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Archive for the ‘Hole’ Category

Holy Wars (Nikki Lopez, Philadelphia, PA, June 10, 2026)

Posted in Hole, Holy Wars, Nikki Lopez, Oxymorrons, Palinoia, Philadelphia, PA on June 12, 2026| Leave a Comment »

[ATTENDED: June 10, 2026] Holy Wars

This show was announced rather unexpectedly.  Holy Wars and Oxymorrons are playing the Warped Tour in Washington D.C.  But they had a few days off, so they decided to play some small clubs in NY and Philly.   I didn’t know Holy Wars, but I love Oxymorrons. I actually assumed that Oxymorrons was the headliner.  Especially when I went upstairs and saw that the Oxy drum were set up (and every band used them).  But Holy Wars were the headliner and the crowd that was there was really into them.

The guy who was in front of me was a huge fan of Holy Wars–he had gotten to the venue at like 4:30 and chatted with the band.  He must have been super psyched when lead singer, Kat, leaned right up to him during one of the songs and let him sing a line or two.

So Holy Wars is technically a duo of vocalist Kat Leon and Nicholas Perez on guitar.  For the live show they had a bassist and drummer too.  They’ve been around for a few years and have a few albums out.  Their style has changed pretty dramatically over the years.  Their earliest stuff is much less heavy.   And their middle stuff is more electronic.  But their newer stuff is guitar based and almost nu metal.  Kat seems to really get into this new style.

Kat is a great frontwoman–she clearly loves what she does and has a lot of fun up there.  The rest of the band didn’t do much, but I think all eyes are on her.  I gather that this was a tour to support their new album, the awkwardly named Shadow Work/Light Work, because they played most of it.

They opened with I Feel Everything the first proper song on their new album.  Kat has a few different vocal styles and I wondered if she was putting some kind of effect on her voice when there seemed to be some kind of echo during certain parts.  The song has a really heavy almost 5 string bass sound.  But what I thought was really cool was that their bassist was using a hollow bodied 4 string bass.  It looked huge and sounded really deep.  He also sang the occasional ugly backing vocals.

Their drummer, Johnny Tuosto was a beast back there.  I don’t know if he had effects on his drums, but his snare was occasionally so piercing.  He really added a lot to the sound.

They followed it with Kill the Light a song that switches between heavy parts and quieter moments.  It really showed off how diverse Kat’s vocals can be.  She dedicated Crucify to a lot of people they hate (she didn’t say names).  I enjoyed the slow, screamed chorus.  Then she said they would play some old songs.  (more…)

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Eric Spitznagel–Rock Stars On The Record: The Albums That Changed Their Lives (2021)

Posted in "Weird Al" Yankovic, Adam and the Ants, Against Me!, Alice Bag, Alice Cooper, Amanda Shires, Asia, Bad Brains, Beach Slang, Bjork, Blondie, Bob Dylan, Buddy Holly, Buggles, Captain Beefheart and His Magic Band, Craig Finn, Crass, David Bowie, Depeche Mode, Dip-in Books, Don McLean, Donny Osmond, Drive-By Truckers, Elton John, Eric Spitznagel, Fishbone, Frank Turner, Frank Zappa, Fugazi, Gwar, Henry Rollins, Hole, Interviews, Iron Maiden, John Lennon, Kiss, Kristin Hersh, Laura Jane Grace, Leonard Cohen, M.I.A., Mac Demarco, Mannequin Pussy, Mark Mothersbaugh, MC5, Minor Threat, Mitski, Nickelback, Oasis, Pom Pom Squad, Procol Harum, Rainer Maria, Sex Pistols, Soul Asylum, Stevie Wonder, Superchunk, Suzi Quatro, The Buggs, The Left Banke, The Mothers of Invention, The Runaways, The Velvet Underground, The Who, Todd Rundgren, Van Halen, Wendy & Lisa, White Denim, Yeah Yeah Yeahs, Yoko Ono on August 30, 2021| Leave a Comment »

SOUNDTRACK: see below.

[READ: August 2021] Rock Stars On The Record

I saw this book at work and rolled my eyes.  I thought well, here’s another book about musicians talking about music.

Really, most musicians aren’t very interesting and it was probably just the same old same olds talking about albums that have been praised to high heaven already.

But then I saw a few names that intrigued me.  So I read it.  And it was fantastic because Eric Spitznagel did a magnificent job with this task.

Not only because he chose diverse people (some hardly even rock stars, really) who had interesting things to say, but because of the way he followed up his questions with better questions–questions that the musicians seemed excited to answer.

And also because the list of people turned out to be really interesting.  I didn’t recognize a number of names, but that’s because they might have been the guitarist for a famous lead singer).  And this made it really interesting.

I don’t know if it’s worth stating the why’s of each person here (each interview is basically four pages) but I will state each person’s favorite record (with a few extra comments here and there). (more…)

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Samantha Irby–Wow, No Thank You.: essays (2020)

Posted in Alanis Morissette, Ani DiFranco, Beck, Bjork, Broad City, Dave Matthews Band, Drugs, Erykah Badu, Everything Sucks, Fiona Apple, Ginuwine, Hole, Indigo Girls, Jill Scott, Juliana Hatfield, Late Night with Jimmy Fallon, LGBTQ, Lisa Loeb, Liz Phair, Mariah Carey, Marriage (Happy), Memoirs, Menstruation, Michigan, Parenting, Pearl Jam, PJ Harvey, Poo, Portishead, Poverty, Queer, Racism, Radiohead, Reality Bites, Restrooms, Samantha Irby, Sarah McLachlan, Sex, Sexism, Shrill, Smashing Pumpkins, Taxes, Technology, Teeth, The Breeders, The Cranberries, The Roots, Toilets, Tori Amos on November 11, 2020| Leave a Comment »

SOUNDTRACK: THE ROOTS feat. JILL SCOTT-“You Got Me” (1999).

I’ve wanted to listen to more from The Roots ever since I was exposed to them on Late Night with Jimmy Fallon.  But as typically happens, I’m listening to other things instead.  So this seemed like a good opportunity to check them out (based on Samantha Irby’s rave below).

One of the best things about this recording (and The Roots in general) is Questlove’s drumming.  In addition to his being a terrific drummer, his drums sound amazing in this live setting.

Erykah Badu sings on the album but Jill Scott (Jilly from Philly) who wrote the part, sings here.

It starts out quietly with just a twinkling keyboard and Scott’s rough but pretty voice.  Then comes the main rapping verses from Black Thought.  I love the way Scott sings backing vocals on the verses and Black Thought adds backing vocals to the chorus.

Midway through the song, it shifts gears and gets a little more funky.  Around five minutes, the band does some serious jamming.  Jill Scott does some vocal bits, the turntablist goes a little wild with the scratching and Questlove is on fire.

Then things slow down for Scott to show off her amazing voice in a quiet solo-ish section.  This song shows off how great both The Roots and Jill Scott are.  Time to dig deeper.

[READ: November 1, 2020] Wow, no thank you.

This book kept popping up on various recommended lists.  The bunny on the cover was pretty adorable, so I thought I’d check it out. I’d never heard of Samantha Irby before this, but the title and the blurbs made this sound really funny.

And some of it is really funny. Irby is self-deprecating and seems to be full of self-loathing, but she puts a humorous spin on it all.  She also has Crohn’s disease and terribly irritable bowels–there’s lots of talk about poo in this book.

Irby had a pretty miserable upbringing.  Many of the essays detail this upbringing.  She also has low self-esteem and many of the essays detail that.  She also doesn’t take care of herself at all and she writes about that.  She also doesn’t really want much to do with children or dogs.  And yet somehow she is married to a woman with children.

From what some of these essays say, it sounds like she is married to this woman yet somehow lives an entirely separate life from the rest of the house.  It’s all rather puzzling, although I suppose if you are already a fan, you may know many of the details already. (more…)

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Death Valley Girls (Union Transfer, Philadelphia, PA, October 7, 2019) [THE DISTILLERS]

Posted in Death Valley Girls, Hole, Philadelphia, PA, Sharkmuffin, The Distillers, The Saint, Union Transfer on October 7, 2019| Leave a Comment »

[ATTENDED: October 7, 2019] Death Valley Girls [rescheduled from June 1 & August 14, replaced Starcrawler]

I had the opportunity to see Death Valley Girls twice in August.  The first time was with The Distillers who had to cancel their second show at Union Transfer due to a different injury.  The second (and it probably happened because of that cancellation) was with Sharkmuffin, a band I really wanted to see but wasn’t free that night.

So I was pleased that they were opening for The Distillers again a few months down the line.

I actually didn’t know much about them before seeing the show.  I had an idea of what they sounded like but, for instance, I had no idea that they were founded by Patty Schemel, the original drummer for Hole.  I also had no idea that there was a man in the band (Larry Schemel–Patty’s brother).  Patty Schemel has since left, replaced by Laura Kelsey.

So what exactly do the Death Valley Girls sound like?

Well, they’re sort of a fuzzy rock band with goth leanings.  The goth leaning come primarily from their look and their lyrics–not their sound. (more…)

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Dilly Dally (The Foundry, Philadelphia, PA, March 23, 2019)

Posted in Chastity, Dilly Dally, Guster, Hole, Philadelphia, PA, Pixies, The Foundry on March 23, 2019| Leave a Comment »

[ATTENDED: March 23, 2019] Dilly Dally

I can’t believe it was actually two and a half years since I last saw Dilly Dally.  I was rather looking forward to seeing them again–their new album is great–an evolution but not a reinvention.

Then our Guster show was cancelled and placed on  this very night.  Coincidentally, in the same building!  Guster was going to play the large venue of the Fillmore while Dilly Dally was scheduled to play upstairs in the Foundry.

The Guster show was great, but since Dilly Dally started an hour later, I thought I’d see if they were still playing as we walked out.  The bouncer guy was rather surprised that I had a ticket for both shows.  But I showed him my ticket and with S’s blessing, I went upstairs to see a song or two (I was bummed and a little surprised they wouldn’t let her up since the show was more or less over).  The bouncer guy said they had the room until 11:15.  It was barely after ten when I went upstairs (S. said she didn’t mind waiting for ten minutes, but understandably, not an hour).

There was no way to see opener Chastity:

Brandon Williams makes resonant songs that capture isolation and resilience. As the songwriter behind Chastity, the Whitby Ontario musician has made three unrelentingly perceptive albums

When I walked upstairs I could hear the unmistakable voice and guitar work of Dilly Dally. Dilly Dally are from Toronto and they were described to me as being like the Pixies meets Hole.  I can certainly hear that although they transcend their influences.  They play loud aggressive alternative rock that’s headed by Katie Monks’ snarling singing voice and Liz Bell’s sharp and catchy lead guitar work.  Bassist Jimmy Tony (in a striking silver sparkling short skirt) and drummer Benjamin Reinhartz lay down a low end that keeps the sound grounded. It was a drastic change from Guster.  As was the size of the crowd.  The Guster show was packed uncomfortably tight, but this show was more open and I was able to walk around.

They finished the excellent “Bad Biology” and I wondered how long I could push my luck–how many songs could I make S wait for.  And then Katie Monks told us that the next song was the last song.  Disappointing but very convenient. (more…)

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Dilly Dally (Boot and Saddle, Philadelphia, PA, November 7, 2016)

Posted in Boot & Saddle, Dilly Dally, Drake, Hole, Philadelphia, PA, Pixies on November 7, 2016| Leave a Comment »

[ATTENDED: November 7, 2016] Dilly Dally

2016-11-07-22-06-13Although many of the shows I’ve attended recently have been by well established bands that I wanted to see for years, I really love seeing new bands who have grabbed my attention.  Especially in a small club.

Dilly Dally are from Toronto and they were described to me as being like the Pixies meets Hole. And I can certainly hear that.  They play loud aggressive alternative rock that’s headed by Katie Monks’ snarling singing voice and Liz Bell’s sharp and catchy lead guitar work.  Bassist Jimmy Tony and drummer Benjamin Reinhartz lay down a low end that keeps the sound grounded.

The band has one album out.  A great album (with an absolutely terrible cover) that juxtaposes angry and pretty quite nicely in just thirty some minutes.

When I saw guitarist Liz earlier talking to someone, I didn’t realize she was the lead guitarist (I barely knew what any of the band looked like).  And, in fact, I nearly crashed into the drummer about five times throughout the night as we kept walking past each other.  So I was delighted not only to see Liz strap on her guitar but to hear her making those great riffs sound just like the album.

I didn’t really think that Katie’s voice would sound quite so…primal live, but it does.  When they eventually played “Desire,” the track that opens with her snarling 1, 2, 3, 4, the sound was exact–like her throat really hurts after singing. (more…)

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