SOUNDTRACK: MOGWAI-Ten Rapid (1997).
The release of this disc hot on the heels of Young Team rather confused me, especially when trying to keep track of which discs were “real” and which ones were compilations. This one is a compilation. It’s subtitled: (Collected Recordings 1996–1997). And the fact that it has ten songs on it tells you just how much they released in those two years. (It appears that they released 4 or 5 singles, although all the songs don’t seem to appear on Ten Rapid, and there seems to be a song or two unaccounted for. Wikipedia also suggests that some of the songs were re-recorded for Ten Rapid. Gosh, what’s a completist to do?). And given all that they released back then, it’s also a surprise at how short this collection is (just over 30 minutes).
The amazing thing is how much the disc sounds like a complete recording and not a collection of singles. It is mostly Mogwai’s slower, quieter pieces, and the overall tone is one of “mood” rather than “songs.” And, for those of us who thin of Mogwai as a really loud band, the prominent use of glockenspiel comes as something of a surprise (as does the quiet singing on two of the tracks).
The opener “Summer” is not the same as “Summer [Priority Version]” on Young Team. This one is a beautiful track with glockenspiel while the YT version is much heavier and darker. “Helicon 2” (also known as “New Paths to Helicon, Pt. 2”), is a wonderful track with an interesting riff and texture. On a recent live disc, it was expanded greatly. “Angels vs Aliens” and “Tuner” are the two tracks with vocals. They’re both rather quiet and kind of soothing.
“I am Not Batman” is mostly washes rather than a riff based song. “Ithica 27ϕ9” is one of their best early songs. It’s also the one track here that really experiments with sound dynamics. It opens with a beautiful melody that swirls around for a bit. Then the loud guitars come screaming out until it returns to that melody (and all in under 3 minutes).
The final track “End” is an entirely backwards recordings. Wikipedia says that it is “Helicon 2” backwards, and I’ll take their word for it.
[READ: March 8, 2011] Donald
This book is a speculative piece of fiction that answers the question: what would happen if Donald Rumsfeld was sent to Guantanamo Prison. Note also that the cover is a parody of the cover of Rumsfeld’s own memoir (released around the same time).
The main character is clearly Rumsfeld, although he is never mentioned by his full name, always “Donald.” But his description and his biography make it obvious that it is him. There is a Note at the end of the book which states that the information about Donald is as accurate as possible.
First we see Donald in a library, presumably working on his memoirs. He is accosted by a young kid who asks him questions. Donald is annoyed by the kid and more or less blows him off. Donald then has a fancy dinner with his wife and “Ed and Peggy” (two people who I can’t place historically).
That evening, masked people break into Donald’s home and haul him off to a prison (he is bound and his head is covered so he doesn’t know where). The rest of the book sees him taken from one prison to the next, tortured in various ways (nothing too graphic, most of the torture consists of thinks like disrupting sleep, keeping the temperature really hot or really cold, and asking him lots and lots of questions, sometimes for 20 hours at a time. There is no physical torture (again, it’s not graphic). (more…)

(which I just found out about today while reading a tribute to Salinger).
I’m not sure how I first learned about
SOUNDTRACK: SONIC YOUTH-SYR 4: Goodbye 20th Century (1999).
This SYR recording consists of Sonic Youth’s interpretations of 20th century composers’ works. Some of the composers are obscure, but a few are more or less household names: John Cage, Yoko Ono, maybe Steve Reich. I knew a few of these composers from Kronos Quartet, but for the most part the pieces are all new to me. Since I don’t know the original pieces I have no idea how faithful they are.
It took me going to Seattle to learn about
ten. For reasons known only to my head, I was convinced that Sasha was a black woman. Little did I realize that he is not. And that he was in a band that I have a CD of called Ui. He is an excellent resource for all things music, whether I like the artist he’s talking about or not. Some entries are
[WATCHED: June 2009] The Power of Nightmares
Back oh, fifteen years ago, I subscribed to
I began my
I first heard about this magazine from my friend Ailish’s then-boyfriend, Dave (this was sometime in 1993, I would guess). Dave fancied himself an artiste: he typed his novel on a portable Underwood, loved Henry Miller and read 