SOUNDTRACK: DARK WAS THE NIGHT-That Disc (2009).
The second disc in this set is a somewhat more raucous affair than the first (which was pretty much all acoustic performances). On the surface, this seemed like the better disc of the two. I like so many bands on this disc: Spoon, Arcade Fire, My Morning Jacket, The New Pornographers, Stuart Murdoch, Blonde Redhead.
And the disc starts out really great. The Spoon track, “Well Alright” may just be my favorite song on the whole compilation. The Arcade Fire are typically great. Beirut, whom I’d not heard before have a great track and My Morning Jacket’s song is very good, in a mellow sort of way.
From there, though, the disc kind of goes downhill. The Sharon Jones track is okay. Dave Sitek’s (of TV on the Radio whom I love) track is fine. It’s very basic, especially for him. It has grown on me somewhat, but it’s nothing too exciting. The New Pornographers track is catchy but nothing amazing. Even the Stuart Murdoch (who has never done a bad track) song is mild at best.
But Riceboy Sleeps, which is a side project from the amazing Sigur Rós just kills the disc in its tracks. The thing about Sigur Rós is that if you’re not in the mood for them, they are too ponderous by half. So, in the midst of these kind of rocking songs, this 9 minutes ambient instrumental is just death. And, it’s followed by a dreadful version of “amazing Grace” by the usually delightful Cat Power.
And then comes the Conor Oberst song. This is the second song by him that I’ve listened to in a short period of time (the other was on Future Soundtrack of America). And I just don’t get this guy’s appeal. I feel like I must be a crotchety old man thinking this but I’ll say it: he sounds like a total knockoff of Paul Westerberg. And the weird thing is, he sounds like a 19 year old P.W. singing the songs of the middle-aged P.W. “Lua,” the track on here has some clever wordplay, but the melody of the song is pretty much note for note of The Replacements “Sadly Beautiful.”
And at this point in the disc I never even give Blonde Redhead and Kevin Drew a fair chance.
Track sequence means a lot, and I fear they do a disservice to the disc on this one. I’m still a fan of Disc One and there’s a number of great tracks on Disc Two, but I was rather disappointed by this one.
[READ: December 22, 2009] Love as a Foreign Language Vol. 2
This volume concludes this engaging romance from Oni Press.
I was a little concerned as the volume opened because the Joel-Hana budding romance is derailed by a couple of silly misunderstandings. (I was afraid we were heading towards TV-slapstick territory). But, they proved to be just a few moments of comic relief in what was heading into a pretty emotional conclusion.
There’s also the sudden realization/crisis that his fellow teacher, the fun and flirty British woman also has a thing for Joel (what’s a guy to do with two women into him? And realistically a British romance seems more feasible than a Korean one). (more…)

SOUNDTRACK: KISS-Hotter Than Hell (1974).
Kiss’s second album came out just 7 months after their debut (which explains why it is less than half an hour long).
SOUNDTRACK: DARK WAS THE NIGHT: This Disc (2009).
This compilation was released to benefit the Red Hot organization, who raises money to fight AIDS. I’ve gotten about a half dozen or so of their compilations over the years (and was surprised to see that they have released about 2o of them!).
SOUNDTRACK: The Believer June/July 2007 Music Issue Compilation CD: Cue the Bugle Turbulent (2007).
The 2007 Believer disc smashes the mold of folkie songs that they have established with the previous discs in the series. The theme for this disc is that there’s no theme, although the liner notes give this amusing story:



SOUNDTRACK–THE REPLACEMENTS–All Shook Down (1990).
And here we come to the end of the recorded history of the Replacements. 7 albums (and an EP). 4 and a half hours of recorded music. And a steady maturation from drunken punks to elder statesmen. Or really statesman (Paul Westerberg at the ripe old age of 31!). All of the reviews state that this was originally designed as a Westerberg solo album, and that the band barely played together on it at all. And it shows.
I have a Periodicals page already, but I rarely look at it or update it. So, over the next few months I’m going to mention a magazine that I subscribe to. When I’m all caught up, I’ll remove that page.
They’ve also started a Green section (this latest one has a computer built into a cardboard CPU unit…very cool).
SOUNDTRACK: ISLANDS-Arm’s Way (2008).
I enjoyed Islands’ first album (and, in a weirder way, their earlier band The Unicorns). This album seems to have made a lot of 2008 Top Ten or at least Top Fifty lists. What’s so strange about the whole affair is that I absolutely love the first 8 songs on this disc, and based on those alone, I would put it on my top ten as well.
SOUNDTRACK—FLAMING LIPS-Christmas on Mars (film & soundtrack) (2008).
I’ve been a fan of the Flaming Lips for a pretty long time. I first heard them with “She Don’t Use Jelly” (a novelty hit from 1993…who would have thought they’d have become so amazing) but I really got into them from the time of The Soft Bulletin (and Zaireeka). Since around this time, Wayne Coyne and the Lips have been working on Christmas on Mars. It is a “home movie” of sorts that the Lips and some special friends made in their home town (and their backyard). They recently released the film on CD/DVD.
Christmas on Mars sounds like a cheesy/funny movie about, well, what Martians do for Christmas. And seeing Wayne as a Martian seemed to confirm my suspicion. But rather, what you get is a much less joyful celebration.