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Archive for the ‘Sayreville, NJ’ Category

[ATTENDED: August 1, 20262] The Beths

I’ve been lucky enough to see The Beths five times in just under five years.  They always put on a great show.  Indeed, my wife and I saw a fantastic show at Union Transfer just before I had surgery in December.

So it was kind of crazy to see them again so soon, but they said it would be their last show in the U.S. for a while and, more importantly, it would be an all request show.

I didn’t really have any requests, although I would have liked to hear I’m Not Getting Excited, so I guess I did have a request.  But i was happy to let those with real opinions submit their requests instead.  I assumed it was done online, but instead, The Beths had a really fun series of ways to get to the requests.

As we walked in there was a box and a pile of bottle caps.  We were to vote for the opening song–either Knees Deep or No Joy.  I happen to love No Joy (it’s the song with the flute cannons), but Knees Dee won (it looked like by a landslide).  There was also a pile of papers where people were encouraged to write their requests and either make an airplane or a crumpled up ball.

After that first song they quickly had someone pick the encore–they chose whoever looks the most excited to be here and a guy in the back jumped super high and he was picked.  Guitarist Jonathan Pearce stressed the flow of a show and how carefully curated an encore should be and when the guy shouted out Lying in the Sun, Jonathan had to think about it before saying he could make that work.

Then it was “paper dart” time.  That’s what bassist Benjamin Sinclair called them, which was amazing.  Drummer Tristan Deck called them paper airplanes, so I wonder what the discrepancy is.

Each member of the band picked a missile (after putting on safety goggles).  And when the names were announced, a woman with a rubber pineapple on her head came out and wrote the setlist in a blackboard at the back of the stage.  It was funny and adorable, just like everything The Beths do.

The first request was a deeper cut from Expert in a Dying Field, but the other three were popular songs (two of which I’ve seen at every one of their shows) and I thought that that was awesome.  Because while I love to hear a deep cut, I didn’t want it to be all deep cuts that I didn’t know.  The person who requested Jump Rope Gazers had a missile shaped like a fish and when Benjamin opened it, he read that the person who was requesting the song was having it played at their wedding. (more…)

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[ATTENDED: September 25, 2026] Chelsea Jade

I was so excited that The Beths were going to do this “all request” show.  I imagined it might be an evening with them, where they play for 3 hours!  But of course, that’s not what The Beths do.  They like to elevate lesser known bands (I assume, that’s what they like to do).  Today’s lesser known band  was Chelsea Jade, who is apparently not lesser known in certain circles.

She is a South African-born New Zealand singer-songwriter and record producer based in Los Angeles. Vice has described her as New Zealand’s “Accidental Dream Pop Hero.”  In 2017, she was nominated for New Zealand’s Silver Scroll Award for song of the year for her song “Life of the Party.”

So she’s been around for a while.  And, it turns out she was a high school friend of Elizabeth Stokes of The Beths with whom she formed a small Folk trio, Teacups, to busk and get noticed.

Which might explain her fascinating stage show.  She came out on stage with two (really bright) tint flashlights that she waved around the crowd (and pointed in our eyes a but too often).  Music started and she slowly meandered into the audience.  It was neat and audacious.  She sang with the flashlights shining on her.  For the second song she handed the lights to people in the audience who shone them on her (and may have kept the lights?)

For a couple more songs she walked to the wing of the audience area and stood on one of the platforms singing to the people over there. (more…)

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[DID NOT ATTEND: August 1, 20262] Mannequin Pussy / Lip Critic

I’ve seen Mannequin Pussy six times.  The first time was when they had just released an EP and now they are opening and headlining around the world.  After the last time I Saw them I felt like I didn’t need to see them again.  I mean, I still love their songs, and the shows are cathartic.  I just didn’t feel the need for it anymore.  The last time I saw them was two years ago.  This tour was announced and I thought, meh.  But, I had recently seen Lip Critic and really wanted to see them again.

They opened for Panic Shack recently in Philly but I didn’t get a ticket in time, so I figured this show would be a great chance to see Lip Critic, and of course, Mannequin Pussy would probably be even better after being all over the world (they apparently even have a couple of new songs).

But then we booked a vacation leaving on this day, so, I sold my ticket and went to the Finger Lakes instead.

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[DID NOT ATTEND: June 5 & 6, 2026] Modest Mouse / Silver Triplets of the Rio Hondo

I continue to not go to Archer Music Hall.  I really ant to go to at least one show there.  Although recently a very loud man (with very bad breath) told me the sound there was terrible.

I’ve seen Modest Mouse a lot (eight times) and every time I think I don’t need to see them again, they do something that makes me jump back in.  Mostly I wanted to go to this show because it was at Archer. Especially since they announced a show in Philly that I got tickets for my wife and I to go to.

So, since I’d be out the night before this and I assumed I’d be going out on Sunday to see Geordie Greep, I sold these tickets.  I’m curious how much this setlist will reflect what they play in Philly.

I hadn’t even considered the Starland Ballroom show because I had tickets to two shows already that night.  And, honestly, I don’t love Starland.  For certain shows it’s a great venue.  But the last time I saw Modest Mouse there, the crowd was…icky.  So, it was never in contention anyhow.

Modest Mouse often chooses odd bands to open for them.  Although, that is how I first discovered Tropical Fuck Storm.  But the Silver Triplets of the Rio Hondo are from Portland, Oregon and make sci-fi roadhouse music & noise collage for dissociatives.   That’s not what I thought they’d sound like at all (I imagined three women singing a capella or something).  Instead, they’re three guys (in white suits I gather) who play slow Western music with trippy sound effects added in.  I’m pretty sure I’m happy I didn’t see them. (more…)

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[DID NOT ATTEND: May 2, 2026] Foo Fighters

In February of this year, Mitski announced a surprise intimate show at Starland Ballroom.  We went and it was terrific.  Now, two months later, the Foo Fighters did the same thing!

But this time, the tickets were for sale old schoool–at the venue, and that just wasn’t possible for me.  Correct, I didn’t want it bad enough.  People got there at 5AM.  The only thing worse than waiting for hours on line would be waiting for hours online and finding out the last ticket was just sold.

Foo Fighters announced this past Wednesday that the enormously popular rock band would perform two intimate club shows in the New York City area. On Thursday the band would perform at the 1200-capacity Irving Plaza in New York City. On Saturday, the band would perform at the 2500-capacity Starland Ballroom in Sayreville, New Jersey.

The club shows were two rare opportunities to see Foo Fighters up close. The last time Foo Fighters played New York City was in 2024, before 42,000 fans at Citi Field. That open-air stadium performance was abruptly abbreviated due to a torrential downpour and lightning. The band last performed in New Jersey in 2023, headlining the final day of the Sea.Hear.Now festival on the beach in Asbury Park, before an audience of 35,000 fans.

Old school style, the tickets announced on Wednesday afternoon would go on sale at the two clubs’ box offices the following morning. Early arrivals would receive a wristband that guaranteed the later purchase of tickets. Fans wearing wristbands would be allowed to purchase two tickets for $30 apiece. The fans turned out at both locations and, once the box offices opened on Thursday at 10 a.m., the electronic tickets sold out within an hour.

But DannyPaps94 was there and recorded the whole thing.

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[ATTENDED: February 28, 2026] Mitski

I saw Mitski in 2018 at Union Transfer.  Then in 2022, my kids wanted to see Mitski and I scored tickets to Franklin Music Hall.  We couldn’t get tickets to her 2024 show and when she announced her 2026, I knew we weren’t going to go.  Why?  Because she had decided on a residency at The Shed in New York City, somewhere I didn’t know and didn’t want to go to.

And then, out of the blue, four days ago Mitski announced that she was going to do an album release party at Starland Ballroom in Sayreville.  What? Why there? Was this real?  And would I be able to get tickets?

Well, the answer to the final question was yes, yes I could.  I had asked my kids and neither one of them wanted to go.  I didn’t ask why, but I grabbed two tickets, just in case one of them changed their mind.  But neither one did so my wife and I went to see her.  Which means that I have now taken everyone in y family to see Mitski.

We arrived what I thought was pretty early but boy was I wrong.  I used the ADA entrance to avoid the massive line and we managed to get a great spot in the center near the front of the elevated area behind the soundboard.  Obviously I would prefer the floor but it was PACKED!  And this location was much better than being on the floor in the back.

At 8:30, Mitski’s band came out on stage.  The set was remarkably bare.  As in, there was nothing on stage except the instruments and a black curtain. (more…)

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[ATTENDED: February 28, 2026] Her New Knife

Mitski announced a series of shows in New York City.  Then four days before this show, she announced this show. I couldn’t believe I was able to get tickets.  The way it was displayed it looked like Her New Knife was the name of the tour.  I didn’t realize they were a band until I looked them up.

So Her New Knife is a band from Philadelphia.  They are categorized as shoegaze although I don’t really hear it.  They’re more of a noise band.  At least they were live.

The guitarist/singer was making lots of interesting scratchy sounds with the guitar.  The drummer was hitting lots of splashing cymbals.  And the singer was whisper/mumbling. (more…)

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[DID NOT ATTEND: April 15, 16 & 18, 2025] The Used / Family Dinner / In Angles / MX Lonely

My son and I saw The Used open for Pierce the Veil.  I didn’t know them but he was excited to see them.

I enjoyed them quite a bit–their songs were fun and rocking and the show was a really good time.

I had no intention of going to any of these shows–these 25th Anniversary shows were for the die hard fans, I believe.  I thought my son might want to go but he wasn’t that interested either.

Each night they were playing an album in full (plus other songs, I assume).

April 15 was their self titled debut.  Family Dinner opened.

April 16 was their Love and Death album.  In Angles opened.

April 18 was their Lies for the Liars album.  MX Lonely opened.

Family Dinner “creates alternative rock that makes you want to dance, with lyrics that take some dark twists.”  I listened to a couple of songs and I really liked their fuzzy guitars and Natalie’s vocals.  I would absolutely see them live.

In Angles are a much much heavier band–a heavy screaming kind of band with tasty guitar licks in their songs.  Described as post-hardcore, if that helps.  They are from East Brunswick, NJ, so mad props. Maybe I’ll give them another listen just for proximity sake.

MX Lonely is described as heavygaze from Brooklyn.  I don’t love that phrase, but I do tend to like the music.  They seem pretty good.

I would have enjoyed all three openers.  But probably Family Dinner best.

 

 

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[DID NOT ATTEND: February 14, 2025] The Get Up Kids / The Anniversary

So, once again I missed The Get Up Kids.  They played back in September for this tour and I couldn’t make it.  I hoped  they’d swing around again and they did.  But on Valentine’s Day?

I’m sure many people would find seeing them on Valentine’s Day to be a perfect night.  But, well, not in our house.

I recalled loving The Anniversary‘s album Designing a Nervous Breakdown and being kind of obsessed with them.  And yet, listening to it again now, 25 years later, I don’t really remember it.  But I like it.  I think it would have been fun to see this pairing.  Shame the date was really bad.

I won’t even hope that this tour comes back around, because they are heading to Europe and surely won’t play it again when they come back.

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[ATTENDED: February 5, 2025] Slowdive

I was never a big fan of Slowdive back in the 90s, but I have been getting into them a lot more in the last few years.  I missed their show in 2023 (it sold out before I’d even heard about it), so I was pretty psyched that they were playing Starland Ballroom on a ten day East Coast tour.

I have mixed feelings about Starland.  The line to get in is always insane, but they are super accommodating to anyone with a cane (thanks you guys).  I feel like the floor actually slopes away from the stage, so no matter where you are, the people in front of you are always taller.  That can’t possibly be true but every time I go there I feel like that.

I had a great spot between two taller people until the guy on my left (the really tall one) moved forward and to the right basically blocking everything.  He then used his camera a lot, blocking things even more.  Sigh.   But Slowdive isn’t really a band for looking at, their more of an experiencing band, with cool lights and visuals behind them while the band are largely in darkness.

The band came out and I was so puzzled by the facial hair!  Guitarist/singer Neil Halsted had a big thick mustache (and a baseball hat).  Drummer Simon Scott had a mustache that lined the sides of his mouth almost to his chin.  And Christian Savill had a scruffy beard.  What kind of shoegaze vibe is this?  Rachell Goswell looked cool with half of her hair died white.  But more importantly, her voice sounded amazing.

Most of their songs are sung by Goswell.  Sometimes with Halsted singing harmony.  Once in a while Halsted sang lead with Goswell, punctuating with perfect harmonies.

They opened with a new song, Shanty, and the lighting behind them was great with a wall of what looked like sound waves pulsing behind them, all but obscuring the band.  I liked the way the lighting would get brighter on whoever was sing and then fade out when they stopped.

When they played the second song, Star Roving, I thought it was a classic shoegaze song, but am surprised to learn that it’s from their first comeback album in 2017.   And I guess that’s why I knew it pretty well.  I mean, damn, it’s a great song.  A perfect melody and great production with terrific vocals.

Bassist Nick Chaplin was right up front (both singers were on either side of him), and he was almost constantly at the edge of the stage.  Which was a little odd since both guitarists often turned away from the audience to generate waves of sound.  But I absolutely loved Chaplin’s bass sound.  It was big and a little fuzzy and, unlike on the record, it was a little louder in  the mix so you could really get into it.  Also fascinating was how loud and wild the drums were.  I’d never think of Slowdive as having wild drums, nut Simon Scott played loud and hard with lots of fills and lots of cymbals.  He essentially added another level of constant din to the wave of shoegaze in the room.

I mean, at times the sound was enormous.

The setlist was an interesting mix with only a couple of new songs sprinkled in with some old 90s tunes (like the gorgeous, delicate Catch the Breeze).  But the bulk of the set came from the 2017 self titled album and , at the end, five songs from 1993’s Souvlaki.

After the dreamy Souvlaki Space Station, they played two songs from the new album.  Chained to a Cloud has more synth than waves of guitar, but it still a lovely song.  And when they played Sugar for the Pill, I realized I knew that song quite well, too. So clearly I listened to that 2017 album quite a bit.  I didn’t recognize Slomo, but it was really lovely, with the vocals intertwining beautifully.

And then they dove into Souvlaki.  When they started When the Sun Hits, the crowd went nuts and it was a sea of phones in front of me.  I actually assumed that this crowd would be largely older folks, but it seems that Slowdive has cultivated quite a young crowd, with most of the people there being in their 20s I’d guess.  After  one more song, they took a brief encore break.

People moved around so I had a good view for the final two songs.  The first was the quiet Dagger, a pretty ballad.  But we knew they couldn’t end with that and they soon began 40 Days, which seemed to blow the roof off with how loud and long it went.

This was a really great show.  And I’m glad I went, even if I couldn’t see all that well for most of it.

  1. shanty €
  2. Star Roving ⇓
  3. Catch the Breeze ⊗
  4. No Longer Making Time ⇓
  5. Crazy for You
  6. Souvlaki Space Station §
  7. chained to a cloud €
  8. kisses €
  9. Sugar for the Pill ⇓
  10. Slomo ⇓
  11. Alison §
  12. When the Sun Hits §
  13. Machine Gun §
    encore
  14. Dagger  §
  15. 40 Days §
€ everything is alive (2023)
⇓ Slowdive (2017)
¶ Pygmalion (1995)
§ Souvlaki (1993)
⊗ Just for a Day (1991)
∇ Blue Day/Slowdive EP (1992/1990)

 

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