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Archive for the ‘Caddyshack’ Category

SOUNDTRACK: ROSANNE CASH-Tiny Desk Concert #894 (September 23, 2019)

I don’t know all that much about Rosanne Cash (I couldn’t recall how she was related to Johnny).  I also assumed that she would be a country artist.  Yet this set is anything but country.  But I guess the key to that is that her voice isn’t country at all, it’s just good.

This blurb also blows my mind a bit about how quickly (or not) they post concerts.  This show was posted in September but was recorded in January–she had to wait quite a while to see it.

Rosanne Cash and her band arrived at NPR to play the Tiny Desk on a freezing cold, bright sunny day in January — one of those brittle, crystal clear winter days when the snow reflects the sun and there’s nowhere to hide from the light. Her intense performance had that same balance of heat and ice.

Cash plays four songs

most taken from her 2018 album She Remembers Everything, have a lot of emotional heat, but they’re shaped and sculpted by the wry wisdom of age and experience. More than at any time in her career, her spirit and approach to performance these days reflects the influence of her father, the legendary country singer Johnny Cash.

“She Remembers Everything” opens with John Leventhal on with Rosanne on acoustic guitar.  Like most of these songs, it feels slow and powerful–kind of bluesy with a dramatic chord progression.  Mid song, Leventhal switches to guitar and plays a great little solo.

When the song is over she praises everyone: “So attentive.  Like a listening room at the NPR offices.”

Up next is “The Only Thing Worth Fighting” which she co-wrote with T Bone Burnett and Lyra Lynn  This song is not so much country as western-sounding.  There’s more nice guitar work from Leventhal.

Zev Katz on bass and Dan Rieser on drums don’t do anything to single them out except for keeping the songs moving properly.  The bass does do some nice lines, but mostly, these are simple songs which need little accompaniment.

For “Everyone But Me” she takes off the guitar.  This is a lovely piano ballad after which she says, “I don’t know if the young people can relate to this song but it means more as you get older.”

The last song is from her album The River and the Thread.  She says the album won a Grammy and the last time she won a Grammy, Ronald Reagan was president.  From this she plays the cool bluesy “A Feather’s Not A Bird.”

This isn’t the kind of music I enjoyed, but I liked this Tiny Desk Concert a lot more than I thought I would based on what I thought I knew about Rosanne Cash.

[READ: August 26, 2019] The Adventures of Barry & Joe

After the election that has sent the country spiraling into a level of hell, Adam Reid wanted to do something to make decent-thinking people laugh.

When I saw first saw this, I assumed that Adam Reid was Adam Reed, the creator of Archer and other delightfully dark cartoons.  It took a while for me to realize that he isAdam Reid who is responsible for The Tiny Chef Show.

Aside from that, I don’t really have any familiarity with him.  So that’s kind of interesting, I suppose. (more…)

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SOUNDTRACK: THE EMPTY POCKETS-Snow Day (2018).

The Empty Pockets have sent me two offers to get their CDs for free (plus a nominal shipping charge, of course).  This second one was a Christmas CD.  I hadn’t listened to their first CD yet but I do love a Christmas CD, so I thought why not add it to the pile.

There are five songs on this CD and after listening to this I’m wondering if I don’t really like The Empty Pockets.  It’s hard to bass the sound of a band on their Christmas collection, but I was pretty bummed by this disc.

The first song is called “Snow Day” and it says it was written bu Daniel McCormick although I can’t find out who that is.  It has got a  kind of smooth rock feel which is okay for a Christmas song but doesn’t bode well beyond that.

Next up is a version of “Silent Night.”  And they commit a few atrocities in this song right off the bat.  You can make the song more rocking, but you cannot mess with the vocal melody.  And they do that right off the bat.  The thing that rally bus me though is Erika Brett’s voice which is just super loud and yelling and kind of all over the place.  Never out of tune or anything like that just waay over the top.  This is just too much.  The guys also join in on verses, although I don’t know who is who [Josh Solomon, guitar and lead vocals; Nate Bellon, bass and lead vocals; Danny Rosenthal, drums].  But honestly, no one needs to sing “talking ’bout heavenly host sing alleluia.”  One of the men sounds like Darius Rucker which is just kind of unfortunate.

“One More Kiss” is a big powerful song from Brett with good backing vocals.  She overdoes it a bit, but its poppy and catchy and is not tampering with a classic beautiful so, so that’s okay.

“Eskimo Lady” is a little cheesy (not to mention offensive).  It’s a little discoey and grows cheesier with each listen.

“All Eight Days” has a fun guitar riff–like they are doing a heavy metal solo, but the song is far from heavy metal.  I like that it’s about Hanukkah, and the lyric “Just like a Maccabee, i have to wait and see,” is pretty funny.  But the song just veers too far into pop singing I guess.

“The Tree That Refused to Grow” seems like a retelling of A Charlie Brown Christmas from the point of view of the tree.  Except we see into the Charlie character’s future.  I really want to like it but it just comes off as maudlin.

I’m especially bummed by this disc because they quoted Caddyshack in the note that accompanied it.  Sigh.

[READ: December 8, 2018] “Festive”

Once again, I have ordered The Short Story Advent Calendar.  This is my third time reading the Calendar (thanks S.).  I never knew about the first one until it was long out of print (sigh).  Here’s what they say this year

Fourth time’s the charm.

After a restful spring, rowdy summer, and pretty reasonable fall, we are officially back at it again with another deluxe box set of 24 individually bound short stories to get you into the yuletide spirit.

The fourth annual Short Story Advent Calendar might be our most ambitious yet, with a range of stories hailing from eight different countries and three different originating languages (don’t worry, we got the English versions). This year’s edition features a special diecut lid and textured case. We also set a new personal best for material that has never before appeared in print.

Want a copy?  Order one here.

Like last year I’m pairing each story with a holiday disc from our personal collection.

I read this short piece and thought it was incredibly sad.

Then I watched a reading of it (on the Stephen Colbert show) and the audience was laughing quite a lot.  Perhaps it’s his delivery?  But I hate the clipped style of writing (probably true for a diary but awful to read or hear). (more…)

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SOUNDTRACK: DO MAKE SAY THINK-Other Truths [CST062] (2009).

I’ve always enjoyed Do Make Say Think’s CDs.  They play instrumentals that are always intriguing and which never get dull.

But this CD far exceeds anything they have done so far (and  they’ve done some great work).   There are only four tracks, and they range from 8 to 12 minutes long.  Each track is named for a word in the band’s name: Do, Make, Say, Think.  And each one is a fully realized mini epic.

“Do” sounds like a gorgeous Mogwai track.  While “Make” has wonderfully diverse elements: a cool percussion midsection and a horn-fueled end section that works perfectly with the maniacal drumming.  “Say” is another Mogwai-like exploration, although it is nicely complemented by horns.  It also ends with a slow jazzy section that works in context but is somewhat unexpected. Finally, “Think” closes the disc with a delightful denouement.  It’s the slowest (and shortest) track, and it shows that even slowing down their instrumentals doesn’t make them dull.

It’s a fantastic record from start to finish.  This is hands down my favorite Constellation release in quite some time.

[READ: December 2009 – January 13, 2010] McSweeney’s #33.

The ever-evolving McSweeney’s has set out to do the unlikely: they printed Issue #33 as a Sunday Newspaper.  It is called The San Francisco Panorama and, indeed, it is just like a huge Sunday newspaper. It has real news in (it is meant to be current as of December 7, 2009).  As well as a Sports section, a magazine section and even comics!

[DIGRESSION] I stopped reading newspapers quite some time ago.  I worked for one in college and have long been aware that the news is just something to fill the space between ads.  I do like newspapers in theory, and certainly hope they don’t all go away but print issues are a dying breed.  When I think about the waste that accompanies a newspaper, I’m horrified.  Sarah and I even did a Sunday New York Times subscription for a while, but there were half a dozen sections that we would simply discard unopened.  And, realistically that’s understandable.  Given how long it took me  to read all of the Panorama, if you actually tried to read the whole Sunday paper, you’d be finished the following Sunday (or even two Sundays later).

Their lofty goal here was to show what print journalism can still do. And with that I concur heartily.  Even if I don’t read the newspaper, the newspapers as entities are worth saving.  Because it is pretty much only print journalism that finds real, honest to God, worthy news stories.  TV news is a joke.  There is virtually nothing of value on network TV.  Fox News is beyond a joke.  CNBC is sad (although Rachel Maddow is awesome!) and even CNN, the originator of all of this 24 hour news nonsense still can’t fill their airtime with non-sensationalized news.

Obviously, there are some decent internet sites, but for the most part they don’t have the budget to support real news investigation.  You either get sensationalized crap like Drudge or rebroadcasts of real news.

So, print is the last bastion of news.  And you can see that in journalistic pieces in The New Yorker, Harper’s, The Walrus, Prospect and, yes, in newspapers.

But enough.  What about THIS newspaper?  Oh and unlike other McSweeney’s reviews I’ve done, there is NO WAY that I am writing a thorough comment on everything in here.  There’s just way too much.  Plus, there are many sections that are just news blurbs.  Larger articles and familiar authors will be addressed, however.  [UPDATE: January 18]: If, however, like Alia Malek below, you bring it to my attention that I’ve left you out (or gotten something wrong!) drop me a line, and I’ll correct things.

There is in fact a Panorama Information Pamphlet which answers a lot of basic questions, like why, how and how often (just this once, they promise!). There’s also a Numbers section which details the size, scope and cost of making this (it shows that with an initial start up, anyone could make a newspaper if they talked enough about what the readers were interested in). (more…)

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