SOUNDTRACK: SONIC YOUTH: A Thousand Leaves (1998).
This CD actually ties to the book because the crossed out title on the CD is “mille feuille” and the first song is called “Contre le Sexism.”
This opening song is weird and lets you know that this disc is not going to be a friendly listen. Over some feedback and scratchy noise, Kim whispers and hollers, most notably that “it’s just a kitten.” But just when you think that the disc is going to be a crazy noise experiment, the next track “Sunday” proves to be another one of Thurston’s supremely catchy singles.
The back and forth continues with Kim’s abrasive “Female Mechanic Now on Duty” and Thurston’s delicate “Wildflower Soul.” But the pattern is broken with Lee’s spoken-word over simple guitar lines piece, “Hoarfrost.” It lacks Lee’s usual catchiness, although his later song “Karen Koltrane” more than makes up for it. Then Kim surprises us by giving us the catchy “French Tickler.”
To me, “Hits of Sunshine” is the centerpiece (literally and metaphorically) of the disc. It’s 11 minutes long and ranges through the main stylistic feelings of the disc.
The whole disc is over 70 minutes long and it feels meandering. This is not to say that it has no focus, it’s just not full of pop gems. And yet for all of its wandering, it hasn’t lost the tunes. Mixed reviews abound for this disc with everything from 1 to 4 stars coming from the pros. And, I think depending on my mood, my overall rating could be just as diverse.
I admit that at the time I was starting to lose my adoration for the band. These longer, more abstract pieces were less enticing than the noise of yore. But now that I’m a bit older, I can appreciate what they were doing.
[READ: Week of August 17] Infinite Jest (to page 651)
I was planning on starting this week’s write up with a bit about J.O.I’s filmography, which I delved back into and found some fascinating information. But this week’s write up is pretty long already, so I’m going to do a mid-week (but still spoiler line approved) retrurn to the filmography shortly.
So until then, let’s get back to the book:
This week’s reading gets off to some detailed viewing of the Incandenza men’s psyches before launching into an adrenaline fueled rush.
Mario is still freaked out about Madame Psychosis not being on the air. He’s not sleeping well at all, and when the insomnia hits him, he goes for walks (even though he knows, and is worried about, how much it freaks out the Moms).
Mario is slowly turning into the absolute heart of the book. He absolutely and without question loves Hal, and he is concerned for him because he’s been acting differently lately (Mario himself never changes). He also prays nightly, and in a serious way, talks to God (although he doesn’t expect any one to answer…he’s not crazy). And, in a very touching scene, which seems to resonate so well with late 1990s America, he is troubled that no one can talk about things sincerely without it being ironic. (Pemulis wants to set up a prayer hotline for atheists that would just ring and ring). (more…)

SOUNDTRACK: THE REPLACEMENTS-Don’t Tell a Soul (1989).
With this disc, the ‘Mats finally scored a hit. “I’ll Be You” actually made the Billboard charts! And why not, it’s a delightfully catchy, far more mature version of the ‘Mats now-adult-alternative music.
I don’t recall why I started getting
SOUNDTRACK: LULLABYE ARKESTRA-Ampgrave [CST044] (2006).
I’m not sure what’s up with the spelling of Arkestra (Sun Ra tribute, perhaps?), but “Lullabye” is certainly a misnomer. “Ampgrave” on the other hand is a pretty good summary of the music on this record.
I have a Periodicals page already, but I rarely look at it or update it. So, over the next few months I’m going to mention a magazine that I subscribe to. When I’m all caught up, I’ll remove that page.
They’ve also started a Green section (this latest one has a computer built into a cardboard CPU unit…very cool).
SOUNDTRACK: YES-90125 (1983).
We had a snow day Monday, and since we were all home, I thought it would be fun to bust out some old records. As soon as the opening chords of “Owner of a Lonely Heart” crashed out, Sarah gave me a “What made you think of playing this?” look and then said “What made you think of playing this?”
SOUNDTRACK: THE FLAMING LIPS-Ego Tripping at the Gates of Hell (2003).
This was the second EP that came from the Yoshimi disc. This disc contains four original tracks and three remixes.
SOUNDTRACK: THE FLAMING LIPS-Race for the Prize (1999) & Waiting for a Superman’ (1999) singles.
When these singles were released, Zaireeka was out of print; these discs were the only way to get any of the tracks. So, each of these singles has two track from a Zaireeka disc as a B-side: “Riding to Work in the 
Year 2025 (Your Invisible Now)” & “Thirty Thousand Feet of Despair.” “Race for the Prize” (1 and 2) have the tracks from Zaireeka discs 1 and 2, and “Waitin’ for a Superman” (1 and 2) have the tracks from Zaireeka discs 3 and 4. The singles aren’t really worth hunting down at this point since Zaireeka is now available, but at the time, they were worth it.
This is the long awaited follow up to Mike Ford’s first Canada Needs You CD. Volume Two covers Canada’s history in the 20th Century.
I am Canadian. Okay, I’m not, but I’ve had the beer, and I’ve seen the 

