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Archive for the ‘Richard Thompson’ Category

[ATTENDED: January 14, 2023] Teddy Thompson

This was my eleventh time seeing Richard Thompson.  For a while we had been seeing him pretty regularly and then his habits changed.

I had been seeing him every chance I could, but I took a little time off from his tours, hoping that he would perhaps come back with an electric tour.  Sadly for me, he did in fact come around with an electric trio tour in 2018, but it coincided with a hike that we were scheduled to go on, so I had to miss it.

Back in 2020, he introduced a new component to his show, his new partner Zara Philips has been singing with him on many songs (often Richard & Linda Thompson songs, but sometimes adding backing vocals to Richard’s songs.

For a while it felt like Richard was playing the same basic songs at all of his shows, although as I look at his setlists I see that he always mixes in a few new songs every tour.  Indeed, in 2020, he threw in a whole bunch of songs that I hadn’t heard him play before.

I was super excited that he opened with Gethsemane, an older song (I can’t believe that album is 20 years old!) that I like a lot.  He sounded great and his guitar playing was, of course, outstanding.

During the pandemic, Richard released some online albums.  He played If I could Live My Life again from Bloody Noses (which he had played back in 2020, just before the shutdown).

He jokes about the age of the audience and said he would play a song from a Fairport Convention album.  He described the origins of Genesis Hall, and that it was a protest song, which I didn’t know.  He had played it before but not for more than seven or so years, so it was good to hear it again.

Richard recently played a few nights of all request shows in New York City, which I’d love to attend (al though I suspect people probably just request all the popular songs anyhow).   But I wonder if it makes him want to mix up his setlists at all.  Whatever the case it was great to hear him plat “Turning of the Tide” a song that I love and haven’t heard him play live for a long long time.

Then he played “Beeswing.”  I don’t think there’s been a show where he hasn’t played the song and yet this time it really hit me how beautiful it was.  And I was marveling about how Richard Thompson, creator of the song was merely thirty or forty feet away from us playing this song and how amazing it was to be so close to someone so creative.  I had a real moment.  (I’m going to assume it came from talking about how wild it must have been for my young kids to go to concerts and see their favorite bands up close like that, something I never got to do as a a little kid). (more…)

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[ATTENDED: January 14, 2023] Teddy Thompson

This was our first experience with Outpost in the Burbs, a fun venue in Montclair.  The venue is actually in a church (I think it might be outside in the summer).  This Richard Thompson show was sold out.  But the tickets were first come / first seated.  In a church.  So, in a series of pews.

We arrived in what we thought was plenty of time, but we couldn’t find parking and wound up pretty far away, so by the time we got into the church, it was almost 8PM.  We walked in and the lights went down.  Luckily there were announcements to be had (which we missed), as we were sent looking for a seat.  We were told there were seats in the balcony, so we trudged up the stairs to the (very full) balcony.  We headed back down, having seen seats across the room.  We headed over there only to discover that these seats (strangely empty) ere positioned directly behind two massive speaker cabinets which entirely blocked the stage–thus, why they were empty.  Really they should not have even been available.

Luckily, right next to them was a pew bench against the wall that had a mostly unobstructed view of Teddy as he came out on stage.  If he backed away from the mic I couldn’t see him at all, but he didn’t do that very often so it was fine. In fact, it was actually quiet comfortable.  The bench had a cushion, and I was in the corner, so I had a corner edge to lean against.  And, plenty of leg room!

And, it must be said, the acoustics were outstanding, even in this weird eave.

I saw Teddy Thompson open for his father about ten years ago in Princeton.  He played songs from his then new album and sang some songs with his father. (more…)

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SOUNDTRACK: THE SHADOWS-“Apache” (1960).

In 1960, Cliff Richard’s backing band released this instrumental that shot to the top of the British charts.  The song was named after the 1954 film Apache.

The band had a signature sound.  Hank Marvin used an echo box and a tremolo bar on his Fender guitar.  The melodic bass was by Jet Harris.  Percussion was by Tony Meehan and Cliff Richard, who played a Chinese drum at the beginning and end to provide an atmosphere of stereotypically Native American music.

It has been cited by a generation of guitarists as inspirational and is considered one of the most influential British rock 45s of the pre-Beatles era because of the appeal of “that kind of Hawaiian sounding lead guitar … plus the beat.”

The song is really catchy with a surf guitar/Western riff and the rumbling drums.  There’s a few parts which create some drama and forward motion.

[READ: June 29, 2021] Beeswing

I’ve been a fan of Richard Thompson since about 1993.  I’ve seen him live about ten times and I’ve listened to most of his earlier work (including most of his Fairport Convention stuff).

I don’t love all the Fairport material.  I likesome of it, but I never really got into it that much.  And, I never really thought about what it was like being in Fairport back in the late 60s.  So this autobiography was a strange thing for me.  Seemed like an obvious read and yet it’s about an era that I didn’t have a lot of interest in.

Which proved to be the perfect combination.

Richard starts the book in the early 1960s. I was a little concerned because I really didn’t like the opening page–the style concerned me.  But the idea that dust and fog were so pervasive in London that it cast a haze over everything was pretty interesting.  Especially when he says that explains the state of London artistry–soft and fuzzy because of the haze.

Then he moves on to himself.  His family was pretty traditional–his father was a policeman.  He was not interested in school and a normal career. (more…)

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SOUNDTRACK: BROTHERS OSBORNE-Tiny Desk (Home) Concert #215 (May 26, 2021).

If Brothers Osborne were an instrumental band I’d really like them. Lead guitarist John Osborne is an amazing player whose riffs are amazing and even though they sound pretty country, he’s amazing to watch.

But when T.J. Osborne starts singing, you understand why they wear cowboy hats.

For their Tiny Desk (home) concert… Brothers Osborne–a country duo that’s long challenged the conventions of country and still managed to top the charts–scale to fit the setting – John’s wood-panelled Nashville living room furnished with plenty of guitars and a tiny desk featuring a Maryland flag mug – but refuse to dial down the intensity.

They open with “Muskrat Greene,” the instrumental that is so impressive.  T.J.’s guitar licks are flying, Adam Box’s drums keep a tight martial pace (and the drum sound is fantastic) and the song never lets up.  I love the backwards guitar part in the middle along with some cool keyboard soloing from Gabe Dixon.

Opening with the explosive instrumental track “Muskrat Greene,” Brothers Osborne and their collaborators use their set to showcase the very best of Skeletons. As on the record, they transition immediately into “Dead Man’s Curve,” a track that’s the ideal interplay between John’s fiery guitar and T.J.’s singular vocal stylings.

After two and a half minutes they segue into “Dead Man’s Curve” which sounds like a pretty great rockin’ roots song.  The main riff after the chorus is spectacular and T.J.’s solo smokes.  I’d like to hear it with different vocals.

“I’m Not for Everyone” is where the set falters for me.  It is such a standard country song–anthemic and familiar–I’m sure it sounds exactly like some other country song.  I might enjoy it more as a cover because the lyrics are pretty funny (country music self-deprecation).  The addition of “local legend” Matt Heasley on accordion is a nice touch.

“Skeletons” opens with some muted acoustic guitar from T.J. and some nice slide guitar work from Jason Graumlich.  Once again, if this song didn’t feel so “country” I would really like it.  Musically it’s solid (John gets another great solo) and lyrically it’s quite clever.  I just don’t like the vocal style.  When I imagine Richard Thompson singing it, I like it a lot better.

“Hatin’ Somebody” (never got nobody nowhere) ends the set with more clever lyrics.  This time John uses the slide for some more great guitar work.  The song has a fun riff and Pete Sternberg’s bass keeps the low end solid.  But the song is just too country for me.

I do appreciate how much fun they are having though.

[READ: June 1, 2021] Spy School

I read Gibbs’ Charlie Thorne books recently and really enjoyed them, so I thought it would be fun to check out his earlier series Spy School (which C. had read a few years ago and really liked).

This story had the same kind of clever wit as the Charlie Thorne books, which I greatly appreciated.  It was also a pretty exciting story.

It starts in the middle of nowhere.  Well, actually in the middle of Ben Ripley’s house.  Where, out of nowhere, a Federal agent has just told him that he has been accepted into spy school.  They’ve had their eyes on him for a while. He did wonderfully on the STIQ exams.  What are they?  He doesn’t remember taking them.

Standardized Test Inserted Questions.  The CIA places them in every standardized test to asses potential espionage aptitude.  You’ve gotten every one right since third grade.

So that’s pretty wild.  Of course everything about Spy school is secret so he can’t even tell his parents or his best friend. They al think he’s going to a super brainy nerdy math school (Ben is a super brainy math nerd after all).

The agent, Alexander Hale, is so cool, Ben can’t wait to hang out with him.  But when Alexander drops him off at school things are not good.  The whole school is under red alert–there seems to have been a security breach.  And Ben is now a target.  Why? because even the enemy has heard about him. (more…)

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[ATTENDED: January 18, 2020] Richard Thompson

After seeing Richard Thompson back in 2016 (three times in a short span) I decided I could take a break from seeing him a bit.  Although when he announced an electric trio tour I was really excited to check it out.  Sadly, I couldn’t make that show.  But when he announced another show at McCarter (I believe his 20th show there?) I figured it had been four years and was time to see him again.

This was my tenth time seeing Richard Thompson (first time in 1997).  I tend to focus a lot on the songs that Richard plays at every show.  I’m sure I’ve seen “Beeswing” and “1952 Vincent Black Lightning” ten times.  But in this set he played 13 songs that I hadn’t seen in at least the previous two shows and that’s pretty awesome.

We had some amazing seats (center stage about eight rows back) and we could see his fretwork absolutely clearly. (more…)

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SOUNDTRACK: FRENCH, FRITH, KAISER, THOMPSON-“Bird in God’s Garden/Lost and Found” (1987).

The words are a poem by Rumi.   It is a slow droney song that is primarily drums from John French.  Thompson sings in his quieter style.

There are several different versions of this song. There’s an earlier unreleased version with Richard & Linda Thompson that is much quieter.  I especially like this version because after every other verse they brighten things up with a dramatic five note string riff (or maybe it’s Kaiser on the sanshin) that seems to come out of nowhere.

They spice up the middle of the song with a rollicking traditional Irish sounding fiddle melody from Fred Frith’s “Lost and Found.”  (Frith plays violin).  It adds a bit of zing to an otherwise dirgey song.

After about three minutes of the slow thumping there’s a wonderfully rocking instrumental section complete with fiddles and bass playing some wild melodies.

It was recorded on the album Live, Love, Larf and Loaf and also appears on Thompson’s collection Watching the Dark (1993).

[READ: September 1, 2019] “Nell Zink’s Satire Raises the Stakes”

I have really enjoyed the Nell Zink books that I’ve read. I’ve even read an excerpt from Doxology, the book that’s reviewed in this essay.

What I like about this essay though is the summations of her writing and her earlier books.

Schwartz says that Zink looks at life from the fringes.  She then summarizes her three impossible to summarize books in simple and amusing fashion: (more…)

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1985SOUNDTRACK: JOAN SHELLEY-Tiny Desk Concert #473 (September 25, 2015).

joan When I first started listening to this Tiny Desk Concert, I thought Shelley was going to be singing more of a country music style.  But more careful listening revealed an early British Folk songwriting style.  Because I’d heard Richard Thompson talking about Sandy Denny recently, I  thought of her.  So I was pleased to see that the blurb (and Shelley herself) references Sandy Denny as well.

The Concert is Joan on acoustic guitar and Nathan Salsburg (she describes him: “my band, we are Joan Shelley”) on the second guitar.  They play beautifully together.

The songs, like “Easy Now,” are really pretty with a delicate finger-picking style from Shelley and fairly complex finger-picking soloing/accents from Salsburg.  But the best thing is her voice.  Clear and powerful–no warbling or hesitation, just clear beautiful singing.

I didn’t think I knew Joan Shelley, but “Stay on These Shores” sounds incredibly familiar to me.  She says that she is from Louisville Kentucky so it doesn’t make sense to her that she would write songs about the ocean.  She attributes it to the Sandy Denny lineage.  The way she sings the first line of this song is just hauntingly beautiful.  I really love this song a lot.

In “Not Over By Half” it is almost uncanny how much she sounds like a 1960s British folksinger.  Her delivery and phrasings are just amazing.  This is another beautiful song, all three of which came from her album Over and Even.

Shelley is an amazing force in folk music.

[READ: August 31, 2016] The Complete Peanuts 1985-1986

Schulz had been writing Peanuts for about 35 years when these strips came out.  Wow. It’s interesting to see how many themes have stuck around and how many have gone away or come back and been updated. I also love seeing the few pop culture references that he deigns to throw into his strips–things that he assumed would be eternal, I guess, or maybe things so ubiquitous he had to mention them?

Snoopy’s brother Spike is on the cover of this book.  I am somewhat surprised at how much attention he gets (especially since I don’t remember him at all).  The problem is that almost all of his jokes are about cactus.  I feel like Schulz was going for a loneliness angle, but it all seems to involved cactus “arms” or thorns.

The year starts off great for Patty because she won an essay contest on what she did during her Christmas vacation (she got a D- on the paper in school, however).  She even gets to read it out loud (where things don’t go so well).  Of course, she continues to get D miuses and in July 1986 she even get a tutor. He is quite snarky with her and she calls him Joe Sarcasm.  (There have been dozens of Joe ____ characters, although almost all of them have been aliases of Snoopy, this is one of the few for someone else).  Then she calls him Captain Tutor.  He shouts that his name is Maynard.  So Patty calls up Marcie to say she should meet him–he’s just her type…weird.  It turns out that Maynard is Marcie’s cousin (ha). Eventually Patty just throws him out.

For Valentine’s Day in 1985, Charlie has Snoopy pretend to be the little red-haired girl and Snoopy puts on a curly wig–is that the first insight into the girl’s appearance?  That week people are all hit by lost love.  It seems like an unusual and very specific emotion for Schulz to deal with–something he never really talked about before.  He’s certainly talked about lost loves, but never so directly.

Marcie continues to be one of my favorite characters.  Especially the way she picks on Patty.  Patty is still falling asleep in school all the time.  In Feb 1985, Marcie puts a binder on the back of her head, walks her up in front of the class and then shows off a “full-scale model of the human head” to the class.  Genius.  Patty doesn’t even wake up.

Linus decides that building a rock wall is good therapy.  It is suggested that he can do this instead of needing his blanket.  But let’s not go crazy.  Later, Linus tries to do his own laundry and Lucy catches him trying to stuff his shirt into the laundry detergent bottom

Every once in a while there’s a really wordy strip that I find very funny.  In March of 1985, Charlie is telling Sally a story from his grandpa about WII: “all the enlisted men were issued two pairs of shoes, but a lot of them men wore only one pairs so they could keep the other pair shined and looking nice under their bunks.  Battalion headquarters decided that the men should alternate shoes each day and to make to sure they did, the men had to lace their shoes on a certain way.  One day they had to wear the shoes which had the laces crossed and the next day they to wear the shoes which had the laces going straight across.”  Sally sensibly asks,. “How did they ever win the war?”

Sally is always asking her big brother for homework help, which he tends to refuse.  In March she says if he helps, he’ll get her everlasting gratitude.  When he doubts she knows what that mean she says “’til I ask you again.”

Sally has also been doing a lot of handwriting practice over the last few years.  Mostly it’s different pieces of punctuation (with funny comments about them).  In May 1985 she works on commas and possessives and quotation marks.  After telling Charlie all about it she says “stay tuned for the inside story of what goes on in the glamorous world of punctuation.”

And in some wonderful Sally mistakes that make me laugh: “behind the barn the farmer had a pastor” or “the walls were covered with naughty pine.”  For this one, she looks at Charlie and says “You looked like you were going to say something” and he wisely says, “not for anything in the world.”

In the realm of deliberate puns, Snoopy tells Woodstock to get a  job in a tree “you could be a branch manager.”  Sigh.

Pop culture: in May 1985 it is revealed that Woodstock has a satellite dish.  In August 1985 Patty reveals that she and Marcie are “mallies” :  They go to the mall to hang out.  But Patty is distraught that Marcie actually buys something there.  They even meet “a punker” which is snoopy with a kind of mohawk.  In October 1985, Sally does a presentation on Halley’s Comet saying that the next time it comes by will be in 2062–we’ll all be 80 years old when that happens.  [It passed by us in Feb 1986].  In May of 1986, Lucy starts a “swimsuit issue” campaign for the school paper.  She gets all the boys to wear swimsuits.  And in June 1986 Charlie’s desk comes equipped with an airbag.

In August of 1986, Linus asks Snoopy (the attorney) is he thinks cameras should be allowed in the courtroom.

August 1986 has Sally saying “I’ve decided to embark on a program of serious discipline. I’m going to eat properly, sleep properly and exercise properly.”  Charlie asks, “Then what?”  She replies, “You’re right, forget it.”

April 1985 sees an Easter Beagle strip (not as many of these as you might think).

There’s always baseball, and in April 1985 Charles mentions the new commissioner of baseball Peter Uberrroth (he took over in 1984).

There’s a lot fewer hockey references these days although Rerun is riding on his mother’s bike with a helmet and says people confuse him with Wayne Gretzky.  A few months later in March 1986 he has a Baby on Bike sticker on his helmet (That was a huge fad in 1985).

There’s not that much about football this year, although Sally wants to know why the guy is always holding up John 3:16 and then says she assumed it had something to do with John Madden.

There’s some tennis but not as much.  In March 1986 Molly Volley returns for a brief run with Snoopy.

Schulz must have been displeased about technological advances: Charlie tells Sally “if we watch TV all the time, we won’t have to learn to read.  if we use word processors and calculators we wont have to learn to write or do math.  Pretty soon we wont have to know anything.”  Sally replies “That’s when I’ll fit in.”

On the environmental front, in November Sally does a paper that she ends with “This report was written on recycled paper… no trees were destroyed to make this report.”

Summer camp in June of 1985 is all rain all the time. The only thing worse than all the rain is the prospect of a sing-along.  Ha  In 1986, the kids go to a survival camp which is pretty funny: “there are people out there who want to destroy our way of life.”

In August of 1985 Charlie and Sally are told that they are going to start taking the bus to school.  I love the way the joke plays out that they decide to walk instead, but the computer says they are on the bus, so they get in trouble.

Last book, Patty an Marcie went to a lot of Tiny Tots concert (Patty hates being called that). They always see Peter and the Wolf.  I wish that my kids went to Tiny Tots concerts.  But anyhow, in June 1985, Patty saves her ticket stub in hopes they will have raffle at the end–maybe she’ll win a violin.  Later in August 1986, Patty shows off her musical knowledge by asking why it is called Mostly Mozart, why not “Regularly Rachmaninoff, Principally Prokofiev, Frequently Franck, Largely Lehar, Chiefly Tchaikovsky [my favorite joke],  Mainly Mussorgsky, Essentially Elgar, Supremely Schubert or Generally Gershwin”.

Every once in a while Charlie gets a small victory.  Like when Linus tells him that he knows Charlie would like to cry but that he’s too macho.   Charlie gets excited “I am?!”

There’s few jokes of Woodstock getting attacked by a can of worms.  And even though i like Woodstock as a character a lot, for some reason, it’s always funny seeing him getting beaten up.

The World War I flying Ace continues to appear.  In a new twist he often speaks to Marcie in French.  Although in 1985, instead of the ace, he pretends to be Charles Lindbergh, the “Lone Beagle.”

Lucy continues to be a voice for women’s rights.  When Snoopy is flying over No Mans Land she asks what about No Woman’s Land.  So he changes it to “No Person’s Land.”

In February of 1986 Sally believes that the LL on the elevator button in the library stands for Louis L’Amour “that’s pretty neat having your initials on an elevator button.”

Schulz also taught me something new.  A ganglion cyst is also called a bible bump.  It is a cyst that forms on your wrists and they say you should hit it with a bible.  I’d never heard of this, but apparently it is a thing and quite common.  Of course Schulz uses it as an excuse to make a joke about the different translations of the Bible.

In another funny sequence, Snoopy and his scouts get a cannon.  And they fire it!  But it destroys not only his dog house but also Lucy’s doctor booth and even Schroeder’s piano (over the course of several strips).

In May of 1986 they elect a May Queen.  In Charlie’s school, Lucy is elected (which makes Patty say that the school has low standards).  In Patty’s school… Patty is elected!

Sally gets a great joke in.  A speed limit sign says 25 When Children are Present.  She says, “I never realized we had so much influence.”

And the best one liner of all: Sally has to go to the dentist “I have to go have my teeth criticized.”

Two new characters arrive in 1986.  One is a girl who is unnamed.  The joke with her is that Linus is two months older than her but she keeps referring to him as if he is an old man.

And in September 1986 we meet Tapioca Pudding.  Her dad is in licensing and she always talks about how her face is going to be everywhere.  Every time she talks to someone she introduces herself by her full name and everyone says “I know.”  Linus asks her out on a date (which makes Sally really jealous), but all she can talk about it herself and her licensing.  She asks Linus if she is boring him “No I always like to rest my face in a marshmallow sundae.”  Finally Snoopy the agent gets her a gig appearing at the Opening Ceremonies in the Olympic Game in L.A. (which were two years earlier).

In October 1986, Sally develops a new philosophy “Who Cares.”  From now on nothing bothers me.

When Patty wants to organize a football team, Marcie says the costumes aren’t feminine enough.  Then she wraps the football in a bow.  Patty gets mad and says she won’t kick a ball that’s wrapped in a bow, but Marcie says “The Icebox would”  Patty: “Refrigerator” Marcie: “Whatever.”

Lucy didn’t pull the ball away in 1985 (there was no mention of it).  But she does in 1986 with the excuse that it is a special moment to look forward to every year.  Then she pulls it away and sighs “it’s over before you know it.”  There’ also a Great Pumpkin joke in 1986.  Patty says she believes him about the Great Pumpkin.  And then jokes that “On Secretary’s Day the Great Secretary rises from her desk and rides through the city in a taxicab with notepads for all the secretaries everywhere.  And on Grandparents Day the Great Grandmother rises out of her condominium with cookies for all the grandchildren in the world.”

As 1986 draws to a close, Charlie gets up the nerve to wink at the red-haired girl. There is no reaction because she wasn’t in school that day.

And the musical jokes continue in December 19896 with Patty saying the enjoyed the concert because Marcie spent the whole time “Flauting with the flirtist.”

Patton Oswalt wrote the introduction.

He mentions how he bought the third Calvin and Hobbes treasury in 1988 and Schulz wrote the introduction to that.  Schulz’ introduction was full of praise for Watterson’s technical skill and all the wonderful details he put s into his strips.

Oswalt talks about how over the 35 years the strip went from kids writing with desktop inkwells and now he’s talking about answering machines.   Oswalt is dismayed that Schulz had to include an attorney as an imaginary Snoopy character–a sad reflection on our world

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[ATTENDED: October 9, 2016] Richard Thompson

2016-10-09-15-21-28I saw Richard Thompson play back in February at McCarter.  I saw him open for Wilco (well, I saw some of his set since I was late) back in June.  And now I’ve seen him in October.

That’s a lot of Richard.  But I couldn’t pass up this show because the Sellersville Theater is one of the most intimate venues around.  I scored Row G seats like in McCarter although Sellersville’s row G is a bit further back because they have tables in the front.  But it was still like having him play in my living room.

I’ve seen him play in many different styles over the years.  This summer he also toured with Bonnie Raitt with his trio.  I would have gone to that one, since I haven’t seen his trio, but prices were way too much and I don’t like Bonnie Raitt–well, her music anyway, I’ve no opinion about her.  Like the last two times, this was just him and his acoustic guitar.  And while I would love to have gotten a different setup, there is nothing wrong with just him and his guitar.

This was a matinee show (2PM!) thrown together kind of at the last minute (it was announced less than a month ago).  He joked about how matinees are usually played fro 5-year-olds or 95-year-olds–either playing 1930s covers or Puff the Magic Dragon.  He was glad that we were between those ages.

And like last time, there was the man just six rows away.  And I got to watch every amazing solos and chord changes and capo placements and tuning and everything else he could do with that one guitar.  For the McCarter how he played for 2 hours.  We only got 90 minutes (he said “I have three more minutes before I turn into a pumpkin”) which is a little skimpy (although probably about the normal length for a show).

And while no RT show is disappointing, I was a little bummed that his setlist was almost exactly the same as the one he played at McCarter.  The first two songs were different, but almost all of the rest were the same.  And there were no requests or improvs, apparently.

I mentioned last time that he doesn’t play a lot of songs from his new album.  Which is a shame both because his newer albums have been outstanding, but also because he works pretty hard at them (I assume), and he should get to play more from them.   Of course, I totally get that he is practically contractually obligated to play “1952 Vincent Black Lightning,” “I Want to See the Bright Lights Tonight” “Beeswing” “Persuasion” and something from Fairport Convention.  But holy cow, he has so many songs.   He could play a different setlist every night for a month!

But enough griping, because the show was great.  he sounded fantastic and the acoustics in Sellersville are really top-notch. (more…)

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[ATTENDED: June 12, 2016] Flight of the Conchords sing Flight of the Conchords

chipsAfter having gotten a number of concert tickets fort he summer, I had planned a moratorium.  But it was impossible to pass up the opportunity to see Flight of the Conchords.  Especially if they were going to be singing Flight of the Conchords!  I didn’t even realize they toured (clearly they do), and since there were no plans for a new television season and since Jemaine Clement has lent his voice and face to all manner of awesome evil roles, I assumed the FotC was no more.  [Bret McKenzie has also done things but not nearly as much as Jemaine].

Since we loved the show and the music, I jumped on tickets once they were available.  Once again, I thought our seats would be better than they were (I really need to understand seating charts better), but it didn’t matter because they had two giant screens on which they projected the two of them and did many great visual effects as well.  It was easy to forget to look at them on stage since the screens were so compelling, but it’s always important to see what the guys are doing too.

They played 13 songs in total and did a lot of very funny banter in between.  The strange thing is that I didn’t know they had released a second album (how did I miss that?) so a lot of the songs that I thought were “new” were just new to me.  Although there were some brand new songs thrown in as well.

It was also awesome that as soon as Arj Barker left the stage, there was no delay before Flight of the Conchords came out. (more…)

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[ATTENDED: June 12, 2016] Arj Barker

arjArj Barker opened for Flight of the Conchords.  I didn’t know him, although I knew he had been on some episodes of the FotC TV Show.

Much like with my trip to the Mann for Wilco, it took a lot longer to get there than I anticipated–I think we’ll have it all figured out for our next show there later this week.  We wound up arriving a few minutes before 8 and had enough time to get a snack before the show started.  Barker didn’t start exactly at 8 either (how come Richard Thompson was so punctual?)

As we were chowing down, we noticed that later this summer the Mann Center is putting on a symphonic Pokemon event and we knew we had to get tickets for the kids for that.  So I ran out to the box office and spared myself the $13/ticket Ticketmaster surcharge at the expense of missing the beginning of Arj’s set.

We walked in just as he was going on about his girlfriend’s insistence on their new gluten-free diet (I’d guess we missed about ten or fifteen minutes). (more…)

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