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Archive for the ‘Lies’ Category

SOUNDTRACK: hiatus

[READ: March 1, 2022] The Devil Made Me Do It

As South Africa entered the new millennium, things were progressing very slowly (and sometimes regressing).  And Zapiro was watching.

Homophobia was spreading throughout African nations.  There’s a banner that says Queens against Mugabe.  Zapiro ties it together nicely with a picture of Queen Elizabeth with a paper that says “Mugabe lambasts U.K.”

And an anti-rape ad (starring Charlize Theron) was banned because there was public outcry.  Which leads to a later strip in which children learn the rape message: it’s not bad to rape someone in your own family (A lenient sentence was given to a man who raped his daughter); rape is less offensive than an anti-rape ad that offends men; you can get away with rape if you are famous and hire a hotshot legal team.

Apartheid fallout was still happening.

There’s a an amusing picture of Apartheid Hell and the devil is showing all of the people there a video called No person shall be discriminated against on the basis of race, gender ethnic or social origin, culture, sexual orientation….”  Although clearly the powerful men aren’t all getting punished as we see Craig Williamson, a constant figure in these battles, telling the Amnesty Committee to sit, lie down and fetch his amnesty. (more…)

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SOUNDTRACK: hiatus

[READ: February 20, 2022] Call Mr. Delivery

This is Zapiro’s fourth book and it’s the first time, I think, that he’s put himself into the cartoons.  And it seems like maybe the world is getting to him.

Although his first appearance is in the meta-joke:

“Only one tiny minority welcomes the formation of Louis Luyt’s new political party” : Cartoonists.

But later by March 1999 he is on a therapist’s couch.  The therapist asks “when did you first experience this feeling of uselessness.  Zapiro says “this week suddenly reality seemed weirder than anything I could come up with.” (And the world hasn’t even gotten to trump yet).

It’s the end of the Mandela era and his successors don’t seem to be shaping up very well.

Although Mandela gets one nice shoutout.  He parts the waters for the Lockerbie Breakthrough and Libya asks if anyone ever get blasé about this sort of thing.

The Truth and Reconciliation Commission’s Final Report had to have any negative mentions of F.W. DeKlerk removed.  And Desmond Tutu seems under attack from the left, right and centre (PAC, IFP, FF, ANC, NP, TRC). (more…)

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SOUNDTRACK: hiatus

[READ: February 14, 2022] End of Part One

I’m not sure what the Part One is that this title refers to.  This book picks up where the last one left off and moves on into 1998.

It’s clear that Zapiro is still bitter about the Olympics, as the first cartoon is “For the first time the I.O.C. has awarded the Olympic Games to an African City” (the toon is dated 3004 A.D.

At some point it was imperative that I learn all of the political abbreviations.  And he has a good cartoon that summarizes them: (more…)

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SOUNDTRACK: hiatus

[READ: February 9, 2022] The Hole Truth

Nothing can make you feel ignorant like reading a book of cartoons.

This is a collection of South Africa-based cartoons that Zapiro wrote in 1996.  Who remembers what was going on twenty-five years ago?

Well, this book has an introduction from Archbishop Desmond Tutu (who appears a few times in cartoon form).  Tutu writes that Zapiro is there to skewer hypocrisy but that he has a desire to help the country into realizing their potential–even if it means gently nudging the people he supports when they mess up.

Every country has its share of corruption.  That’s the way of power.  A book like this makes it seem like there was nothing but corruption in South African (and with apartheid, that was likely the case).  Of course, the cartoonist assumes the reader knows what’s going on, so they don’t need to explain their cartoons.  If you don’t know what’s going on, well, you may not get the joke.  And then you feel stupid. (more…)

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SOUNDTRACK: hiatus

[READ: February 9, 2022] The Madiba Years

Having read some of the more recent Zapiro books, I was delighted to see that our library had most if not all of his previous books as well–one that cover pretty much from the start of the Mandela years.  Mandela even blurbed this book: “Very exciting ad quite accurate.”

So why is it called the Madiba years?  It doesn’t say in the book, so I had to look it up

The clan or family name represents a person’s ancestry. The meaning is deeper than a surname and is used as a sign of respect and affection. The origin of Madiba comes from a chief who ruled in the 18th century, according to the Nelson Mandela Foundation.  Madiba would be used in “an intimate context,” said Richard Pithouse, a politics professor at Rhodes University in South Africa. When Mandela entered school, a teacher gave him the name Nelson. It was customary for Africans to also give children English names back then.  But the wider public had also taken to referring to Mandela as Madiba.  “People would not tend to use that name if they didn’t have positive feelings for him,” Pithouse said.

So there you have it.

This collection opens in 1994 with leader Mangope of Bophuthatswana’s declaration that democracy would not be coming to his homeland (he was very wrong).  With the eyes of the world on South Africa, Election Day shows the shining face of Mandela, pictured as the rising sun over the garbage heap that was the un-democratic elections.

June sees the proposal of the Truth and Reconciliation Commission–to find out what really happened during Apartheid.  There’s also talk of Joe Tokyo, a figure who has been mentioned in other books.  I’m fascinated by his name. In this particular cartoons, his housing plan is described as a pie in the sky.

Things that could apply to any leader include a woman scrubbing the floor in the Prime Minister’s Office.  In 1956, the assistant says to the PM: “Delegation of women to see you.” Then in 1994, the same woman (now much older), the same comment.  This time the scrubber says, “And this time it better work.”

There’s a lot of pages about Winnie Mandela (full name: Winnie Madikizela-Mandela).  I’d heard of her but never really realized what all the fuss was about–she was Nelson’s wife, right?   Well, apparently after he was imprisoned (citing Wikipedia):

In the mid-1980s Madikizela-Mandela exerted a “reign of terror”, and was “at the centre of an orgy of violence” in Soweto, which led to condemnation by the anti-apartheid movement in South Africa, and a rebuke by the ANC in exile. The Truth and Reconciliation Commission (TRC) established by Nelson Mandela’s government to investigate human rights abuses found Madikizela-Mandela to have been “politically and morally accountable for the gross violations of human rights committed by the Mandela United Football Club”, her security detail.  Madikizela-Mandela endorsed the necklacing of alleged police informers and apartheid government collaborators, and her security detail carried out kidnapping, torture, and murder, most notoriously the killing of 14-year-old Stompie Sepei whose kidnapping she was convicted of.

Damn!  And apparently her totally horrific activities weighed on Mandela.

They divorced about two years after he was elected.  But even in 1996 there’s a cartoon of Mandela behind bars with 1962-1990 and then from 1990-1996, he is chained to Winnie.

The big question after the Apartheid government failed was what to do with the men leftover.  Could they just put them in a museum?  Boerassic park?  Apparently F.W. De Klerk had a lot of “amnesia”–couldn’t remember anything that happened before 1990.

And what about the 3,000 former government functionaries that acting president Pik Botha indemnified?  It sounds like the blanket indemnity was ripped off of them–hopefully that will happen to anyone in this country pardoned under our former leader.

I particularly like the one where all of the dominoes fall, knocking down all of the former bad leaders with de Klerk next–again, could be very relevant to our country if they can actually act on it. It’s depressing though that this de Klerk cartoon is in November 1995–so long after the election in April 1994.

But Mandela wasn’t perfect.  When it comes to South African arms sales, apparently he turned a blind eye to backdoor sales.  And his Assembly Chairperson Cyril Rhamaphosa was concerned that when he consulted the public, they seemed to be full of intolerance.  The leaders cut down a hangman’s noose, but there’s a large tree with “pro hanging public opinion.”

There’s also the great unsolved mysteries of the world like The Curse of Tutankhamen, Bigfoot, The Bermuda Triangle and South African foreign policy.

It’s not all politics–there’s some strips about rugby and Springbok, which I’m fascinated by.  And of course much celebration for South Africa in the football (soccer) world.

He also has a strip for National Crime Prevention week. It was suggested that prisons becomes places of education.  But Zapiro says they already are–the criminal leaves with his diploma in drugs, gangs, guns, and knives.  Maybe they just need to change the curriculum.

And the first of many anti pro-life cartoons.  This one has Dr. Claude Newbury saying there shall be no abortion under any circumstance.  Then there’s a lightning bolt with Newbury suddenly pregnant and unwanted babies all round him with god saying “Get real, Claude.”

Evidently the Boer separatists (Volkstaat) were trying to prevent a new South Africa from forming

The concept of a Volkstaat, also called a Boerestaat, is the set of proposals to establish self-determination for Afrikaners (Whites) in South Africa, either on federal principles or as a fully independent Boer/Afrikaner homeland.

Then he shows the trouble with the integration of primary schools as two black students.  The room full of students all look like H.F. Verwoerd (and old man with his nose in the air).  But the glimmer of hope comes when a little white girl takes off her Verwoerd mask and smiles the black students.

Bishop Desmond Tutu as part of the Truth and Reconciliation Committee is shown in a graveyard labelled Apartheid Crimes.  Tutu says, “God help is to remember that the people who did this are also your children.”  God says “lemme get back to you on that one.”

And then in May 1996 De Klerk says the new NP position is “We brought you democracy.”  This compares to the short attention span of the voter:  Western Cape voters oppressed by the Nats for 40 years and happily votes Nat today.

On to Olympics fever! We see that Cape Town is bidding for the Olympics in 2004.  There’s old man Uncle Sam with an Atlanta 1996 shirt tripping over hurdles of security and efficiency and asking Baby South Africa if he really wants to try this.

Then Mandela went to England and it was a big celebration with Nelson’s column having its own Nelson removed and the nearby lion statue saying “tough luck old chap there’s only one Nelson In London this week.

Speaking of London, there’s nothing like the Charles and Diana Royal Side Show to distract the world from real problems.

And remember mad cow disease?

Zapiro sets his sights on Mugabe.

Robert Gabriel Mugabe was a Zimbabwean revolutionary and politician who served as Prime Minister of Zimbabwe from 1980 to 1987 and then as President from 1987 to 2017.

Obviously Mugabe was a bad dude.  Zapiro shows Mugabe putting targets on the back of gays and lesbians in Zimbabwe, while wearing a button that says bigot and proud of it

There’s only one mention of Clinton in this book.  He looks like Tintin as he is in The Adventures of Clintin in Bosnia.  He waltzes in with a peace but there’s Snowy the dog “I’d feel a lot better if that piece of paper has a disarmament clause.”

Zapiro also introduces Netanyahu who will have Isareal aiming for peace (by firing missilesat the peace dove)–he sure nailed that one.

You can see more of his cartoons at https://www.dailymaverick.co.za/zapiro and at www.zapiro.com.

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SOUNDTRACK: hiatus

[READ: January 9, 2022] It Only Comes in Orange, Mr Zuma

This is the second collection of editorial cartoons from South Africa’s Daily Maverick newspaper.  Zapiro (Jonathan Shapiro) has been making editorial cartoons and caricatures since the early 1990s and has 25 books of cartoons published.  Turns out I have access to most of them so I may need to d a deep dive–maybe I’ll understand some of the politics more.

I really don’t know very much about the South Africa, and I feel like news about the country is not covered very much here.  I don’t understand all of the jokes in here, but I do feel like I have a vague grasp on the country now. However, it’s when Zapiro turns his pen abroad–especially against trump, that I can see how good of a satirist he is.  I posted this picture when talking about the previous book, but this cartoon appears in this one:

When he publishes the cartoons in the newspaper, they speak for themselves.  But in these collections, he adds a caption since most of the details are no longer fresh.  For the above he wrote:

Hell-bent on overturning the election result, trump supporters storm the Capitol building in Washington. The riot leaves five people dead.

How is it that there is any question about this still in our country.  Why is our justice system so slow?

Well, given the justice system in South Africa, our looks like a quick resolution. (more…)

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SOUNDTRACK: NATHANIEL RATELIFF-Tiny Desk (Home) Concert #190 (April 12, 2021). 

Nathaniel Rateliff treads a fine line between country and rock.  But between this album and his work with the Night sweats, I tend to prefer him to others like him.

The Mercury Café is one of the first places Nathaniel frequented when he moved to Denver in 1998, hearing jazz, dancing, and eventually playing many shows there. For his Tiny Desk (home) concert, he’s assembled a dozen players including a string section, backing singers, and some of his oldest friends: Joseph Pope III on bass, Mark Shusterman on keys, Luke Mossman on guitar and Patrick Meese on drums.

On the opening song and the title track to his 2020 album, And It’s Still Alright, they’re restrained as Nathaniel sings about loss, “I’ll be damned if this old man / Don’t start to counting his losses / But it’s still alright.”

This song is so darned catchy, despite how sad it is.  Mossman plays lead guitar and Shusterman keeps the keys going throughout. The addition of strings (Chris Jusell: violin, Joy Adams: cello, Adrienne Short: violin and Rachel Sliker: viola) add a new component that sounds great.

“All Or Nothing” has an interestingly picked guitar with lots of bouncy bass from Joseph Pope III.  Midway through, the song starts rocking out with two drummers.

But restraint lets loose on the chorus of “Redemption,” a song about breaking free of the past and written for Apple original film Palmer.

“Redemption” is a powerful song that has a simple but big chorus “Just set me free.”  The backing vocals from Larea Edwards, Chrissy Grant and Kinnie Maveryck sound fantastic.

The ender, a tune called “Mavis,” truly is a grand finale, a song that conjures up images of The Band singing Bob Dylan’s “I Shall Be Released” — and what a fabulous release it is.

Half way through the song builds to a really full sound.  Rateliff sounds great and so do his songs.

[READ: May 7, 2021] “The Shape of a Teardrop”

I really love the diversity of style and subject matter that T. Coraghessan Boyle brings to his stories.

This one is told from two different points of view.

We open on Justin, a belligerent person, angry that his parents have kicked him out of his room. It took three final straws–dropping him from the family cell phone plan; putting a lock on the fridge and the final final straw was the eviction notice on his door.

Alternating sections are are supplied by the first narrator’s mother. She says how much they loved their son and tried to give him everything they could.  They had tried so hard to have children, including expensive in vitro.  And then one day their miracle was born.

Their son doesn’t have a car (it’s on blocks in the driveway) and doesn’t have any motivation to get a job.  But he does have very expensive salt water fish and a bar that he likes to go to (he enjoys the bartender whose name is apparently Ti-Gress. (more…)

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SOUNDTRACK: MR. BUNGLE-The Raging Wrath of the Easter Bunny Demo (2020/1986).

In 1986, Mr. Bungle released a demo tape called The Raging Wrath of the Easter Bunny.

In 2020, after a reunion tour of sorts, the band rerecorded the album, with some slight personnel changes. Original singer Mike Patton was still there as was masterful guitarist Trey Spruance and bassist Trevor Dunn.  But they had two impressive guests stars (who also performed live with them), Scott Ian (from Anthrax) on rhythm guitar and Dave Lombardo, drummer extraordinaire.

And thus they re-recorded the initial demo.  Fans of Mr. Bungle’s later genre bending work would be a little disappointed because this was pretty much a heavy heavy metal record.  But it is Mr. Bungle so you know there’s gonna be some weird stuff too.

The only song they don’t play from the original is “Evil Satan” which is more or less a goof anyway.

“Grizzly Adams” opens the album with a very pretty guitar instrumental. Spruance really shines with this moody, weird piece.  But even when the full band joins in in the last 30 seconds, it doesn’t prepare you for the heaviness to come.

“Anarchy Up Your Anus” is old school metal–heavy guitars with an Anthrax/Slayer vibe.  There’s even a lengthy scream after the opening drum fills.  This song has an opening narration by Rhea Perlman.  Yes.  Rhea Perlman.  The narration comes from the Chilling, Thrilling Sounds Of The Haunted House Disney album (on the demo they just played the audio from the record).

“Raping Your Mind” is out of sequence from the demo (it was originally song 6).  It continues with the heavy Anthrax-like riffage and some serious drumming.  There’s a cool middle moment where there’s two guitar solos and just bass and drums in the back–there’s some seriously wicked guitar soloing going on.

“Hypocrites /Habla Español o Muere” was originally a longer song, but they decided to shorten it and add this humorous cover of the Stormtroopers of Death song.  The title is mentioned in the first few seconds, then after 30 seconds, the song jumps into a bit of “la Cucaracha” and then segues into “Speak Spanish or Die.”

“Bungle Grind” is really heavy with some classic mosh sections and faster riffage.

“Methematics” is a new song.  It’s a bit more standard heavy metal and not so much early thrash until the double bass drums kick.  There’s lots of parts including a classic punk style in the middle.  This is more akin to the later, adventurous Mr. Bungle, but at 8 minutes it is a little long.

“Eracist” is another new song.  This one is great.  Really catchy with some good old fashion metal riffs and chanted chorus.  There’s a seriously heavy middle section, too.

“Spreading the Thighs of Death” was the third song on the demo.  It’s some good fast thrash with wicked chord changes and massive double bass drum.  There’s some really wild guitar soloing too.

“Loss For Words” is a Corrosion of Conformity cover.  It’s a pretty serious cover version.  Patton’s vocal delivery is even a little different.

“Glutton for Punishment” is another new song that fits into the classic riff an thump thrash.  There’s a whispered vocal part where you can actually hear the words!  And a fascinatingly fiddly guitar solo that left me wondering how he did it.

“Sudden Death” ended the demo and ends this as well.  A heavy chugging riff and super fast thrashing–it’s impressive that they can keep it up for seven plus minutes.  I rather liked the “yes/no” chanting at the end.

This album isn’t for everyone (as most Mr. Bungle albums aren’t).  But it does show off some quality old school metal and some serious skill for a band covering themselves 30 years later.

[READ: March 24, 2021] Zed

I saw this book in Barnes & Noble and fell in love with the cover.  I made sure to look for it at the library and was pretty psyched when it came in.

And I was pleased as soon as I started reading.

Set in the not too distant future, one tech company, Beetle, dominates the world.  I thought that Beetle was pretty inspired name.  It could be Apple (who have a connection to The Beatles, with Apple Records) and it looks a lot like the word Google, although I suppose it is probably closest to being about Amazon–with their online assistant Athena.

Nearly every citizen (the book takes place in London, but Beetle is global) wears a BeetleBand which monitors everything you do–like a Fitbit or Apple Watch on steroids.

It tells you when you are stressed or when you should hydrate or that you shouldn’t have that donut.  Indeed, everything is now really “smart”: fridges, doors, cars.  Everything in your house is monitoring you. And everyone has a Veep, a personal assistant who does everything for you (except for physical things, since it has no body). You pay for all the best stuff in Beetle bucks–the cryptocurrency that replaced actual  money as the dominant currency.  If you didn’t convert your pounds, euros or dollars, when the rate was good, you’re just stuck.

When the book says everyone, it’s really mostly everyone. There are some people who can’t afford such extravagance.  People who don’t work for Beetle get paid in regular money which isn’t very useful.  There are also neo-Luddites who want nothing to do with Beetle.  But they are carefully monitored by Beetle.

Most people work and communicate in a virtual world with avatars that are some version of themselves.  And most importantly, every person has a Lifechain–the algorithm that determines the longevity and happiness you should experience.  This predictions are pretty much never wrong and everyone uses them to judge people–employers, police, etc. Everything you do, every decision you make changes our Lifehchain, which changes you likelihood of doing x y or zed. (more…)

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SOUNDTRACKSEVDALIZA-Tiny Desk (Home) Concert #130 January 5, 2021).

Sevdaliza is the first Tiny desk Home Concert to be published in 2021.  Let’s hope she signals a great new year.

Sevdaliza is Iranian born although this concert is filmed in a culturally significant bookstore and publishing house in Amsterdam called MENDO.

Her collection of music is a wonderful mix of the organic and the electronic all centered around her gorgeous voice.

The set opens with “an old reel-to-reel tape machine spinning some Brazilian bossa nova.”  Then it stops and she starts singing “Human,” a song which

casts away the notion of artists — particularly female artists — as products.

It’s a moody Portishead-like track.

It opens with synths and drums as she sings achingly.  Her voice sounds a bit like Beth Gibbons as well.  Then in the middle of the song, the electronics drop off and she recites

I am flesh, bones / I am skin, soul / I am human /Nothing more than human.
I am sweat, flaws / I am veins, scars / I am human / Nothing more than human.

While she speaks, the strings of Jonas Pap (cello) and Mihai Puscoiu (violin) play an eerie backdrop.  When the strings stop a very cool electronic section takes over.  Leon den Engelsen manipulates sounds, making voices sound mechanical and machines sounds human–it’s really cool watching him do this.  Meanwhile, drummer Anthony Amirkhan adds some complex electronic and analog drums.

Then den Engelsen resumes the bossanova tape as Sendaliza announces:

“Good afternoon humans, my name is Sevdaliza, you’re very welcome on flight 808; our destination is Shabrang.”

I feel like “Dormant: sounds even more Portishead-like.  Her voice carries Gibbons’ ache as she sings “I need a different type pf caring, a different type of sharing.”  The percussion is minimal but interesting.  Meanwhile the electronics are buzzing around while the strings ground the song in melody.

As the song fades out she sings notes and words which I believe the keys are manipulating in real time.

“All Rivers at Once” opens with a pre-recorded guitar melody.  The song is just full of samples and interesting melodies and then the middle falls into place with a lovely violin solo.  It ends with a deep resonating cello note

“Gole Bi Goldoon” is sung in Iranian (I assume).  It sounds much more like an old folk song–strings and piano.

I really enjoyed this set and want to check out more of her album.

[READ: January 9, 2021] Do the Macorona

I’m not exactly sure why we have been getting so many books from South Africa at work lately, but it’s fantastic.

This book is a collection of editorial cartoons from South Africa’s Daily Maverick newspaper.  Zapiro (Jonathan Shapiro) has been making editorial cartoons and caricatures since the early 1990s and has 25 books of cartoons published.

Although I have been reading some novels from South Africa, I really don’t know very much about the country.  I have learned, however, that reading about a year’s worth of editorial cartoons is a pretty great way to learn about a country.  I don’t understand all of the jokes in here, but I do feel like I have a vague grasp on the country now. However, it’s when Zapiro turns his pen abroad–especially against trump, that I can see how good of a satirist he is.

It feels especially timely to include this post now as we prepare to get the corrupt traitor out of office for good.  He has, in fact, made a cartoon out of the insurrection. (more…)

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SOUNDTRACK
: BILLIE EILISH-Tiny Desk (Home) Concert #71 (August 26, 2020).

There’s so much to say about this Billie Eilish concert.

The biggest artist in the world has just done a Tiny Desk Concert!

Somehow it looks like she’s in the Tiny Desk studio!

Why does she only play two songs?

My daughter and I were supposed to see her back in March and she cancelled her tour about three nights before our show was supposed to happen.  What a bummer!  Especially because who knew if people would even want to see her again in a year (I’m pretty sure they will).  And would her stage show and song style change over that year?

The answer to that seems to be a dramatic yes.  Especially if these two songs are anything to go by.

For these two songs Billie embraces her torch song inner child.  She has a really lovely voice–delicate and emotional.

These songs are personal and lovely–there’s no “Duhs,” there’s no snark.  Compared to what I expected, they were kind of dull, actually.  Very pretty, but kind of dull.

These are the two new singles.  For “my future” Billie plays keyboards and her “real brother” Finneas plays guitar and sings some backing vocals.

On “everything i wanted” they switch places, with Finneas playing the pretty piano melody and providing a lot of nice backing vocals.

These two songs seem like they would go very nicely in the middle of a set of bangers for a few moments of cool down.  I hope when her show is rescheduled that she still brings all the excitement I;d heard her shows typically have.

As for the background…at first I thought it was just a cute idea.  But after six months, it was really comforting to have musicians look like they were playing the actual Tiny Desk.

[READ: August 28, 2020] Diary of a Wimpy Kid: Wrecking Ball

This is the book that started my resurgence into reading Wimpy Kid books. I bought this one for my daughter.  This story had me laughing out loud once again.

This book has a lot to do with the Heffley’s house.  I don’t know if middle school kids can appreciate jokes about household maintenance, but as an adult I sure can.

The book opens with Greg’s mom wanting to do some cleaning up.  That means going through the closet in Greg’s room.  He tells us that he basically just throws things into it, so it’s like an archaeological dig.

He starts sifting through things and finds old toys and things to feel sentimental about which is pretty funny.  But with all this junk, he decided that rather than throw it out, he should make some money off of it and have a garage sale.  Cue: Family Frolic magazine and their “great” ideas for a garage sale.  [I love when he makes fun of this magazine].

Greg has labelled his tables in creative ways: “Great gifts for your grandkids”(stuff from his grandparents that he doesn’t want).  “Pre-written birthday cards” (with his name white-outed). Mystery socks (which is just a pile of junk for 50 cents) and Rare Items (like an invisibility lotion and a freckle remover (an eraser or soap I guess)). (more…)

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