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Archive for the ‘The Academy of Music’ Category

[CANCELLED: June 29, 2025] Paul Simon: A Quiet Celebration

Last year, my wife and I had tickets to see Paul Simon at The Academy of Music–a small space and we had very good, close seats (I could have gotten closer tickets, but we weren’t sure we wanted to get TOO close).  We have seen just about everyone that we really want to (I have a list of bands that I still want to see but it gets shorter all the time).  But one person on her bucket list was Paul Simon.

So when he announced this Quiet Celebration tour, I grabbed tickets immediately.  Then two days before our show, Paul announced that he would have to cancel the shows because of terrible back pain.  He was going to have surgery and hoped to get back on tour.

As it turns out, he was able to make the next night of his tour (which was about a week later).  So he only missed two shows and ours was one of them.  He never rescheduled that location, but instead, did another round of the tour.  The Philly show was at the Mann Center (a very different venue from The Academy of Music (and it turned out a rainy night).

But we didn’t get tickets for the Mann in part because I didn’t think it would be easy, but mainly because it was my son’s birthday.  So instead, we got tickets to the show in Bethel Woods, a 2 and a half hour drive away.

We got a room for the night and were excited to check out the area.  Especially when I learned that the venue was on the site of Woodstock.  And there’s a museum dedicated to the 1969 event.  I was three months old when Woodstock happened and my parents were as far from hippies as you could get, so there was no love for this event in my house growing up.

However, I understand its cultural significance as well as the musical significance.  And while I’m not someone who thinks it was the most amazing thing to ever happen, I still like the music and thought the museum would be cool.  The museum is pretty cool.  I enjoyed the memorabilia, in particular the woman who wrote down the music she saw and her thoughts about them–I’d love to see everything she wrote.  It was also fascinating to see that no one really had an idea of what each band played–they had to look at various documents to ensure the playlists.  But there’s even discrepancies in the museum itself.  One sign says The Who played 24 songs, but the other sign lists 21 songs.

So the museum was a little underwhelming, but because we were there when we were, we were able to buy one of these limited edition posters, which is pretty cool.

So the weather that morning was unreasonably hot (day 3 of a 5 day heat wave).  But on the way to the venue it started raining (and thundering).  I was first concerned that they might cancel the show from the heat (Paul Simon is old, after all) and then I was worried that they would cancel it because of lightning.  Either way would have been too much for us to bear, I fear.  But the rain stopped and the temperature dropped about 20 degrees and it was quite lovely.

But they delayed the opening of the gates for some 20 minutes and the line was INSANE, so we hung out in the (air conditioned) museum until just before 8.

The walk from the entrance to the venue is REALLY long.  Like, holy cow you have to walk a long way–easily ten minutes with the crowds.  But Paul didn’t go on until 8 and we found our seats and waited.   One complaint is that we brought refillable water bottles but there were no places to fill them.  I suppose if we were earlier, we could have spotted them, but they assured us that the show would start at exactly 8 and it was like 5 of as we got near our seats.

But soon enough, the lights dimmed and the band came out. (more…)

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[CANCELLED: June 29, 2025] Paul Simon: A Quiet Celebration

My wife and I have seen just about everyone that we really want to (I have a list of bands that i still want to seem but it gets shorter all the time).  But one person on her bucket list was Paul Simon.

So when he announced this Quiet Celebration tour, I grabbed tickets immediately.  In fact, I joined the Academy of Music to make sure I could get us tickets for this show.

Then two days before our show, Paul announced that he would have to cancel the shows because of terrible back pain.  He was going to have surgery and hoped to get back on tour.

As it turns out, he was able to make the next night of his tour (which was about a week later).  So he only missed two shows and ours was one of them.

There were no plans to reschedule the show, although he did talk about trying to make up the shows.  He did play one night in Philly, but surely he can’t leave us hanging like that?

He’s on the West Coast until the end of the tour in early August.  Fingers crossed he squeezes us in.

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[ATTENDED: October 6, 2021] John Mulaney

We don’t see comedians very often.  We do like to go to some of our favorites, but we’re unlikely to go to an unknown at a club or anything.

John Mulaney, on the other hand, is hilarious and has made S. and I laugh and quote and requote some of our favorites lines of his.  Recently our son made some kind of reference to one of Mulaney’s jokes and so I thought maybe we should go see him.  After all, he was doing an outrageously long run of shows at the Academy of Music in Philly–14 shows in 12 days!

Recently, Mulaney had made headlines for doing all kinds of questionable things.  He and his wife got divorced, he wound up going to rehab and then started dating someone else with whom he is now expecting a child.  Normally that kind of stuff doesn’t really interest me, but it proved to be a huge part of this routine (especially the rehab, which he entered in December 2020 and exited I guess in February).

We entered the venue which was a “no phones” place.  This was fine, except that our tickets were on the phone.  So I had to lock my phone in a bag.  I was worried that this would be a huge time suck on the way out, but I carried the bag with me and then on the way out they  demagnetized the bag and off I went. (more…)

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[ATTENDED: October 6, 2021] Seaton Smith

I don’t go to see comedians that often.  I knew in the back of my mind that there would be a warm up act, but it didn’t actually occur to me that there would be one.

The line was INSANE when we arrived.  We were fifteen minute early and didn’t get in until just about 8 o’clock, but they delayed the start, thankfully.

This show gave you a secure bag to put your phone in so that you couldn’t use it during the show (that process was quite seamless, I have to say).  But I hadn’t turned my phone off and was concerned that it might ring during the show.  But while I fretted about that, the lights dimmed and they introduced the comedian whose name I didn’t hear.

This is the second comedian I’ve seen whose opening act was introduced quickly and unclearly who then never repeated his or her name during the set.  It took more than a little work to discover he was Seaton Smith.

Smith started his set with jokes about growing up poor and black.  They were quite funny, but it seems like Mulaney’s audience is pretty white so it seemed kind of unrelatable.  And yet the jokes were really funny and the crowd was very responsive.

After a little while he started talking about politics.

He said he was all about bringing people together–so who did you vote for in the last election? (more…)

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[ATTENDED: November 2, 2017] King Crimson

I saw King Crimson back in July.  And I had great seats.  It seems excessive to see them again just a few months later.  However, given that at any second, Robert Fripp could decide they were never going to tour again, it seemed like it behooved me to attend once more. Besides, the shows have been amazing.

This time I got very good seats on the left side of the audience.  This meant I could watch Fripp play guitar (he was blocked from my other seats).  I also had a  very clear view of bassist Tony Levin, which was awesome.  And I was close to drummer Pat Mastelotto who is so much fun to watch.

The lineup was pretty much the same as last time except that last time drummer Bill Rieflin was back on keyboards.  This time Rieflin was on sabbatical again, replaced on keys by Chris Gibson.

The lineup: Tony Levin (bass, Stick, more); Mel Collins (saxes, flutes); Jakko Jakszyk (guitar, vocals),  Chris Gibson (keyboards and effects): Three drummers: Gavin Harrison, Pat Mastelotto and Jeremy Stacey (also keyboards).  And of course, Robert Fripp (guitar). (more…)

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[ATTENDED: April 14, 2017] The Decemberists

Two years ago Sarah and I went to The Decemberists concert at the Academy of Music in Philadelphia. It was spectacular.  A great venue, a dignified crowd and a great set deign.  The only complaint we had at all was that we couldn’t stand up and dance (well, we could, but we try to be considerate of those around us).

We knew we’d want to see them again, so when they announced another show in Philly–this time at the Fillmore, we were super psyched.  We love the venue, the sound is great and best of all, you can dance.

I was telling Sarah that I have become spoiled by smaller venues like Union Transfer, which holds about 1,000 fewer people than the Fillmore, because I can get up really close.  Well, this show was sold out big time (we were packed in a little too tightly for my liking).  I wanted to try to get there as early as possible, but a few things led us to getting there about ten minutes later than I had hoped.  And as such we were just a little too far out for my liking–the tall people seemed to have a wall set up about five rows of people ahead of us and we just couldn’t break through it.

So that meant a lot of leaning side to side depending on who you wanted to watch and, of course, terrible pictures.  But wow did they sound great.  This tour was a little less elaborate than the previous one. There was no real “set,” just lights.  And that’s fine because the focus was on the music! (more…)

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[ATTENDED: October 28, 2015] Bullets Over Broadway: The Musical

bobI have been a fan of Woody Allen’s movies since I took a class on him in college circa 1991. I loved the movie of Bullets Over Broadway which was a fun period piece (1920s) that starred John Cusack and Dianne Wiest among others.  The script was punchy and funny and addressed issues of morality and art.  And there were gangsters too.

Who would have guessed that the 1994 movie would have been turned into a musical twenty years later.  Evidently Allen did not want it turned into a musical until the idea of using songs from the period was introduced (with modified lyrics) and then he agreed.

The show ran on Broadway for about five months, which seems like it must not have been well received.  And yet, it did garner 6 Tony nominations and there were many positive reviews.  I don’t know enough about Broadway to know if a five month run means anything.  The Broadway version starred Zach Braff and Vincent Pastore (Big Pussy from The Sopranos).

The touring version of the musical is listed as Non-equity (I had to look up to see what that meant).  The long and short of it is that it means that you won’t have heard of anyone in the performance.  The director is also different.  I don’t know if that means things are very different from the original production.  I had read that typically a non-equity show has a lower budget, but I was quite impressed with the sets in this one.  The “train” was amazing, and I really liked the way they created the rooftop and the car and several other scenes. (more…)

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[ATTENDED: April 7, 2015] The Decemberists

2015-04-07 22.33.06I’ve liked The Decemberists for a pretty long time but never saw them live.  I’m not really sure why I never had.   Sarah has become a fan over the years as well, and they had moved to the top of her must see list.  So when I saw they were playing at the beautiful and acoustically pristine Academy of Music (and it was so close to her birthday), I jumped on the chance to get tickets.

Somehow, the pre-order tickets from the band didn’t pan out, but I was able to get some pre-order tickets from the Kimmel Center and the seats were awesome.  In a box just above floor level about fifteen or sixteen rows out.  The box was very cool, as there were wooden chairs to sit on and there were all of six of us in this box.  Probably one of the best views I’ve ever had a at a show.

2015-04-07 21.01.43The show started with Colin Meloy and his guitar.  He played the opening song from their newest album, “The Singer Addresses His Audience,” a meta- song that seems even more meta when he is actually addressing you.  The song started slowly and then the two backing vocalists came on and sang along with him.  Then some “statues” were lowered behind the stage.  And as the rest of the band came out, the “quilted” cover of the album was lowered into place

I was sure they would play a set heavy with new songs, so I was surprised when they launched right into “The Infanta,” a rollicking song that really got the crowd going.  And then Colin spoke and proved why he is such a good frontman. He was very funny, suggesting that we could sit or stand, it was up to us–the seats did look comfortable, after all.  He advised the people in the way top (where we were seated for Neil Young) to not stand, because he was worried about their safety.  And then he looked over to the side and saw the front box seats–set off from the rest and seemingly very VIP and informed us all that the Duke and Duchess of Pennsylvania were in the house tonight.   On the other side of the stage in those same seats, he told us that the royalty from Pittsburgh could not make it. (more…)

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[ATTENDED: April 7, 2015] Alvvays

2015-04-07 20.23.26Canadian band Alvvays opened for The Decemberists last night.  I really like their debut album and I was pretty excited to see them.  Alvvays play a perfect update of female -fronted-90s-alt-rock that I really like (and which few bands do anymore).  There are plenty of touchstones for the kind of music they play (Letters to Cleo, Lush), and they do it perfectly–super catchy choruses, nice harmonies and simple ringing guitars.

In hindsight (after watching the headliners) it must be tough for a small band to play when the headliners have so much going on.  So the five members of Alvvays looked a little cramped on stage in their small area.  They didn’t say a lot and they barely moved around.  But they brought their A-game and ripped through their entire album (I think).

I remember thinking that their album is only about 35 minutes, so their set couldn’t be much longer than that.  It was about 30 minutes.  And, since I like the album but don’t really know song names yet, I’m not sure what they played or didn’t play (and setlist.com is no help at all).  I certainly recognized a few songs, but have no idea what order they were in.

I also had to wonder…if you are an up and coming band with a single that’s getting airplay (“Marry Me, Archie”), do you play it first and get the audience psyched to hear more, or do you save it for the end when more people have arrived.   Which they did.  And it was nice to see the crowd (who was responsive but not exactly rocking) nodding along to the song. (more…)

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[ATTENDED: October 8, 2014] An Evening with Neil Young

2014-10-08 22.40.54 Sarah has wanted to see Neil Young for decades.  However, we’ve had bad luck (or high prices) with tickets so we never went.  But when I saw that he was performing in Philly for not too too expensive, it was time to get Sarah to see her man.

I myself have enjoyed Neil Young for a while too, so this wasn’t like a sacrifice or anything.  I had just never gotten around to seeing him either.  Over the years he has played with some amazing other bands (not to mention Crazy Horse), like Sonic Youth and Pearl Jam–two tours that I should have gone to but didn’t.  But this night was all about Neil.  It was just him and his guitar and his guitar and his guitar and his guitar and his guitar and his guitar and his guitar and his banjo and his piano and his piano and his organ and a bunch of harmonicas.  (He had about 8 guitars on stage and he played every one of them).

I don’t usually check setlist before shows because I like to be surprised, but with Neil, ever the curmudgeon, you never really know what you’ll get–perhaps he’ll do an all Trans night.  So I scanned a set, saw a few hits and felt secure in letting him give us whatever he wanted.

2014-10-08 19.42.37-1Outside the theater–the Academy of Music, to which I had never been–there was a big silver bus (not an Econoline van) with the license plate ZUMA, and we knew we were in the right place.  Then we entered the old building and went up the less than impressive stairs (it looked like a middle school stairwell).  And we proceeded to go up and up and up and up to our seats.  We were about ten rows from the top of this building.  And the theater was breathtaking (especially since we were out of breath from climbing 8 flights of stairs).

But it 2014-10-08 19.52.35was stunning to be eye to eye with a chandelier.  However, the building is not deep, so we weren’t that far from the stage.  Of course, mostly we saw the top of Neil’s head (and the top of his piano–which was cool).

Before the lights dimmed we got the great announcement to “please refrain from shouting out song titles,” which I loved–if only the latecomers had heard that message as well.

And then, lights went out, flashlights appeared and Neil shuffled on stage–in jeans, a T-shirt, a flannel type shirt over it–and sat down in the middle of the stage.  He picked up one of the guitars (he already had his harmonica clipped on) and busted out “From Hank to Hendrix.”

Okay, so I’ve been listening to Neil for a long time–I’ve gotten nearly all of his records, I’ve heard a bunch of live things, saw him recently on Jimmy Kimmel–nevertheless I was absolutely blown away by how good his voice sounded.  It was clear and strong and nothing like the 68 year old guy shuffling around on stage should be able to possess.  And his guitar playing sounded crisp and clean, his harmonica was spot on–it was so perfect sounding.  Perhaps it was the venue, but it was the purest sounding concert I may have ever heard.

When he finished the song, Sarah, overcome said, “Okay we can go now.”  That’s how good it was.  [You can read her review here].  But of course we didn’t go.  We sat, rapt as he picked guitars to play, “This one was a gift from Stephen Stills.” [Audience guy: How is he?] “He’s good.”  And on that guitar he played a Buffalo Springfield song.  Then he played “Only Love Can Break Your Heart.”  At this point I stopped trying to keep track of the guitars he played. (more…)

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