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Archive for the ‘Bicycles’ Category

SOUNDTRACK: THE FLAMING LIPS-Lighting Strikes the Postman: The Flaming Lips Remix (2016).

This release came out on Record Store Day 2016.  It is, simply put, the Lips’ album Clouds Taste Metallic but remixed to remove all of the vocals and to highlight all of Ronald Jones’ guitar playing.  This was Jones’ last album with the band and he has become pretty reclusive since then.

You can hear the very basic structure of all of the songs–drums, bass and rhythm guitar are all there, but mixed low.  The rest of the CD is Jones’ rather unique style of playing–noisy, feedbacky, almost improv-y, but never out of control.

The release also comes with a comic book penned by Wayne Coyne.  The comic pretty much explains Jones’ guitar playing.

You see, after the band released the album, Ronald was abducted by aliens. Why would they take him? Because back then he had one of the most elaborate homemade pedal boards on earth.   He would hook together an endless amount of gadgets, some that were not meant to go together.  One night he connected to a giant antenna.  Then while searching for a sound to enhance the ending of “Placebo Head Wound,” he found the sound of the dreaded Zorgodrites’ freaky 2 way radio and boy were they mad.

They came down and took him away and he was never seen from again.

And so that’s what you get.  Around 55 minutes of guitar freakouts.  But unlike an album of just noisy, weird stuff, this collection is based around songs.  Some of the songs are the same length as the final product.  Others are a bit longer.  The opening track “The Abandoned Hospital Ship” is about three minutes longer than the album version–mostly for Jones’ noodling. 

I tried to sync up the disc to the original via Spotfiy with varying degrees of success.

If you know the album pretty well, you’ll recognize the songs–the verses and choruses are in tact, it’s just that you get to hear some wild guitar around those melodies instead of the melodies themselves.

It can be a disconcerting listen if you are expecting to hear the songs, but if you put that aside and just listen to the kind of things Jones is doing it’s a pretty cool exploration of the guitar.  But definitely not for everyone.

[READ: October 1, 2020] Cycling: The Craze of the Hour

I love books like this.  This is a collection of pamphlets from around the turn of the 20th century, both pro and con for bicycles.  The first item is an instruction manual about how to ride a modern bicycle.  The second talks about the dangers (to your heart) of riding a bicycle.  The third and fourth are humorous stories in which bicycles feature prominently.

The first bicycle was invented at the turn of the nineteenth century but the craze really took of in the 1890s. And so you get:

“The Modern Bicycle (with Practical Illustrations)” (1877) by Charles Spencer

Spencer was an early proponent of the bicycle.  In 1869, he rode from Trafalgar Square to Brighton in fifteen hours (Google maps says it should now take you a little over five on a bicycle, so that’s pretty impressive for 1896.)

This instruction manual is fascinating.  Now, the bicycle they are talking about is more or less a penny-farthing.  The “modern bicycle” may be slightly shorter than a pennyfarthing.  And yet, as a person who can ride a bike today, I can”t imagine riding one of these death traps. (more…)

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SOUNDTRACK: GOAT RODEO-Tiny Desk (Home) Concert #73 (September 1, 2020).

Classical music is for serious people.  Yo-Yo Ma, probably the best known cellist in the world, must surely be a very serious fellow.  False!

Yo-Yo Ma is a hoot.  How do we know?  The first song of this set is called “Your Coffee Is a Disaster.”  And the name of the group is Goat Rodeo, after all.

Yo-Yo man formed this assemblage known as Goat Rodeo nearly ten years ago.  It consists of Yo-Yo Ma, Stuart Duncan, Edgar Meyer and Chris Thile and many other folks.

You’ve probably heard Stuart Duncan playing fiddle on albums with Dolly Parton, Robert Plant and Alison Krauss, and he was named the Academy of Country Music Fiddle Player of the Year numerous times. Edgar Meyer has played bass with Joshua Bell, Béla Fleck and Christian McBride, and the Nashville Symphony commissioned his first orchestral work in 2017. And you’d most likely recognize Chris Thile’s vocals and mandolin in the music of Nickel Creek and Punch Brothers.

I really enjoyed their wild (yes wild) Tiny Desk Concert back in 2011.

Fast forward a decade and this collaboration channels that same spectacular frenzy, separately captured in the gorgeous homes of the artists and mixed to perfection.

Thile introduces the song by saying the band is often in the midst of a a coffee war: Yo-Yo, Stuart and Edgar prefer beans that were roasted in a volcano for maybe millions of years, while Aoife and I prefer beans that taste as though the were fashioned by angels.  We like good coffee.”

Up next is one of many inappropriate (not scandalous or anything) titles.  When we are not arguing about coffee we are punning.  This: “Waltz Whitman.”  It is a slow piece that feels a lot like the kind of music Punch Brothers play–where it is a fiddle, not a violin.  Although the middle section which has some gorgeous slow cello from Yo-Yo Ma makes this song transcendent.

They’re accompanied by songwriter Aoife O’Donovan, who lends her pitch-perfect vocals to close out the set. Chris Thile … explains that “The Trappings” is about work/life balance, a timely sentiment.  How the things you are doing impact the ones with whom you do them.  How your partners aide and hinder your efforts (and the humorous variations he describes).

“The Trappings” is a faster song and it’s got vocals!  Thile sings lead and there is wonderful backing vocals from O’Donovan and Duncan.  There’s fantastic cello trills from Yo-Yo Ma throughout.

It’s good til the last drop.

[READ: September 1, 2020] “That Last Odd Day in L.A.”

This story was really interesting.

We meet a man who goes by his last name, Keller.  His girlfriend calls him that, his ex-wife called him that, even his teenaged daughter calls him that.

His wife left him after she had a bit of a nervous breakdown–the squirrels had dug up her bulbs and that was the last straw.

The woman Keller has been seeing, Sigrid, is a travel agent.  She has a son and an ex-husband who has gone deep into animal rescue.  Keller and Sigrid recently had a first date and it was a disaster.  Although they are planning another date after Thanksgiving. (more…)

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SOUNDTRACK: THE SULTANS OF PING FC-“Wheres Me Jumper?” (1992).

The Sultans of Ping were, of course, named after the Dire Straits song.  They were named when “it was sacrilege to say anything whatsoever funny or nasty about Dire Straits.”

This song (or 30 seconds of it) was used as the opening  to the TV show Moone Boy.

The song was an unexpected, presumably novelty, hit in 1992.  It’s stupidly catchy and amusingly nonsensical and your appreciation for it is pretty much entirely dependent on your appreciation for Niall O’Flaherty’s voice which is comical and rather shrill in this song.  The other songs on the record are somewhat less so, but are still delivered in his speak-singing style.

I get a sense of them being like Ireland’s answer to The Dead Milkmen with a sprinkle of John Lydon on vocals–a fun punk band that flaunted a silly side.  Of course, I wasn’t in Ireland at the time, so perhaps they’re more akin to the Ramones in punk legacy.

The Sultans of Ping (later named The Sultans) were (a subconscious at least) predecessor to bands like Fontaines D.C.

But whereas Fontaines D.C. tackles existential life in Dublin, this song tackles a more urgent and pressing concern:

Dancing in the disco, bumper to bumper
Wait a minute:
“Where’s me jumper?

It’s all right to say things can only get better
If you haven’t just lost your brand new sweater
I know I had it on when I had my tea
And I’m sure I had it on in the lavatory
Dancing in the disco, go go go
Dancing in the disco, oh no, oh no
Dancing in the disco, bumper to bumper
Wait a minute:
Where’s me jumper?…

[READ: Summer 2019] Moone Boy

Chris O’Dowd is an Irish actor (we love him from the IT Crowd, and he has since been all over the place).  In 2012, he created Moone Boy as a sitcom based on his own childhood growing up in Boyle, County Roscommon, Ireland.

The show was a hit and they made three six-episode seasons.  This book came out around the time of the second season.

The story focuses on Martin Moone, a 12 year-old boy growing up in Boyle.  His friend Pádraic has an imaginary friend and Pádraic encourages him to get an imaginary friend (IF) of his own.  The rest of the book follows the exploits of Martin and his first (and second) imaginary friend.

But the book begins with some absurdist comedy.  Turns out he book is written from the point of view of the imaginary friend (we don’t really learn that until later) and he starts off with this:

Before we begin, I need to carry out a quick survey,

Are you reading this book because:

A. You have a scientific interest in the moon.
B. You have a scientific interest in the misspelling of the word “moon.”
C. You want to find out how quick and easy it is to obtain an imaginary friend that you’ll cherish for life.
D. You’ll read anything  You’re just like that.

If your answer is A or B, then I’m afraid you’re going to be disappointed.  There’s very little moon action in this story, apart from the brief appearance of a wrestler’s wrinkly bum.

If your answer is C, then you’ll be equally disappointed.  I suggest you pick up a copy of Imaginary Friends – The Quick and Easy Guide to Forever Friendship by a former colleague of mine, Customer Service Representative 263748.

If your answer is D, the good for you!  You’re my kind of reader.  I’m glad we got rid of that other bunch of idiots who picked A, B and C.

(more…)

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SOUNDTRACK: DAMIAN ‘JR. GONG’ MARLEY: Tiny Desk Concert #889 (September 8, 2019).

I’m not sure if everyone with the last name Marley becomes a singer, but it sure seems like it.

I had not heard of Damian “Jr. Gong” Marley before, but of all of the Marleys, I think I like his music best (he is Bob’s son).  I had no idea where the “Jr. Gong” came from, but the blurb helpfully says “Jr. Gong” is after his father’s nickname of “Tuff Gong.”

Even though the blurb describes the music as reggae, this set is pretty far from what I consider reggae.  Some components of reggae are there, but it’s mostly in his delivery (and accent) and the backing female vocals–from Roselyn Williams and Sherieta Lewis.

But the main element of reggae–the beat/rhythm/staccato guitar–is completely absent.

“Slave Mill” starts with delicate keys from Sean “Pow” Diedrick.  The song is catchy with great lyrics.  I really like the percussion from Courtney “Bam” Diedrick.  I assume those are brothers known as Bam and Pow, which is great.

I like that the blurb addresses the issue of Bob Marley and yet I feel like Damian is his own musician, with a distinct (if slightly familiar) voice.

Damian’s father cast a giant, magnificent shadow on the world and it can’t be easy to follow in those footsteps as a songwriter and musician.  Damian seems to be undaunted by that legacy and instead draws on it for inspiration and guidance. Not to mention there is more than a hint of his father’s unmistakable singing voice that so often preached the same messages of self-identity and self-determination that his youngest son is now doing so successfully.

He says the second song “So A Child May Follow” is one of his favorite tracks on the album.  He thinks about his nephews and nieces who are young adults now.  The song:

addresses the troubles youth confront around the globe and how to persevere to succeed.

It’s an acoustic ballad.  I like watching Bam play, because after each piano melody, he stops and pounds his fists in the air as the song pauses and resumes.  The main verses features a gentle acoustic guitar from Elton “Elly B” Brown.  It’s a lovely song of optimism in the face of trouble.

They end the set with “Speak Life” which “sums up the message of his music: live a life that will enable us to survive life’s slings and arrows with dignity and love.”

speak life and lead a humble and meek life.

All three songs feature great bass work by Shiah Coore.  I also really love the backing “woah ohs” in the song.

Damian says that they made a video of this song which was shot in Ethiopia and is subtitled in Amharic.  He says that as Rastas, Ethiopia is very close to their hearts.

The end of the blurb makes me wonder if I would enjoy the recorded versions less, since that what I enjoyed so much:

But what makes his music stand out on this session is the prominence of the acoustic guitar and piano in the arrangements, which makes the familiar sound somewhat new.

But he is very charming and funny and he ends the set talking about boxing Babylon vs Natty Dreadlocks.  Then he shouts, “We did it boys.  In the big leagues baby!”

[READ: July 21, 2019] This Was Our Pact

I really enjoyed this graphic novel.  S. had told me about it and told me I’d really like it.  She was right!

The pact of the title is simple.  There are two rules: No one turns for home and No one looks back.

The narrator is Ben.  He is one of five young boys who have made this pact.  The pact revolves around the Equinox Festival, in which the townsfolk send hundreds of lanterns down the river.  Every year a group of kids hopped on their bikes to follow the lanterns.  Usually everyone petered out.  But this year they were going to go all the way. The wondered, “Did they really journey far into the stars, like the old song sang?”

The boys set out following the lanterns.  As soon as they head out, they are followed by, “nerd alert!” Nathaniel.  None of the boys (except Ben) is friendly with him.  Even when Nathaniel says his mom made Rice Krispie treats, they don’t turn around and let him join.

The imagery of the book is beautiful.  It’s largely in blues because the story takes place at night.  The lanterns are little white spots in the blue and black rivers. (more…)

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SOUNDTRACK: PITCH BLACK PROCESS feat. HAYKO CEPKIN-“Zahid Bizi Tan Eyleme” (2019).

Pitch Black Process is a Turkish heavy metal band.   All of the members played in a band called Affliction in the 90s and 2000s.  As PBP they have released an EP and two albums and have a new EP on the way from which this song comes.  And I found it because of the Hayko Cepkin connection.  Interestingly, some of the songs on their albums are in English, but this song is in Turkish.

Metal Shock Finland says of the song

In “Zahid Bizi Tan Eyleme”, Pitch Black Process interpret a poem from the 16th century, of which melody is anonymous. With this significant work by “Muhyî”, their aim is to contribute to bring the culture of this land to the world scene, via building a bridge between east and west. It is a modern but also a folkloric song which blends traditional and authentic instruments with rock/metal elements; it is emotional, touching and sombre, but at the same time it’s moving, encourages individuality and gives a sense of fight and battle.

This song opens with traditional instrument–drums, flute and oud (I believe).

After 45 second the band kicks in with heavy guitars sludging through a traditional-sounding melody.    I really love the way the heavy guitars produce the djent sound along with traditional riffs.  Midway though an instrumental break highlights the zurna, I believe.

The end of the song features Cepkin and PBP singer Emrah Demirel singing in harmony over a quiet musical interlude that builds to a crushing end.  It’s a short song but it’s a terrific mix of the traditional and the modern.

The video is pretty outstanding.

[READ: June 4, 2019] “Hard Seat”

The June 10th issue of the New Yorker features five essays by authors whom I have enjoyed.  They were gathered under the headline “Another Country.”

Jennifer Egan is the only writer born in America writing in this series of essays and her perspective is as an America in another country.

In 1986 she turned twenty-four while travelling with a friend in China.  Her friend wasn’t quite as excited by this journey as the night before in Hong Kong rats had gnawed through her satchel at the youth hostel.

But they took a ferry to China (Guangzhou), a city full of tea shops and sunny gardens.  They stayed in a dormitory style hotel designed for travelers. (“this was practically a job description for most of our bunkmates, who’d been travelling in Asia for months.”  She felt silly around them–she was a grad student studying in England.  Hong King was still under British rule at the time and felt barely exotic). (more…)

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