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Archive for the ‘Music’ Category

Trey Anastasio (Newport Folk Festival, Newport, RI, July 28, 2019)

Posted in Mike Gordon, Newport Folk Festival, Newport, RI, Phish, Trey Anastasio, Vida Blue on July 28, 2019| 1 Comment »

[ATTENDED: July 28, 2019] Trey Anastasio @ Newport Folk Festival

I have seen many variations of the Phish band.  I’ve seen Phish a number of times, I’ve seen Mike Gordon solo, I have also seen the Trey Anastasio Band and soon I’ll be seeing Vida Blue.  So here was my opportunity to see Trey solo.  I’d heard that his solo shows were terrific.  And this was terrific.

His show was the one I was most excited for on this day, even if there were a few other bands I wanted to check out.  I was happy to have gotten pretty close to the stage (again, if I ever go back, stand on the other side, with the sun at my back).

Unlike at a Phish show where Trey barely says anything (usually not even hello), Trey is very chatty solo.

This shows feel very intimate (even in an outdoor venue with thousands of people).  I know he has a lot of solo music out so I was pretty thrilled at how much Phish he played. (more…)

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Sherman Alexie–“Indian Country” (New Yorker, March 13, 2000)

Posted in Alex Radeff & Donkey, Books about writers, Canadian Music, Donkey, LGBTQ, Native Americans, Sherman Alexie, Violence on July 28, 2019| Leave a Comment »

SOUNDTRACK: DONKEY-“Memory Haunts Me” (Moose: The Compilation, 1991).

Back in the 1990s, it was common to buy a compilation or soundtrack or even a band’s album based on one song.  Only to then find that you didn’t really like anything else on it.

Maybe that single sounded like nothing else on the album.  Maybe the movie was almost entirely one genre, but they had that one song that you liked over the credits.  Or maybe the compilation was for something you didn’t know, but a song you really wanted was on it, too.

With streaming music that need not happen anymore.  Except in this case.

I bought this compilation, used, recently exclusively for one song, Rheostatics’ “Woodstuck.”  It’s a goofy song and this is the only place you can get the studio version.  The actual compilation was not well documented, so I didn’t know what the other bands on it might sound like.  It turns out to be a compilation for Ontario based Moose Records which specialized in Rock, Folk, World & Country.  They put out another compilation in 1992 and that’s all I can find out about them.

Donkey is NOT the Donkey from Atlanta.  This is a band from Toronto founded by Alex Radeff (the band now goes by Alex Radeff & Donkey). It’s a shame this song is buried so far down on this album, because it’s really great.  It’s got a cool Byrdian sound, but with a slightly darker feel.  This song sounds mildly sinister.  And then with chorus of “memory haunts me every single day,” you can tell why the tone works.

It’s got a guitar solo that sounds like it was recorded in a tinny room, with the rest of the band dropped down somewhat so it really stands out.  It’s certainly a peculiar song.  Like his website says: Founded by singer/songwriter/guitarist Alex Radeff as a vehicle for his eclectic songs.  The song even ends with a bit of backwards guitar solo.  Cool stuff.

[READ: July 20, 2019] “Indian Country” 

This is a story about Low Man Smith, a Coeur d’Alene Indian and successful writer.

He was returning to the Reservation (which he said was always horribly monotonous until some horrible violence interrupted the monotony) to meet up with Carlotta.

But when he arrived, she had sent someone to meet him because she had just run off and gotten married to Chuck.  She wasn’t planning on it, but Chuck showed up a couple days ago, eleven years sober and they ran off together. (more…)

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Jeff Tweedy (Newport Folk Festival, Newport, RI, July 27, 2019)

Posted in Jeff Tweedy, Newport Folk Festival, Newport, RI, Wilco on July 27, 2019| Leave a Comment »

[ATTENDED: July 27, 2019] Jeff Tweedy @ Newport Folk Festival

I have seen Wilco once and have seen Jeff Tweedy solo once.  He is a lot of fun live–chatty, funny, very loose and playing a great collection of songs.

This set was fifty minutes and he played about a dozen songs.  I was sure I had taken more clips than I did, but I’m going to blame it all on the sun.  Note to self: if I ever go back to Newport, be sure to stand on the other side of the main stage with the sun at your back.

Jeff was funny and engaging.  And, most surprising, he wasn’t wearing his hat! (more…)

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Lucy Dacus (Newport Folk Festival, Newport, RI, July 27, 2019)

Posted in Bob Boilen, Jeff Tweedy, Lucy Dacus, Newport Folk Festival, Newport, RI on July 27, 2019| Leave a Comment »

[ATTENDED: July 28, 2019] Lucy Dacus @ Newport Folk Festival

I have seen Lucy Dacus twice and she has been really amazing both times.  I was very excited to see that she would be at Newport.  But I was really bummed to see that she would be running into Jeff Tweedy’s set.  I had to decide who I wanted to see more, Lucy or Jeff.  Since I had seen Lucy twice and more recently, I decided to pick Jeff.  (It also seems more likely that Lucy will tour again before he does).  That meant I could only see a few Lucy songs.

S and T came and we all sat under the big tent.

She sounded great (of course) and her band was in great form.

She opened with “Addictions,” a fantastic song.   I knew there wouldn’t be much that I hadn’t heard from her before.  Neverthless, I was delighted that we got to hear “La Vie en rose” which is tremendous live (and which S. liked very much). (more…)

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Colin Meloy (Newport Folk Festival, Newport, RI, July 27, 2019)

Posted in Carson Ellis, Colin Meloy, Newport Folk Festival, Newport, RI on July 27, 2019| Leave a Comment »

[ATTENDED: July 27, 2019] Colin Meloy

Colin Meloy was at Newport Folk Festival to read his new book The Golden Thread: A Song for Pete Seeger.  It was announced shortly before the Festival and S and I were super excited to see him.  He was in the kids tent and did a reading in between two bands that played on the main stage.

He came in and chatted with us and then read the book. (more…)

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T. Coraghessan Boyle–“The Love of My Life” (New Yorker, March 6, 2000)

Posted in Babies, Canadian Content, Canadian Music, Dave Clark, Death, New Yorker, Pregnancy, Rheostatics, Sex, Short Story, T. Coraghessan Boyle, T.C. Boyle, The Bookmen, Tim Mech, Tim Vesely, Toronto Blue Jays on July 27, 2019| Leave a Comment »

SOUNDTRACK: THE BOOKMEN-“Huggin’ at My Pillow” (Moose: The Compilation, 1991).

Back in the 1990s, it was common to buy a compilation or soundtrack or even a band’s album based on one song.  Only to then find that you didn’t really like anything else on it.

Maybe that single sounded like nothing else on the album.  Maybe the movie was almost entirely one genre, but they had that one song that you liked over the credits.  Or maybe the compilation was for something you didn’t know, but a song you really wanted was on it, too.

With streaming music that need not happen anymore.  Except in this case.

I bought this compilation, used, recently exclusively for one song, Rheostatics’ “Woodstuck.”  It’s a goofy song and this is the only place you can get the studio version.  The actual compilation was not well documented, so I didn’t know what the other bands on it might sound like.  It turns out to be a compilation for Ontario based Moose Records which specialized in Rock, Folk, World & Country.  They put out another compilation in 1992 and that’s all I can find out about them.

The Bookmen were the creation of legendary Toronto musician and independent music promoter Dave Bookman.  This is a fun bluesy stomper that sounds like a song of lost love, although the final line of the chorus might reveal the truth:

I’m huggin at my pillow but it’s just not the same
My pillow don’t know the score of the Blue Jays game.

I really enjoyed this song, so it’s no surprise to see that the rest of the band consists of Tim Mech, guitar tech for Rheostatics, Tim Vesely bassist for Rheostatics, and Dave Clark drummer for Rheostatics.  Shame I can’t find a copy of their only release Volume One: Delicatessen.

[READ: July 20, 2019] “The Love of My Life”

I have really enjoyed the more recent stories from T.C. Boyle.  I haven’t read one of his older stories in quite some time, so I don’t remember if this story is representative or not, but holy crap was this story dark.

And yet it started so sweetly.

It is the story of two high school students, Jeremy and China who are madly in love.  That spring break, they were planning on going camping–a lovely five day stretch of gorgeous weather and solitude.  The first couple of days were wonderful–they didn’t even bother putting clothes on.

They were ever so much in love. He even practiced his AP Spanish on her: Tu eres el amor de mi vida.  She tried to reply but she was taking French.

They were also excellent students–he was heading to Brown (his father’s alma mater) and she was almost but not quite the class salutatorian. (more…)

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Alice Munro–“Nettles” (New Yorker, February 21 & 28, 2000)

Posted in Alice Munro, Big Smoke, Canadian Content, Canadian Music, Death, Marriage (Happy), Marriage Trouble, New Yorker, Short Story on July 26, 2019| Leave a Comment »

SOUNDTRACK: BIG SMOKE-“Clothes” (Moose: The Compilation, 1991).

Back in the 1990s, it was common to buy a compilation or soundtrack or even a band’s album based on one song.  Only to then find that you didn’t really like anything else on it.

Maybe that single sounded like nothing else on the album.  Maybe the movie was almost entirely one genre, but they had that one song that you liked over the credits.  Or maybe the compilation was for something you didn’t know, but a song you really wanted was on it, too.

With streaming music that need not happen anymore.  Except in this case.

I bought this compilation, used, recently exclusively for one song, Rheostatics’ “Woodstuck.”  It’s a goofy song and this is the only place you can get the studio version.  The actual compilation was not well documented, so I didn’t know what the other bands on it might sound like.  It turns out to be a compilation for Ontario based Moose Records which specialized in Rock, Folk, World & Country.  They put out another compilation in 1992 and that’s all I can find out about them.

Big Smoke is NOT the hip hop band Big Smoke.  This song opens with a slinky lead guitar and then a stompin two step.  The song feels country in the music but the vocals are rock.  There’s a cool mysterious menace to the song that I quite like.

Leader singer Steve Woeller has apparently done a lot of things since, although there’s not a lot about him per se.

[READ: July 20, 2019] “Nettles”

Wow, this story went in some unexpected directions.  And it was fantastic.

It begins in the present with the narrator remembering an incident in 1979 when she saw a man eating a ketchup sandwich at a friend’s house.

Then it flashes further back to her childhood.  She lived on a relatively small far that had its own water supply.  Even though they had enough water, her father wanted the well dug deeper.  The well-driller, Mike, brought his son (also Mike) who was about the same age as the narrator.  The Mikes were living in a local hotel while drilling wells in the area.

The narrator and young Mike hung out and played all the time together. They would spend a lot of time down by the river and she tells of a memorable incident where all of the local kids played a “war” with the clay by the river.  It was almost a snowball fight but with weapons made from the clay and mud. The boys were the soldiers and the girls were the nurses.  She was Mike’s nurses and she ensured that he was “healed” by wet leaves which she placed on his forehead and stomach.

They returned home and the adults were shocked by the filth.  Someone comments that they were going to get married someday, but the narrators mother didn’t like that talk. (more…)

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William T. Vollmann–“Just Keep Going North: At the border” (Harper’s, July 2019)

Posted in Canadian Music, Death, donald tRUMP, Essays, Harper's, Immigrants, Mexico, Nogales, Mexico, Racism, Rheostatics, William T. Vollmann on July 25, 2019| Leave a Comment »

SOUNDTRACK: RHEOSTATICS-“Woodstuck” (Moose: The Compilation, 1991).

Back in the 1990s, it was common to buy a compilation or soundtrack or even a band’s album based on one song.  Only to then find that you didn’t really like anything else on it.

Maybe that single sounded like nothing else on the album.  Maybe the movie was almost entirely one genre, but they had that one song that you liked over the credits.  Or maybe the compilation was for something you didn’t know, but a song you really wanted was on it, too.

With streaming music that need not happen anymore.  Except in this case.

I bought this compilation, used, recently exclusively for one song, Rheostatics’ “Woodstuck.”  It’s a goofy song and this is the only place you can get the studio version.  The actual compilation was not well documented, so I didn’t know what the other bands on it might sound like.  It turns out to be a compilation for Ontario based Moose Records which specialized in Rock, Folk, World & Country.  They put out another compilation in 1992 and that’s all I can find out about them.

I’d heard this song on several live bootlegs, but I was very curious about the original recording.

It’s a stomping folk song with great backing vocals and a very funny chorus.

You can’t go back to Woodstock baby, you were just two years old You weren’t even born

And this wonderful verse

Before they were kissing the earth now they’re washing their cars
Before they were feeling stoned now they’re feeling bored
Sure you shed your clothes but you shed no blood
Poor hippie child don’t sit and wait for another summer of love

Was it worth getting this whole compilation for a two and a half minute joke song?  You bet.

[READ: July 20, 2019] “Just Keep Going North: At the border”

William T. Vollmann continues to amaze me with his dedication to writing about issues that matter.

This lengthy essay is Vollmann’s attempt to discover what is happening at the border after trump warned of migrant caravans coming up from Mexico in February of 2019.

He decided to go to the Arizona border, a place he knew little about, to save himself from prejudgment (he is from California and knows that border situation a little better).  He went to the internationally bifurcated town of Nogales.  Nogales said it would sue the federal government if it did not remove the new coil of razor wire.

He talks to an immigration lawyer from Tucson who says in the old days it was no big deal to cross the border–you could come and go. There were some small changes in the mid-eighties.  Then 9/11 caused big changes.  It had been bad before trump but trump’s policies at least opened peoples eyes to what was happening here. (more…)

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David Szalay-“Something True” (Harper’s, July 2019)

Posted in Balfa Brothers, Cajun Rambler, David Szalay, Excerpt, Harper's, Marriage Trouble, Rheostatics, Seattle, WA, Sex, Swamperella on July 24, 2019| Leave a Comment »

SOUNDTRACK: CAJUN RAMBLERS-“Venez à Louisiane” (Moose: The Compilation, 1991).

Back in the 1990s, it was common to buy a compilation or soundtrack or even a band’s album based on one song.  Only to then find that you didn’t really like anything else on it.

Maybe that single sounded like nothing else on the album.  Maybe the movie was almost entirely one genre, but they had that one song that you liked over the credits.  Or maybe the compilation was for something you didn’t know, but a song you really wanted was on it, too.

With streaming music that need not happen anymore.  Except in this case.

I bought this compilation, used, recently exclusively for one song, Rheostatics’ “Woodstuck.”  It’s a goofy song and this is the only place you can get the studio version.  The actual compilation was not well documented, so I didn’t know what the other bands on it might sound like.  It turns out to be a compilation for Ontario based Moose Records which specialized in Rock, Folk, World & Country.  They put out another compilation in 1992 and that’s all I can find out about them.

Cajun Ramblers’ music sounds like it should–a cajun flare in a bouncy two-step (as the lyrics even say).  There’s even a verse in French.  This song seems so un-Canadian but that’s because Peter Jellard, an English musician, was busking in Paris and heard a recording of the Balfa Brothers, leading to a life long infatuation with Cajun music.  After a six-week trip to Louisiana he founded the Cajun Ramblers who performed a mix of Cajun and Zydeco around Toronto.  He was also in Swamperella

[READ: July 12, 2019] “Something True”

This is the story of a woman returning home.  She has been in Seattle visiting her daughter Wendy.  It had been fun but exhausting, sightseeing everywhere.  She was not looking froward to what she had to return to.

She had had a health scare.  The doctor assured her that she was fine–nothing to worry about–but she was shaken.  The doctor could sense that she was very upset so he invited her for a drink.  And the he called her again the following week to go to an exhibition on Buddhist sculptures.

But she was a sixty year-old married woman, she couldn’t imagine going on a date.  Officially, it wasn’t a date but how could it not be?

After a few more outings she told her husband that she was in love with someone else. (more…)

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Nell Zink–“Marmalade Sky” (Harper’s, July 2019)

Posted in Excerpt, Harper's, My Bloody Valentine, Nell Zink, Pregnancy, Sassy, Sonic Youth, Tragic Mulatto on July 23, 2019| Leave a Comment »

SOUNDTRACK: TRAGIC MULATTO-“Freddy” (1987)

I knew of Tragic Mulatto because they were on Alternative Tentacles records (home to Dead Kennedys).  But I’d actually never heard them before, I don’t think. I knew they were a noise rock band, but I had no idea they were quite so explicit.

The main band members were singer Flatula Lee Roth (Gail Coulson), guitarist Richard Skidmark (Tim Carroll) and bassist Reverend Elvister Shanksley aka Lance Boyle (Alistair Shanks).

This five minute song starts like a deranged circus with a swirling saxophone and  a muddled guitar and drum stomp.  Once the music establishes itself, the vocals come in, a deep growly evil spokenish rhyme that I can’t exactly make out.

Around 1:45 Flatuta takes over, singing a refrain of

“Don’t let him cum in your … butt … ear … rear … head … bed … feet … all over your sheets.” etc. that runs for the rest of the song. It’s surprisingly catchy, but you’d not want to sing it at the dinner table.

Fascinatingly, this album is described as featuring more tightly structured music that emphasized melody was less satirical and more serious.

It sounds like Tragic Mulatto, and especially Gail Coulson, (who is said to have possessed a simply astonishing vocals range) were really ahead of their time.

[READ: July 10, 2019] “Marmalade Sky”

I love Nell Zink’s writing and was pretty excited to see that she had a new story.  This is an excerpt from her new book Doxology.

It is 1990, Pam went over to Joe’s place to listen to records.

Joe let Pam in and introduced her to a man holding a piece of black plastic.  His name was Daniel Scoboda and he was holding the Sassy Sonic youth flexi.

Joe said he subscribed to the magazine as soon as he heard about it. But Pam, who introduced herself as Pam Diaphragm, said the magazine wasn’t long for the world.  Whats the demographic? Thirteen year-old girls who fuck?  Advertisers really go for that.

Joe said he’s a Sonic Youth completist. The only thing he doesn’t have is the single “I Killed Christgau with My Big Fuckin’ Dick.”  Daniel said its not a real record, the editor of the magazine made it up.  [I love this Sonic Youth indie rock banter]. (more…)

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