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Archive for the ‘Joe Biden’ Category

SOUNDTRACK: HAYLEY WILLIAMS-Tiny Desk (Home) Concert #124 (December 9, 2020).

I basically missed Paramore entirely.  I’ve heard a few songs not realizing it was them and really liked them.  I listened to a bit more recently and really like the pop punk energy.

So this Tiny Desk (Home) Concert came as a real surprise. The music is stripped down and really spare.  There’s a real dancey element (funky bass and drums) and the guitars are really quiet.

The second big surprise came when Hayley introduced her band.  Becca Mancari on keys and backing vocals!  And Julien Baker on guitar!

This change in musicians and sound is intentional.

Petals for Armor is a soul-cleansing exhale from years of holding her breath. Originally released in a series of EPs, her solo debut sings through heartache in a tangle of triumph and hard-earned wisdom. It’s a pop album that knows sadness can simmer, but also shout over an ever-shifting sonic palette.

She plays three songs in ten minutes.

During the pandemic and protests, Williams has played these songs from her couch with muted restraint, and self-serenaded with acoustic covers — sad songs really can be sympathetic companions during dark days. But in her home, surrounded by blank canvases, Williams and friends splash a bottled-up energy.

The joy is infectious, as “Pure Love” bursts from first bloom

Aaron Steele counts off on the drums, while Williams gives a Huh! and Joey Howard introduces a funky bass line.  Her voice is powerful and soars throughout.

I’m disconcerted by the high fiving after the song–I hope they’ve been safe.

“Taken” shows off Baker’s jazzy-funk licks.

It opens with an outstanding bass from Joey Howard line that repeats throughout.  The song feels quintessentially dancey and a very different sound from Paramore.  Baker plays quietly wah-wah’d guitar as Mancari sings the backing bah bah bahs.  Williams plays a keyboard on a very tiny stand (I feel for her back).  The best moment comes with the five seconds of silence while Williams looks around and then jumps back into the danciness.

For the final song, Williams leans into the “Dead Horse” kiss-off with gleeful abandon.

The foundation of this song is the funky drum and bass once more. Williams picks up the guitar, but it’s Baker who plays the slightly askew riff that opens the song.  Baker plays lead licks throughout while Williams adds grace notes.  The best of which comes at 10:08 when both Williams and Baker plays a single note in harmony to make it really stand out.

And that kiss off?

When I say goodbye, I hope you cry.

[READ: January 5, 2021] “A Philadelphia Local is Unamused by the Fuss”

Today seemed like an ideal day to post about this election-related essay from Dave Eggers.

Today, a bunch if seditious Senators are going to pretend like our election was unfair.  They are going to make a spectacle of themselves and question the integrity of our very democracy.  They should be removed from office immediately.

This essay shows, in a small aside, how this phony scandal, this manufactured outrage, was created by the trump team long before the election happened.

On November 5th, while the election results were being tabulated, Eggers was in Philadelphia talking with Anna Palagruto.

Palagruto is the quintessential Philadelphian:

Palagruto has an accent so acute–“gonna” was “go-won-a” and an attitude so Philly-specific, that, if the city ever wanted a no B-S tourism spokesperson, no one but her would suffice. Come to Philly, she’d say. Or don’t.  No one cares.

Palagruto is fed up with the protesters on both sides. (more…)

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SOUNDTRACK: ASHLEY RAY-Tiny Desk (Home) Concert #125 (December 11, 2020).

Ashley Ray is a singer from Kansas.

Her voice is raw and harshly accented–purely from Kansas.  But her voice goes beyond country into what sounds like ancient folk music.

In this Tiny Desk (home) concert, Ray is

sitting on a screened-in porch with producer, songwriter and longtime friend Sean McConnell (and a distant chorus of crickets chirping in the early evening light).

I don’t know what her music normally sounds like, although this blurb says the songs 

all from Ashley Ray’s latest album, Pauline feel like a breakout release for this Kansas native, but she’s been putting in the hard work for close to 20 years now, spending much of her time waiting tables while writing songs for better-known artists.

All three songs feature Ray singing.  She plays guitar on the first one.  She is accompanied by McConnell.  He plays guitar as well, but it’s when he adds his harmony vocals that the songs really flesh out.  The second song, “Dirty work” almost feels like an X song (or many a Knitters song) with Exene singing lead and John Doe adding the harmonies (and playing the only guitar).

It’s interesting that Ray’s speaking voice is almost unaccented, when a song like “Pauline” is so clearly Southern.

“Just A House” feels more country than the other two–the melody of the chorus, I’m sure.  But I like the understatedness of it.

I do not like country music (duh), bit I really enjoyed this.  It was devoid of production and twang and felt real.

[READ: January 5, 2021] “Delaware Voters Await Joe Biden: ‘We Just Need Him'”

Today Georgia voters get to decide if Joe Biden will be roadblocked by The Worst Man in America, Mitch McConnell (he may have actually done more damage than trump).  

They get to decide if two trump supporters, who have already proven that their role in government is exclusively to get rich and screw the rest of us, should be thrown to the curb (preferably from a moving car).  

This election shouldn’t be happening.  These two horrible people should in no way be close to winning an election for anything.  And yet here we are. (more…)

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[MASSIVE SIGH OF RELIEF: November 7, 2020]

Now please, let the Democrats win the two seats in Georgia, so that McConnell can’t block the progress we desperately need.

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[November 7, 2020] Kamala Harris!

On August 15, 2019, I made my first donation to the Kamala Harris for President campaign.  It was early days then, but she and Elizabeth Warren were my top choices.

In December 2019 Kamala Harris dropped out of the campaign after a pretty steep rise and surprisingly quick fall.

Then in August 2020, almost a year after I first donated, Kamala Harris was selected as Joe Biden’s running mate.

Now, today, she is the Vice President-elect!  (more…)

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SOUNDTRACK: ANAL TRUMP-The First 100 Songs (2018).

On Election Day 2020, what better music to listen to than Anal Trump

Anal Trump are a grindcore act made up of Rob and Travis Trump.

The true identities of Rob and Travis Trump remain shrouded in mystery. Are they the unwanted bastard children of the Philanderer-in-Chief? Regular citizens transformed into angry mutants by the deluge of toxic waste spewing from the 45th President’s mouth? Or simply two dudes from high-profile San Diego musical acts who decided to pay tribute to grindcore pioneers Anal Cunt through the words of a man who embodies that band’s name?

Indeed, the band is made up of Rob Crow (from Pinback, Goblin Cock and a dozen other bands) and Travis Ryan, vocalist for Cattle Decapitation.  They write classic grindcore songs.  The longest song on this collection is 29 seconds and it feels like an epic compared to the rest, most of which are around 3 seconds.

Most of the songs have a sample of tRUMP speaking (which is certainly a turnoff) that’s usually followed by a blast of noise and inaudible growling.

The First 100 Songs produced, recorded, mixed, and mastered by Rob Trump, boasts a hundred songs in eleven minutes — their entire recorded output to date. From 2016’s pre-election That Makes Me Smart! EP all the way through the newer material contained in Thoughts, Prayers, and The Golden Age of Willful Ignorance, this truly exhaustive overview covers all the bases. With songs based on actual quotes by the man (“I Like The Soldiers Who DON’T Get Captured”) to creative interpretations (“My Cabinet Is Nuanced As Shit”) to Putnam-esque bon mots (“Renewable Resources Are Gay”), there’s a smorgasbord of Trumpiliciousness! According to Rob, their material has a universal appeal: “One of the things about this stuff is that, since most of it is taken right from his mouth or ideology, a Trumpster should be fine with it as much as a Bernie person would enjoy laughing at it. It’s just a mirror and that, in itself, is terrifying.”

This album can be purchased on CD (all 12 minutes of it).  There’s a couple of songs where I thought I could hear lyrics,  There’s a couple of songs where there was actually a melody (and one song where you could actually hear a bass line).  But mostly this is just a lot of short noisy songs.

Rob and Travis Trump aren’t gonna fill your ears with talk of universal healthcare or equal voting rights or any of that socialist stuff — although they donated 100% of the proceeds from their EPs to non-profit organizations like the ACLU and Planned Parenthood. They just want to point out that the most powerful man in the world is a hate-mongering clown, using shrieks and micro-riffs as their chosen vehicle. Anal Trump will soon take this show on the road with help from Justin Trump on bass and John Putin on drums, but as for their future plans? “I just want this ugly chapter of human history to finally be over.”

The best part of the album are the song titles.   Because there are 100, I have put them after the body.  

[WROTE: November 2, 2020] A worldwide embarrassment

Absolutely no story feels appropriate to post on Election Day, this global travesty.

When Barack Obama won all those eons ago, the world felt brighter.  I recall going to the grocery store and seeing another person and we smiled at each other and acknowledged what a good day it was.  

Four years ago, when tRUMP lost the election but became president because of an antiquated system that explicitly denies a democratic election, it was as if a dark cloud spewed bile all over the country.  We were supposed to have our first female president.  She was the most politically qualified person to run for office in my lifetime.  Like her or not, she served our country admirably and was poised to break the glass ceiling that has now grown several layers thicker. (more…)

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SOUNDTRACK: AURORA-“Thank U” (2020).

The Good Night Stories for Rebel Girls series is soon to be releasing a record Good Night Songs for Rebel Girls.

Unfortunately, the site doesn’t list the songs on the disc (yet).

The first song from it that I’m aware of is Aurora’s cover of Alanis Morissette’s “Thank U.”

 I don’t know that I’ve heard Aurora sing another person’s song before.  I kind of expected her version to be radically different–uniquely Aurora.  But in fact, her version is quite faithful to the original.

The music is understated (Aurora’s music is a little softer) and when Aurora starts singing, it almost sounds like Alanis.  The big difference comes in some of the vowels, in which Aurora’s voice glides through the sounds in a slightly different way (a little smoother, perhaps).

In the original, Alanis’ “thank you silence” line is a little harsh sounding.  Aurora’s is a little as well–it must be a very sharp note or tone to hit.

Alanis’s song is based around some thumping drums and bigger swells.  Aurora keeps the whole thing lower key and the cover works beautifully.

[READ: October 24, 2020] “Face Time”

This is actually the second story I’ve read about COVID.  As I was reading it I was surprised that it was about COVID–that it was so current.  The story even mentions Tom Hanks having COVID which happened in March.  This story was published in September and was clearly finished before then (I don’t know how much lead time a story needs). So that’s pretty quick.  And it’s pretty spot on.

There’s not a lot to the story, in a sense.  A woman, one of three adult daughters, is FaceTiming her father who is in a nursing home.  Her father caught COVID while in the facility.  He is now in an isolation room being monitored by nurses in full hazmat gear.

The daughters can only talk to him through FaceTime.  He is older and does not understand the technology, so the nurses have to set up the connection. (more…)

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SOUNDTRACK: ROSANNE CASH-Tiny Desk Concert #894 (September 23, 2019)

I don’t know all that much about Rosanne Cash (I couldn’t recall how she was related to Johnny).  I also assumed that she would be a country artist.  Yet this set is anything but country.  But I guess the key to that is that her voice isn’t country at all, it’s just good.

This blurb also blows my mind a bit about how quickly (or not) they post concerts.  This show was posted in September but was recorded in January–she had to wait quite a while to see it.

Rosanne Cash and her band arrived at NPR to play the Tiny Desk on a freezing cold, bright sunny day in January — one of those brittle, crystal clear winter days when the snow reflects the sun and there’s nowhere to hide from the light. Her intense performance had that same balance of heat and ice.

Cash plays four songs

most taken from her 2018 album She Remembers Everything, have a lot of emotional heat, but they’re shaped and sculpted by the wry wisdom of age and experience. More than at any time in her career, her spirit and approach to performance these days reflects the influence of her father, the legendary country singer Johnny Cash.

“She Remembers Everything” opens with John Leventhal on with Rosanne on acoustic guitar.  Like most of these songs, it feels slow and powerful–kind of bluesy with a dramatic chord progression.  Mid song, Leventhal switches to guitar and plays a great little solo.

When the song is over she praises everyone: “So attentive.  Like a listening room at the NPR offices.”

Up next is “The Only Thing Worth Fighting” which she co-wrote with T Bone Burnett and Lyra Lynn  This song is not so much country as western-sounding.  There’s more nice guitar work from Leventhal.

Zev Katz on bass and Dan Rieser on drums don’t do anything to single them out except for keeping the songs moving properly.  The bass does do some nice lines, but mostly, these are simple songs which need little accompaniment.

For “Everyone But Me” she takes off the guitar.  This is a lovely piano ballad after which she says, “I don’t know if the young people can relate to this song but it means more as you get older.”

The last song is from her album The River and the Thread.  She says the album won a Grammy and the last time she won a Grammy, Ronald Reagan was president.  From this she plays the cool bluesy “A Feather’s Not A Bird.”

This isn’t the kind of music I enjoyed, but I liked this Tiny Desk Concert a lot more than I thought I would based on what I thought I knew about Rosanne Cash.

[READ: August 26, 2019] The Adventures of Barry & Joe

After the election that has sent the country spiraling into a level of hell, Adam Reid wanted to do something to make decent-thinking people laugh.

When I saw first saw this, I assumed that Adam Reid was Adam Reed, the creator of Archer and other delightfully dark cartoons.  It took a while for me to realize that he isAdam Reid who is responsible for The Tiny Chef Show.

Aside from that, I don’t really have any familiarity with him.  So that’s kind of interesting, I suppose. (more…)

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