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Archive for the ‘Authors’ Category

Isaac Bashevis Singer–“Two Stories” (New Yorker, August 21 & 28, 2000)

Posted in Depeche Mode, Isaac Bashevis Singer, Marriage (Happy), Marriage Trouble, Religion, Short Story, Yeasayer on August 30, 2019| Leave a Comment »

augSOUNDTRACK: YEASAYER-“Ecstatic Baby” (2019).

I220px-ER_artwork really enjoyed Yeasayer’s Odd Blood album, but I didn’t hear much about them after that. I had no idea they’d released four albums since then.

“Ecstatic Baby” is the fourth (!) single from the album.  Odd Blood had an early Depeche Mode-with-an-edge vibe.  This song is much poppier.  But I feel like the production feels kind of muted and claustrophobic.

The main melody is a fun sliding synth sound over a sliding bass.  There’s falsetto vocals that remind me a lot of pop songs from the 1980s.  But the song isn’t all that interesting.

I enjoy retro pop, but this song goes in places I don’t really like that much.

[READ: August 10, 2019] “Two Stories”

There are indeed two stories here.

“He Wants Forgiveness from Her” is written from the point of view of a boy.  The boy says he wants to be a writer.  His father is a rabbi and a man in his thirties has stopped in to ask him questions.

Essentially. the man explained, he had been engaged to a woman twelve years ago.  It is customary that when you break an engagement, you ask for the other party’s forgiveness.  But he never did.  He found someone new and moved on.  But he had been having terrible luck ever since.

His business failed, his children were stillborn.  He believed he needed forgiveness to move on.  So he asked the rabbi to call her to his office. (more…)

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T. Coraghessan Boyle–“Friendly Skies” (New Yorker, August 7, 2000)

Posted in Airplanes, Australia, Drinking, King Gizzard and the Lizard Wizard, New Yorker, Short Story, Stonefield, T. Coraghessan Boyle, T.C. Boyle, Violence on August 29, 2019| Leave a Comment »

a1699739273_10nyorkerSOUNDTRACK: STONEFIELD-Bent (2019).

Stonefield is a band of four sisters from rural Darraweit Guim in Australia. Drummer and lead vocalist Amy Lee Findlay (the oldest sister) formed the band when she was 16. The band includes Hannah on lead guitar and vocals, Sarah on keyboards and vocals, and Holly on bass guitar (Holly was 8 at the time, and has turned 21 this year).

They are opening for King Gizzard And The lizard Wizard tomorrow night and I’m really looking forward to seeing them.

Bent is their fourth album and is full of psychedelic stoner rock.  But their songs aren’t epic (even though they sound epic).  The longest songs on the record are just over 4 minutes and the whole album is just over 30.

What sets their music apart is the inclusion of a retro 70s sounding keyboard.  Their songs work with big rumbling riffs; low bass and crashing drums are the name of the game for Stonefield.

Amy’s voice is often slightly echoey, and it works well as a contrast to the heft of the songs.  When the harmony vocals are added it sounds even better.

But it’s the keys that really display the sound.  The keys do most of the solos and many of the lead melodies (unless that’s the guitar pitched to sound like a keyboard).

Some of their songs are faster: “Dead Alive” even feels a little dancey.  Some have a bit more of a metal edge: the main riff of “People” throws in an unexpectedly dark note before propelling off with a ripping prog-rock keyboard solo.

A song like “66” is three and a half minutes long, but the lyrics are only present for a few seconds in the middle: a hazy chant of

Reflection of the one
Confusion has begun

The lightest moment comes in the 85 second “Dignity” which is a pretty keyboard melody accompanied by light drums.  It works as a kind of introduction to the very heavy “Shutdown” which has a surprisingly catchy chorus.

The album ends with the excellent “Woman.”  This is a great disc and I hope it becomes available in the States soon.

[READ: August 28, 2019] “Friendly Skies”

This is a story about a terrible flight.  Since it was written in 2000, it doesn’t ring entirely accurate for 2019.  Especially when one of the passengers gets rowdy.

Eileen is flying from L.A. to the east coast.  She is exhausted from the delays, a little drunk from the booze during the delay, and not very happy about leaving L.A.

She looks out the window to see that one of the engines in on fire.  She utterly freaks out, internally.  But the guy next to her is furious.  He starts banging on the seat in front of him and when the pilot says that they are returning to LAX, he flips out.

Obviously, Eileen is happy that they are going to live, but this guy is mad because he’s going to be late.  He is seething until the guy in front of him calls him an asshole and tells him to calm down.  The man then turns to Eileen–who ignores him–and mutters all kinds of things under his breath.

They land and it is a mad dash as the passengers are given their new boarding information.  While Eileen is heading to her new flight (a layover in Chicago), the obnoxious guy pushes his way past everyone and starts causing a scene because he doesn’t want to check his baggage.

She was sure (and I was sure) that she was going to be seated next to him again.  But no, they are separated by a couple of rows.

The plane was full, but amazingly, the seat next to Eileen was open. She slid into it when she thought it was safe, but at the last possible minute a man came in and  said it was his.  He let her stay by the window though.

Michael turns out to be a very nice person.  He is intent on doing his work, but they do talk a bit and have some things in common.

About half way through the story, Eileen thinks about Roy, a man she is trying to forget.  They were both teachers at a school.  Their relationship was serious.  Until he announced in front of the faculty lounge that he was sleeping with someone else.  And evidently some of the other teachers knew.

She tried to get him out of her mind.  But then the man from the other flight started yelling.  He was screaming for a better seat, “I paid full fare, I’m not going to teak this shit anymore.”  He stormed into the galley and returned with hot pots of coffee.

Flight attendants tried to stop him but he easily bested them, spilling scalding coffee on passengers until he got to the exit and started banging on it, shouting “you’re all going to die!”

Michael hit the man with his laptop which slowed him briefly until he turned and hit Michael over the head with the computer, breaking it and knocking Michael unconscious.

Eileen is fed up with men like this (like Roy) and she was going to act.  Maybe this is why the don’t serve metal flatware on flights anymore.

The story is exciting if not a little predictable..

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Alice Munro–“Floating Bridge” (New Yorker, July 31, 2000)

Posted in Canadian Music, Canadian Content, Cancer as plot device, Alice Munro, Marriage Trouble, Short Story, New Yorker, Marriage (Happy), Death, Ra Ra Riot, Pee on August 28, 2019| Leave a Comment »

coverSOUNDTRACK: RA RA RIOT-“Endless Pain/Endless Joy” (2019).

indexIn 2007, Ra Ra Riot released an album of chamber pop loveliness.  There were strings and lots of soaring melodies.  The songs were gentle and sweet and the lyrics were thoughtful.

Twelve years later and I would never have guessed this was the same band.

“Endless Pain/Endless Joy” starts with crashing drums and a fast bass line.  The lyrics are sung in his high register but they are almost whispered, or at least sound like they are far away.  After the first verse, the bass doubles down and the rumble grows.

When the chorus finishes, the guitars come clanging in, angular and discordant, playing a clash of sounds for a few measures before departing.

The second half of the song increases the urgency with the fast paced drums and bass, but it adds lots of backing sounds–synth stabs, guitar swirls and other noises until, with ten seconds left, that clatter comes back–crashing through to the end.

It’s largely the same band members, but wow, what a difference a decade makes.

[READ: August 20, 2019] “Floating Bridge”

Neal and Jinny have been together for over 20 years.  Jinny is 42 and Neal is 16 years older.  She always assumed she’d outlive him. Then she got the news.

The oncologist said the news wasn’t great.

Neal went to pick yup the girl who would be staying with them to help out.  He knew her because she worked in the kitchen of the The Correctional Institute where he worked.

The girls’ name was Helen.  She was tough but Neal tried to break through her shell–that’s the way he was. (more…)

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Lydia Davis–“Thyroid Diary” (New Yorker, September 25, 2000)

Posted in Coldplay, Dentists, Diary, Gardens, Huh?, Lydia Davis, New Yorker, Short Story, The Flaming Lips, The Flaming Lips and Heady Fwends, Translators on August 27, 2019| Leave a Comment »

SOUNDTRACK: THE FLAMING LIPS AND HEADY FWENDS-“Tasered and Maced” (2012).

2012 saw the release of this very strange collaborative album.  Whether The  Flaming Lips had entered the mainstream or if people who’d always liked them were now big stars or maybe they all just liked doing acid.  Whatever the case, The Lips worked with a vast array of famous (and less famous) people for this bizarre album.  Here it is 8 years later. Time to check in.

The final song of the album features Chris Martin from Coldplay on the vinyl release.  But it’s something else entirely on digital releases.  This is the digital song.

This song is a slow echoing piano-based song that opens with some very familiar lyrics:

Imagine there’s no Heaven, it’s easy if you try

Despite the lyrics, the melody is nothing like “Imagine”  In fact he changes it to his own very Lips-ian idea:

No hell below us, you don’t go anywhere when you die
(I don’t want you to die and I don’t want me to die)

A new melody is added between verses.

Then after the second verse Chris Martin from Coldplay starts singing.  his voice is distant and echoed

And after all we’re only roses when we die, oh, I don’t want to say goodbye
After all we’re only roses in the sky, oh, I don’t want to say goodbye

He sings for all of twenty seconds before Wayne comes back.

I rather wish Chris martin was more prominent , but it is an amusing cameo.

This is such a better album-ender than “Maced and Tasered,”  I can’t imagine why they replaced it (I’ll assume it has something to do with Coldplay lawyers).

[READ: August 20, 2019] “Thyroid Diary”

I have a soft spot for Lydia Davis.  I like her sense of humor and how she works with the mundanity of existence.

But sometimes her stories are too much diary entry and not enough story.  This one is called a diary, but the New Yorker claims it is fiction.  So which is it?  It’s a mildly interesting diary entry (but not focused enough).  However, it’s not very interesting as fiction at all.

I did enjoy the first part.  They are going to a party at their dentists’s house.  The dentist’s his just earned enough credits at the local college to have graduated.  She has been taking tutorials with the narrator’s husband. (more…)

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J. Robert Lennon–“The Loop” (New Yorker, August 26, 2019)

Posted in Calexico, Huh?, Iron & Wine, J. Robert Lennon, New Yorker, NPR/PRI/PBS, Sam Beam, Short Story, Surreal, Teenagers, Tiny Desk Concert on August 26, 2019| Leave a Comment »

SOUNDTRACK: CALEXICO AND IRON & WINE-Tiny Desk Concert #873 (August 1, 2019).

I saw Calexico live in 2018.  They were fantastic–even better than I hoped they’d be.  Then they put out the song with Iron & Wine “Father Mountain” is one of my favorite songs of the year.  I don’t know what it is about this song–the melody, the vocals, whatever.  I love it.  And the version here is even better.  Sam Beam and Joey Burns’ vocals are perfect together.

I have a bunch of Calexico records and they’re all terrific, so it’s surprising to realize:

Joey Burns and John Convertino (drums) had just about seen it all. Their band, Calexico, has been around for nearly a quarter-century, and in that time together they’ve churned out a long string of albums and collaborated with countless musicians on countless projects. But they’d never set foot behind the Tiny Desk until the day we recorded this performance.

By contrast, their pal Sam Beam — best known as the man behind Iron & Wine, with whom Calexico had just released a new album called Years to Burn — was already a Tiny Desk veteran. Beam recorded a solo set as Iron & Wine in 2011, then returned with singer-songwriter Jesca Hoop six years later, and he took great pains to gently tease the Calexico guys for taking so long. (“It’s fun to be back,” he noted between songs, adding, “Isn’t it, Joey?”)

Up next is “Midnight Sun.” Joey Burns sings lead (he wrote this) and there’s great slide guitar from pianist Robert Burger.  Jacob Valenzuela provides a lovely muted trumpet solo and bassist Sebastian Steinberg switches to a guitar for this song.

As Sam introduces everyone, he says, “I’m Sam.  Three timer (cough cough).  I think I’ve officially made it so they can’t invite me back.”

Calexico and Iron & Wine first made a record together back in 2005, when they released In the Reins, and took 14 years to release a follow-up.

“He Lays in the Reins” is a quieter number.  Valenzuela sings a verse in Spanish, which is a nice addition, as is his unmuted trumpet solo.

This is great.

[READ: August 29, 2019] “The Loop”

Boy I loved this story until the end.  The end which is sort of the point (or at least the title) of the story.

Bev was divorced and her only child was off at college.  She had just lost her job as an adjunct teacher.  She sold her house and bought a two-bedroom apartment.  She didn’t need money right away so she volunteered for Movin’ on Up.  The organization takes castoffs from the well to do and delivers them to those in need.

She drove the van and two teenagers (typically string men) would help to move the furniture.  The details of this situation are really interesting, particularly the attitudes of the people who receive the gifts.

On this Saturday, the teenage’ boy didn’t show up so she only had one volunteer, a girl named Emily.  Since the pickups weren’t too large, Bev figured they could handle it. (more…)

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J. Robert Lennon–“No Life” (New Yorker, September 4, 2000)

Posted in Adoption, Coldplay, Drinking, Huh?, J. Robert Lennon, Marriage Trouble, New Yorker, Racism, Sexism, Short Story, The Flaming Lips, The Flaming Lips and Heady Fwends on August 25, 2019| Leave a Comment »

SOUNDTRACK: THE FLAMING LIPS AND HEADY FWENDS-“Tasered and Maced” (2012).

2012 saw the release of this very strange collaborative album.  Whether The  Flaming Lips had entered the mainstream or if people who’d always liked them were now big stars or maybe they all just liked doing acid.  Whatever the case, The Lips worked with a vast array of famous (and less famous) people for this bizarre album.  Here it is 8 years later. Time to check in.

The final song of the album features Chris Martin from Coldplay on the vinyl release.  But it’s something else entirely on digital releases.  This is the digital song.

This starts as a buzzy feedback wall of noise.  Then comes a simple synth riff over which Aaron Behrens tells a story about cops busting into a party and macing everyone.

He was drunk and decided to fight the cop.  The cop turned around and maced him in the face.  So he ran.

He says Friends will stop chasing you after a while, but copes don’t stop.  They caught him and tasered him.  Hence maced and tasered.

Musically thus piece is interesting to listen to, but the story doesn’t really hold up to repeated listens.

[READ: August 20, 2019] “No Life”

This story concerns parents looking to adopt.  But it is handled in a unique (to me) way.

As the story opens we meet Edward and Alison.  Once happily married (having sex everywhere) they were soon desperate to get pregnant (sex became a chore).  Now they have given up on getting pregnant. But neither one will ever refuse sex (even if they don’t want to have it) because it means they have given up.

So they are looking to adopt.

I’ve never heard of a setup like this, but maybe it happens all the time:

Prospective adoptive parents are invited to a picnic where all of the potential adopted children are playing.  The adults are told to act natural and speak to the children casually.  Never say things like would you like to come home with us and try to keep things as upbeat as possible. (more…)

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Julian Barnes–“The Story of Mats Israelson” (New Yorker, July 24, 2000)

Posted in Death, Hospitals, Julian Barnes, Marriage Trouble, New Yorker, Short Story, Sweden, The Flaming Lips, The Flaming Lips and Heady Fwends on August 24, 2019| Leave a Comment »

SOUNDTRACK: THE FLAMING LIPS AND HEADY FWENDS-“Girl, You’re So Weird” (2012).

2012 saw the release of this very strange collaborative album.  Whether The Flaming Lips had entered the mainstream or if people who’d always liked them were now big stars or maybe they all just liked doing acid.  Whatever the case, The Lips worked with a vast array of famous (and less famous) people for this bizarre album.  Here it is 8 years later. Time to check in.

This song is around 3 and a half minutes.  It starts out crashingly loud with a catchy synth melody that will later be used for the vocal line.  Then it quiets down to a sneaky/spooky synth melody.  The vocals fit into the spooky sound in as it seems like Wayne is singing in a kind of strangled way.  It’s possible that the lyrics weren’t made up on the spot.  But who knows:

Girl, you’re so weird, your pain and your fear
Has paralyzed your mind, I wish you’d get high
You’re so tight, you’re always thinking right
Tonight, when it’s late, you should smile, masturbate
So, girl, you and me can watch each other pee
With holographic shirts we’ll shine under blacklights
Lights, lights, lights, lights, lights, lights

The guest on this is New Fumes.  I don’t know anything about him except that he has played with the Lips in the past.  This song feels like filler except that the sounds between verses are really cool.

It also feels pretty much like the end of a record.  But there’s one more song to come

[READ: August 20, 2019] “The Story of Mats Israelson”

This story was enjoyable but sad.  I had read the first six or so pages and then had to put it down for the night.  I was looking forward to finishing it because the first few pages were so good.  But the last couple pages really emphasized a sadness I did not expect.

The story is written as if it is from a long time ago.  In this small Swedish village, people earned their spots–in church pews, or where to keep their horses.  If you took that spot you were shunned.

This village is full of gossip. The gossip is my favorite part of the story. (more…)

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Andrea Lee–“Interesting Women” (New Yorker, July 17, 2000)

Posted in Aerosmith, Enemas, Erykah Badu, Funny (ha ha), Rebecca Lee, Short Story, Thailand, The Flaming Lips, The Flaming Lips and Heady Fwends, Yuck! on August 23, 2019| Leave a Comment »

SOUNDTRACK: THE FLAMING LIPS AND HEADY FWENDS-“The First Time Ever I Saw Your Face” (2012).

2012 saw the release of this very strange collaborative album.  Whether The Flaming Lips had entered the mainstream or if people who’d always liked them were now big stars or maybe they all just liked doing acid.  Whatever the case, The Lips worked with a vast array of famous (and less famous) people for this bizarre album.  Here it is 8 years later. Time to check in.

This is, indeed a cover of Roberta Flack’s song.

It’s not often that a cover is so willfully defiant of the original without actually trying to mess with it.

This is a ponderous, ten-minute version of the song, punctuated by loud, echoing drumbeats keeping a slow pace.  The music is essentially distorted electronic chord changes on the beats and occasional twinkling keyboard notes throughout.

The song is sung in the audio equivalent of soft-focus by Erykah Badu.

It is a hard song to parse. Badu’s voice sounds great.  The contrast to the original music is stark and yet it is sonically more interesting than the treacly original.  On the other hand, it is long and, if the mood is wrong, slow and boring.

It’s a song I thought I would likely skip were I listening to the whole disc, and yet listening to it right now, the 10 minutes went by like nothing.  So maybe it is pretty great after all.

[READ: June 15, 2019] “Interesting Women”

Interesting women–are we ever going to be free of them?

So starts this story of an interesting woman.

She is concerned because all new acquaintances

seem to be gorgeous lesbians or bisexuals whose intoxicating charm fed straight into hot wet tumbles between rented sheets.

The narrator is on holiday with her daughter, Basia, in Thailand.  Their hotel is swimming with interesting women.

The narrator and Basia are kayaking when an interesting woman approaches them.  She is in her fifties, looking good without pushing it.  The woman asks how hard it is and then says that kayaking is on her list of things to do that scare her,  The woman’s name is Silver, well, its one of her real names. (more…)

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Terry Moore–Strangers in Paradise XXV #10 (2019)

Posted in Abstract Studio, Adventure, Completed Series, Death, Egyptology, End of the World, Feminism, Graphic Novel, Lilith, Math, Murder, Neon Indian, Parenting, Supernatural, Terry Moore, The Flaming Lips, The Flaming Lips and Heady Fwends, Violence on August 22, 2019| Leave a Comment »

download - 2020-05-20T121917.708SOUNDTRACK: THE FLAMING LIPS AND HEADY FWENDS-“Is David Bowie Dying” (2012).

2012 saw the release of this very strange collaborative album.  Whether The Flaming Lips had entered the mainstream or if people who’d always liked them were now big stars or maybe they all just liked doing acid.  Whatever the case, The Lips worked with a vast array of famous (and less famous) people for this bizarre album.  Here it is 8 years later. Time to check in.

This six minute track starts with scraping and electronic sounds and a two note guitar melody that rise sand falls. Neon Indian, an electronic chillwave band, is the guest on this song

Around 2 minutes the music turns optimistic and soaring and then it  mellows out with trippy sounds. The lyrics change to

At the mountain, you scream
Now the fountain reveals
As you do want and make you whole
Goodbye, goodbye

The mellowness lasts for about a minute then the angular guitars returns.  This second half feels less harsh and more trippy, although the wild effects are still in place.  This sequence runs through to the end as they repeat

Take your legs and run
Into the death-rays of the sun

[READ: August 1, 2019] Strangers in Paradise XXV #10

This limited series ends with this issue.

Katchoo is the voice over as she worries about the five years the earth has left to exist–she will have this hanging over her head as she returns home.

Francine reports that her mother is doing fine–she has the will to be alive to watch her grandchildren grow up.  This, of course, makes Katchoo even sadder.

Back home, the girls are up in the air vent wondering why Aunt Libby is crying.  But she’s not.  It turns out that there is a heavily tattooed man with a gun telling her that he plans to kidnap the two little girls because the dykes who live there have a lot of money and he intends to get the ransom for them. (more…)

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Terry Moore–Strangers in Paradise XXV #9 (2018)

Posted in Abstract Studio, Adventure, Death, Egyptology, End of the World, Feminism, Graphic Novel, Lilith, Math, Murder, Parenting, Supernatural, Terry Moore, The Flaming Lips, The Flaming Lips and Heady Fwends, Unfinished series, Violence, Yoko Ono on August 21, 2019| Leave a Comment »

download - 2020-05-20T121901.285SOUNDTRACK: THE FLAMING LIPS AND HEADY FWENDS-“Do It!” (2012).

2012 saw the release of this very strange collaborative album.  Whether The Flaming Lips had entered the mainstream or if people who’d always liked them were now big stars or maybe they all just liked doing acid.  Whatever the case, The Lips worked with a vast array of famous (and less famous) people for this bizarre album.  Here it is 8 years later. Time to check in.

This three-minute interlude is mostly thumping drums and percussive noises with a repeated sample of someone (I assume Yoko Ono) saying “Do It!”

There’ a grooving bass line.  With all of the attention paid to Wayne Coyne and Steven Drozd, it’s easy to overlook how good a bassist Michael Ivins (and has been with Wayne from the beginning).  I assume that’s him playing on this song.

The samples are tinkered with as the bass propels the song forward.  It’s a nifty little transition piece.

[READ: August 1, 2019] Strangers in Paradise XXV #9

The cover image of this issue has nothing whatever to do with the contents.  That is true for many of the issues, but it’s disturbing for this one because it suggest something is going to happen but it’s actually something similar but ultimately very different.

In New England, Katchoo doesn’t want to believe that the woman walking across the snow is Lilith.  She doesn’t want to believe any of this.

They go inside and there’s a cookie jar.  Zoe goes to take one but Lilith says that they are for the raccoon who likes to sneak in at night and pillage my kitchen.
Zoe: “You have a raccoon?”
Lilith: “Not anymore.”

They look at the scroll  Rachel reads it “This is how he did it and this is how you undo it”  Then she looks at Lilith and snarls, “Why did you write this?”

Zoe asks He who?  Jet say they’re talking about God an how to blow us all kingdom come. (more…)

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