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Archive for the ‘Halloween’ Category

SOUNDTRACK: PUP-“Rot” (2020).

Pup has a new EP coming out in October.  It’s called This Place Sucks Ass. Ha.  This is the first single.

It’s three minutes of angry catchy punk (so a PUP song).  The verses are sung by the lead singer while the chorus is sung by the whole band–chanted and rocking.

The bridge changes things a little bit and adds some tension to this otherwise catchy but dark song.  It celebrates the paradoxes of life

The more I’m reckless The less I break
The more I care about money The less I make
The less I care about everything The better it goes
And the better it gets The more I lose control
And when I’ve lost it all I self-sabotage

Looks like PUP has been busy over the quarantine.

[READ: September 18, 2020] “Along the Frontage Road”

In this story, the narrator remembers going to pumpkin patches as kid around Halloween.  I love that his father is fastidious and hates to get his hands dirty–especially with food–but is also a surgeon and has expert precision as he operates on the pumpkin.

But he now lives in the city and instead of farm pumpkin patch, they go to an abandoned lot on the frontage road where every year people set up a booth with pumpkins and Halloween items. It slowly morphs into a Christmas store and then disappears again until next all.

The narrator is sad that his son, Nicky, seems to love this otherwise gloomy stretch of land.  His son was intrigued by the decorations–a rubber snake crawling through a skull’s eye socket.  The scarecrow at the entrance had a pumpkin for a head and wore a Friday the Thirteenth goalie mask

I forbid myself absolutely to consider the proposition that in the orchards of my youth it would neve have occurred to anyone to employ a serial killer motif as a means of selling Halloween pumpkins to children.

(more…)

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SOUNDTRACK: THE HOOTERS-“All You Zombies” (1985).

WXPN played this song on the day after Halloween and the DJ said she couldn’t believe they hadn’t played it as part of their Halloween show.

It made me laugh about what people consider a Halloween song (and I know I need to let up on this).  Like so many other songs, the simple fact that there’s a monster reference in the title does not make the song a Halloween song.

Indeed, this song is about as far from a Halloween song as you can get.

The song itself is catchy as anything.  A great guitar riff and some tension-building synths support these rather dramatic lyrics:

Holy Moses met the Pharaoh
Yeah, he tried to set him straight
Looked him in the eye,
“Let my people go!”
Holy Moses on the mountain
High above the golden calf
Went to get the Ten Commandments
Yeah, he’s just gonna break ’em in half!
Interestingly, there’s no real chorus to the song.  The “All you zombies” part follows the same musical and vocal pattern.  The third verse is, like the first, Biblical.
No one ever spoke to Noah,
They all laughed at him instead
Workin’ on his ark,
Workin’ all by himself
Only Noah saw it comin’,
Forty days and forty nights,
Took his sons and daughters with him,
Yeah, they were the Israelites!

The Hooters guys say there was no explicit message to the song.  A 1985 interview with the Chicago Tribune, co-writer Eric Bazilian (with Rob Hyman) said

We really weren’t thinking at all when we wrote it. We were working on something else, and, true to the spirit of the song, it just came to us, like a vision. We were sitting there working on another song, and all of a sudden we started singing, ‘All you mmm-hhhmm-mmm.’ Then I heard something about Moses in my head, and I started singing, ‘Holy Moses.’

We just chased it down. We stopped what we were doing to go after this thing, and an hour later, the song was written, start to finish. We’re still trying to really understand the song. People ask us what it’s about, and while there’s a lot of heavy stuff in there, the weird thing is we didn’t consciously put it there. Who knows? Maybe in some bizarre way it came from somewhere else through us.

Interestingly, it got banned on several stations and there were some Christian stations that refused to play it.

So, not Halloween-related at all, but super catchy and lyrically unexpected.

Also interesting is that Hyman and Bazilian went on to work with Joan Osborne on her album Relish, with Eric writing “One Of Us” another religiously themed song.

[READ: September 2, 2019] Dead Weight

I haven’t read a graphic novel by Oni Press in a while.  They were once my go-to comic book publisher.

Then they stopped doing single issues and started publishing only graphic novels.  Nothing wrong with that but I had been collecting single issues back then, not books, so they fell off my radar.  I have to get them back on my radar because I really do enjoy their books.

I didn’t know what this was about, but the title and cover art appealed to me, so I grabbed it.

This story is set at a fat camp–Camp Bloom.  We meet many of the kids who are there for the summer as well as the counselors who are there to help them get through the summer. (more…)

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SOUNDTRACK: LUCY DACUS-“In the Air Tonight” (2019).

For 2019, Lucy Dacus has been releasing songs that correspond with the holidays (to be pt out on an EP soon).  For Halloween she decided to cover Phil Collins’ “In the Air Tonight.”  I have heard the original song a million times.  I loved it, then I got sick of it and then started to really hate Phil Collins and really never wanted to hear it again.

So it’s fun that Lucy has dug it from its grave to release for Halloween.

In a n interview she was asked why on earth it was this song.  She said that she knew this song from her childhood–it was one of the first songs she remembers hearing with her mom (who used to sing along with the radio in the car all the time).

Lucy–like everyone–could never hold back on air drumming to the big drum part in the middle.  Her band was listening to it one day when everyone air drummed along and they knew then they had to record it.

She also said you never realize quite how dark the song is until you really listen to the words.

Well if you told me you were drowning, I would not lend a hand
I’ve seen your face before my friend, but I don’t know if you know who I am
Well I was there and I saw what you did, I saw it with my own two eyes
So you can wipe off that grin, I know where you’ve been
It’s all been a pack of lies

Lucy’s version is pretty great–understated and whsipery.

It starts with the drum machine and some distant keys.  Lucy’s voice is quiet with a soft echo–possibly with a different take in each ear?

The synths stay quiet and subtle throughout the verses.

By the midpoint the music grows louder–to good effect–and there’s some creepy echoing on her voice.  Her delivery lets me understand lyrics that I never knew before (and her vocal processing is much more subtle too).

The big drum part is pretty great and the live drums continue throughout to the end.  I don’t honestly recall what the music of the original end part sounds like (apart from that prominent bass) but Lucy throws in some cool distorted guitar noises throughout to add just some more chaos to the proceedings.

And then the chilling matter of fact ending.

[READ: October 20, 2019] Fake Blood

Lots of times I don’t know what graphic novels are about before I read them.  Usually if someone in my family likes it, I’ll check it out.

I didn’t really even give much thought to the title (and cover) of this book before reading it.  I just read it because my daughter liked it.  So I didn’t really think to much about how vampires would appear in this book until people started talking about them.

AJ is entering sixth grade and he believes things are going to be different.  But things aren’t.  As he heads toward the bus his friends Hunter and Ivy race past him–seeing who can be first–because everything is a competition with them.  Like always.  When they reach the bus stop, Hunter is thrilled to be first but AJ is upset because they actually missed the bus…again.

As they walk to school, Hunter tells his story about his wild summer bungee jumping.  Ivy talks about hiking to the top of Mt. St. Helen’s.  And AJ… read like ten books. (more…)

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SOUNDTRACK: TRENT REZNOR & ATTICUS ROSS-“John Carpenter’s Halloween” (2017).

A lot of the music I listen to is weird and probably creepy to other people, but I don’t necessarily think of songs as appropriate for Halloween or not.  So for this year’s Ghost Box stories, I consulted an “expert”: The Esquire list of Halloween songs you’ll play all year long.  The list has 45 songs–most of which I do not like.  So I picked 11 of them to post about.

I didn’t actually know this version of the Halloween theme song and I was pretty excited to be super creeped out.

It turns out that this version is decidedly less creepy than the original.  But then again, nothing can outdo the starkness of that original piano score.

This version takes a while to get going (about 45 seconds of buildup) before a little keyboard riff that sounds a lot like the “spooky” riff in The Brady Bunch in Hawaii episode pops up.  Then some original piano comes in along with building synths and what sounds like distorted voices growling in the background.  This lasts until almost 2 minutes.  And I have to say it’s creepier than the actual familiar melody.

When the plinking piano comes in, it’s a little muted and the synth chords are louder.  As the song progresses you can hear–whispered voices (?), distorted rumblings (?) a choir from hell (?).  It’s that background soundscape that is seriously creepy.

Around five minutes, the music drops out and there’s just echoing, clacking sounds and possibly breathing.  Yeah, that’s nicely spooky.

Then the main melody returns.  It builds and turns into a rock song–with a drumbeat and everything.  But it being a song is a lot less creepy than the original solo piano playing in the middle of a an abandoned asylum.

Don’t get me wrong, this has some serious creep appeal, but the original wins hands down.

[READ: October 24, 2019] “The Psychologist Who Wouldn’t Do Awful Things to Rats”

Just in time for Halloween, from the people who brought me The Short Story Advent Calendar and The Ghost Box. and Ghost Box II. comes Ghost Box III.

This is once again a nifty little box (with a magnetic opening and a ribbon) which contains 11 stories for Halloween.  It is lovingly described thusly:

Oh god, it’s right behind me, isn’t it? There’s no use trying to run from Ghost Box III, the terrifying conclusion to our series of limited-edition horror box sets edited and introduced by Patton Oswalt.

There is no explicit “order” to these books; however, I’m going to read in the order they were stacked.

Even Patton Oswalt agrees that many people might not finish (or even start) this story.  I had the misfortune of reading it during breakfast.

James Tiptree Jr. was the pseudonym for Alice Bradley Sheldon (her real name was not revealed until 1977! (she died in 1987).

As I was reading it, I had no idea this story was so old.  It seemed like a current take on animal rights and animal welfare.  Although I did think the conditions in the lab were worse than I believe they actually are now (but what do I know?) (more…)

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SOUNDTRACK: ANTONIO CORA-“The Cellar” (from The Blair Witch Project) (1999).

A lot of the music I listen to is weird and probably creepy to other people, but I don’t necessarily think of songs as appropriate for Halloween or not.  So for this year’s Ghost Box stories, I consulted an “expert”: The Esquire list of Halloween songs you’ll play all year long.  The list has 45 songs–most of which I do not like.  So I picked 11 of them to post about.

I was getting bored of the Esquire list so I found this fun little tidbit of spookiness.

The Blair Witch Project was a low budget, DIY-looking movie.  The soundtrack is a compilation with songs on it (Josh Blair’s Witch Mix), but this track is from the actual movie soundtrack.  I couldn’t exactly tell if there was a release of the actual movie soundtrack, but the last track on the disc is similar to a video I found online for the “end credits theme.”

Excluding the intro, which has 30 seconds of dialogue from the film (“Heather’s Apology”), this track is a five-minute DIY, nightmarish ambient score.

It is largely quiet with rattling, echoing sounds.  An online thread (therefore of dubious truth) says that the score was made with the sound of sticks breaking and being thrown into a culvert (or some such) then slowed down dramatically.

There’s some kind of droning sound throughout (maybe a synth, but who knows).  It seems to slowly percolate while things scrape and bang.  There’s a few louder noises that really stand out, but there’s no momentum or narrative to the soundtrack.  It’s just a sort of endless low grade scare.

Don’t listen at bedtime.

[READ: October 27, 2019] “Last Call for the Sons of Shock”

Just in time for Halloween, from the people who brought me The Short Story Advent Calendar and The Ghost Box. and Ghost Box II. comes Ghost Box III.

This is once again a nifty little box (with a magnetic opening and a ribbon) which contains 11 stories for Halloween.  It is lovingly described thusly:

Oh god, it’s right behind me, isn’t it? There’s no use trying to run from Ghost Box III, the terrifying conclusion to our series of limited-edition horror box sets edited and introduced by Patton Oswalt.

There is no explicit “order” to these books; however, I’m going to read in the order they were stacked.

This story was the most genuinely scary and horrifying in the box because it was the most real.

It was powerful, painful and horrible.  But it was written so well, I couldn’t look away. (more…)

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SOUNDTRACK: ANTONIO CORA-“The Cellar” (from The Blair Witch Project) (1999).

A lot of the music I listen to is weird and probably creepy to other people, but I don’t necessarily think of songs as appropriate for Halloween or not.  So for this year’s Ghost Box stories, I consulted an “expert”: The Esquire list of Halloween songs you’ll play all year long.  The list has 45 songs–most of which I do not like.  So I picked 11 of them to post about.

I was getting bored of the Esquire list so I found this fun little tidbit of spookiness.

The Blair Witch Project was a low budget, DIY-looking movie.  The soundtrack is a compilation with songs on it (Josh Blair’s Witch Mix), but this track is from the actual movie soundtrack.  I couldn’t exactly tell if there was a release of the actual movie soundtrack, but the last track on the disc is similar to a video I found online for the “end credits theme.”

Excluding the intro, which has 30 seconds of dialogue from the film (“Heather’s Apology”), this track is a five-minute nightmarish ambient score.

It is largely quiet with rattling, echoing sounds.  An online thread (therefore of dubious truth) says that the score was made with the sound of sticks breaking and being thrown into a culvert (or some such) and slowed down dramatically.  There’s also some kind of droning sound throughout (maybe a synth, but who knows).  It seems to slowly percolate while things scrape and bang.  There’s a few louder noises that really stand out, but there’s no momentum or narrative to the soundtrack.  It’s just a sort of endless low grade scare.

Don’t listen at bedtime.

[READ: October 27, 2019] “Last Call for the Sons of Shock”

Just in time for Halloween, from the people who brought me The Short Story Advent Calendar and The Ghost Box. and Ghost Box II. comes Ghost Box III.

This is once again a nifty little box (with a magnetic opening and a ribbon) which contains 11 stories for Halloween.  It is lovingly described thusly:

Oh god, it’s right behind me, isn’t it? There’s no use trying to run from Ghost Box III, the terrifying conclusion to our series of limited-edition horror box sets edited and introduced by Patton Oswalt.

There is no explicit “order” to these books; however, I’m going to read in the order they were stacked.

I feel foolish that I didn’t “get” this story right away.  When I see that it was originally published in The Ultimate Frankenstein, I guess the Blank Frank name would have been a bit more obviously Frankenstein’s monster.  I did figure it out before the end, but on a second read it was much clearer. (more…)

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SOUNDTRACK: THE FLAMING LIPS-“Halloween on the Barbary Coast” (1992).

A lot of the music I listen to is weird and probably creepy to other people, but I don’t necessarily think of songs as appropriate for Halloween or not.  So for this year’s Ghost Box stories, I consulted an “expert”: The Esquire list of Halloween songs you’ll play all year long.  The list has 45 songs–most of which I do not like.  So I picked 11 of them to post about.

Clearly this Esquire list is not meant to be scary or Halloween-appropriate songs.  Many of them might have a Halloween-type word in the title or chorus, but since they are songs you might want to listen to all year, the’re not really holiday specific.

There are songs that have Halloween in the title, like this one.  Although this song really has nothing whatsoever to do with Halloween.  Nor is it scary in any way.  It’s just weird trippy, pre-radio-friendly Flaming Lips.

Wayne Coyne’s voice is high and the main guitar riff is fluid and kind of catchy.  After a minute, the song shifts to a kind of acoustic stomping song.

The lyric does include the line “boy you still got shit for brains/it’s Halloween on the coast again.”  Of course it also references a Christmas tree, so I guess it could be a Christmas song too?

There’s a vaguely Middle Eastern feel to the middle portion of the song, but mostly it’s just a fun, shambolic Lips song.

[READ: October 24, 2019] “Sredni Vashtar”

Just in time for Halloween, from the people who brought me The Short Story Advent Calendar and The Ghost Box. and Ghost Box II. comes Ghost Box III.

This is once again a nifty little box (with a magnetic opening and a ribbon) which contains 11 stories for Halloween.  It is lovingly described thusly:

Oh god, it’s right behind me, isn’t it? There’s no use trying to run from Ghost Box III, the terrifying conclusion to our series of limited-edition horror box sets edited and introduced by Patton Oswalt.

There is no explicit “order” to these books; however, I’m going to read in the order they were stacked.

This has been quite possibly my favorite story in any of the Ghost Boxes.

Saki is the pen name of British author Hector Hugh Munro.  I could not get over that this story was written in 1912, as it was timeless and darkly amusing. (more…)

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SOUNDTRACK: KATE BUSH-“Under Ice/Waking the Witch” (1982).

A lot of the music I listen to is weird and probably creepy to other people, but I don’t necessarily think of songs as appropriate for Halloween or not.  So for this year’s Ghost Box stories, I consulted an “expert”: The Esquire list of Halloween songs you’ll play all year long.  The list has 45 songs–most of which I do not like.  So I picked 11 of them to post about.

Esquire didn’t pick this song, but the inclusion of Kate Bush yesterday reminded me of this pairing of songs which I find incredibly creepy–especially late at night wit headphones.

This comes from side two of the Hounds of Love album.  Side Two is a suite or a story called The Ninth Wave.  Kate makes full use of sound effects and vocal panning so that you can hear the voices all around your head as they whisper, call or threaten.

The side begins with the gentle “And Dream of Sheep” which shows a young woman falling asleep (later we find it’s not as innocent as it seems).  This segues into “Under Ice” which begins with slow string notes that sound like someone skating.

Kate’s voice is deep, slow and echoey as she sings about skating on the ice.  You can hear a voices calling, but she doesn’t heed them:

I’m speeding past trees
Leaving little lines in the ice
Cutting out, little lines in the ice
Splitting, splitting sound
Silver heels spitting, spitting snow

and then in a more tremulous voice (with great watery sound effects) followed by a chorus of voices:

There’s something moving under
Under the ice moving
Under ice through water
Trying to
It’s me
Get out of the cold water
It’s me
Something
It’s me
Someone, help them

The two minute song segues into “Waking the Witch” which opens with a whispered “Wake up!” and an early morning wake up call while voices from all over the headphones try to get you to wake up–some more gently than others.

After a minute or so of this the song becomes an intensely scary four minutes.  A voice of someone, pleading, but garbled and cut up–perhaps under water? It is a nightmarish attempt at communication when a deep scary male voice states (with Kate singing the parenthetical)

You won’t burn (red, red roses)
You won’t bleed (pinks and posies)
Confess to me, girl (red, red roses, go down)

With a pretty melody, a voice whispers Spiritus Sanctus in nomine.  It cuts to another chopped up and manipulated voice praying “Bless me, father, bless me father, for I have sinned.”

The deep voice returns in accusation:

I question your innocence
She’s a witch
(Help this blackbird, there’s a stone around my leg)
Ha, damn you, woman
(Help this blackbird, there’s a stone around my leg)
What say you, good people
(Guilty, guilty, guilty)
Well, are you responsible for your actions?
(This blackbird)
Not guilty (help this blackbird)
Wake up the witch

As the four minutes fades off, we hear a helicopter flying through the air and a man shouting

Get out of the waves!
Get out of the water!

The story continues from there and gets a bit more positive, but man, the cinematic detail of this is staggering. Apparently she was finally able to stage this suite when in 2014, she performed her first concerts since 1979.  I would have loved to have seen that.

[READ: October 23, 2019] “The Distributor”

Just in time for Halloween, from the people who brought me The Short Story Advent Calendar and The Ghost Box. and Ghost Box II. comes Ghost Box III.

This is once again a nifty little box (with a magnetic opening and a ribbon) which contains 11 stories for Halloween.  It is lovingly described thusly:

Oh god, it’s right behind me, isn’t it? There’s no use trying to run from Ghost Box III, the terrifying conclusion to our series of limited-edition horror box sets edited and introduced by Patton Oswalt.

There is no explicit “order” to these books; however, I’m going to read in the order they were stacked.

This has been quite possibly my favorite story in any of the Ghost Boxes.

Richard Matheson wrote I am Legend and many episodes of The Twilight Zone and this story was the epitome of dark suburban paranoia come to life.  It is also scarily timeless and, aside from some of the words used in the story, could easily have been written today. (more…)

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SOUNDTRACK: KATE BUSH-“Get Out of My House” (1982).

A lot of the music I listen to is weird and probably creepy to other people, but I don’t necessarily think of songs as appropriate for Halloween or not.  So for this year’s Ghost Box stories, I consulted an “expert”: The Esquire list of Halloween songs you’ll play all year long.  The list has 45 songs–most of which I do not like.  So I picked 11 of them to post about.

Most people who know Kate Bush know her songs that have broken the Top Ten.  But if you dig deeper into her catalog, Kate has some really intense and really creepy songs.

I was pretty delighted to see this on Esquire’s list because it’s a pretty deep cut, it seems like a surprising choice and because it gives me chills.

It starts with thumping drums, a plucked string melody (dulcimer?) and a guy making a kind of hee-hawing sound in the distance.

And then the lyrics.  Good old gothic horror:

When you left, the door was
(slamming)
You paused in the doorway
(slamming)
As though a thought stole you away
(slamming)
I watched the world pull you away
(Lock it)
So I run into the hall
(Lock it)
Into the corridor
(Lock it)
There’s a door in the house
(slamming)
I hear the lift descending
(slamming)
I hear it hit the landing
(slamming)
See the hackles on the cat
(standing)
With my key I
(lock it)
With my key I
(lock it up)

The next part has Kate speaking in a funny voice (and in French) in your left ear before the “chorus” (such as it is) features Kate singing the main lyrics quietly and slowly while the recurring refrain is her shrieking and gasping at he top of her lungs (but recorded so it sounds far away) “Get Out of My House!”

The middle of the song gets more frantic.

This house is full of m-m-my mess
(Slamming)
This house is full of m-m-mistakes
(Slamming)
This house is full of m-m-madness
(Slamming)
This house is full of, full of, full of fight
(Slam it)

Midway through the song, while repeating “Get Out of my House!” the dulcimer returns playing a bouncy melody while a man’s voice whispers creepily in your right ear:

“Woman let me in!
Let me bring in the memories!
Woman let me in!
Let me bring in the Devil Dreams!”

Kate replies:

I will not let you in!
Don’t you bring back the reveries
I turn into a bird
Carry further than the word is heard

The man counters:

“Woman let me in!
I turn into the wind.
I blow you a cold kiss,
Stronger than the song’s hit.”

Kate concludes:

I will not let you in
I face towards the wind
I change into the Mule
“I change into the Mule.”

She turns into the Mule and starts braying and hee-hawing, which then transforms into the man who did it at the beginning of the song.

That’s not quite the end, but I’m not even sure what’s going on as the song ends–voices keep muttering something over and over.

It’s five and a half minutes of confusion and creepiness.  Perfect Kate Bush.

[READ: October 23, 2019] “It Feels Better Biting Down”

Just in time for Halloween, from the people who brought me The Short Story Advent Calendar and The Ghost Box. and Ghost Box II. comes Ghost Box III.

This is once again a nifty little box (with a magnetic opening and a ribbon) which contains 11 stories for Halloween.  It is lovingly described thusly:

Oh god, it’s right behind me, isn’t it? There’s no use trying to run from Ghost Box III, the terrifying conclusion to our series of limited-edition horror box sets edited and introduced by Patton Oswalt.

There is no explicit “order” to these books; however, I’m going to read in the order they were stacked.

I don’t know Livia Llewellyn, but if her other stories are anything like this, she must have a wonderfully bizarre body of writing.

This story starts off fairly conventionally.  Twin sisters wake up to the sound of a lawnmower. (more…)

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SOUNDTRACK: RAMONES-“Pet Sematary” (1977).

A lot of the music I listen to is weird and probably creepy to other people, but I don’t necessarily think of songs as appropriate for Halloween or not.  So for this year’s Ghost Box stories, I consulted an “expert”: The Esquire list of Halloween songs you’ll play all year long.  The list has 45 songs–most of which I do not like.  So I picked 11 of them to post about.

Ramones are the least punk punk band ever.  Sure they are essential to the history of American punk, but they were basically playing fast rock n roll songs. They were awesome sure, but compared to the viciousness of British punk, Ramones were just guys in leather jackets singing harmonies.

By the time they released “Pet Sematary” in 1989 they were more of a pop metal band.  This song is stupidly catchy.

It’s got a complex (for them) opening guitar riff and quickly moves into power chords.

The chorus (with all kinds of backing vocals) is one of the poppiest things around.  If it weren’t for the lyrics

I don’t want to be buried in a pet cemetery
I don’t want to live my life again

it could easily be a radio friendly pop hit (and I think it was anyhow).

This song actually works very well for Halloween, even if it isn’t particularly scary, because of the lyrics.

Under the arc of a weather stain boards
Ancient goblins, and warlords
Come out the ground, not making a sound
The smell of death is all around

The moon is full, the air is still
All of the sudden I feel a chill.

I never realized that the song was literally about the book/movie.  I knew it was for the movie but the lyrics reference Victor the main character, which I never knew).

I suppose if you were a fan of the first four Ramones album and then never heard another song until this one, you might find it frightening how far they’d traveled from their origins.

[READ: October 22, 2019] “A Defense of Werewolves”

Just in time for Halloween, from the people who brought me The Short Story Advent Calendar and The Ghost Box. and Ghost Box II. comes Ghost Box III.

This is once again a nifty little box (with a magnetic opening and a ribbon) which contains 11 stories for Halloween.  It is lovingly described thusly:

Oh god, it’s right behind me, isn’t it? There’s no use trying to run from Ghost Box III, the terrifying conclusion to our series of limited-edition horror box sets edited and introduced by Patton Oswalt.

There is no explicit “order” to these books; however, I’m going to read in the order they were stacked.

This story was first published in 1948 and wow, did I dislike this.   The first time I read it.

It’s pretty short so I read it twice.  This story is written like a treatise.  It is high language and rousing, I guess.  But honestly it really has nothing to do with werewolves and is actually more about the fantasy genre and keeping it safe from “the querulous, muttering voices of the plain.” (more…)

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