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Archive for the ‘Agnes Obel’ Category

[POSTPONED: April 23, 2021] Dead Can Dance / Agnes Obel [rescheduled from April 17, 2020; moved to October 12, 2021]

indexAs April came closer and closer I was sure that Dead Can Dance was going to cancel this tour for good–so many other bands have done so.  But I’m happy they didn’t–even if I don’t have fantastic seats for this show.  This just feels like one of those shows that I’m going to be really happy to experience and I can wait a few more months.

I really enjoyed Dead Can Dance’s mix of cultural touchstones on their earlier albums. I have a bunch of their releases up until they broke up.

Somehow I missed their reunion entirely.  I also missed their subsequent reunion and new albums.

They haven’t played in this area for 8 years and I was pretty pleased to finally experience them live.  I bought a ticket for this show and then a few days later it was announced that they would be playing the State Theatre in New Brunswick.  Since that venue is about three times closer to me, I snatched up a great seat for that show and figured I could sell the Philly ticket.

Then a couple months ago the Theatre announced that the New Brunswick show was unexpectedly cancelled. No reason was given.  I don’t think it was sales as it looked like they sold well.  So that sucked, but I was glad I still had this ticket.

Agnes Obel is a Danish born singer who plays quirky atmospheric chamber pop.  I have heard great things about her for many years but never really investigated her music.  I was looking forward to learning about her in this setting.

She was actually scheduled to open for The The on their 2018 tour.  However, the three New York area shows had different openers, so I didn’t get to see her then.

I hope they all come back around together.

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[POSTPONED: April 17, 2020] Dead Can Dance / Agnes Obel [moved to April 23, 2021]

indexI really enjoyed Dead Can Dance’s mix of cultural touchstones on their earlier albums. I have a bunch of their releases up until they broke up.

Somehow I missed their reunion entirely.  I also missed their subsequent reunion and new albums.

They haven’t played in this area for 8 years and I was pretty pleased to finally experience them live.  I bought a ticket for this show and then a few days later it was announced that they would be playing the State Theatre in New Brunswick.  Since that venue is about three times closer to me, I snatched up a great seat for that show and figured I could sell the Philly ticket.

Then a couple months ago the Theatre announced that the New Brunswick show was unexpectedly cancelled. No reason was given.  I don’t think it was sales as it looked like they sold well.  So that sucked, but I was glad I still had this ticket.

Agnes Obel is a Danish born singer who plays quirky atmospheric chamber pop.  I have heard great things about her for many years but never really investigated her music.  I was looking forward to learning about her in this setting.

She was actually scheduled to open for The The on their 2018 tour.  However, the three New York area shows had different openers, so I didn’t get to see her then.

I hope they all come back around together.

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[ATTENDED: September 17, 2018] Xordox

When The The announced that they were touring for the first time in 18 years, I knew I was going to go, even if it meant dragging myself through the $15 Lincoln Tunnel.  (How do people afford that every day?).

I noted the opening acts: Agnes Obel will appear on all dates as a special guest, except the September 16 show at Brooklyn Steel where Elsyian Fields will open and the September 17 gig at the Beacon Theater where XORDOX (aka JG Thirlwell/Foetus), a frequent THE THE collaborator, will open.

I really like Agnes Obel and I put her on my list of people I wanted to see live.  So I was a little bummed that she didn’t play for my show.  But at the same time, Xordox is the creation of the legendary JG Thirwell, whom I have never seen before either.  Thirwell is probably best know for his group Foetus, but is more recently known as the guy who scores the new Archer seasons.  And that’s pretty great.

Every incarnation of Thirwell sounds different from the previous one (with a different pseudonym: Clint Ruin, Frank Want, and Foetus), so who knew what Xordox would sound like.

For this incarnation, Thirwell is Manorexia. (more…)

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SOUNDTRACK: AGNES OBEL-Tiny Desk Concert #599  (February 15, 2017).

Agnes Obel recently played a show near me, but it wasn’t until after I watched this show that I realized I should have gone to see her.

Agnes Obel, a Danish singer and writer of deeply alluring music, brought her work into what you could call its opposite — an office in the daylight. While the setting is a bit contrary to her carefully plotted, vocally dense songs, she mapped out a strategy which included her own reverb and monitor mix in the (successful, I think) hope of giving the Tiny Desk an aesthetic more suitable to these focused and powerful songs.

Obel plays three songs from Citizen of Glass alongside her band, keeping it sonically spare.  “It’s Happening Again” opens with fairly standard-sounding piano chords.  Then Obel’s voice kicks in and it’s unique–not weird, but with a cool almost detached delivery.  Accompanying her is a cellist and keyboardist.  They each sing backing vocals (along with a third backing vocalist).  When they all sing together, it is magical–sometimes creepy, sometimes beautiful.  The song builds to the end with all of the strings growing louder as the cello plays some wild, sliding sounds.  It is quite striking.

For “Golden Green,” the cellist switches to percussion (which is a kind of clacky ball that she throws in the air).  The main melody comes from the mellotron.  Once again when the backing vocalists kick, in everything is magical, especially the way the final note ends with a dramatic rise in pitch from all of the singers.

On “Stone,” the mellotron player switches to (electric) ukulele.  The melody comes from the uke and it is quite quiet until the chord when the cello and keyboard adds some deep bass notes that seem to overwhelm the room–quite dramatic and quite lovely.

[READ: December 1, 2016] Bandette Volume Three

Bandette Volume Three is just as much fun as books one and two.  It opens with Bandette getting shot at as she gives her little dog Pimento an important note for Daniel.  Daniel calls her and she proceeds to tell him about an upcoming heist (while she is still being shot at).  She says that there is a fabulous emerald on display.  An emerald that was once owned by Madame Presto: fabulist, mesmerist, woman of impudent morals.

And later that night (after she easily dispatches the bad guys) she goes to that special event and steals… a film about Madame Presto.

The next night several people (and a dog) are hit with sleeping darts from a new villain–Dart Petite. (more…)

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