Feeds:
Posts
Comments

Archive for the ‘Cigarettes’ Category

SOUNDTRACK: hiatus

[READ: March 1, 2022] The Devil Made Me Do It

As South Africa entered the new millennium, things were progressing very slowly (and sometimes regressing).  And Zapiro was watching.

Homophobia was spreading throughout African nations.  There’s a banner that says Queens against Mugabe.  Zapiro ties it together nicely with a picture of Queen Elizabeth with a paper that says “Mugabe lambasts U.K.”

And an anti-rape ad (starring Charlize Theron) was banned because there was public outcry.  Which leads to a later strip in which children learn the rape message: it’s not bad to rape someone in your own family (A lenient sentence was given to a man who raped his daughter); rape is less offensive than an anti-rape ad that offends men; you can get away with rape if you are famous and hire a hotshot legal team.

Apartheid fallout was still happening.

There’s a an amusing picture of Apartheid Hell and the devil is showing all of the people there a video called No person shall be discriminated against on the basis of race, gender ethnic or social origin, culture, sexual orientation….”  Although clearly the powerful men aren’t all getting punished as we see Craig Williamson, a constant figure in these battles, telling the Amnesty Committee to sit, lie down and fetch his amnesty. (more…)

Read Full Post »

SOUNDTRACK: hiatus

[READ: February 20, 2022] Call Mr. Delivery

This is Zapiro’s fourth book and it’s the first time, I think, that he’s put himself into the cartoons.  And it seems like maybe the world is getting to him.

Although his first appearance is in the meta-joke:

“Only one tiny minority welcomes the formation of Louis Luyt’s new political party” : Cartoonists.

But later by March 1999 he is on a therapist’s couch.  The therapist asks “when did you first experience this feeling of uselessness.  Zapiro says “this week suddenly reality seemed weirder than anything I could come up with.” (And the world hasn’t even gotten to trump yet).

It’s the end of the Mandela era and his successors don’t seem to be shaping up very well.

Although Mandela gets one nice shoutout.  He parts the waters for the Lockerbie Breakthrough and Libya asks if anyone ever get blasé about this sort of thing.

The Truth and Reconciliation Commission’s Final Report had to have any negative mentions of F.W. DeKlerk removed.  And Desmond Tutu seems under attack from the left, right and centre (PAC, IFP, FF, ANC, NP, TRC). (more…)

Read Full Post »

SOUNDTRACK: hiatus

[READ: February 14, 2022] End of Part One

I’m not sure what the Part One is that this title refers to.  This book picks up where the last one left off and moves on into 1998.

It’s clear that Zapiro is still bitter about the Olympics, as the first cartoon is “For the first time the I.O.C. has awarded the Olympic Games to an African City” (the toon is dated 3004 A.D.

At some point it was imperative that I learn all of the political abbreviations.  And he has a good cartoon that summarizes them: (more…)

Read Full Post »

SOUNDTRACK: hiatus

[READ: February 9, 2022] The Hole Truth

Nothing can make you feel ignorant like reading a book of cartoons.

This is a collection of South Africa-based cartoons that Zapiro wrote in 1996.  Who remembers what was going on twenty-five years ago?

Well, this book has an introduction from Archbishop Desmond Tutu (who appears a few times in cartoon form).  Tutu writes that Zapiro is there to skewer hypocrisy but that he has a desire to help the country into realizing their potential–even if it means gently nudging the people he supports when they mess up.

Every country has its share of corruption.  That’s the way of power.  A book like this makes it seem like there was nothing but corruption in South African (and with apartheid, that was likely the case).  Of course, the cartoonist assumes the reader knows what’s going on, so they don’t need to explain their cartoons.  If you don’t know what’s going on, well, you may not get the joke.  And then you feel stupid. (more…)

Read Full Post »

SOUNDTRACK: hiatus

[READ: February 9, 2022] The Madiba Years

Having read some of the more recent Zapiro books, I was delighted to see that our library had most if not all of his previous books as well–one that cover pretty much from the start of the Mandela years.  Mandela even blurbed this book: “Very exciting ad quite accurate.”

So why is it called the Madiba years?  It doesn’t say in the book, so I had to look it up

The clan or family name represents a person’s ancestry. The meaning is deeper than a surname and is used as a sign of respect and affection. The origin of Madiba comes from a chief who ruled in the 18th century, according to the Nelson Mandela Foundation.  Madiba would be used in “an intimate context,” said Richard Pithouse, a politics professor at Rhodes University in South Africa. When Mandela entered school, a teacher gave him the name Nelson. It was customary for Africans to also give children English names back then.  But the wider public had also taken to referring to Mandela as Madiba.  “People would not tend to use that name if they didn’t have positive feelings for him,” Pithouse said.

So there you have it.

This collection opens in 1994 with leader Mangope of Bophuthatswana’s declaration that democracy would not be coming to his homeland (he was very wrong).  With the eyes of the world on South Africa, Election Day shows the shining face of Mandela, pictured as the rising sun over the garbage heap that was the un-democratic elections.

June sees the proposal of the Truth and Reconciliation Commission–to find out what really happened during Apartheid.  There’s also talk of Joe Tokyo, a figure who has been mentioned in other books.  I’m fascinated by his name. In this particular cartoons, his housing plan is described as a pie in the sky.

Things that could apply to any leader include a woman scrubbing the floor in the Prime Minister’s Office.  In 1956, the assistant says to the PM: “Delegation of women to see you.” Then in 1994, the same woman (now much older), the same comment.  This time the scrubber says, “And this time it better work.”

There’s a lot of pages about Winnie Mandela (full name: Winnie Madikizela-Mandela).  I’d heard of her but never really realized what all the fuss was about–she was Nelson’s wife, right?   Well, apparently after he was imprisoned (citing Wikipedia):

In the mid-1980s Madikizela-Mandela exerted a “reign of terror”, and was “at the centre of an orgy of violence” in Soweto, which led to condemnation by the anti-apartheid movement in South Africa, and a rebuke by the ANC in exile. The Truth and Reconciliation Commission (TRC) established by Nelson Mandela’s government to investigate human rights abuses found Madikizela-Mandela to have been “politically and morally accountable for the gross violations of human rights committed by the Mandela United Football Club”, her security detail.  Madikizela-Mandela endorsed the necklacing of alleged police informers and apartheid government collaborators, and her security detail carried out kidnapping, torture, and murder, most notoriously the killing of 14-year-old Stompie Sepei whose kidnapping she was convicted of.

Damn!  And apparently her totally horrific activities weighed on Mandela.

They divorced about two years after he was elected.  But even in 1996 there’s a cartoon of Mandela behind bars with 1962-1990 and then from 1990-1996, he is chained to Winnie.

The big question after the Apartheid government failed was what to do with the men leftover.  Could they just put them in a museum?  Boerassic park?  Apparently F.W. De Klerk had a lot of “amnesia”–couldn’t remember anything that happened before 1990.

And what about the 3,000 former government functionaries that acting president Pik Botha indemnified?  It sounds like the blanket indemnity was ripped off of them–hopefully that will happen to anyone in this country pardoned under our former leader.

I particularly like the one where all of the dominoes fall, knocking down all of the former bad leaders with de Klerk next–again, could be very relevant to our country if they can actually act on it. It’s depressing though that this de Klerk cartoon is in November 1995–so long after the election in April 1994.

But Mandela wasn’t perfect.  When it comes to South African arms sales, apparently he turned a blind eye to backdoor sales.  And his Assembly Chairperson Cyril Rhamaphosa was concerned that when he consulted the public, they seemed to be full of intolerance.  The leaders cut down a hangman’s noose, but there’s a large tree with “pro hanging public opinion.”

There’s also the great unsolved mysteries of the world like The Curse of Tutankhamen, Bigfoot, The Bermuda Triangle and South African foreign policy.

It’s not all politics–there’s some strips about rugby and Springbok, which I’m fascinated by.  And of course much celebration for South Africa in the football (soccer) world.

He also has a strip for National Crime Prevention week. It was suggested that prisons becomes places of education.  But Zapiro says they already are–the criminal leaves with his diploma in drugs, gangs, guns, and knives.  Maybe they just need to change the curriculum.

And the first of many anti pro-life cartoons.  This one has Dr. Claude Newbury saying there shall be no abortion under any circumstance.  Then there’s a lightning bolt with Newbury suddenly pregnant and unwanted babies all round him with god saying “Get real, Claude.”

Evidently the Boer separatists (Volkstaat) were trying to prevent a new South Africa from forming

The concept of a Volkstaat, also called a Boerestaat, is the set of proposals to establish self-determination for Afrikaners (Whites) in South Africa, either on federal principles or as a fully independent Boer/Afrikaner homeland.

Then he shows the trouble with the integration of primary schools as two black students.  The room full of students all look like H.F. Verwoerd (and old man with his nose in the air).  But the glimmer of hope comes when a little white girl takes off her Verwoerd mask and smiles the black students.

Bishop Desmond Tutu as part of the Truth and Reconciliation Committee is shown in a graveyard labelled Apartheid Crimes.  Tutu says, “God help is to remember that the people who did this are also your children.”  God says “lemme get back to you on that one.”

And then in May 1996 De Klerk says the new NP position is “We brought you democracy.”  This compares to the short attention span of the voter:  Western Cape voters oppressed by the Nats for 40 years and happily votes Nat today.

On to Olympics fever! We see that Cape Town is bidding for the Olympics in 2004.  There’s old man Uncle Sam with an Atlanta 1996 shirt tripping over hurdles of security and efficiency and asking Baby South Africa if he really wants to try this.

Then Mandela went to England and it was a big celebration with Nelson’s column having its own Nelson removed and the nearby lion statue saying “tough luck old chap there’s only one Nelson In London this week.

Speaking of London, there’s nothing like the Charles and Diana Royal Side Show to distract the world from real problems.

And remember mad cow disease?

Zapiro sets his sights on Mugabe.

Robert Gabriel Mugabe was a Zimbabwean revolutionary and politician who served as Prime Minister of Zimbabwe from 1980 to 1987 and then as President from 1987 to 2017.

Obviously Mugabe was a bad dude.  Zapiro shows Mugabe putting targets on the back of gays and lesbians in Zimbabwe, while wearing a button that says bigot and proud of it

There’s only one mention of Clinton in this book.  He looks like Tintin as he is in The Adventures of Clintin in Bosnia.  He waltzes in with a peace but there’s Snowy the dog “I’d feel a lot better if that piece of paper has a disarmament clause.”

Zapiro also introduces Netanyahu who will have Isareal aiming for peace (by firing missilesat the peace dove)–he sure nailed that one.

You can see more of his cartoons at https://www.dailymaverick.co.za/zapiro and at www.zapiro.com.

Read Full Post »

SOUNDTRACK: STING-Tiny Desk (Home) Concert #183 (March 22, 2021).

Sting starts this Tiny Desk Concert with a duet on “Englishman/African in New York” which is exactly how he started his previous Tiny desk Concert back in 2019.  In fact, since this is a duet, I wondered if I had accidentally cliked on the wrong concert.

But the previous Concert was a duet with shaggy and this one is a duet with Shirazee.

During the pandemic, Beninese pop star Shirazee adapted his own rendition of Sting’s classic “Englishman in New York” into “African in New York.” His version made its way to Sting, who loved it so much that he asked Shirazee to lend his voice to his Tiny Desk (home) concert and record for his new Duets album.

I never loved this song, but I’ve always liked it.  But I really like the way it has taken on a life of its own with these new duets.  And the “African in New York” parts shine a new light on the song and show its universality.

Shot in a lounge in NYC where Sting’s presently recording another album, these two gentlemen share a touching moment between songs, expressing their mutual admiration and discussing the sheer joy about a simple concept – performing in a room together after 12 long months of isolation and virtual collaborations.

Sting comments about how the song has had multiple lives: a Jamaican in New York, a Somalian in New York and now a Benin man.  Shirazee says, “Benin man in New York, I should have said that why didn’t I say that?”  When Shirazee thanks Sting, he replies, I’m always delighted when artists take the template I’ve written and make it better made it different.  Shirazee thanks him again and then says, and now I can’t wait to get a free Sting concert.

Sting jumps into a stunning acoustic performance of “If I Ever Lose My Faith in You,” another one of his many classics. The timbre of his voice conjures a sense of carefree familiarity, reminiscent of times with more levity and peace.

He sounds really good and definitely has fun vamping at the end of the song.

His finale, “Sister Moon,” is a gem from his 1987 solo album, Nothing Like the Sun, that rarely gets performed live.

I don’t know this song, but it sounds really good, just his voice and his resonating guitar.

[READ: March 31, 2021] “Tasteless”

The September 3, 2007 issue of the New Yorker contained several essays by their writers about the subject “Family Dinner.”

This is one of David Sedaris’ really funny essays.  There’s so many great lines.

He starts by saying that he was promised that when he quit smoking his sense of taste would remarkably improve–like putting on a pair of glasses that are your prescription.

But after six months he’s having no luck.  However, he was never an attentive eater.  He’d thank his mom for the fried fish and she’d say it was chicken or even veal.

She might as well have done away with names and identified our meals by color: “Golden brown.” “Red.” “Beige with some pink in it.”

In addition to not tasting things, he says he is a shoveller.  As if he were a prisoner, encircling his plate to fend off the others. (more…)

Read Full Post »

SOUNDTRACK-XAVIER OMÄR-Tiny Desk (Home) Concert #181 (March 15, 2021).

Xavier Omär has a fantastic voice–one that I thought was rather unexpected given his appearance.  He’s a pretty big guy and seems like he’d have a deep resonant voice, but his voice is really soft and high.  And powerful.

He’s also had a pretty interesting career.

Omär’s career began in Christian music under the moniker SPZRKT, before he moved into secular R&B and hip-hop. Through his first couple of projects and work with Seattle DJ and producer, Sango, the 27-year-old singer’s heart-on-sleeve approach quickly created a buzz.

He says that the whole band is from San Antonio Texas.

Xavier Omär decided to turn his Tiny Desk home concert into a whole Texas affair. Initially, Omär wanted to recreate the look of the Desk: “I wanted to kind of bring the feeling of Tiny Desk back, so I had booked a library,” he said. Ultimately the library didn’t work out, but Rosella Coffee and Wine in his home base of San Antonio proved to be a great match for his sound–spacious and airy.

“Like I Feel” opens with some grooving bass from Korey Davison and wailing sax from Kevin Davison.  Josh Greene adds some big drums fills and guitarist Billy Ray Blunt Jr. plays some wailing leads.  Xavier trades off lead vocals duties with Talyce Hays whose voice is also terrific.

During “Blind Man” he throws in some rapping–a softer cadence, but to good effect.  There’s some response backing vocals from Jay Wile while Alana Holmes and Hays fill in the backing vocals.   Lyrically the song is kinda lame (sweet, but lame), but there’s some cool musical moments–splashes of four notes and more than a few tempo changes.

For good measure, he plays the song that put him on the map, 2016’s “Blind Man.” This is undoubtedly Xavier Omär’s best live performance on record.

I had no idea that this was his breakthrough song.

He tells a quick story (it’s amusing) about how he wishes he was at the beach.  But even if he can’t get there he can think of the the rhythm of the waves and the “SURF.”  He says he could enjoy the surf because his woman has that “splah” (?).  Its’s a pretty ripping song with, again, surprising tempo changes.  The song has moments that I would say come from Frank Zappa’s oddball melodies.  Ands once again, the drums are massive.

He says “So Much More” is the wedding song of the year.  It features Justin Crawford on keys and is a much more mellow song than the other.  It also allows Xavier to really show off his voice.

The Alamo City resident and his cohorts orchestrated a charismatic and vocally rich show. The set list perfectly depicts the emotional arch of if You Feel. He’s on a clear path to greatness in R&B music.

It was probably a smart move to go secular.

[READ: March 31, 2021] “A Man in the Kitchen”

The September 3, 2007 issue of the New Yorker contained several essays by their writers about the subject “Family Dinner.”

Donald Antrim starts this rather sad memory with an amusing story.

His father learned how to cook when his mother served “hot tuna-and-mayonnaise casserole with potato chops as a decorative garnish.”

This story had become Received History in the family: “Baked mayonnaise! I had to take action!”

Soon cooking had become his father’s second full time job.  He taught literature at the University of Virginia and then he would drive around buying all of the food stuffs for their meals.  He would travel to different markets for different foods and he was an early adopter of the Cuisinart. (more…)

Read Full Post »

SOUNDTRACK: RHEOSTATICS-Jasper Heritage Folk Festival-Day Set (August 3 2001).

Rheostatics played two sets at the Jasper heritage Folk Festival in 2001.  They did a day set to promote their new children’s album Harmelodia and then later an evening set full of hits.

This is a fantastic sounding show … the afternoon set at the Jasper Heritage Folk Festival and is unique in that it is an almost complete run through of the entire Harmelodia album including Dave reading parts of the book. One of the earliest shows with Michael Wojewoda on drums.

In the intro Dave explains that they’re playing the entire Story of Harmelodia album, borrowing a page out of Luther Wright and the Wrongs’ book and do a concept program.  [I wonder what that was].  We’re going to read a little bit and play a few songs.

The Intro music is kind of like the more we get together, the happier we’ll be.  Dave narrates and the music sounds really good.

He tells everyone that the album is available for only $25 over there, easy.  How much you got?  $15?  We’ll take $15.  And your hat and your glasses.

Tim sings “Monkeybird” which is, admittedly, not as good as Kevin Hearn’s version, but which is still fine (they have a really hard time with the high note of the “we love the sound.”

“Invisible Stairs” is a twist on the “Twinkle Twinkle” melody–a pretty 2 minute interlude.

During “Popopolis/Drumstein” Martin makes a cool humpback whale sound.

They take a small break, “a little interlude then the program will resume.”  Then he says “hurry hurry come on up,” and some girls wish Chrissy Way a happy birthday.  Dave jokes Chrissy’s 37.

Tim says that Dot wrote “Loving Arms,” but ripped off The Beatles.  Dave replies, “it’s make believe Tim, there’s no copyright in make believe land.”

They don’t do “Father’s Sad Song” (because Gord Downie wrote it?).

The bass is suddenly too loud but otherwise it sounds great.  You can compare the concert setlist to the album at the bottom of the post.

[READ: February 21, 2021] “Paris Diary (1992)”

I’m not sure who Mavis Gallant is, but she had the third of three “Memory” sections in this issue of the New Yorker, so here it is.  It is indeed a few samples of her 1992 diary.  The first few entries are from January.

She writes about three prisoners released from solitary confinement after eighteen years.  Two of them are shrunken and need a wheelchair.  The third has his daughter to look after him.  She imagines what it must be like to get your father back after so long.

Gallant was young when her father died and yet she could not accept the truth.  She always imagined he would return.  Like how Isaac Babel’s daughter wrote, “Every time a car stopped in front of the door, I expected to see my father step out of it.”  But of course, he never did.

Then she recalls Josée de Chambrun (her father ran the Vichy government in 1942 and was tried for treason).  She has just died.  Mavis and Catherine (whoever that is) saw her in a gallery, eyes full of defiance.  After the war, the French either stood behind her or despised her.

The next entry (February) concerns her friend at dinner.  She smoked through the meal, juggling fork, knife and cigarette.  No one seemed to mind. (more…)

Read Full Post »

SOUNDTRACK: KATE DAVIS-Tiny Desk (Home) Concert #59 (August 4, 2020).

I hadn’t heard of Kate Davis before this Home Concert.

Her songs are simple and straightforward with a real timeless quality.  She reminds me a lot of Kathleen Edwards.  Turns out that she also co-wrote Sharon van Etten’s “Seventeen.”

Like so many artists, Kate Davis was to be on tour during the spring and summer of 2020. She was scheduled to play a concert at my desk in May. Sitting by her desk at home, Kate Davis is marking time by writing new music….  She’s an extraordinary lyricist. Her 2019 album, Trophy, was a sharply worded collection of songs, many about growing up and a powerful tune about her father’s death.

“Cloud” has a great melody throughout, and the chorus is great–with her falsetto moment an unexpected bonus.  The slow middle section is also a really nice surprise.

“Open Heart,” the second song performed for her Tiny Desk (home) concert, is about a broken heart. It’s a subject tackled by many, but her lyrical prowess sets the scene in the hospital, where the doctor cuts her open, sees her critical condition, and takes out her broken heart. She sings, “Put the pieces back together, looks like it’s been shattered by a bad love,” later adding, “You’d rather feel this pain than have a broken heart.”

This song features another great delivery as she sings the lyric high but then adds a lower almost spoken word during the bridge “deep…breath.”  The song builds and builds to the end and I love that the chugging guitar chords ends with a slightly-off-ringing note that adds a cool amount of dissonance to a song about a broken heart.

I guess these songs sound different on the record since the blurb says:

Hearing these songs stripped to their essence–just Kate Davis and her guitar–exposes her charm and wit.

“I Like Myself” is a finger-picked style of playing–sounding quite different from the other songs.  The lyrics are very thoughtful:

I kind of like myself
Cause she likes me
And since I think the world of her
And she of me
Then I’m exactly who and where I want to be
Who and where I want to be

“Ride or Die,” was written before quarantine and its perspective has changed since.  The chord structure and vocal melody is unusual and very cool.    I especially like the way she adds a really slow section in the middle–a picked melody (of more unusual chords). This is my favorite of her songs and I’m looking forward top hearing more.

Davis looks at the camera a lot during this performance–making her seem very confident, which I gather she is.

[READ: August 1, 2020] “Dalton’s Box”

I loved this story.  It was fast and colloquial.  It was funny and dark and I want to read more stories like it.

The story is basically a conversation between two brothers.  The one brother asks if the other remembers Mick Dalton.  He does.

A few months back, Dalton won the Lottery.  Not a huge amount though, about 3,000 quid.  And Dalton, who is usually in trouble for some petty crime or another, says he’s going to invest it.

That means a get rich quick(ish) scheme selling contraband.  But this time Dalton is smart, you see.  He’;s going to sell contraband Marlboro cigarettes (I have no idea how that’s going to work). (more…)

Read Full Post »

waljuneSOUNDTRACK: KEVIN DEVINE-“Freddie Gray Blues” (2016).

a1265312378_16This week, Rough Trade and Bank Robber Music released a compilation on bandcamp called Talk – Action = Zero: A Compilation Benefitting Black Lives Matter.   On one day they raised $12,000 for Black Lives Matter, which is pretty fantastic.

The record features 100 songs, a majority of which are previously unreleased and some of which seem to have been written in the past week.

This Kevin Devine song is not new.  In fact, it has been recorded twice.  First with a band on his Instigator album and then reimagined as an acoustic song on his We Are Who We’ve Always Been record.  The acoustic version is included on the compilation and it really allows you to hear these lyrics.

It’s depressing that he wrote this song four years ago after the death of Freddie Gray, a 25-year-old Black American man who was arrested by Baltimore Police for allegedly carrying a switchblade on April 12, 2015.

Gray fell into a coma in the back of a police van and passed away on April 19.  An investigation found that the arresting officers failed to follow safety protocols “through acts of omission” due to the spinal injuries Gray received during the police transport, which led to his death.  The six police officers were not convicted but faced various charges from second degree-murder to manslaughter.

Here it is four years later and the song is just as relevant and fits in this compilation all too well.

The lyrics are straightforward, the melody simple.

I’m talking Freddie Gray blues
I’m talking what happened to you
You were just 25
When they ended your life
When “to serve & protect”
Meant break your leg, snap your neck
Meant to kill you, to sever your spine
No matter what, there’s no good reason why

Devine also speaks from personal experience because of his family’s association with the police:

When I’m talking these killer cop blues
I’m kinda talking my family to you
See, my dad was a cop
And his dad was a cop
And my uncles were cops
And my cousins were cops
I’m partly here because of cops
And I love all those cops
And I know not every cop
Is a racist, murdering cop
But this is bigger than the people I love
The system’s broken
Not breaking
It’s done

And then, like any white person who is an ally, he realizes his position.

I’m talking white privilege blues
I’m talking confession to you
I don’t know what it’s like
To be afraid all my life
Looking over my shoulder
Behind each officer, a coroner
Entrenched inequality
No access, no empathy
Crushed in stacked decks
Institutions & death
This is not my reality
I’m afforded the luxury
Of shaking my head
I shut the screen, go to bed
I can turn off what you never can
And watch it happen again and again (and again and again and again and again, and again).

[READ: June 5, 2020] “Rookie”

I can’t get over how many stories there are about tree-planting, something that I feel like no one in the States ever does but which seems to be a rite of passage in Canada.

Every story talks about how horrible it is.  You can make a lot of money if you can put up with the conditions.  The cold, the backbreaking work, the pressure, living in a trailer or hotel for months.  Although you could make $10,000 in two months if you were good. And, pretty much everyone there let the drugs and drink and sex flow.

There’s always people who thrive and can plant 4,000 trees a day (at 9 cents per tree) called highballers.  While a rookie is lucky to plant 1,000 (which would mean breaking even after camp costs, like food).

In this case the highballers are Skye and Jen who seem to be a couple.  The rookie is Jake and the story is mostly about him.  Jake is a religious twenty-something.  He is God-fearing and serious.  He intended to go tree-planting with his friends from Bible College.  Elmer was the group leader and they would keep tabs on each other to make sure they didn’t smoke, do drugs or have sex.  Jake decided to join up, but by that time, Elmer’s crew was full, so he wound up with another crew in Ontario. (more…)

Read Full Post »

Older Posts »