.”  From there they continue with Nonagon for two more songs, “Gamma Knife” and “People Vultures.”  It’s impressive how tight they are–they can stop and shift gears so seamlessly that they jump between songs as if it were one long song.

After the introductory five songs, they pause a bit.  There’s some banter with the audience, but the microphones are distorted and hard to make out.  They shift gears somewhat to the mellow Paper Mâché Dream Balloon album.  “Trapdoor” is one of he heavier songs on the album, made somewhat heavier here despite the preponderance of flute on it.

Then its back to the I’m in Your Mind Fuzz album.  The first four songs segue into each other on the album and they do so here as well.  “I’m in Your Mind” shifts into “I’m Not In Your Mind” which features a fun bass-only rumble for about a minute near the end. Stu says, “Hey, smile, you’re on camera,” then they jump right into the catchy “Cellophane” and end with “I’m in Your Mind Fuzz.”

The CD is broken into two short discs (KGATLW have a million albums but but their shows are never terribly long).  Disc Two opens with the mellow ten minute “The River” from Quarters.

You can hear the drunk woman shout “yeah, fuck yeah” and then start talking to her friend during the mellow part.  Even a curmudgeon like me admits that you can talk between songs, but not during the quiet parts of songs.  Come on!

After the mellow song it’s a quick jump back to Nonagon with a ripping “Evil death Roll.”  They jam this song out for over five minutes and then begin a mega 22 minute “Head On/Pill” with heavy and quiet parts as well as some classic KGATLW ending moments.

KGATLW put out a lot of records (5 in 2017), so each show tour tends to be very different.  This is a nice snapshot from later 2016.

[READ: April 25, 2021] “The Crooked House”

Mull is in a house that is crooked and keeps changing.

When it starts, he has just met the man who claimed to have exited the house by falling into a desert.

Mull had been to many places in the house.  He was searching for a woman.

The cafeteria seemed to always have coffee.  But passageways were getting blocked and opening in other locations.  He could no longer access the cafeteria, but now he could get to the atrium where people often brought hot foods.

It was in the atrium that he met the man who claimed to have left.  He said he went to Joshua Tree and got back by hitchhiking–it’s not that far. (more…)

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[POSTPONED: October 22, 2020] King Gizzard and the Lizard Wizard / Leah Senior [rescheduled from May 22; moved to October 23, 2021]

indexI was bummed when KGATLW had to postpone a show in May. I mean, come on, Coronavirus, would certainly be over by May, right?  Well, now it’s October and things are still crazy.  I really hope they can do this again next year.

Of course, knowing them, they’ll have three more albums out by then.

I have become a huge fan of King Gizzard and the Lizard Wizard (are there any other kinds of fans of them?) since I first heard about them a few years ago.

I’m sad that I missed them on the tour just before the first time I saw them (at a smaller venue when newbies like me hadn’t heard of them yet), but I have seen them twice since.

In both cases, the band overcame somewhat unpleasant (to me) situations (obnoxious capacity crowds and unreasonable heat) to change my mind from swearing I’d never bother seeing them again (before the show), to hoping they’d come back really soon (after the show).

I’m not at all surprised that this show was postponed and they have already rescheduled the new date.  So we’re all good.  I just hope the damned air-conditioner works next time.

The last time I saw KGATLW, the two opening bands were kind of doom/psychedelic–perfect matches for KGATLW’s more recent sound.  This year’s opener is a singer named Leah Senior.

Leah Senior did the narration on KGATLW’s Murder of the Universe album.  But her music is a completely other thing.  She sings gentle folk songs with delicate guitar playing and her beautiful soft voice.

I can;t imagine how well she would go over with a rowdy KGATLW crowd and I also wonder if that means that KGATLW would play their more mellow stuff?  Nah.

Read Full Post »

[CANCELLED: JULY 18 & 19, 2020] Sparta / Emily Davis and The Murder Police [rescheduled from May 1& 2]

indexWhen At the Drive-In broke up, they split into two bands: The Mars Volta and Sparta.  The Mars Volta went in a wild, psychedelic/prog metal direction and Sparta maintained a more tradition heavy rock sound.

I enjoyed the first Sparta albums but I hadn’t heard anything recently.  I considered going to this show because I’d heard they were really good live.

Emily Davis and The Murder Police [EDMP] are an alt-folk-punk band living in the desert southwest with an affinity for writing aggressive, introspective music.  I’ve listened to a few songs and I like what I heard–I feel they are a bit more folk-leaning, but there is a punk edge.

These newly rescheduled dates wound up conflicting with a Ministry show on the 18th.  I probably wouldn’t have had the energy for this show, so maybe when they come around again, I’ll be free.

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SOUNDTRACK: LOS BITCHOS-“Trapdoor” (2018).

trapThe first time I played this song I thought it sounded vaguely familiar.  I don’t know that I ever would have guessed that it was a cover.  But upon reading that it is a King Gizzard and the Lizard Wizard song, it absolutely makes sense.

They get the opening guitar sounds perfectly right and the lead guitar even sounds vaguely flute-like.

Of course, since the original is jam packed with words, it’s easy to not realize it’s the same song, but the melody is so great it works perfectly as an instrumental as well.

Los Bitchos keep the psychedelic feel of the song and just slow it down a bit (until the end) to make it even more dreamy.

Incidentally, I found out about Los Bitchos because their song came on right after King Gizzard’s new song on YouTube.  Good programming, there!

[READ: July 14, 2020] “My Madeleine”

This issue of the New Yorker has a series of essays called Influences.  Since I have read most of these authors and since I like to hear the story behind the story, I figured I’d read these pieces as well.

These later pieces are all about one page long.

Spark starts by saying that Marcel Proust is well-known for his Madeleine fetish.  He put the cookie to his lips and is memories flooded back.

Spark’s “Madeleine” is an empty notebook–as soon as she sees one she wants to fill it. (more…)

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SOUNDTRACK: KING GIZZARD AND THE LIZARD WIZARD-“Honey” (2020).

honeyA new King Gizzard and the Lizard Wizard song is never a surprise (few bands are as prolific) but it is always a delight.

After the seriously heavy metal of their last album and accompanying live records (I do wish they’d release a live show that’s not so heavy metal-dominated since they have such a wonderfully diverse catalog), this song drifts back to their more psychedelic sound.

Stu Mackenzie says he wrote it a few years ago.  It starts out with a middle eastern microtonal acoustic guitar (I’ve never seen an acoustic microtonal guitar).  It’s lovely melody, fluid and open.  After about a minute, the bass comes in and rumbles the song along adding a complex texture to this mostly mellow song.

Stu’s guitar is simple but has some tasty bending notes.  But since nothing is simple, there some wild drum fills and unexpected falsetto vocals.

The third part shifts gears a little with what I think is a (processed?) flute solo.  and because no KGATLW can be traditional, there’s another part in the middle that’s almost  a bass solo with a few sitar-like strummings.

It’s always exciting to get more music from KGATLW and this promises some great new stuff in the near future.

[READ: July 10, 2020] “The Constant Muse”

This issue of the New Yorker has a series of essays called Influences.  Since I have read most of these authors and since I like to hear the story behind the story, I figured I’d read these pieces as well.

Although I have never read anything by John Le Carré.  I don’t even really know what he writes–spy novels?

Anyhow, as I started this I recognized the name of his novel The Constant Gardener, although as I say I don’t know anything about it.  He says the novel follows a British diplomat as he searches for the people who killed his wife, Tessa.  The story opens with Tessa dying on the shores of Lake Tukana in northern Kenya.

When he finishes a novel, John asks where the ideas came from–a stupid question, but one he likes to ask himself.  He says he got the initial idea for this story twenty years earlier when he saw a man come into the restaurant where he was eating and begin handing out flowers to everyone–refusing to accept any money.  The proprietress gave him a glass of wine and a kiss. She told John that they call him the mad gardener.  He had suffered a great loss and he felt better handing out the flowers from his large garden. (more…)

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[POSTPONED: May 2, 2020] King Gizzard and the Lizard Wizard / Leah Senior [moved to October 22]

indexI have become a huge fan of King Gizzard and the Lizard Wizard (are there any other kinds of fans of them?) since I first heard about them a few years ago.

I’m sad that I missed them on the tour just before the first time I saw them (at a smaller venue when newbies like me hadn’t heard of them yet), but I have seen them twice since.

In both cases, the band overcame somewhat unpleasant (to me) situations (obnoxious capacity crowds and unreasonable heat) to change my mind from swearing I’d never bother seeing them again (before the show), to hoping they’d come back really soon (after the show).

I’m not at all surprised that this show was postponed and they have already rescheduled the new date.  So we’re all good.  I just hope the damned air-conditioner works next time.

The last time I saw KGATLW, the two opening bands were kind of doom/psychedelic–perfect matches for KGATLW’s more recent sound.  This year’s opener is a singer named Leah Senior.

Leah Senior did the narration on KGATLW’s Murder of the Universe album.  But her music is a completely other thing.  She sings gentle folk songs with delicate guitar playing and her beautiful soft voice.

I can;t imagine how well she would go over with a rowdy KGATLW crowd and I also wonder if that means that KGATLW would play their more mellow stuff?  Nah.

Read Full Post »

[POSTPONED: May 1 & 2, 2020] Sparta / Emily Davis and The Murder Police [moved to July 18 & 19]

indexWhen At the Drive-In broke up, they split into two bands: The Mars Volta and Sparta.  The Mars Volta went in a wild, psychedelic/prog metal direction and Sparta maintained a more tradition heavy rock sound.

I enjoyed the first Sparta albums but I hadn’t heard anything recently.  I considered going to this show because I’d heard they were really good live.

Emily Davis and The Murder Police [EDMP] are an alt-folk-punk band living in the desert southwest with an affinity for writing aggressive, introspective music.  I’ve listened to a few songs and I like what I heard–I feel they are a bit more folk-leaning, but there is a punk edge.

I had tickets to see …And You Will Know Us By the Trail of Dead on the 1st and King Gizzard and the Lizard Wizard on the second, so the postponement worked out nicely.

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