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Archive for the ‘The Melvins’ Category

[ATTENDED: July 28, 2026] Tomahawk

I’ve seen Mike Patton with two bands: Dead Cross and Mr. Bungle. I enjoy anything he does and am always happy to see what he comes up with (Although I didn;t like the Avett Brothers/Patton country sound all that much).  St this point, there’s realistically only two other bands I’d like to see him front live, Fantômas (which I doubt will happen) and Faith No More (which could happen).  I’d also like to see Mr. Bungle again, since the show I saw was their debut album only, but whatever.  Tomahawk is a Patton-fronted project that I was into for a bit and then it just felt like there were too many Patton related bands to keep track of at the time (Lovage, Peeping Tom, Fantômas, Faith No More, Mr. Bungle) so I stopped following them.  Which is a shame because their music is quite diverse (I mean, all Patton music is diverse, often within the same song, but…oh forget it).

So anyhow, Tomahawk put out an album in during the pandemic but hadn’t toured it.  Then, a few months ago, they announced this tour with the Melvins: a huge waste of your time and money (hilarious).

Even though I wasn’t a huge fan, I knew I had to see them.  In addition to Patton, the band featured Duane Denison (Jesus Lizard, Firewater) on guitar John Stanier (Helmet, Battles) on drums and Trevor Dunn (Mr. Bungle, tons of other things) on bass.  A great lineup.

The lights came up and the stage was fairly sparse. Drums in the back (with Stanier’s outrageously tall cymbals), a table of some sort out front for Patton and amps on either side. Because of the table, I couldn’t see Trevor Dunn very much (he hung back) until he came up to sing backing vocals.  But I had a great view of Denison and it was amazing watching him play.  He’s not flashy at all, but he does al kinds of interesting things to generate interesting sounds.

In fact, the whole show was not flashy at all.  There were no fancy lights or projections (just the band’s logo on a curtain in the back).  In fact, half way through the set I realized that the setlist was taped to Patton’s table.

They opened with the first song on their first album.  Rather appropriate, I think. The squeaking sound of some kind of effect opened the set as Patton whispered the lyrics to Flashback and the crowd went berserk.  The song took off and the mosh pit started.  Tomahawk is a hard band to mosh to, because their songs go at varying tempos and intensity.  But people managed it.

Tomahawk never toured that 2021 album, so they finally had a chance to play it live.  I suppose old school fans wanted to hear their earlier stuff (although, I mean this album is 5 years old, it’s not exactly new), but I really enjoyed this new stuff.   And the played 9 of the ten songs from it.

SHHH! has lots of vocal parts and I really enjoyed at the end of the song when Patton whispers the title.  It seemed like he was trying to get everyone to stop yelling things (which they did during the quiet parts), but I realized it was part of the song.  Predators and Scavengers has a cool riff and simple chugging guitar parts.  It was fun being in front of Duane Denison for this one.  I loved turning my head from Patton to see what he was doing and he was inevitably calmly playing some cool thing or other.

I had listened to the setlist before the show since I didn’t really know the songs that well (if at all) and one of my favorites was Business Casual.  It was really fun watching Mike and Trevor scream the lyrics and then whisper “bad cholesterol, business casual.”  Dension made interesting quiet guitar sounds while Dunn’s bass rumbled along.  I liked that Doomsday Fatigue had quiet moments–because Patton’s (and the whole band’s) range is tremendous and it’s fun to see them really show off what they can do. (more…)

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[ATTENDED: July 27, 2026] Melvins

Despite everything in the world indicating that I should be a Melvins fan, for whatever reason, I just never followed them.

And I’d never wanted to see them live.  Then in 2023, they did a coheadlining tour with Boris (which I wasn’t going to miss).  During that show, Dale Crover had an injury so Coady Willis played drums.   But this time, Dale was back and BOTH drummers were up on stage.

Recent bassist (they have had many bassists) Steven Shane McDonald (who was one of the main dudes in Redd Kross, a band I have never gotten into) was on bass and is a lot of fun.  Despite Melvins being a heavy punk band, McDonald acts like a massive hippie.  He has long hair, was wearing a jump suit with eyes all over it and is very chill (except when he’s screaming).   He also plays his bass in a great way–lots of reverb and pedals and often playing high on the neck creating a sound that doesn’t seem to fit what I think of the Melvins’ sound, but which worked really well.

And then there is Buzz Osbourne (King Buzzo).  Last time he was on the far side of the stage, but this time i Was right in front of him.  Like last time he was wearing a caftan with a giant eyeball on it and of course, his legendary hair.  I didn’t realize he was a “good” guitar player.  I assumed the band played sludgy slow songs with just a few chords.  I kind of assumed that they didn’t care about the music.  But that’s wrong.  Buzz played solos and clearly does give a shit.

Last time, it took a couple of songs to win me over, but tonight I was fully into it.  As were most of the audience (I deliberately arrived earl than I normally would because I knew people weren’t going to blow off the opening band).  Indeed, after fifteen minutes a mosh pit started (not bad for an opening band).

As I said I always assumed Melvins songs were slow and sludgy, but most of the earlier songs in the set were pretty fast tempo.

I’m going to admit, though, that the most fun part of the show was the two drummers.  I’ve seen a few bands with two drummers and it’s always neat.  You kind of think they can’t possibly stay in sync, but come one, they are drummers of course they can.  What was really fun about this pair was that Dale is right handed and Coady is left handed so they mirrored each other.  Mostly they played the same thing but from time to time, one of them would add extra fills or wood blocks or something.  I loved at the end of the first song the both held their sticks over the heads in a X shape while they prepped to start song 2. (more…)

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[DID NOT ATTEND: May 5 & 6, 2025] Napalm Death / The Melvins / Weedeater / Dark Sky Burial / Titan to Tachyons

I saw Napalm Death in 2022 and enjoyed the hell out of them.  They were fast and furious and lead singer Barney Greenway was awesome.

I saw The Melvins in 2023 when they toured with Boris.  I didn’t think I would like them for some reason, but they were fantastic live.

Even though I don’t really want to do a full night of metal anymore, this would have been a cool show to go to.  However, the first night was right after I’d been out two nights already that week and the second night was the night we had tickets to see Kishi Bashi. Coincidentally, the second night was in the same venue!  This show was downstairs in the huge room and our show was upstairs in the tiny venue.

For the first night, Weedeater and Dark Sky Burial opened.

I like the stoner metal sound of Weedeater but I don’t like the singer’s voice.  He sounds like a demon in a movie.  Weedeater have an instrumental song Wizard Fight that is pretty great though. They are a sludge/doom metal band from Wilmington, North Carolina, formed in 1998!

Dark Sky Burial have a heavy sound that’s very atmospheric–like a scary noir movie.  They really surprised me by including a saxophone on the wonderfully named Decay is the Matric of Fertility.  And Beware Your Subconscious Destroyer has dance beats! I didn’t realize that this is a side project of Napalm Death bassist Shane Embury.  This is his outlet for experimental music and retro horror/sci fi Movie vibes.

This might have bee a really fun show actually.

Titan to Tachyons is also unknown to me.  Turns out they are an experimental jazz-metal group led by New Zealand composer and guitarist Sally Gates, backed by the powerhouse rhythm section of Trevor Dunn (Mr. Bungle), Matt Hollenberg (Cleric), and Kenny Grohowski (Imperial Triumphant). The quartet instrumentally depicts the realms of Surrealism and science-fiction through eclectic and improvisational passages, juxtaposed by fluid grooves and metallic flurries.

That sounds amazing, frankly.  Well, here’s a bunch of new bands to check out.

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[ATTENDED: September 21, 2023] Boris 

I can’t believe it has been four years since I last saw Boris.  Their shows leave a powerful impression on a person.

I couldn’t make their last tour back in 2022, but that’s okay.  Their last show tided me over for four years clearly.

This tour announcement was interesting because they had just released an album called Heavy Rocks, but this tour was them playing Heavy Rocks, the album they released in 2002, in its entirety.  [They have released three albums called Heavy Rocks, all different–in 2022 they played the 2022 Heavy Rocks in total].

I’m pretty delighted that with the three shows I have seen such a variety of songs.

I don’t really have a favorite Boris album, but this one is pretty fantastic.  With several really heavy songs, several sing a long moments (whether or not you know Japanese) and even a few mellow, quieter moments.

As with each time I’ve seen them, Takeshi stands to our right with his double neck bass/guitar.  Atsuo is in the middle with his drum kit and gong and Wata stood on our left with her guitar and effects pedal.  The previous two shows she had more gear, but since this show was for a twenty year old record, she didn’t need anything else.

The show started, as it should, with Atsuo smashing the gong.  And then the sludgy riff of “Heavy Friends” introduced us to Heavy Rocks.  The lights were still way too red, but it didn’t impact the sound, which was immense and awesome. (more…)

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[ATTENDED: September 21, 2023] Melvins 

Despite everything in the world indicating that I should be a Melvins fan, I have never really gotten into them.  I mean, I’ve loved thigns about them for decades.  I loved that they put out three “solo” albums that looked just like the Kiss solo albums.  I love that Boris got their name from one of their songs.

And yet, for whatever reason, I just never followed them. They may just be a little too much in every way for me.   Love them in theory nut not in reality.

So I’ve never wanted to see them live.  And when this dual bill with Boris was announced, it made sense, but I wasn’t that excited about it.  I actually thought that if Melvins were headlining, I might leave to get home early.  Although, honestly, how could I leave without at least laying eyes on Buzz Osbourne in the flesh.

So Melvins were playing their Bullhead album in its entirety.  I didn’t know it. I don’t know if it’s special in any way in their catalog.  But it does contain the song “Boris” so…. (more…)

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[ATTENDED: September 21, 2023] Mr. Phylzzz 

Mr. Phylzzz were described as a “two-piece loud-ass noise rock band from Chicago, IL.”   And indeed, they were a two-piece and in the way of man two-piece bands, they were loud-ass.

Mr. Phylzzz (pronounced Flyzzz) consists of Clinton Jacobs (guitar/vox) & Danny Sein (drums).  Since Sein is behind the kit (and seriously pummeling it), it’s up to Jacobs to be the entertainment.  He pretty much never stood still. He ran back and forth around the stage, he climbed into the audience, he waved his guitar around, he looked very intimidating.  And yet he had a completely childlike (comically so) speaking voice.

Were the songs simple?  Sure!  Did they rock?  Yes indeed.

There was a real classic rock feel to many of the songs (probably because of Jacob’s falsetto).  A song like “Pretend Friends” is only a couple of notes, but they are catchy.  And after the verse (single notes really fuzzed out) the song gets huge when Jacob plays the whole chord.

And there was much entertainment at the end of the song when Jacobs and Sein crashed the chords/cymbals at the same time and Jacobs roared his guitar during the pauses.

Incidentally, Sein was wearing a shirt and tie and Jacobs had on a suit–although the jacket was ripped from the bottom up to the sleeve for maximum free movement. (more…)

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[DID NOT ATTEND: September 20, 2023] Melvins / Boris / Mr. Phylzzz 

There’s not a lot that could keep me away from a Boris show.  Although the last time they came to the area, it was the same night that my daughter wanted to see Kurtis Conner.  So obviously she won out that night.

This year, I saw that Boris and Melvins were touring together.  I’m not a big fan of the Melvins.  I like them in theory but never really got into their music.  And yes, I know that Boris gets their name from a Melvins song, so this tour is just too perfect.

Anyhow, the one thing that could keep me away from this show was the fact that I had tickets to see Igorr this very night and I wasn;t going  to pass up that rare opportunity.  PLUS, this very show was going to be in Philadelphia the next night.

Mr. Phylzzz are described as a “two-piece loud-ass noise rock band from Chicago, IL.”  Sounds like a perfect fit for this show.  I’ll find out tomorrow.

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[DID NOT ATTEND: March 12, 2022] Ministry / Helmet / Front Line Assembly [rescheduled from July 18, 2020, April 16, 2021; moved to March 12, 2022]

I’ve been a fan of Ministry for decades.  I even liked the first album With Sympathy (and listen to it now more than their hardercore stuff).  But when Land of Rape and Honey came out, it was the most intense thing in the world. It was incredible.

They put out a series of great heavy albums, although by 1999’s Filth Pig either I stopped enjoying it or they just weren’t as good.

So I guess it has been two decades since I cared about Ministry.  However, Al Jourgensen and his band keep touring and, since I’ve seen Slayer now, I thought I should see what a ministry experience is like.

However, I already had two shows this evening that I had tickets to, so there was no way I could squeeze in this one.

I have a couple of very early Corrosion of Conformity albums.  But I hadn’t kept up with them at all.  I would have guessed that they broke up a long time ago, but they continually put out records.  Their iconic drummer Reed Mullin died in 2020, but the band continues with Woody Weatherman in charge.  No idea what they sound like now.  But I’ve always liked the band name

I’ve never been much of a fan of the Melvins.  I know that they are legendary and I should be psyched to see them, but I never really got into them.  Maybe some day I’ll see them and they’ll prove me wrong.

Be Cool or Be Podcast Out posted the entire Ministry show

 

 

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[POSTPONED: October 17, 2021] Ministry / Helmet / Front Line Assembly [rescheduled from July 18, 2020, April 17, 2021; moved to March 9, 2022]

indexOut of the blue, and very close to the time of the shows, this tour was cancelled and postponed until next year.

The lineup has completely changed as well.  Initially, the support was from KMFDM an Front Line Assembly.  Then KMFDM was replaced with Helmet.  Now for the show next year, we have The Melvins and Corrosion of Conformity.  I had pretty much decided i wasn’t going to go to this show anyhow, but it always lingered in the back of my mind as something I might want to do.  Of course, I’d much rather go to the Wellmont than Franklin Music hall, so it’s unlikely I’d go to this show anyhow.

~~~~

This show was moved to April which seemed reasonable at the time.  I see now that it has been pushed back to October which actually seems optimistic.  I am very bummed to see that KMFDM is no longer on the tour, as They would have been a great opener.  I like Helmet, but I think KMFDM would have been more fun.  If I’m going to one of these two shows (Montclair being the other one) it would certainly Montclair.

I’ve been a fan of Ministry for decades.  I even liked the first album With Sympathy (and listen to it now more than their hardercore stuff).  But when Land of Rape and Honey came out, it was the most intense thing in the world. It was incredible.

They put out a series of great heavy albums, although by 1999’s Filth Pig either I stopped enjoying it or they just weren’t as good.

So I guess it has been two decades since I cared about Ministry.  However, Al Jourgensen and his band keep touring and, since I’ve seen Slayer now, I thought I should see what a ministry experience is like.

I wanted to go to their show in 2018, (I was really interested in seeing opening band Igorr) but the date just didn’t work for me.

Although I hadn’t yet gotten tickets for this show, I was looking forward to this retro bill.

I liked KMFDM more in theory than actually listening to them–I have one album I think). But I always appreciated them (especially the joke that their initials stand for Kill Mother Fucking Depeche Mode–actually it is Kein Mehrheit Für Die Mitleid, “no pity for the majority”).  Only one guy is still in the band, but I’d be curious to see what their proto-Rammstein show would be like.

Front Line Assembly was one of the few bands on the industrial label Waxtrax that I never really got into.  I liked many bands on the label, but really never had much exposure to FLA (in the days before you could listen to things online).   I’m curious what 1980s industrial music sounds like in 2020.

Now that I see that the show is also going to be at the Wellmont Theater in Montclair, I will definitely try to get to that one instead.

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[POSTPONED: October 16, 2021] Ministry / Helmet / Front Line Assembly [rescheduled from July 18, 2020, April 16, 2021; moved to March 12, 2022]

indexOut of the blue, and very close to the time of the shows, this tour was cancelled and postponed until next year.

The lineup has completely changed as well.  Initially, the support was from KMFDM an Front Line Assembly.  Then KMFDM was replaced with Helmet.  Now for the show next year, we have The Melvins and Corrosion of Conformity.  I had pretty much decided i wasn’t going to go to this show anyhow, but it always lingered in the back of my mind as something I might want to do.  Of course, I’d much rather go to the Wellmont than Franklin Music Hall, although I’m in no rush to get tickets for this.

~~~~

This show was moved to April which seemed reasonable at the time.  I see now that it has been pushed back to October which actually seems optimistic.  I am very bummed to see that KMFDM is no longer on the tour, as They would have been a great opener.  I like Helmet, but I think KMFDM would have been more fun.  If I’m going to one of these two shows (Philly the other one) it would certainly be this one.

I’ve been a fan of Ministry for decades.  I even liked the first album With Sympathy (and listen to it now more than their hardercore stuff).  But when Land of Rape and Honey came out, it was the most intense thing in the world. It was incredible.

They put out a series of great heavy albums, although by 1999’s Filth Pig either I stopped enjoying it or they just weren’t as good.

So I guess it has been two decades since I cared about Ministry.  However, Al Jourgensen and his band keep touring and, since I’ve seen Slayer now, I thought I should see what a ministry experience is like.

I wanted to go to their show in 2018, (I was really interested in seeing opening band Igorr) but the date just didn’t work for me.

Although I hadn’t yet gotten tickets for this show, I was looking forward to this retro bill.

I liked KMFDM more in theory than actually listening to them–I have one album I think). But I always appreciated them (especially the joke that their initials stand for Kill Mother Fucking Depeche Mode–actually it is Kein Mehrheit Für Die Mitleid, “no pity for the majority”).  Only one guy is still in the band, but I’d be curious to see what their proto-Rammstein show would be like.

Front Line Assembly was one of the few bands on the industrial label Waxtrax that I never really got into.  I liked many bands on the label, but really never had much exposure to FLA (in the days before you could listen to things online).   I’m curious what 1980s industrial music sounds like in 2020.

Now that I see that the show is also going to be at the Wellmont Theater in Montclair, I will definitely try to get to that one instead.

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