Feeds:
Posts
Comments

Archive for the ‘Musicals’ Category

9 to 5 (Bart Luedeke Center Theater: Rider University, May 3, 2026)

Posted in 9 to 5, Bart Luedeke Center Theater, Dolly Parton, Musicals on May 3, 2026| Leave a Comment »

[ATTENDED: May 3, 2026] 9 to 5

This was our third musical performance at Rider University (exactly one year since the previous one).  Their theater program is fantastic and this entire performance was great.

The singers have great voices.  The actors have excellent timing.

Many of these performers have gone onto Broadway in varying roles.  And it really shows.

We have said of these shows that I’m sure there would be a difference between seeing this show on Broadway as opposed to a college.  Bigger budget, bigger stars, for instance.  But it would be hard to improve on the quality of the performances.

9 to 5 The Musical, with music and lyrics by Dolly Parton and book by Patricia Resnick, is based on the seminal 1980 hit movie. Set in the late 1970s. this hilarious story of friendship and revenge in the Rolodex era is outrageous, thought-provoking and even a little romantic.

Pushed to the boiling point, three female coworkers concoct a plan to get even with the sexist, egotistical, lying, hypocritical bigot they call their boss. In a hilarious turn of events, Violet, Judy and Doralee live out their wildest fantasy – giving their boss the boot! While Hart remains “otherwise engaged,” the women give their workplace a dream makeover, taking control of the company that had always kept them down. Hey, a girl can scheme, can’t she?

The show was really funny.  Based on the movie but with extra songs.  A few parts dragged a bit, but I blame that on the book, not the performers.  In fact, everyone was great.  I felt bad for the boy playing Mr. Hart because he’s really a terrible person.  The biggest surprise for me (but clearly not for those in the know) is that a video clip of Dolly herself opened and closed the show.  It was a fun way to bring us into and out of the make believe world.

I wanted to include the cast here in case we wind up seeing anyone on Broadway some day (more…)

Read Full Post »

Anything Goes (Somerville High School, Somerville, NJ, March 5, 2026)

Posted in Acting, Anything Goes, Drinking, Regrets, Set at School, Somerville High School, Somerville, NJ, Theater on March 5, 2026| Leave a Comment »

[ATTENDED: March 5, 2026] Anything Goes

Two years ago we saw The Rider University performance of Anything Goes and it was amazing.  The performers at Rider are phenomenal.

This year, my daughter’s high school put on Anything Goes and I have to say that they did a great job, too.  The biggest difference was, of course, budget.  The set and look of the Rider performance were stunning and the high school did a great job with the set with what was clearly a smaller budget.

The other big difference was the tap dance section.  The Rider performance had two tap dancers who are utterly fantastic–I believe they are going on to professional work.  The high school also did tap dancing and they were really good.  If I hadn’t see the Rider performance first, I would have been blown away at how great the high school students did.

But the acting and singing was great. I laughed a lot at the performances and was really impressed by the singing.

And the tech crew did an amazing job!

Read Full Post »

clipping. (The Ukie Club, Philadelphia, PA, August 15, 2025)

Posted in Captain Ahab, clipping., Daveed Diggs, Fatboi Sharif, Hamilton, Open Mike Eagle, Philadelphia, PA, The Ukie Club, Ukrainian American Citizens' Association, Unnecessary Surgery on August 18, 2025| Leave a Comment »

[ATTENDED: August 15, 2025] clipping.

I haven’t been to the Ukie Club for two years.  A lot of good bands play there and it’s easy to get to and to park around, but something about the club feels so young (although Ty Segall did play there and he’s not young).  The last time I was there, I wrote:

Wow was it hot in The Ukie Club.

And this time I say, holy crap was it hot in the Ukie Club!  I sweated from the second I walked in and my shirt was soaked so thoroughly that it was still wet when I got home an hour after the show ended.  There were a/c units on, but they did nothing near the stage.

But even sweating constantly couldn’t ruin a fantastic show.

We saw clipping. open for The Flaming Lips back in 2017.  They were supposed to play Philly during COVID and now, finally, after eight years, they have returned.

For the last show I had just learned about them (and liked them) about a month before this show.  And I wrote

Lest this seem like a vanity project for Diggs, producers William Hutson and Jonathan Snipes [Snipes is a sound designer, film composer, and experimental musician who records glitchy, snarky pop-deconstructionist noise music under the name Captain Ahab; Snipes and Hutson are also in the noise band Unnecessary Surgery] are the forces behind all of the music.  The group began in 2009 as a remix project, with Hutson and Snipes taking a cappellas of mainstream rap artists and making power electronics and noise remixes of them to amuse themselves. Diggs joined in 2010 and began to write his own raps over their compositions.  By the way, if we can trust Wikipedia, Diggs and Hutson met in grade school, and Hutson and Snipes were college roommates.  And for the record, Hamilton premiered in Jan 2015.

Unlike last time, I was right up front for this show.  I could have gotten closer but I was enjoying leaning against the pole that’s about six feet from the stage. (more…)

Read Full Post »

Open Mike Eagle (The Ukie Club, Philadelphia, PA, August 15, 2025) [CLIPPING.]

Posted in Captain Ahab, clipping., Daveed Diggs, Fatboi Sharif, Hamilton, Open Mike Eagle, Philadelphia, PA, The Ukie Club, Ukrainian American Citizens' Association, Unnecessary Surgery on August 16, 2025| Leave a Comment »

[ATTENDED: August 15, 2025] Open Mike Eagle

I saw Open Mike Eagle headline at Milkboy at the end of 2023–I was really happy to have finally seen him live.  He played a lot of songs from my favorite album of his and I really enjoyed his style and the way he interacted with the crowd.

I actually found out about this show because Open Mike popped up on my concert radar.  I was psyched to see him again.  And when I saw he was opening for clipping, I grabbed a ticket as fast as I could.  I assumed it would sell out and it did but not as quickly as I would have thought.

After OME’s set, Daveed Diggs said he drove all the way from Chicago and basically came out on stage with no prep work.  If that’s true then this set was even more impressive than I originally thought.

OME started with a song from Brick Body Kids Still Daydream, the album that introduced him to me (I am surprised to see he’s put out 5 albums since then!).  He didn’t play Brick Body Complex last time, and I was all there for it.

There was a guy in front of me who knew all the words to everything (except the new songs) and he was thrilled to be up so close to Mike.

He rapped four more songs that he had done last time.  And I was delighted to hear them again. I like I’ll Fight You and I really like Very Much Money.  Microfiche is from a great EP. (more…)

Read Full Post »

Fatboi Sharif (The Ukie Club, Philadelphia, PA, August 15, 2025) [CLIPPING.]

Posted in Captain Ahab, clipping., Daveed Diggs, Fatboi Sharif, Hamilton, Open Mike Eagle, Philadelphia, PA, The Ukie Club, Ukrainian American Citizens' Association, Unnecessary Surgery on August 15, 2025| Leave a Comment »

[ATTENDED: August 15, 2025] Fatboi Sharif.

I haven’t been to the Ukie Club for two years.  A lot of good bands play there and it’s easy to get to and to park around, but something about the club feels so young (although Ty Segall did play there and he’s not young).  The last time I was there, I wrote:

Wow was it hot in The Ukie Club.

And this time I say, holy crap was it hot in the Ukie Club!  I sweated from the second I walked in and my shirt was soaked so thoroughly that it was still wet when I got home an hour after the show ended.  There were a/c units on, but they did nothing near the stage.

I didn’t realize the show went on at 8:30 and arrived at 7:45, so I was sweating for no reason.

Around 8:30, a guy cot up on stage behind some gear and he started playing loud beats.  He talked about what he was playing and really tried to get the crowd hyped up.  I assumed this was Fatboi Sharif, but it turned out it was DJ Boogaveli, Fatboi’s DJ.

Because a little while later Fatboi Sharif came up on stage.  The music was loud and his delivery was good, but I really couldn’t follow him very clearly.  I listened to a few of his recorded songs and his delivery is much cleaner.

The fascinating thing is that he brought several guests up on stage–and then stayed to the side while the guests did their own songs.

The first guest was EightyNiner Grant who I liked.  And then came GDP who i liked less (although on Fatboi’s album, I like his delivery quite a lot).

The set was pretty enjoyable.  I would probably have liked it more if I knew his stuff already, but I am intrigued to be sure.  (He is from Rahway, NJ).

Read Full Post »

The Swell Season (Glen Hansard & Marketa Irglova) (The Met Philadelphia, Philadelphia, PA, July 29, 2025)

Posted in Glen Hansard, lnterference, Marketa Irglova, Once, Philadelphia, PA, Snacktime, The Frames, The Swell Season, Van Morrison on July 29, 2025| Leave a Comment »

[ATTENDED: July 29, 2025] The Swell Season (Glen Hansard and Marketa Irglova)

Three years ago my wife and I saw Glen and Marketa (interestingly announced as Glen and Marketa of The Swell Season) and the show was wonderful.  So when they came back around (this time announced as The Swell Season) I grabbed tickets right away.  (Incidentally, The Swell Season is the formal name of this duo–Glen has several other bands as well.

We were delighted to be reasonably close and right in the middle.

And there were to be lots of surprises tonight.  Glen and Marketa were joined by a bass player and drummer (whose names I don’t recall).  But before the first song started, they had a big surprise–four member of Snacktime came out to play horns on several of the tracks.  Glen explained that he had met Snacktime at the Newport Folk Festival and since they were going to be in Philly at the same time, he asked them to join him on a few songs.  I’m not typically a fan of horns, but their horns added so much depth to these songs, it was terrific.

And what was so much fun was that Glen instructed them how to play some of the songs while on stage–almost like an improved jam session.  The opened with Low Rising and Glen asked them to stick around for any songs that seemed good to have horns on.

The Swell Season just released a new record and they played all of the songs from it (except A Little Sugar).  But as I told my wife, I don’t really listen to The Swell Season all that much, but everything I hear from Glen (especially live) I enjoy immensely.

After a couple of new songs they played When Your Mind’s Made Up and the crowd was rapt as their gorgeous voices (and that piano) melded beautifully.

They played a few songs that they’d played last time, and that’s great because those are obviously the catchiest ones.  They played a few of Glen’s solo songs (three in total) but none of Marketa’s solo songs–although she did get some gorgeous solo moments where it was just her and her piano and her voice is still gorgeous.  This was especially evident on I Leave Everything to You, which Glen said was so beautiful as soon as he heard it he knew it would be the centerpiece of the album and the tour. (more…)

Read Full Post »

Nice Work If You Can Get It (Bart Luedeke Center Theater: Rider University, May 3, 2025)

Posted in Bart Luedeke Center Theater, Nice Work If You Can Get It on May 3, 2025| Leave a Comment »

[ATTENDED: May 3, 2025] Nice Work If You Can Get It

This was our second musical performance at Rider University.  Their theater program is fantastic and this entire performance was great.

The singers have great voices.  The actors have excellent timing.  And the spotlight on a tap performance was really fantastic.

Many of these performers have gone onto Broadway in varying roles.  And it really shows.

We have said of both of these shows that I’m sure there would be a difference between seeing this show on Broadway as opposed to a college.  Bigger budget, bigger stars, for instance.  But it would be hard to improve on the quality of the performances.

Comedy, Farce – A new take on the 1920s musical farce, Nice Work If You Can Get It features the iconic music of George and Ira Gershwin. Billie Bendix, a tough-as-nails bootlegger, and wealthy playboy Jimmy Winter, meet on the weekend of his impending wedding. Jimmy has a habit of marrying chorus girls, but needs to settle down with a respectable woman before his mother will hand over the family business. He has gotten engaged to Eileen Evergreen, the self-proclaimed finest interpreter of modern dance, hoping that this will be a better choice than his usual chorus dancer. Needing somewhere to stash 400 bottles of gin, Billie swipes Jimmy’s wallet and hides her stash in his empty Long Island beach house. However, when the wedding party arrives at the beach house, the bootleggers must juggle the guests and their business.

I wanted to include the cast here in case we wind up seeing anyone on Broadway some day (more…)

Read Full Post »

Meredith Wilson’s The Music Man (Winter Garden Theatre, New York, NY, May 21, 2022)

Posted in Hugh Jackman, New York City, Sutton Foster, The Music Man, Winter Garden Theatre on May 21, 2022| Leave a Comment »

[ATTENDED: May 21, 2022] The Music Man

S. loves musicals.  She especially loves The Music Man. So when it was revived for Broadway and was starring Hugh Jackman and Sutton Foster, I knew I had to get tickets for her.  

And then the pandemic shut down Broadway.  I believe the show was supposed to open in 2020 (I was going to get us tickets back in 2019).  But then Broadway bounced back and the show opened in December 2021.  We managed to get tickets for May 2022 (purchased on October 3, 2021).  We were in Left Mezzanine Row D seats 49-51.

The seats were a little far to the left, but were not obstructed in any real way (there was one scene where we couldn’t quite see what was going on in the one corner, but that’s okay. most of the action was out front. 

We opted for the matinee performance because, well, hell, it was much easier to get into the city early and to get home at a reasonable hour.  Or so we thought.   Our train in had delays.  Our transfer train into Penn Station had an overflowing toilet!  It was pretty stressful.  It was also crazy hot.  But we did enjoy our dirty water dogs on the street corner before heading into the theater. (more…)

Read Full Post »

Glen Hansard & Marketa Irglova of The Swell Season (Merriam Theater, Philadelphia, PA, March 14, 2022)

Posted in Glen Hansard, Kimmel Center for the Performing Arts, Leonard Cohen, lnterference, Marketa Irglova, Merriam Theatre, Once, Pete Seeger, Philadelphia, PA, The Frames, The Swell Season, Van Morrison on March 17, 2022| Leave a Comment »

[ATTENDED: March 14, 2022] Glen Hansard and Marketa Irglova

Back in November, I was surprised and delighted to see that Glen Hansard and Marketa Irglova had announced a small tour (like six shows) celebrating the fifteenth anniversary of Once.

S. and I loved the movie and the music and she insisted we get tickets.  So I grabbed them in a pre sale.  Not as close as we would have liked, but not bad at all (there’s really no bad seats in the Merriam).

In the meantime, shows were cancelled and rescheduled, but this show fell in the safe zone and didn’t get moved at all.

We arrived just barely on time–I always forget what a pain it is to get to the Kimmel Center.  But then it took a while for the show to start.  Start time was 7, but they didn’t get on stage until 7:30 (he told us why later).

It was wonderful. (more…)

Read Full Post »

Terry Pratchett–Maskerade (1995) [Discworld #18] [Witches #5]

Posted in Agnes Nitt, Cook Book, Death, Death, Discworld, Fairy Tales, Funny (ha ha), Granny Weatherwax, Greebo, Magic, Magrat Garlick, Nanny Ogg, Phantom of the Opera, Terry Pratchett, Unfinished series, Violence, Voodoo, Witches on January 17, 2022| Leave a Comment »

SOUNDTRACK: hiatus

[READ: January 2022] Maskerade

The Discworld Witches are back for another story.  But things are different, and I didn’t remember this happening at all.  Now that Magrat is firmly established with King Verence, she is no longer witching.

And everyone (even Granny Weatherwax) seems to now that Witches work better in trios than duos (although the duo of Granny Weatherwax and Nanny Ogg is pretty formidable).

So who would be best to be their new third?  Why, that nice Agnes (once Perdita) NItt had a lot of promise.

But Agnes has no intention of becoming a witch.  She knows what the life of a Witch is like.  Plus she has a VOICE!  (The description of her voice is wonderful).

Agnes has set out for Ankh-Morpork to be an opera singer.  Agnes is very fat and there’s rather a lot of jokes at her expense, which comes across as pretty mean, Terry.  There’s a very fat man as well (this being the opera and all) and there’s jokes at his expense too.  It’s surprisingly mean spirited.

But aside from that, the story is pretty great.  Terry opens his book with some jokes/comments about how he never expected the opera to be a fruitful subject.  Until he talked to his friend in the opera who said the opera was full of crazy stories and superstitions. (more…)

Read Full Post »

Older Posts »