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Archive for the ‘Neil Young’ Category

[ATTENDED: May 12, 2024] Neil Young & Crazy Horse

My wife and I are both big fans of Neil Young.  Although we tend to prefer different eras, we enjoy most of his catalog pretty equally.

We had seen him play solo ten years ago.  We saw him play Promise of the Real nine years ago.  If we ever got to see hi again, I never would have guessed it would be with Crazy Horse.  I would have loved to get close up seats for this show, but JFC, the pit and front row seats were like $600 a piece.  I actually assumed we were priced out, but I knew how much we both wanted to see him (I mean, Neil is 78 how many more tours is he going to do?).  So I bought two not-outrageously priced seats in the 200 second (front row).

The band wasn’t exactly Crazy Horse.  Nils Lofgren is playing with Bruce Springsteen (booo).  But he was replaced by Micah Nelson (who I have seen as Particle Kid).  Truth be told, I couldn’t tell a difference.  They were far enough away and the spotlights blurred everything anyway.  But he sounded great, as did everyone else.

In classic Crazy Horse style, the three guys up front stood about a foot away from each other.  So despite the size of the stage (and the massive Marshall stack backdrops), they were all within whispering distance of each other.  Which I assume was Neil’s way of letting everyone know what was happening next.  (more…)

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[ATTENDED: May 12, 2024] Reverend Bill & the Stop Shopping Choir

I didn’t know there was going to be an opening act for this show until a few days before the event.  I was glad that there would be one because Freedom Mortgage Pavilion is a pain in the ass to get into on time.

When we saw Pearl Jam, we missed the opening act entirely because of the poor infrastructure there.

It was even better that the opening act was a band I’d never heard of and didn’t care about.

So who are this Choir?  Wikipedia says

Reverend Billy and the Church of Stop Shopping is a radical performance community based in New York City. The Stop Shopping Choir is accompanied by a comic preacher, Reverend Billy, portrayed by performer William (Billy) Talen. The philosophy of the Church of Stop Shopping surrounds the imminent “Shopocalypse”, which assumes the end of humanity will come about through manic consumerism.

The Stop Shopping Choir accompanies Reverend Billy and stages guerrilla theater style actions, singing on the property of the Disney stores, Monsanto facilities, and Trump Tower, among others. They are often considered part of the Culture jamming movement.

The group uses the content from their direct actions to create songs that are performed on concert stages and in cabarets. The director of these shows is church co-founder Savitri D.

The character of Reverend Billy was developed in the early 1990s by actor and playwright, William Talen. His family was Dutch Calvinist.  The Reverend Billy character isn’t so much a parody of a preacher, as a preacher motif used to blur the lines between performance and religious experience. “It’s definitely a church service,” Talen explained to Alternet, but, he added, it’s “a political rally, it’s theater, it’s all three, it’s none of them.

(more…)

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[ATTENDED: August 24, 2022] Kathleen Edwards

Back in 2019 Kathleen Edwards came out of “retirement” after spending five years running a coffee house in Stittsville, Ottawa called Quitters.  She has since sold Quitters and it is now something else.

She announced a few shows in 2019 and then a small tour in 2021.  I hoofed it into New York City to see what I imagined would be my only time seeing her.  (She was also opening for Jason Isbell, but I didn’t want to see her as an opener nor did I want to see Jason Isbell).

But then she announced a full tour in 2022!  A few years ago I thought I’d never see her live and here we are and I’ve now seen her three times in under a year.

What was also pretty interesting was that this band line up was almost entirely different from the last time (which had been different from the first time).

The first time it was a five piece with two guitars (and a keyboard), bass and drums.  The second time it was drums, bass, pedal steel guitar and violin/keyboard.  So no lead guitar (all leads were on the pedal steel).  For this third show there was no bass or drums.  So, we had the same two “new” members from the show just a month earlier: Aaron Goldstein on pedal steel and Kinley Dowling who played keys and violin.  And we were once again joined by Colin Cripps (her ex-husband).  He played with her back in the old days and also when I saw her in NYC, but not a month earlier). (more…)

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[ATTENDED: September 14, 2022] Pearl Jam

Pearl Jam released Gigaton, their first album in seven years back in 2020.  They announced a US tour, but it was remarkably limited in scope.   There was an NYC date, but that sold out really quickly.

It was postponed for COVID and when they announced their 2022 tour, they threw in a stop in Camden as well.  So we actually had a chance to see them (us and 25,000 other people).

Well, getting there was a nightmare!  We got to Camden with no trouble and then it took us an hour to get from the Camden exit to a parking space.

I don’t know if this is a Camden problem or if the Freedom Mortgage Pavilion is to blame (they are at least the third owners since I’ve been going there and it doesn’t get better).

We missed the opening band Pluralone entirely and were actually worried we might miss the opening of the Pearl Jam set.  We didn’t but we only had to wait about 15 minutes.  And of course, we were REALLY far back.

Pluralone is the creation of Josh Klinghoffer who also played guitar and more with Pearl Jam on this tour.  I was really surprised that they had an opening band as recently they haven’t been having one.  I’m glad there was one as we would have missed the band if there hadn’t been.  But it also meant a shorter set (I think).

Pluralone plays some interesting experimental music.  They would have probably been pretty interesting to see, although Klinghoffer did wind up playing with Pearl Jam for the entire set,

C. went with us for this one (his first and hopefully not last Pearl Jam show).  T. was going to come with us, but she bailed.  It’s probably just as well, as we had to walk about a mile to our car and she didn’t really know them all that well.

Without question, I will not be going to another show in Camden again. They simply don’t have the infrastructure for that capacity crowd.

But all was forgiven when the band came out. (more…)

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[ATTENDED: November 7, 2021] Particle Kid

I have always been delighted yet puzzled by the name Particle Kid (the band created by Willie Nelson’s youngest son Micah (who also plays in his brother Lucas’ band Promise of the Real).  I read recently that the name comes from his father intending to call him the Prodigal Son, but apparently misspoke and called him Particle Kid, which is pretty damn funny.

As is Micah.

Micah was able to use The Lips’ video screen to project images on, which was cool.

The band for this tour was Micah Nelson – Guitar, vocals Aroyn Davis – Bass, vocals Milo Gonzales – Guitar Anthony Logerfo, Drums, vocals.

And they were excellent.  Even though Micah is the main figure of the band, Milo Gonzaes was an amazing guitarist to watch. He could play fast riffs and then alternate with incredible unreal sounds.  And then there was Aroyn Davis, an amazing bass player who was all over the neck playing low and high notes and also using effects pedals to create bizarre wonderful effects. (more…)

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SOUNDTRACKRHEOSTATICS-3rd Annual Green Sprouts Music Week Show 6–all ages (Ultrasound Showbar, Toronto Ontario September 23 1995).

It has been a while since I’ve listened to a live Rheostatics show.  Darrin at Rheostatics Live has added a number of new shows in the last eight months.  On the last night of Green Sprouts Music Week, the band played two shows in one day. This first one is all ages, which I kind of think of as a children’s show, but really it means that people under 21 (or whatever the drinking age is) can get in too.

Sixth show of the annual Green Sprouts Music Week held at Ultrasound Showbar September 18-23 1995. This is the all ages afternoon show. Very solid fun show. Of note is Aliens sung by Julia Pietrus and her stuffed chicken followed by Joe Jackson’s I’m The Man sung by Don – actually this to me could be considered the genesis of his band Communism. A couple of nice acoustic in the crowd numbers as well. Near the end the band mentions they were commissioned to perform the GO7 but hadn’t as of yet written a single note for it which is pretty crazy seeing as it would be performed just a month later.

Dave says that at this show they have people aged 6-60.  A nice sober crowd–a daunting thing.  Martin says “after we play tonight they’re going to tear this place down.”  Tim: No.

Martin’s wearing sailor blue for the nautical song “Saskatchewan.”  It’s great to hear this.  There’s a line in the song about knowing the truth and when the song is over, Dave asks, “what is the truth?”  A prescient and profound young person says “I’m the truth.”

Tim tells everyone that this is his first week with picks taped to his stand.  Do you put them back or drop them? Dave says you fling them.  Tim does and is mocked–you throw like girl.  Tim: which isn’t a bad thing.

Then comes three solid versions of “All the Same Eyes.” “Four Little Songs and “Introducing Happiness.”

Dave then calls Julia Pietrus and her stuffed chicken Dale to the stage.  Dale has been to all of the shows.  Julia is going to sing “Aliens” in Polish.  Her mom made her translate it and she’s here tonight to sing it.  She’s also in a band called Ow, That’s My Head.

It’s amazing to hear her translate this song and hear how it works and doesn’t work at the same time.  But it’s really cool.  They they give her a Rheostatics single from 1980.

Then comes some “Old New Wave” as Don Kerr sings “I’m the Man” (it seems like he used to sing this with his old band).  It’s really fun.

That song was written by someone we’ll tell you who it was in the next song.  They play “Fan Letter to Michael Jackson” but shout JOE!  JACKSON! (no relation).  Dave starts shouting “One Step Beyond” and then sings the Tuesday night in the discotheque. I can’t dance what the heck, I’m an Uzbeck.

Dave: You kids okay out there?  I didn’t know it was gonna get so dark and loud and weird but I think you’re loving it.

People start whistling “You are Very Star” which is pretty cool.

Up next is the “Digital Beach / Earth segue and then they announce they’ll do a few acoustic songs in the audience.

They are in the crowd for a spirited run through of “Take Me in Your Hand” and “Peas & Rice.”

Dave says that they have been commissioned to write 40 minutes of music for the Group of 7 at the National Gallery next month.  But we haven’t written a minute of it, yet.

Martin asks him to tell the Neil Young story.  Dave says he went to see Neil Young at the Garden during the Ragged Glory days.  It really wasn’t very good.  They all had Marshall stacks and were trying to be the loudest band in rock.  These two folks behind me shouted “acoooooooustic” through the entire show–he never brought the acoustic out.
Martin: the loudest sound I have ever seen was at the first stadium concert I went to about three years ago for Rush.  It wasn’t Rush though, it was this guy behind me who was whistling so loud I couldn’t believe it.
Tim: Whistle like this?  [puts fingers in his mouth and can’t do it].
Dave: have you done that and tried to say “puck?”  Don: The title of the next BNL album is going to be Born on a Pirate Ship.  They all crack up.

Martin: We unplugged and we plugged it back in.  Replugged?

After a great “Sweet Rich Beautiful Mine,” Dave plugs the Green Sprouts Music Club–people who have written to us and we’ve written back.  We’ve met many bands.  Like The Inbreds, Farm Fresh and Local Rabbits (in the audience now, playing tonight at the Horseshoe).

They play a lovely version of Tim’s “All in a Row.”

Don: Are there any more Dave Bidini dolls?  Sold out!
Dave: When you pull the string, what does it say?
Can I let you off the corner?
I can’t break this 50.
I found a great thrift store.
Can you pick up my dry cleaning for me?

Martin brought art to sell but left them in the back–I declare them for sale.  A page from the lyrics from Saskatchewan and the other is a story book.  We were going to do Melville part 2 with corresponding songs.

We’ll do one more song and they’ll be available.  They end with a great “Fat.”  How fun to be done with a concert by 7:30.  But it was totally worth it to go at night as well because it’s a very different set.

[READ: February 5, 2021] Cleopatra in Space Book Six

Book five was dramatic and pretty intense.  Where do you go from there?

You start on Cada’Duun, the home of the Golden Lion, where a battle with the Xerx has left yet another one of their forces dead.  But our heroes are okay and Brian has made Cleo a new crown.

Her old one was an heirloom but it was destroyed.  Cleo us touched. They even got the ibis just right (they thought it was a snake). She asks if it does anything–Brian made it after all. Brian is annoyed to be figured out but he is pretty pleased to show of that the lower left side makes her invisible.

They are en route to Thonis, a remote, previously unpopulated planet where they have terraformed a small section to make it habitable.  They been bringing refugees from around the Nile galaxy.  Luckily, the right side of the crown is a universal translator (thanks Brian). (more…)

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[ATTENDED: January 27, 2020] Illiterate Light

S. and I saw Illiterate Light open for The Head and the Heart back in October.  We were really impressed by them–their power (especially for just two people), their intensity, and their overall sense of fun.  In fact, because of annoying crowd people around me, I enjoyed Illiterate Light more than TH&TH.

I knew that they would be really great to see when they were the headline act, so when they announced a show at Johnny Brenda’s, I quickly got us both a ticket.

The band is a duo with Jeff Gorman on guitar and bass pedals (and what a huge difference those bass pedals make) and Jake Cochran on drums (and dancing).  The dancing is important because unlike most drummers, Cochran plays his drum kit standing up.  This allows him a lot of mobility–he wanders the stage, hangs out with Gorman and hits cymbals from all angles.

We couldn’t help but notice that there were several camera dudes all around the stage.  They told us that they’d be filming this show for some kind of upcoming something or other.  I’m looking forward to seeing it (we’re bound to be in it).  Although there was SO MUCH FOG (which is why my pictures are so hazy) that I have to wonder how good their video will be.

The guys came out and set up their gear (I was amused at how much more stuff Cochran had–I guess since his floor tom is removable?).  Although when Gorman brought in his foot pedals (a cool Moog device) he raised it over his head to much applause. (more…)

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SOUNDTRACK: PEARL JAM-“Santa Cruz” (1993).

On December 2, Pearl Jam announced that their fan club holiday singles will be released to streaming services.  Their first holiday single was released back in 1991.  It was “Let Me Sleep (Christmas Time).” They are rolling out the songs one at a time under the banner 12 Days of Pearl Jam.

These releases are coming out as a daily surprise.

Pearl Jam released a song called “Santa God” the other day. This song also has Santa in the title, but it is not about Santa Claus.  It is indeed about Santa Cruz.

This song appeared on the b side of the band’s terrific take on the John Doe song “Golden State” (co-sung with Corin Tucker of Sleater-Kinney).

This song also has a folkie feel–acoustic guitars and multi-tracked vocals from Eddie.  It even opens with a harmonica!

It’s a delightful road song abut travelling to Santa Cruz:

Heading South a compass reads
Look at our speed, we’re going sixty-three
Look out the window as the trees go green
I look at them and they look at me
Got Neil Young on the stereo
He comes along whenever i go

It’s a really pretty song and deserves to get more airplay.  Frankly if Santa Cruz hasn’t used it their official anthem, the town leaders are fools.

[READ: December 9, 2019] “The Snow Man”

This year, S. ordered me The Short Story Advent Calendar.  This is my fourth time reading the Calendar.  I didn’t know about the first one until it was long out of print (sigh), but each year since has been very enjoyable.  Here’s what they say this year

The Short Story Advent Calendar is back! And to celebrate its fifth anniversary, we’ve decided to make the festivities even more festive, with five different coloured editions to help you ring in the holiday season.

No matter which colour you choose, the insides are the same: it’s another collection of expertly curated, individually bound short stories from some of the best writers in North America and beyond.

(This is a collection of literary, non-religious short stories for adults. For more information, visit our Frequently Asked Questions page.)

As always, each story is a surprise, so you won’t know what you’re getting until you crack the seal every morning starting December 1. Once you’ve read that day’s story, check back here to read an exclusive interview with the author.

Want a copy?  Order one here.

I’m pairing music this year with some Christmas songs that I have come across this year.

This story, written over a hundred years ago, felt rather timeless.  Aside from a few word choices and spelling, this story could have been written this year.

It’s also amusing that it is a Christmas story but is actually about a thief doing a job on Christmas Eve.

He starts the remembrance saying that he has both good and bad reasons for remembering Christmas of 189-.  He’d had his eye on Wharton manor “as a crib worth the cracking” (being ahead of MTV Cribs by over 100 years).  This particular job ended his thieving career and set him on the path to good.

The narrator assures us he was never the mere midnight marauder who is supposed to “lurk under the bed until the family is asleep.”  He fancied himself better than that.  He never carried a weapon and trusted fortune to be his guide:

if i were dolt enough to walk into a trap or let another man’s wits outwit mine…I ought to yield him the palm like a gentleman.

The manor was well protected–a large wall and a winding drive kept it hidden from sight.  The wall was there more as a protection from the precipitous drop on the other side of it than to keep people out.  (more…)

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SOUNDTRACK: DANKO JONES-Garage Rock! A Collection of Lost Songs From 1996-1998 (2014).

Danko Jones has released nine albums an a bunch of EPs.  Back in 2014 he released this collection of songs that he wrote and recorded before his first proper single (1998).

This is a collection of raw songs, but the essential elements of Danko are in place. Mostly fast guitars, simple, catchy riffs and Danko’s gruff voice, filled with braggadocio.  With a cover by Peter Bagge!

He describes it:

Back in the 90’s,the Garage Rock scene, as I knew it, was a warts-and-all approach that favoured low-fi recordings and rudimentary playing over any modicum of musical prowess in order to glean some Rock N’ Roll essence. However, once a band got better at their instruments, songwriting and stage performance, the inevitable crossroads would eventually appear. Deliberately continuing to play against their growing skill would only evolve into a pose. There were a lot of bands who did exactly this in order to sustain scenester favour. We did the opposite.

What you hold in your hands is a document of what we were and where we came from. We didn’t know how to write songs and could barely play but we wanted to be near to the music we loved so badly. We ate, slept and drank this music. We still do. That’s why we have never had to reunite because we’ve never broken up. After 18 years, we’ve stayed the course, got tough when the going did and, above all else, we have never stopped. This album is the proof.

The first two songs are the best quality, with the rest slowly deteriorating with more tape hiss.

1. “Who Got It?” a big fat bass sound with lots of mentioning of Danko Jones in the lyrics. [2 minutes]
2. “Make You Mine” is 90 seconds long.  With big loud chords and rumbling bass Danko says “one day I’m going to write a book and let everybody know how to do it.  Seems to me there a lot of people around who want to see if I can prove it.  I been a rock prodigy since the age of 20 and my proof… my proof is right now.”
3. “I’m Your Man” is a bit longer.  The quality isn’t as good but the raw bass sound is great.
4. “She’s Got A Bomb” is good early Danko strutting music.
5. “Rock And Roll Is Black And Blue.”  He would name an album this many years later.  This song is fast and raw and only 90 seconds long.
6. “Dirty Mind Too” This is a fast stomping one-two-three song that rocks for less than a minute.
7. I’m Drinking Alcohol? This is funny because later he says he doesn’t drink.  I don’t know what the words are but the music is great–rumbling bass and feedbacky guitars with lots of screaming.
8. “Love Travel Demo” and 9. “Bounce Demo” are decent demo recordings.  “Bounce” has what might be his first guitar solo.
10. Sexual Interlude” “ladies it’s time to take a chance on a real man.  I’m sick and tired of seeing you women selling yourselves short, going out with a lesser man.
11. “I Stand Accused” Unexpectedly he stands accused of “loving you to much.  If that’s a crime, then I’m guilty.”
12. “Best Good Looking Girl In Town” a fast chugging riff, “oh mama you sure look fine.”
13. “Payback” This one sounds really rough but it totally rocks.
14. “Lowdown” Danko gives the lowdown: “You want a bit of romance?  I got you an bouquet of Flowers and a box of chocolates.  Why you crying for?  That ain’t enough?  Me and the fellas wrote this song just for you.”
15. “One Night Stand” garage swinging sound: Danko is a one woman man and you’re just his type.
16. “Instrumental” is great.
17. “Move On” is a long, slow long bluesy track about love.

It’s not a great introduction to Danko, but if you like him, you won;t be disappointed by this early baby-Danko period.

[READ: August 10, 2019] I’ve Got Something to Say

In the introduction (after the foreword by Duff McKagan), Jones introduces himself not as a writer but as a hack.  He also acknowledges that having something to say doesn’t mean much.  He has too many opinions on music and needed to get them out or his insides would explode.  He acknowledges that obsessing over the minutiae of bands is a waste of time, “but goddammit, it’s a ton of fun.”

So this collection collects some of Danko’s writing over the last dozen or so years. He’s written for many publications, some regularly.  Most of these pieces are a couple of pages.  And pretty much all of them will have you laughing (if you enjoy opinionated music writers).

“Vibing for Thin Lizzy” [Rock Hard magazine, March 2015]
Danko says he was lured into rock music by the theatrics of KISS, Crue and WASP.  But then he really got into the music while his friends seemed to move on.  Thin Lizzy bridged the gap by providing substance without losing its sheen or bite.  And Phil Lynott was a mixed race bassist and singer who didn’t look like the quintessential rock star.  What more could Danko ask for? (more…)

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[ATTENDED: October 8, 2019] Illiterate Light

I had heard of Illiterate Light from NPR, but didn’t really know them.  They played at Newport Folk Festival but were early on Saturday and we arrived after them.

Traffic getting to this show was terrible and I was annoyed that we’d miss Illiterate Light (or part of their set anyhow).  S. said she didn’t mind missing the opening act as long as we made it for The Head and the Heart.

We walked in just as Illiterate Light took the stage and we got seated around the middle of the first song.  And I couldn’t get over how loud they were (particularly opening for a not-especially-loud band like The Head and the Heart).  They had big rocking guitar and crashing drums.

Then I looked up and realized that there were only two of them on stage. (more…)

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